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Charlize Theron on ‘The Odyssey’ Becoming Universal’s Highest-Grossing Movie and Raising Millions to Fight Femicide in Africa With CTAOP
Last week, Christopher Nolan’s “The Odyssey” became Universal Pictures’ highest-grossing film of all time, grossing $1.68 billion and counting. “I feel like I got a great invitation to the best party ...
Will Netflix’s Latest Horror Film Save Its Summer? And Introducing a New Data Source...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) All month, I’ve been polling you, my readers, on how we think the summer’s biggest blockbusters will do when they eventually land on streaming, and I wanted to share the results. First up, how readers think The Odyssey will perform when it comes to Peacock... People are pretty bullish that The Odyssey will smash it for Peacock. I don’t know that it will have as much rewatchability as Wicked did for kids, but we’ll see. It is now Universal’s highest-grossing film of all time. One note: almost half of Christopher Nolan’s films weren’t available for streaming the week The Odyssey came to theaters, including some of his biggest films like Inception, Dunkirk, Tenet, Oppenheimer and Insomnia. If you did want to watch the others, Prime Video had Memento and The Dark Knight trilogy, HBO Max only had The Dark Knight trilogy (even though Warner Bros. produced most of Nolan’s films), Hulu had The Prestige and Interstellar, and Paramount+ had Interstellar. So you needed at least two streaming subscriptions to catch the rest. Warner Bros. whiffed right here. I know they have long term licensing deals, but they should have tried to get as many Nolan films on HBO Max for launch as possible. Here are the results for Spider-Man: Brand New Day: The audience is a bit more mixed on this one, with everyone agreeing Spider-Man will swing to a big opening, but not necessarily elite or best all time. On to this week’s issue. Netflix continues searching for a hit straight-to-streaming summer film and Lioness and Ted Lasso allow me to look at the difference between a “hit” and a ‘hit for them”. All that, plus new YA/teen melodramas on Prime Video and Netflix, the House of the Dragon finale, USA Network claims a big opening, more big NFL ratings, all the flops, bombs and misses, and a whole lot more. But we start with a fun new data announcement. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of August 3rd to August 9th, 2026. You can find a link to my terminology here.) Subscribe A New Data Source: Reelgood’s Data on Content Libraries Here’s a fun new treat for you. Reelgood—an online service and app that lets users track where shows or films are streaming—is providing data every month for the Streaming Ratings Report on the size of each streamer’s catalogue, along with the new shows and films for each streamer. Yay! Previously, I had pulled “new shows on streamers premiering on the first of the month”: While I liked that data cut, it was a big wonky since it didn’t show all of the new shows or movies that came to a streamer each month. Instead, I would have preferred something like this from Reelgood’s annual report: And now we have it! I’m going to feature Reelgood’s data monthly, showing both total catalogue size and new shows and films appearing on the charts. That’s going to make these two cool new charts. First, here’s the size of various streamers’ film catalogues… (By the way, Reelgood offered to make the charts for me, but I like doing that task by hand to understand the data better.) They also provided data back to last year. Here’s the number of films timeline: And here are the new films on each streamer for the month prior to Aug: As I get used to this data, I plan to keep tinkering with how I display it, but I’m excited to feature it monthly. Today, I’m sharing the film charts; next issue, I’m going to feature TV shows by streamer. Now, in full disclosure, Reelgood is a sponsor of this little-newsletter-that-could. But in my constant quest to figure out what streamer various shows and films are on, I was already a Reelgood user before this sponsorship. I go to their website all the time, and their data is very accurate on where shows are (or have been). Plus, I’ve been sharing their weekly top ten lists for years now, pre-sponsorship. For me, this is a great win-win, since I get to amplify a service I love, and I get a cool new data source to play with. Now, normally folks don’t usually mention their sponsors directly, but as I wrote before, as I start featuring ads in my newsletter, I plan to be extremely open about who is sponsoring my writing so you can trust what I write. Television - Two Big Returning Shows Look Set to Take Over The Charts One key question when it comes to judging streaming shows is whether a show is a “hit” or a “hit for them”. To be clear, the former means a show that’s one of the top shows on streaming, no questions asked. The latter means a show is one of the biggest, for a given streamer. That distinction makes a big difference! It’s really good to be one of the biggest shows on a streamer; it’s much better to be the biggest on streaming, despite the size of a streamer. Because, as we’ve seen now, nearly every streamer—while lacking the number of subscribers or usage of Netflix—can make hit TV shows: Paramount released Landman, whose first and second seasons were among the top two TV shows the year they came out. HBO Max’s The Pitt’s second season is the biggest show of the year so far. Love Island USA was the top show in 2025 for Peacock. And, crucially for today’s discussion: Wayyyyyyyyyyyyyyyyyyyyyyyyyy back in 2023, Ted Lasso was actually the top streaming show of the year according to Nielsen! So even Apple TV (formerly +) can make hit shows. It just doesn’t make them that often. And looking at the Nielsen charts this week, we have two prime candidates for this discussion: That’s right: Ted Lasso returned to Apple TV for its fourth season. Did it return in all its expected glory? Sure, though right now it’s still just a “hit for Apple TV”, but we’ll see how long it lasts on the charts. Its ten episodes are coming out weekly. (Smart choice, Apple!) Ted Lasso started out strong, actually making the Nielsen charts the week before new episodes dropped, which is a rare feat. (Shows like Stranger Things or Bridgerton have pulled that off. That’s terrific company to join!) On Nielsen, it opened to 14.4 million hours in its first week, and 16.6 million the week of 10-Aug. Here’s how that compares to previous seasons: Apple put out that this is their biggest TV launch through two days ever, and looking at the chart and Apple TV’s viewership history, I’d believe it. Here’s Apple’s top shows for season two and beyond: Other data tells a (mostly) similar story. Ted Lasso made Samba TV and it has elite IMDb scores, an insane 8.7 on 465K reviews. The only outlier is Luminate, where the latest season only had 7.4 million hours, and no other seasons made the top ten. As you’ll see below, that’s well below some other solid, but not spectacular shows like Sterling Point, Ride or Die or Furious. I’d be surprised if Ted Lasso isn’t bigger than those other shows, but it’s fine for different data sources to occasionally disagree. And while it’s sucky to bring this up, given that Warner Bros. produced this show, I do wonder how the streaming wars may have been different if Ted Lasso landed on HBO Max initially instead of Apple. I don’t think one show can make or break a streamer, but given HBO’s brand, it could have helped bring people to that streamer much earlier in its lifespan. (Though yeah, I don’t love calling out executives for passing on hit shows, since that’s just the nature of the job. Even the absolute best execs will pass on lots of successful shows. The key is not greenlighting the under-performers/misses.) The other show I’m thinking about in the “hit or hit for them” category is Lioness from Paramount+. Like Ted Lasso, its first season missed the charts, but it’s grown its audience since then. Here’s how season three opened: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How Lioness did on streaming... Two new melodramas for Netflix and Prime Video... Whether Netflix’s latest horror film saved its summer... Hulu’s Furious and Prime Video’s Ride or Die continuing their strong runs... The latest high profile showrunner to flop on streaming... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. Next week, we’ve got a double issue—since the week of 17-Aug had very few notable new shows or films—so I’ll look at HBO’s Lanterns, Prime Video’s Reacher, Netflix’s Tires, Outer Banks (which posted up huge numbers four years ago), an Aussie romance, and another baseball event (that didn’t resonate). And a bunch of movies like the latest dramedy from an Adam Sandler daughter, Don’t Say Good Luck, Camp Rock 3 on Disney Channel and Disney+, Michael on Starz, and more. Later this month, we’ve got a ton of shows and films to analyze! Movies will be the big story, featuring a box office bomb (Supergirl on HBO Max) and an “underperformer” (The Mandalorian and Grogu on Disney+) contending with a bunch of star-studded straight-to-streaming films like Netflix’s The Whisper Man (Adam Scott, Michelle Monaghan and De Niro!), Mayday on Apple TV+ (Ryan Reynolds and Kenneth Branagh!), The Runner (Gal Gadot) and The Last Sunrise (Eva Longoria and Maia Reficco) on Prime Video. Plus, a ton of TV shows have sophomore seasons coming out. Will The Gentleman put up big numbers on Netflix or suffer from a sophomore slump? Leanne and Beauty in Black on Netflix seem small, but they both might be bigger than you think. Hulu has a bunch of shows: a new season of The Secret Lives of Mormon Wives (the first after all the controversy last year) and the second season of Chad Powers (from Peyton Manning’s production company and starring Glen Powell). This one flopped last year; can it score a touchdown this year? Same goes for FX’s Adults, which I didn’t track last year; will it hit this year? Peacock’s The Office spinoff, The Paper and Apple TV’s Dark Matter also return for second seasons. And Netflix has more Untold specials featuring Vince Young, Raygun (that horrible breakdancer) and Mr. T. Long term, Paramount+ is rebooting yet another franchise, Clueless, and I’m somewhat bullish on this new show. The talent attached (Alicia Silverstone) and creative Josh Schwartz and Stephanie Savage (of The O.C. and Gossip Girl) also feel solid...if they make it funny like the original.
“Dark Knight” actor makes rare comment on moment he learned costar Heath Ledger died
Gary Oldman reflected on Ledger’s 2008 death, after he and the Australian actor starred in Christopher Nolan’s acclaimed “The Dark Knight” Batman movie.
As the world rediscovers 'The Odyssey,' disabled actors in Greece explore the pain of war
As Christopher Nolan’s “The Odyssey” renews global interest in Homer’s epic, Greece’s ancient Epidaurus theater is presenting another side of the Trojan War.
As the world rediscovers 'The Odyssey,' disabled actors in Greece explore the pain of war
As Christopher Nolan’s “The Odyssey” renews global interest in Homer’s epic, Greece’s ancient Epidaurus theater is presenting another side of the Trojan War | Talk 1370
As the world rediscovers 'The Odyssey,' disabled actors in Greece explore the pain of war
As Christopher Nolan’s “The Odyssey” renews global interest in Homer’s epic, Greece’s ancient Epidaurus theater is presenting another side of the Trojan War | 830 WCCO
As the world rediscovers 'The Odyssey,' disabled actors in Greece explore the pain of war
As Christopher Nolan’s “The Odyssey” renews global interest in Homer’s epic, Greece’s ancient Epidaurus theater is presenting another side of the Trojan War | WWL
As the world rediscovers 'The Odyssey,' disabled actors in Greece explore the pain of war
As Christopher Nolan’s “The Odyssey” renews global interest in Homer’s epic, Greece’s ancient Epidaurus theater is presenting another side of the Trojan War.
Woman Who Inspired Nolan’s ‘Odyssey’ Says She Would Have Been ‘Ashamed’ To Have Written ‘Any Part’ Of It
Classics professor Emily Wilson’s translation inspired Christopher Nolan’s film version of “The Odyssey,” but she is not impressed with it.
‘The Odyssey’ earns $87M in its second weekend, Christopher Nolan’s best second weekend yet
“The Odyssey” continues to captivate audiences in its second weekend, raking in $87 million in North American theaters. This marks a modest 30% drop from its opening weekend, making it
‘The Odyssey’ earns $87M in its second weekend, Christopher Nolan’s best second weekend yet
“The Odyssey” continues to captivate audiences in its second weekend, raking in $87 million in North American theaters.
‘The Odyssey’ Doesn’t Stop: Epic Bound For Best Monday YTD Stateside With $17M+
EXCLUSIVE: Christopher Nolan’s The Odyssey continues to dominate the box office, fueling a Monday that’s estimated to be $17.5 million. If those figures stick, that will be the best Monday year-to-dat...
AMC Entertainment Attracts More Than 4.3 Million Moviegoers Worldwide as THE ODYSSEY Delivers the Biggest Opening Weekend for an R-rated Film Across AMC’s U.S. Circuit Since 2024
LEAWOOD, Kan., July 20, 2026--AMC Entertainment Holdings, Inc. (NYSE: AMC), the largest theatrical exhibitor in the United States and the world, today announced that more than 4.3 million moviegoers attended AMC Theatres in the United States and ODEON Cinemas internationally from Thursday through Sunday, led by the opening of Christopher Nolan’s THE ODYSSEY.
Where Was ‘The Odyssey’ Filmed? All About the Surprising Destinations Featured in Christopher Nolan’s Movie
Christopher Nolan’s ‘The Odyssey’ was shot across five European countries. Here’s everything to know about where ‘The Odyssey’ movie was filmed.
A Guide to All 'The Odyssey' Characters, Mythical Creatures, Gods and Goddesses
‘The Odyssey’ includes several characters, mythical creatures and gods portrayed by Matt Damon, Anne Hathaway, Tom Holland and Zendaya, among others. Here’s a complete guide to all the characters in Christopher Nolan’s ‘The Odyssey.’
The Odyssey to Gracie Abrams: your complete entertainment guide to the week ahead
Matt Damon dons the sword and sandals in Christopher Nolan’s epic, while the LA singer-songwriter shares more arena-friendly scream-along anthems
‘The Odyssey,’ ‘Heartstopper Forever,’ and ‘The Vampire Lestat’ finale top this week’s Must List
See EW’s top pop culture picks for the week, including Christopher Nolan’s ‘The Odyssey,’ ‘Heartstopper Forever’ on Netflix, and ‘The Vampire Lestat’ finale on AMC.
The Odyssey Fans Say The Movie Needs An Epilepsy Warning
Christopher Nolan’s latest film has one segment that fans are warning new viewers about
‘The Odyssey’ reviews: What critics are saying about Christopher Nolan’s take on the epic
Before you watch ‘The Odyssey,’ see what critics are saying about the new Christopher Nolan epic.
Is ‘The Odyssey’ Christopher Nolan’s best movie?
Is it possible that Christopher Nolan is only just now hitting his peak as a filmmaker with ‘The Odyssey’?
A look inside Christopher Nolan’s ‘The Odyssey’ by the numbers
Christopher Nolan's “The Odyssey” is an epic film, hitting theaters Friday. The Associated Press looks at the film, by the numbers. It runs 172 minutes, slightly shorter than “Oppenheimer.” The
Christopher Nolan Fans Will Stop at Nothing to See ‘The Odyssey’ in Imax 70mm, From Cross-Country Trips to Delaying Pregnancy
Nothing is going to keep Amber Connaghan, a 29-year-old tech editor who lives in the California desert, from seeing Christopher Nolan’s “The Odyssey” on opening day. Connaghan bought her ticket over a...
Tom Holland apologizes to name-twin Tom Holland for making his name impossible to google
It takes two Tom Hollands to unpack Christopher Nolan’s epic take on ‘The Odyssey’: see the name twins meet face-to-face and recreate a certain Spider-Man meme.
Netflix Just Added Christopher Nolan’s Best Movie Ever Ahead Of ‘The Odyssey’
Just before the release of The Odyssey, Netflix has managed to snag Christopher Nolan's best movie ever, depending on who you ask.
Behind Christopher Nolan’s 6-country epic undertaking to bring ‘The Odyssey’ to the big screen
Christopher Nolan has taken on the epic challenge of adapting “The Odyssey” into a large-scale Hollywood film.
‘The Odyssey’ first reactions: Raves for Christopher Nolan’s ‘jaw-dropping,’ ‘staggering,’ ‘must-see’ epic
First reactions to Christopher Nolan’s ‘The Odyssey’ deem the epic adventure ‘jaw-dropping,’ ‘staggering,’ and ‘the must-see cinematic event of the summer — and quite possibly the year.’
Interstellar's most-discussed scene is treated as exotic science fiction, but the family-separation problem it dramatises is one of the more actively studied subjects in long-duration mission planning.
The scene that has stayed with most viewers of Christopher Nolan’s Interstellar is not the wave-planet, or the visualised black hole, or the climactic library of moments. It is the one in the middle of the film where Matthew McConaughey’s character, Cooper, watches twenty-three years of his children’s recorded video messages, having lost that span […]
Lupita Nyong'o Will Play Helen Of Troy In ‘The Odyssey’ — And Elon Musk’s Reaction Was Exactly What You’d Expect
The tech billionaire doubled down on his criticism of Christopher Nolan’s star-studded film adaptation.
How Ludwig Göransson's Scores Became the Main Character
The 41-year-old Swedish musician is Ryan Coogler's and Christopher Nolan’s muse for a reason: His music transforms a film into something else entirely.