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Scott Bradlee’s Postmodern Jukebox brings vintage sounds to Clark State
Modern pop hits are getting a vintage makeover. Scott Bradlee’s Postmodern Jukebox brings its global "Future is Vintage Tour" to the Clark State Performing Arts Center on Tuesday, Nov. 3, blending eras with a dynamic mix of singers, dancers and old-school flair.
Inside Disney's Animal Nutrition Center, which doles out 10,000 pounds of food every day
To make nutritious ‘pies’ and celebratory ice cakes, a whole lot of science is mixed with a dash of creativity.
Best & Worst NHL Hometown Remix jerseys in 2026
Which NHL teams nailed their Hometown Remix jerseys, and which teams missed?
HCA Healthcare tops Q3 expectations on strong demand, but warns of persistent payer mix issues
HCA Healthcare’s earnings landed above internal and analyst expectations for the third quarter as accelerated volume growth and cost reductions blunted a weakening payer mix. | The country's largest for-profit health system opened up earnings season with strong numbers, but outlined ongoing and future headwinds that checked investor enthusiasm.
CVS Health (CVS) Could Be 27% Undervalued As Earnings Focus Sharpens
CVS Health stock reacts to upcoming earnings focus CVS Health (CVS) heads into its next earnings report with Wall Street expecting quarterly earnings of $1.62 per share, placing fresh attention on how each business segment is contributing. Recent headlines around CVS Health's community housing projects and medication safety initiatives have landed against a mixed backdrop. The share price is US$90.25 after a 30-day share price return of 5.32% but a 90-day share price decline of 13.58%. At the...
Nature comes to life in ‘MOMIX: Botanica’ at the Schaefer Center on Nov. 12
MOMIX presents Botanica, a visually stunning dance and illusion show exploring nature’s rhythms, at Appalachian State University’s Schaefer Center on November 12. This multisensory performance combines athleticism, inventive props, and atmospheric music to transform dancers into flowers, insects, and fantastical creatures.
Taylor candy store warns businesses after customer allegedly uses fake $50 bill
A Taylor candy store owner is warning other businesses after someone allegedly used a counterfeit $50 bill to purchase candy.
UNM Health Center Reopens to Patients After Cyber Event
After a “cybersecurity event” Monday shuttered the system of the state’s only Level 1 trauma center, the University of New Mexico Health Sciences Center has resumed operations.
Beyond cricket: can non-cricket sporting leagues add value to platforms' entertainment mix?
New Delhi, Nov. 3 -- Even as cricket remains the cornerstone of sports viewing in India, non-cricket properties are emerging as a way for broadcasters and streaming platforms to keep audiences engaged through the year and reach new viewer segments.The latest season of the Pro Kabaddi League (PKL…
Preview: The Avs Host Detroit in a Remixed Rivalry Revival
Can an old rival bring out some new life in the Avs tonight?
JYP Entertainment to debut new boy band oftheblue under SQU4D
Boy band oftheblue will debut under JYP Entertainment's subdivision SQU4D, which also manages girl group Nmixx.
Meet the women behind Baddies 4 Progress, state’s new progressive PAC
Baddies 4 Progress founders Arshia Hussain and Yusra Mohamud mix social media, political events and community outreach to counter voter apathy. Their new Minnesota PAC builds on organizing that began during Omar Fateh’s mayoral run.
Phibro Animal Health (PAHC) After Guidance Hold Looks Undervalued On The Leading Narrative
Fresh guidance and earnings are putting Phibro Animal Health (PAHC) back in focus. The company kept its 2027 outlook intact after reporting first quarter results and affirming its regular dividend. Recent trading tells a mixed story. Phibro Animal Health’s share price has fallen 15% over the past week and is down 14% over the past month. The 3 year total shareholder return above 250% points to much stronger longer term momentum, despite the past year’s 24% total return decline. Spot...
MMAM to host Fall Seasonal Saturday Nov. 14
The Minnesota Marine Art Museum (MMAM) invites visitors and the Winona community to Fall Seasonal Saturday, River Town Remix on Saturday, November 14, 2026, from 10 a.m. to 4 p.m.
US stock futures mixed as Democrats score key midterm election wins
Wall Street faces fresh uncertainty over what Democratic control of Congress could mean for taxes, government spending and regulation.
The Sci-Fi Movie Where A Robot Finds Religion And Its Makers Want It Dead
Doomsday Book mixes zombies, a Buddhist robot, and an impossible delivery. Its long road to completion is almost as unusual as its three stories.
Notable healthcare headlines for the week: Moderna, Pfizer, and CVS Health in focus
Wall Street's major averages ended mixed on Friday, with the Nasdaq leading a recovery from its worst day in more than a year.The benchmark S&P 500 gained 0.3%, while the tech-heavy Nasdaq Composite finished advanced 1.1%, while the blue-chip Dow ended down 0.5%.The S&P 500 Health Care Sector Index…
Animals Starves while the Kardashians Miss the Charts Again
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Before we get going, I’d like to offer congratulations to Jonathan Funke, whose suggestion “midflicks” won the poll for what I should call straight-to-streaming films which aren’t big or cinematic enough to go to theaters but seem too expensive for a TV movie. It’s so useful a term, I just used it last week! Now I just need to add this term to my data dictionary! Okay, on to this week’s issue. We’re starting out looking at Netflix/Ben Affleck’s latest crime thriller, Animals. I’ll also look at Disclosure Day heading to Peacock (it did better than you’d remember in theaters...) and a new movie based on toys. Plus, a long-time streaming flop returns for its eighth season...will it finally chart? (No.) Will anyone at Disney care? Probably not. All that, plus another look at new shows landing on streaming on 1-Oct from Reelgood, what streamer hasn’t had a film make the Luminate charts since August, Reacher’s long run on the charts, M_onster: The Lizzie Borden Story’s_ short run, the top shows in 2026 according to Samba TV, all the flops, bombs and misses, and a whole lot more. And I mean that last part: putting this week’s issue together, I assembled OVER 25 images, most of which are bespoke looks I made just for this report. Really, publishing articles like this takes the work of writing two articles: one is the narrative and the other is making charts/graphs. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the week of October 5th to October 11th, 2026. You can find a link to my terminology here.) Subscribe Film - Netflix’s Latest Star-Studded Thriller Goes For Glory The tempting angle for anyone writing about streaming film this month, like yours truly, is to ask, “Is this why Dan Lin lost his job at Netflix?” Take Animals, the Ben Affleck-starring-and-directing, Artists Equity-produced crime thriller that opened on 9-Oct. (Kerry Washington and Gillian Anderson are also in it.) If it did really well, then one could argue that Lin has another success on his resume. If it underperformed, then it’s another example of a Netflix underperformance this year. So where did Animals fall? Kinda in the middle, but that means it’s more “not a hit” than “big hit”. On Nielsen, it opened to 12.0 million hours, and here’s how that stacks up for 2026 films so far this year: Obviously, that’s not great. It’s both under my 15 million opening bar for “fine” for a Netflix film and 20 million bar for “great” opening. It did a bit better on Samba TV, getting to first place. That’s very, very good, though again, looking at the Nielsen data, it probably means that it was a light week overall. Luminate’s data is a bit closer to Samba TV’s, tied for 17th all time for single weeks since May of 2024: To top it off, no one seemed to like it. It has a 33 on Metacritic and only a 5.7 on IMDb. Both of these numbers could have been impacted by the stories about Affleck’s comments about using AI to make the film. Given the controversy, the film might not have been as bad as the ratings suggest, but it’s also not a bullish sign. All to say…yeah, on net this film isn’t a point in Dan Lin’s favor. At this point, Netflix’s slide has been long enough—going on since February—that I’m almost tempted to lower the bar for what a “hit” is on streaming. Post-February of 2026 or so, it seems like straight-to-streaming films just haven’t hit the same heights as they did from 2022 to 2025. Before we head onto the “Quick Hits” for film, I want to shout out a fellow newsletter whose articles I’ve been loving this year, LA Material, a new LA-based news outlet. For just a highlight of my favorite articles since July... I loved this article on Ghost Town, a group on Venice that clears homeless encampments. As a Los Angeleno, obviously I adore their articles on LA parking issues. Their article on illegal parking tickets got the City Council to address the issue! Also check out their article on people parking in medians. Check out their deep dive on what went wrong with the LA Jazz Festival and how it fell apart, or what’s wrong with USC’s finances. Finally, they wrote up a voter guide on voter guides for the LA General Election. So meta! In search of a city? L.A. Material is an independent news outlet covering the people, politics, culture and glorious chaos shaping Los Angeles. L.A. Material brings you intel on the city you can’t get anywhere else. From exploring how Reddit short stories became Hollywood’s hottest commodity to reporting on the survival jobs keeping entertainment workers afloat. And answering, once and for all, why the AMC Burbank escalator is always broken. Through their newsletters, podcast, videos, events, and member community, L.A. Material is designed to help Angelenos connect to Los Angeles and each other. Sign up now for the free weekday newsletter. Quick Notes on Film Steven Spielberg’s latest film, Disclosure Day, came to Peacock on 9-Oct, and I’ll admit that, after pulling its stats, I did a pinch of a double take. As I wrote throughout my deep, deep, deep dive on summer box office/Obsession/Backrooms/IP/superheroes, oftentimes the film media discusses films as “flops” or “misses” or “hits” without clarifying what they specifically mean. Since Disclosure Day didn’t make $250 million in the US or $500 million globally, it was definitely a disappointment by Spielbergian standards, who is the highest-grossing director of all time, and arguably even more ahead in adjusted grosses. But it did make $245 million globally on a $115 million budget, so it isn’t as big of a miss as I remember. That’s still probably not enough to break even in the theatrical window, when you factor in marketing costs…but it’s close. And it grossed a lot more even in the US than some titles with about ten times more coverage. Anyways, lots of preamble to say this one only did 4.5 million hours according to Nielsen, so it did make the charts, but on the low end. Here’s how it stacks up to other Peacock titles: Apple TV (née +) followed up their “success for them” Mayday with Matchbox The Movie. This one doesn’t look like a success even for them, but at least it’s not a miss. Apple/Skydance clearly tried to take advantage of the success of Barbie at the box office—let’s greenlight all the toy properties!!!—but of course, this didn’t make it to theaters. And it stars John Cena, who, as I argued earlier this summer, NEEDS to get his movies back in theaters. Anyways, this one has mixed-to-bad numbers. It missed the Samba TV and Nielsen charts in its first week, but did make Luminate with 7.1 million hours. That’s just enough to not be an outright miss, and about half what Mayday did earlier this summer. Speaking of Apple Studio’s Mayday, it ended up lasting five weeks on Luminate, which isn’t bad for Apple TV. On Nielsen, it had a three-week run, racking up 13.5 million hours total. Again, like Matchbox, the issue is the budget; I doubt that this viewership earned enough to justify that budget. Also, to be clear, neither of these films are “midflicks”; both should have gone to theaters. Toy Story 5 is not hanging around on the streaming charts on Disney+, so it’s not as leggy as either Zootopia 2 or Moana 2, and definitely not in the same class as Encanto. (It did make all the money at the box office, so Disney is going to be fine…) The Breadwinner on Netflix (from Sony) is down to 3.9 million hours in its third week. It only lasted for one week on the Samba TV charts. Netflix’s Doing Life had a smaller-than-normal binge release curve bounce, only going to 7.1 million hours from 6.0 to start, but it made Samba TV at fifth place in its second week. The Netflix documentary, The Widower: Til’ Death Do Us Part, also had a small binge release curve bounce to 6.5 million hours, but did make a second week on Samba TV. Meanwhile, Netflix’s Unabomber fell off after two weeks on Nielsen—which is not great at all—and Demon Slayer fell off after just one week. Over on Luminate, the two smaller titles The Swan: Behind the Mirror and Kill. Bury. Print both fell out of the Luminate top ten charts. The story of library film at the first of the month is the arrival of the Ice Age films on Netflix. Now, here’s a small example of optimizing your library that even Netflix could do better. Say you want to rent/license a new film series from Disney**.** A streamer could pay a big paycheck and then drop each Ice Age film on the exact same day of the month, the fourth of October. That’s one choice. In contrast, the streamer could have released each film one week apart, and make each one a mini-event for folks watching Ice Age films. Or even roll them out monthly. Netflix opted for the former strategy, and as a result, only three of the films made the Nielsen charts this week. The “Miss of the Week” goes to Tubi’s YA-ish horror film_, R.L. Stine’s Pumpkinhead 2_, which didn’t even make the Luminate charts like Tubi films usually do, or, should I say, “used to”? Tubi films, most of which are straight-to-streaming, used to reliably make the Luminate film charts (which only covers straight-to-streaming films), but a Tubi film hasn’t made it since August. The first Pumpkinhead got 1.4 million hours last year according to Luminate. As I wrote about this film before, it seems to be a bit muddled in terms of age: too scary for young kids but probably not scary enough for older kids. Speaking of Luminate, Netflix’s latest doc about a comic (expect more docs about comedians all month), Who Is Martin Mull?, flopped, getting just 200K and 700K hours according to Luminate. Three other film/special misses belonged to Hulu, including a standup special, Jamie Foxx: Take Care of Yourself, Neon’s latest horror film, Hokum, which made $17 million in the US, and a Family Guy Halloween special. (That last one was only 22 minutes, so it’s not a surprise it missed.) Finally, another Netflix standup special missed the charts, Mojo Brookzz: I Know You Lying missed too. I can confirm last week’s misses, most notably Paramount+’s Jackass: Best and Last, MUBI’s Teenage Sex and Death at Camp Miasma and HBO Max’s Evil Dead Burn. Television - I Can’t Visualize Nothing: The Kardashians Story Normally, in the mini-dive essays that open the Streaming Ratings Report, I focus on shows that do well or, at the very least, make the charts. Why? Because as I’ve said time and again, I can’t visualize nothing like, say, the Kardashians’ TV shows. Here’s the TV debuts chart for this week with a missing spot for The Kardashians, whose eighth season just landed on Hulu:
Sotera Health (SHC) Could Be 28% Below Fair Value As Earnings Beat Lands
Sotera Health (SHC) is back in focus after reporting third quarter 2026 results that topped Wall Street forecasts, reaffirming its full year revenue and earnings outlook, and securing a Moody's credit rating upgrade. Recent trading tells a mixed story, with Sotera Health’s share price up 2.25% on the day of the earnings beat yet down about 12% over the past week and 11% over the last month. At the same time, the 1 year total shareholder return of 3.67% and 3 year total shareholder return of...
AC Milan XI vs Udinese – Predicted lineup and team news
AC Milan will look to break into the Serie A’s top four by taking maximum points when they travel to face Udinese on Sunday in their upcoming league fixture.The Rossoneri arrive with a mixed and unp...
‘A smart piece of entertainment’ or ‘starchy’ and ‘listless’? ‘A Few Good Men’ Broadway revival draws a mixed verdict from critics
Bradley Whitford reunites with Aaron Sorkin in a role made famous onscreen by Jack Nicholson.
Moira Macdonald pays tribute to Tom Skerritt
Though many knew Skerritt, who died last week, through his roles in big Hollywood movies, his long career was filled with a rich mixture of little gems that stuck with our arts writer.
Richard Clode: That cloud business is incredibly strong
Richard Clode, Technology Portfolio Manager at Janus Henderson Investors, discusses Alphabet's mixed earnings, AI spending, cloud growth, Amazon's outlook and software stock volatility.
Nevada Business Indicators: November 2026
Key late-2026 Nevada economic indicators reveal post-pandemic low unemployment rates of 4.8%, robust taxable sales surges, and mixed regional tourism data.
Appreciation: Remembering Tom Skerritt for his rich mix of little gems
SEATTLE — My favorite Tom Skerritt performance wasn’t in a movie or a television show, and it’s not available for streaming in its entirety; it fully lives on only in
What Universal Health Services Stock's Behavioral Health Expansion Means For Shareholders
Universal Health Services reported third quarter 2026 sales of US$4,733.35 million and net income of US$308.68 million, while confirming plans to expand its behavioral health footprint through Talkspace and new outpatient programs and addressing a tentative settlement related to Cumberland Hospital. The mix of higher reported sales, lower quarterly earnings, growing outpatient behavioral capacity and a legal reserve impact provides investors with additional detail on how Universal Health...
Is Caesars Entertainment (CZR) Undervalued Following Higher Third Quarter Losses?
Caesars Entertainment (CZR) just posted third quarter and nine month earnings, with loss per share from continuing operations higher than a year ago. This is putting fresh attention on the casino operator’s profitability trend. Recent trading tells a mixed story for Caesars Entertainment. The share price is around $29.23, with a year to date share price return of 24.07% and a 1 year total shareholder return of 47.48%. However, longer term total shareholder returns over 3 and 5 years remain...
Potential buyer of Weiss and West Suburban hospitals has mixed track record
Insight Chicago owes tens of millions of dollars to the state, and its Bronzeville hospital has been cited for numerous safety issues.
The New DNA Technology That Linked Ted Bundy to a 52-Year-Old Cold Case
Software known as STRmix was instrumental in identifying Mr. Bundy’s DNA in a decades-old sample.
Competition, entertainment proves 'electric' start for WTGL
WTGL provided a nice mixture of entertainment and competition on opening day that ended with Los Angeles Golf Club winning the league's first-ever match, 3-1, over New York.
Wild stat emerges after Syracuse Orange’s upset over SMU
The Syracuse Orange made incredible noise and continues a unique feat following their 30-27 upset win over the No. 19 SMU Mustangs on Saturday afternoon. Going into the matchup, Syracuse had a 3-4 overall record that includes a 1-4 display in ACC contests. Despite shaky form, the Orange remains in the mix for bowl eligibility as they need three […] The post Wild stat emerges after Syracuse Orange’s upset over SMU appeared first on ClutchPoints.
Chris Rock Wasn’t The Only A-List Celebrity To Show Up To Support Druski On SNL
I still can't wrap my head around this mix of stars.
30,000-year-old bone found in French cave reveals vast genetic connections between people of Eastern and Western Europe during the Stone Age
Scientists sequenced the genome of a woman who lived 30,000 years ago and discovered that she had mixed Eastern and Western European ancestry.
The Arts and Entertainment Tickets Worth Buying This Season
It’s a varied and active lineup, with more than a few world, national or regional premieres in the mix.
Competition, entertainment proves 'electric' start for WTGL
WTGL provided a nice mixture of entertainment and competition on opening day that ended with Los Angeles Golf Club winning the league's first-ever match, 3-1, over New York.
679 UT Health Sciences Students Meet Their Future ‘Teammates’ at IPE Day
Hundreds of first-year students from all six colleges of UT Health Sciences swapped classroom seats for mixed teams on Doc’s Field last week.
Andoni Iraola saves Liverpool £100m thanks to genius decision
Andoni Iraola's time at Liverpool has been fairly mixed so far. While he may have only lost one game across all competitions, the Reds are still nowhere near where they need to be in terms of performa...
CVS Health Q3 Earnings Preview: How to Approach the Stock?
CVS' third-quarter 2026 results face mixed segment trends, with Aetna's margin recovery and digital investments offering support amid persistent 340B pressures and membership declines.
Compare Fresh opens at Hempstead mixed-use development
Compare Fresh opens a 17,000-square-foot grocery store in downtown Hempstead, anchoring the $122 million Carman Place mixed-use development.
EBONY Power 100: Hollywood's Top Behind-the-Scenes Influencers
Discover how the EBONY Power 100's trailblazers like Channing Dungey, 50 Cent & Gina Prince-Bythewood shape Hollywood with diverse stories, media empires & groundbreaking projects behind the scenes.
Modern fitness enthusiasts turn toward advanced metabolic science to reach new heights
Men’s health optimization is evolving as fitness enthusiasts trade quick-fix trends for documented metabolic research and cellular physiological data. You have likely spent years tracking sets, logging miles, and testing diets that promised effortless gains but delivered mixed outcomes. Generic fitness rules often leave active men frustrated because standard gym routines fail to address individual […]
Wilmington artist remixes pop culture and politics to tell two sides of the American story
By creating collisions between iconography and stark reality, Oscar Eduardo de Paz hopes to inspire the viewer to think critically.
I’ve been a T-Mobile subscriber for years, and the carrier just gave me a big reason to stay
T-Mobile's new T-Mix plans may seem confusing at first glance, but they give you more control over rewards.
How Investors Are Reacting To Accel Entertainment (ACEL) Earnings Beat
Accel Entertainment reported third quarter 2026 revenue of US$363.56 million and net income of US$20.57 million, with earnings per share from continuing operations at US$0.25. The company also highlighted continued geographic moves, including Chicago licenses and a new Wyoming business. The mix of higher reported earnings and fresh market entries, including Chicago and Wyoming while exiting West Virginia, shows Accel Entertainment pressing its distributed gaming model into new regions even...
49ers full injury updates a mixed bag of news for 2nd Week 9 practice
The San Francisco 49ers had some good news to balance out the bad on their second Week 9 injury report.
Health warnings on vapes changed people's choices, but there was a catch
In a Canadian discrete choice experiment involving 2,961 e-cigarette users and nonusers, researchers examined how health warnings, nicotine strength, plain packaging, and prices influenced preferences for vaping products, heated tobacco, and cigarettes. Warnings on all three product categories increased the predicted probability of choosing none from 50% to 65% among nonusers and from 10% to 18% among users, while lower nicotine strength made vape pods more appealing and price increases produced smaller, mixed effects.
Public hearing set to consider Krause Group stadium district development agreement
A public hearing has been scheduled for December to consider a proposed development agreement with Krause Group for its proposed mixed-use stadium district near the planned Pro Iowa Soccer Stadium in Des Moines. The Des Moines City Council on Monday voted to schedule a public hearing for Dec. 7. The council also voted to open…
How whimsical Hands Gallery became a fixture in downtown SLO for 35 years
The popular shop offers a curated mix of local art, crafts, gifts and more on Higuera Street.
Political attack ads are ugly. We don’t have to be
Political division is testing our character. It is time to trade the anger for kindness and respect.
Universal Health Services (UHS) Stock Sees Modest Fair Value Cut After Mixed Analyst Views
The updated analyst narrative for Universal Health Services reflects a slightly lower Fair Value Estimate of US$189.94, down from US$194.35, as refreshed assumptions work through new price target models. Recent commentary around quarterly results, revised 2026 guidance, one off items near US$200m, and sector wide elective surgery softness helps explain why some analysts are trimming while others remain more constructive. As you read on, you will see how to track these moving pieces and follow...
Sports figures-turned-politicians mixed results in midterm elections
Former athletes NFL linebacker Colin Allred, MLB slugger Mark Teixeira, and Paralympian Josh Turek are a few of the sports figures who participated in the midterm elections and won.
The Last Disney+ Original?
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Before we get going, I wanted to remind readers about how I plan to keep your trust while I add advertising to this newsletter. As you’ve no doubt noticed, I’m running ads now, but the danger is that it could impact my analysis and writing. I have a list of sponsors on my About Page, so if you think I’m biased, you can check out who’s sponsored this newsletter! This is something that I’m not sure anyone else in digital media does (if you’re a writer or media outlet and you do this, let me know and I’ll shout you out!) but it’s something I’d love to see embraced by the entire industry. Sunlight, i.e. transparency, is often the best disinfectant. Okay, on to this week’s issue. We (finally) have another major Disney+ TV show to talk about, so that’s my main focus for today. Plus, we had a lot of new shows come out, including the fourth seasons of The Diplomat and Tulsa King! And Love is Blind! The Lowdown! Also, four (four!) straight-to-streaming films came out this week, featuring a lot of big names and celebrities, so I’m going to look at those. All that, mixed news for the WNBA, Reacher ends its run on the charts, Skydance does well in September viewership, NYU’s Sundance dominance, all the flops, bombs and misses, and a whole lot more. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of October 12th to October 18th, 2026. You can find a link to my terminology here.) Subscribe Television - Disney+’s Porridge Problem Listen, per my headline, VisionQuest isn’t the last Disney+ Original. At least, I’m pretty sure it’s not. They have other MCU shows in development. Well, maybe one: But it sure feels like the end of an era. I’d call it their “porridge too hot” era, to quote myself from The Ringer. I told Ben Lindbergh that Disney+ seemingly couldn’t figure out the right amount of content. In the heights of the Streaming Bubble Era (circa 2019 to 2022), they started releasing an insane amount of TV shows. After their growth slowed, they’re down to two or three shows a year, and that might be down to 1 by 2027. Here’s my TV shows by year chart: Even at the time, I thought Disney was making too many shows (that cost too much). Today? They’re definitely making too few shows (though the budgets are more in check, at least according to the reporting). Porridge too hot, porridge too cold; too many shows, now not enough. Which makes evaluating VisionQuest so interesting. This show didn’t have a great lead-in, whether it be a Marvel Cinematic Universe film (the last non-Sony-produced-Spider-Man flick came out The Fantastic Four from July of 2025) or Marvel Cinematic Universe TV show (the two this year were Wonder Man back in January and _Daredevil: Born Again_in May, both of which underwhelmed). And so far, VisionQuest hasn’t quite recaptured the MCU Originals glory, but it has some signs of sparks. First, it made Samba TV, though at a lowly ninth place. At least it made it, a feat some other Marvel shows didn’t accomplish. (Ironheart landed on the Samba TV charts one week at tenth place, but Wonder Man and Daredevil: Born Again both missed.) VisionQuest also made Luminate, though with only 3.0 and 7.6 million hours. But it missed Nielsen in its first week. The best news might be its 7.8 on IMDb, on 12K reviews so far, great numbers, even for a superhero show. Looking at those numbers, this show will really need to pick up in future weeks—and it may since it’s coming out weekly—or Disney will have another disappointment on its hands. Disney+ binge-released their last few shows to try to boost numbers, but that meant shows like Iron Heart and Wonder Man didn’t last long on the charts. _Daredevil: Born Again’s_last season missed entirely (though it came out weekly). Here’s the Disney+ Originals by totals: And for a fun new look, here are those same shows, rearranged by the years they came out: That really shows that, in addition to Disney+ releasing fewer shows, those shows just don’t hit like they once did. If I had to offer one main explanation, it’s that Marvel Studios moved away from characters who starred in the Avengersmovies (The Scarlett Witch, Vision, Hawkeye, Loki, Falcon, Winter Soldier) to characters who didn’t (Moon Knight, She-Hulk, Iron Heart, Wonder Man, Daredevil). It sounds trite, but more popular IP tends to do better than less popular IP. In Marvel’s case, beloved, decades-old characters trump newer ones. And yes, I think this is a problem for Disney. The failure of Marvel TV shows to linger for weeks on the charts, unlike in 2021 and 2022, explains why Disney’s share of the charts has plummeted: That’s a strategic issue. Yes, these shows are really expensive, but without them, Disney+ will struggle, especially if Disney+ keeps raising prices AND licenses out its shows non-exclusively. My recommendation? Return to the core value proposition, which is Disney+ as “genre HBO”. The goal is six shows a year, coming out weekly, spaced out throughout the year. When a show hits, keep it coming back. Make three to four of those shows Marvel or Star Wars, and fill out the rest with IP swings like Percy Jackson, Goosebumps or something like National Treasure. And make YA-skewing shows like Coven Academy to fill out the schedule. Disney, you can get this porridge just right, er, make the right number of shows. Quick Notes on TV Netflix’s sophomore, er, junior, er, senior season slump abated very, very slightly this week. I speak of The Diplomat, which returned for its fourth season on 15-Oct. Credit where credit is due, this show debuted in April of 2023, and has put out new seasons every year since. Has that helped the viewership? Not really. This season opened to 16.4 million hours, which is down significantly from the first season (21.7 million hours) and down somewhat from the second season (18.0 million hours), but it is up from last year’s 14.2 million hours opening. On Samba TV, it opened to third place; that’s also very good. On Luminate, it opened to 25.0 million hours, which is good, but over thirty million hours is a hit on that platform. Netflix wisely renewed it, since it’s steady and, frankly, Netflix needs hits.1 Paramount+ put out Tulsa King’s fourth season on a Friday. After putting out most of their big, usually-Taylor Sheridan-scripted shows out on Sundays last year, they’ve clearly moved to Fridays going forward. Was this a thought-out strategic change, Netflix mimicry, or a data-inspired move? Tough to say. Fridays are crowded with new movies, but so are Sundays with new shows. Anyways, this one is coming out weekly, and we haven’t seen it hit the Nielsen or Luminate charts yet. But it did make Samba TV at fifth place, which is a good opening. Still, if this doesn’t make Luminate or Nielsen next week, I’d call it a disappointment. Netflix had two unscripted shows hit the charts this week, one a docu-series and one a reality competition show. Tyson is a four-episode docu-series about one of boxing’s most popular fighters, and it made both the Samba TV and Luminate charts, but not Nielsen. That’s a solid run for only four episodes (assuming it didn’t cost an arm and a leg to produce). Netflix’s latest season of Love Is Blind also returned for its eleventh season, which opened to 10.0 million hours, down from previous seasons. It also had 11.0 million hours according to Luminate, roughly in line with the Nielsen numbers. Last issue, I analyzed the triple successes of Below, Carrie and Crystal Lake, noting that all three have done well. I mostly used Nielsen, but all three shows also made Samba TV (see above). Crystal Lake in particular did very well on Luminate, getting 35.0 million hours, top for Peacock among first seasons: The top “show” of the week would have been Thursday Night Football again, at 41.7 million hours. This is still above last year’s game, but it continues the season’s overall downward trend, which happens every year. (Though a big week is coming, based on the news stories I’ve seen.) As I said before, I’ll do a deeper dive on all the October games later this month, with comparisons to previous years. One company is quietly on a roll, when you consider the shows it makes and streams. I speak of Skydance—a point Variety made—noting that it produces Neagley and Reacher for Amazon, along with Paramount+’s Lioness, which means it produced three of the top four shows of September according to Nielsen. By the way, Neagley fell off the Nielsen charts after four weeks, which is a pinch short for how well it started, but it’s still a huge success. (Interestingly, it finished just 7.3 million hours ahead of the cancelled Ride or Die.) The point, though, which I’ve made before, is that Prime Video still has a problem with how many co-productions it buys, most notably _The Boys_from Sony and Reacher/Jack Ryan from Skydance. It’s not a critical flaw—everyone licenses shows—but Amazon still struggles to make its own hits. Reacher finally fell off the Nielsen charts, so here’s its final rank for season four: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… ...An example of the algorithm NOT picking a film… …whether or not Netflix buys shows simply for the movie poster… ...if East of Eden is above the Obliterated Line... ...what four star-studded straight-to-streaming films didn’t chart... ...and a whole lot more... ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue.
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Whoa, I Missed It! Disney Starts Licensing the Household Silver, When IP Backfires, and More Big Content Moves
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) Over these last few months, the entertainment business story landscape revolved around Skydance (and their merger) and Netflix (and their leadership shakeup). I don’t even want to scan my archives to see how many times I wrote about just those two companies over the last six months or so, let alone how many times they demanded their own article. Oh, how I long for June, when I could avoid them and write about other mergers and acquisitions (Comcast and NBCUniversal; Fox buying Roku). Well, not really, but you know what I mean. That focus on just two companies meant I ignored a lot of fun and, more importantly, important stories. So, it’s also time for another “Whoa, I Missed It” article. These are stories I wish I had written about, but aren’t exactly current events anymore. And there are a lot of them! Fifteen stories in all, including a very important merger that I didn’t write about, my word of warning about the IP deluge, how “genre” TV is making a big comeback, Netflix’s latest smart acquisition (and a licensing divorce), Disney and HBO’s recent TV show buys (and what they say about reboots on TV), a big cable merger, Amazon’s new bundle, social media censorship, and a lot more. Subscribe Most Important Story of the Week - Buy, Sell or Hold the Latest Content Development and Licensing in 2026!!! Content is king. I’ve written that before, and I believe in it now more than ever. If I had to quantify it, and I have, I put it at about 50% of the fate of any given media company, be they streamer, network, bundler, studio or social platform. This is a hits-driven business, and, as I like to do about every so often, it’s time to check in on the latest content moves. These content shifts on their own aren’t usually enough to be the “most important story” of a week, but if you add them up, you can see the content landscape shifting. The stories also fell into two natural buckets: licensing deals and IP moves. Plus, I’ll offer my “buy, sell or hold” rating for whether I think the deal is smart for a given side. Let’s dive right in. Disney Starts Licensing the Household Silver Disney is starting to license their core brands to Netflix. Quietly, over the last couple of years, Disney had rented some 20th Century [Fox] shows and films to Netflix, but until now, the core brands had escaped that fate. Now? At least some Pixar films will make it to Disney (including Elio) and some Disney+ Originals (like Percy Jackson and the Olympians). Here’s my rating for each company: Disney: Sell. One is tempted to say Disney has started licensing the “crown jewels”, but I don’t think we see that yet. I’d call this the “family silver” instead, which isn’t quite as valuable. That said, Disney’s new CEO clearly is focused on shoring up the company’s profitability, and that means licensing deals, even at the expense of Disney+ exclusivity. This could also help bring eyeballs to Percy Jackson for the upcoming season, a similar benefit to “dual casting” this show, which I also think Disney should do. Still, in the long run, I’d protect the core brands more. Netflix: Buy. This is a smart move, assuming the price is right, and I’d bet it is. (Netflix’s content licensing teams are some of the best in the industry.) Of course, this is another data point that Netflix is moving away from making their own films and relying on licensing instead. That has downsides—they’ll always end up renting—but if you’re buying Disney content, that’s a good move. Prime Video Buys More Live Events Amazon’s Prime Video/MGM Studios keeps purchasing live events, including the Emmys (which I wrote about here) and some regional sporting rights. These bolster their NFL, NBA and Academy of Country Music Awards licensing deals. My theory here is that Prime Video knows that they can sell the advertising for more on live events than on their massive acquired/original inventory of shows and films. (As I’ve been showing with Reelgood’s data, they have a LOT more shows and films than other streamers.) Advertisers want live, engaged viewers, since they’re a lot more likely to be real. Prime Video: Hold. I like Amazon’s focus on live events, but it remains tough to evaluate this company, er, business unit, since we don’t know anything about their financials. Yes, Amazon’s CEO recently released a very carefully worded statement about Prime Video, claiming profitability, but we don’t know by how much by when. (It’s also not audited by third parties, so we have to take it with another grain of salt.) Plus, given that Amazon increased the price of the Emmys by about a third, they also likely overpaid. (Maybe that’s why they’re barely profitable, allegedly.) But also, I think they know they need to dominate live TV, and that’s a smart strategy! So I’m torn, but lean towards calling this a smart move. The Emmys: Definitely sell! I mentioned this in my “Streaming Bonus Content” article, but I really, really, really, really do NOT like this move for the Emmys. Chasing short term dollars over long term awareness is not a smart move. To reach the widest audience, the “dual-cast” format—meaning broadcast and streaming—just reaches more people. Skydance Takes Its Animation Back This is the story that made me want to write a “let’s catch up on content” column in the first place. Specifically, Skydance and Netflix have ended their animated film output deal. It’s not huge, since really, what film has Skydance Animation made that’s broken out? But strategically, it shows you how Skydance is positioning their company. Skydance Animation: Hold. Again, I still need to see Skydance Animation put out a hit or two before I can judge this as a smart move. The other worry for Skydance is they have a lot of overlapping animation houses now, and that’s going to end at some point. Still, if John Lasseter can regain his animation mojo—and his track record has been mixed at Skydance, ignoring his other issues—this could be a powerful point for Paramount. Netflix: Hold (put your films in theaters). Right now, with the Dan Lin upheaval and Peter Rice coming in, we don’t really know what Netflix’s plans for theaters versus straight-to-streaming films are. So I need to see what new films (if any) they buy/rent/produce to replace the Skydance flicks, but it will probably be a smarter investment of capital, since the straight-to-streaming films have just failed to break out, outside of one major example. Theaters: Buy! They do look like they’re gonna end up with more inventory based on the Skydance move, and now Netflix putting four to five films in theaters per year. For example, Netflix confirmed that KPop Demon Hunters 2 will come to theaters, and that’s going to be a smash. Disney+’s Reboot Future So those were the major licensing news stories, and now we get to the IP-related updates. Obviously, I’m generally pro-IP in content development. But that’s not some iron law; not all IP hits equally. Get ready for Entertainment Nuance Guy. And let’s start with a big worry. Scanning the news stories, Disney has three reboots on their lineup between ABC, Hulu and Disney+: Coach (on ABC), The X-Files and Glee. So are reboots as immune to failure as IP? We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out about… Why I’m skeptical about some upcoming genre and IP plays… How Skydance’s merger closing unlocked Paramount and HBO… The focus on “genre” across the streamers and studios… Some big creators leave Netflix… Netflix’s horror TV show licensing play (and what they should have done instead)… A huge merger that I didn’t write about... Whether or not we’ll see a major film tax credit… Amazon’s new megabundle of streamers… And (somehow) more… ...please subscribe! We can only keep doing this great work with your support.
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