SCROLL NEWS / DISCOVERY
Search headlines
Find the stories shaping the conversation.
Results for " Producer " 577 found 🔀 AI-powered Shuffle
Emmy producers say John Mulaney’s bleeped joke was not rehearsed: ‘John’s gonna do John’
The comedian made a joke about oral sex, resurfacing a 2014 interview with DJ Khaled.
Some AI leaders want more safeguards. Is there political will to make that happen?
In recent days, warnings and risks surrounding AI have taken an existential turn. A former Anthropic employee stated that "the people building AI earnestly believe that it could kill us all by the end of the decade." And Anthropic's CEO urged AI companies to "pace the frontier" in developing new technologies.But is there political will to make that happen?This episode was produced by Sophia Paliza-Carre and Karen Zamora, with audio engineering by Tiffany Vera Castro. Our director is Jonas Adams.It was edited by Kara Platoni, Brett Neely, Rebekah Metzler, Sarah Handel and Tinbete Ermyas.Our interim executive producer is Courtney Dorning.Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show’s perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.
Lonnie Bunch on his legacy and protecting the Smithsonian from political pressure
Discuss the resignation of the Smithsonian Secretary and who determines what memories are preserved in museums
Alumna Wins Emmy for Sports Documentary
College of Charleston graduate Liz Stiff '06 is executive producer of "Champions of the Golden Valley," 2026 Emmy winner for Outstanding Sports Documentary.
‘This Industry Is Absolutely Wild’: Music Producer Goes Viral For Showing That People Sell Their Emmy Awards And RIAA Plaques Online
Music producer and content creator Kato On The Track had a video garner widespread attention after he pointed out how many people in the entertainment industry end up selling their highly coveted awar...
Casting open for Jake and Logan Paul’s new reality show
A reality series with Jake and Logan Paul as executive producers will pit fighters against each other.
Extended Interview: Jonathan Bennett on "Halloween Wars"
The Food Network host talks to ABC12 Entertainment Producer Darren Garrett about returning for a brand new season of "Halloween Wars". New episodes are streaming now on HBO Max.
‘Princess Bride’ is becoming a Broadway musical, premiering in Chicago
CHICAGO -- A new Broadway musical version of “The Princess Bride” will premiere in Chicago next summer, lead producer Jeffrey Seller (“Hamilton”) told the Tribune on Sunday. An official announcement
Jeffrey Dean Morgan reveals alternate “Walking Dead: Dead City” finale ending he pitched
The star and exec producer pitched filming a key scene two different ways.
Tech CEO worries about AI development spur political reaction
Top U.S. lawmakers are calling for talks to begin on Capitol Hill about a regulatory framework for artificial intelligence, after the heads of some of the most prominent tech companies called for a slowdown of their own industry’s development of AI. Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show’s perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org. This episode was produced by Daniel Ofman. It was edited by Brett Neely, Michael Levitt and Sarah Robbins. Our director is Jordan-Marie Smith. And our interim executive producer is Courtney Dorning.
Former “Wendy Williams Show” producer recalls ‘long, slow descent’ of the show: ‘Just kind of like fizzled out’
Norman Baker is breaking his silence about the final days of the beloved talk show.
StarCraft is back, but it's not the RTS you remember - it's an open-world shooter coming spring 2030
Blizzard has revealed StarCraft, a new open-world shooter due spring 2030, led by former Far Cry producer Dan Hay.
Eggs tied to California producer recalled after salmonella outbreak
Happy Hens voluntarily recalled potentially contaminated eggs purchased by consumers and businesses in Southern California and along the Central Coast.
Common Sense Institute launches national agriculture research center in Iowa
Common Sense Institute, a nonpartisan economic research organization, has launched a national Agriculture Study Center headquartered in Iowa. The center will conduct economic research on policies and trends affecting farmers, producers, agribusinesses, rural communities and consumers. Its work will include economic studies, policy briefs, public engagement and an Agriculture Policy Fellow program. The center’s first…
Dan Schneider's defamation suit against 'Quiet on Set' producers thrown out
LOS ANGELES — A California appeals court this week sided with the producers of the controversial "Quiet on Set" docuseries after years of legal strife with subject and ex-Nickelodeon TV
Dan Schneider's suit against 'Quiet on Set' team thrown out
A California appeals court sides with the producers of the "Quiet on Set" docuseries years after the subject and ex-Nickelodeon TV producer Dan Schneider filed a defamation lawsuit.
Youth sports become big business, putting stress on families
Discuss the impact of business on youth sports and how they could be made more accessible for all
Youth sports become big business, putting stress on families
Discuss the impact of business on youth sports and how they could be made more accessible for all
Sometimes, a trade war is good for business
The majority of leafy greens consumed in Canada come from abroad. Haven Greens, a domestic producer, has seen rapid growth since the trade war with the U.S. started.
Smith: Canada is Choosing Politics Over People
Rep. Jason Smith backs Trump’s tariffs on Canada, arguing Missouri producers need fairer access to Canadian markets.
Chinese Distributor Hishow Adds ‘Josephine’, ‘Ah Girl’ & ‘Rec’ Franchise To We Love Cinema Release Slate
EXCLUSIVE: Beijing-based producer-distributor Hishow Entertainment is expanding its cinephile ‘We Love Cinema’ brand with a slate of new acquisitions including recent Sundance winner Josephine and Ah ...
Vendor applications open for Downtown Winter Farmers' Market
Vendor applications are open for the Downtown Winter Farmers’ Market, which will return to Capital Square in downtown Des Moines Nov. 20-22. Farmers, producers, makers and small businesses can apply to participate through Sept. 25. The three-day market, produced by the Downtown Farmers’ Market, will feature local food and gifts, live entertainment and food trucks…
MANN ROBINSON EXPANDS ENTERTAINMENT ECOSYSTEM WITH 'URBAN OPERAS', A NEW VERTICAL STREAMING PLATFORM BUILT FOR STORIES THAT KNOW US
Filmmaker, director, producer, studio owner, distributor, and streaming entrepreneur Mann Robinson is expanding his growing entertainment ecosystem with the launch of Urban Operas, a new vertical streaming platform created to bring culturally connected, mobile first storytelling directly to audiences.
Can true horror really make it on Broadway? A stage version of ‘Paranormal Activity’ hopes so
Movie producer Jason Blum, known for revolutionizing horror films, praises a stage adaptation of his “Paranormal Activity” franchise.
Can true horror really make it on Broadway? A stage version of 'Paranormal Activity' hopes so
Movie producer Jason Blum, known for revolutionizing horror films, praises a stage adaptation of his “Paranormal Activity” franchise | 830 WCCO
Can true horror really make it on Broadway? A stage version of 'Paranormal Activity' hopes so
Movie producer Jason Blum, known for revolutionizing horror films, praises a stage adaptation of his “Paranormal Activity” franchise.
World premiere: Shakespeare’s comeback story debuts in I.C.
Scott Carter's new play 'I, Will' imagines Shakespeare's comeback at age 44. Why is the Emmy-winning HBO producer's world premiere launching at Riverside Theatre? He explains it in a Q&A with The Gazette.
AMC will pay $120 million to settle 'Walking Dead' profits lawsuit
LOS ANGELES — AMC Global Media, the network behind the storied zombie franchise "The Walking Dead," has settled a yearslong profits lawsuit from the show's creator and producers. The New
Exclusive: Two of gaming’s biggest names are making a big investment in gaming’s future
The first thing to know about the Nova Games Foundation is that it isn’t about The Game Awards. And it’s not about PlayStation. The ambitious new grant program is the brainchild of Geoff Keighley and Mark Cerny. Keighley is the host of The Game Awards, Summer Game Fest and Opening Night Live. Cerny is a game designer of some 45 years and the lead architect for the PlayStation 4 and 5. But this new thing, which they’re revealing through Game File, isn’t about their day jobs. It’s an unaffiliated, standalone philanthropic project. It’s a bet on the artistic future of video games and a way, they tell me, to give back. “I’m nearing the end of my career,” Cerny recently told me over email. “I’m not done yet, but paying it forward—in the best way possible—is very much on my mind these days,” The Nova Games Foundation is a university-affiliated fellowship program, intended to offer six-figure grants to 20 young game designers each year, potentially for decades to come. It will offer no-strings-attached funding along with mentorship from games industry leaders, a combination intended to aid the development of groundbreaking new games, Cerny and Keighley told me. Nova will begin accepting applications in December, from class of 2026 and 2027 students from 13 affiliated gaming programs at universities in eight countries. The schools working with Nova include the New York University and the University of Southern California in the U.S., along with Abertay University in Scotland, Cnam-Enjmin in France, TH Köln in Germany, and the Royal Melbourne Institute of Technology in Australia, Cerny and Keighley said. The plan: $100,000 per recipient, with about a quarter of Nova fellows eligible for up to $500,000 more for projects that are shaping up particularly well. Payments will be delivered based on development milestones, and recipients will own their games. Nova will help promote the work, and developers will be free to pursue the publishers and platforms of their choice. Nova can help introduce fellows to publishers, but won’t take a cut. “I’ve always wanted to give back, but given my role in the industry, I’ve never felt it appropriate to commercially invest in games,” Keighley told Game File. “I’ve never owned stock in a game company or taken a financial stake in a game. Nova is philanthropy: we aren’t taking equity or looking to recoup the grants. The return we’re hoping for is creative—helping new voices make games and find their footing. “Mark and I have each made multi-million-dollar donations to establish the foundation, and we intend to keep contributing. We hope others will join us.” Cerny and Keighley have already hired an executive director, John Maconga, and a head of grants, recent Game Developers Conference director Ashley Corrigan, to help launch the effort. They’re working to recruit game industry leaders to join the effort. Keighley says “dozens of leading game directors have already expressed interest in contributing their time.” To name one, they’ve already gotten Josef Fares, lead designer from It Takes Two and Spit Fiction studio Hazelight on board with a donation and pledge to help out. “I’m proud to support Nova because it gives the next generation of creators the freedom to explore their creativity and hopefully bring their unique visions to life,” Fares told Game File. A plan forged from a friendship Keighley and Cerny have known each other a long time. It’s been so long, Cerny isn’t even sure exactly when they met. “We travel in much the same circles and I’m sure first intersected in the 90s or early 2000s,“ Cerny said. Keighley thinks it might have been during his stint writing a column about the mid-’90s console 3DO for a gaming magazine while Cerny was working on games with Crystal Dynamics or on Way of the Warrior with Naughty Dog. They became genuine friends about a 10 years ago, Keighley said, as they bonded over a shared love of games and a hope to improve the industry. “About a decade ago, we started having dinner a few times a year in LA,” Keighley said. “Just to catch up on life and the industry. Those conversations continued over Zoom during COVID. Nova grew out of that friendship and a question we kept coming back to: ‘What could we do to help the next generation of game directors get started?’” Keighley credits Cerny with the idea to figure out a way to put their money and time back into the industry. At one of those dinners, Keighley proposed the idea of a fellowship program. He’d recalled applying for a Rhodes Scholarship when he was younger. “Spoiler: I didn’t get it,” he said. He’d admired the MacArthur Foundation’s so-called “genius grants.” He liked these kinds of programs that recognized people’s talents and gave them the financial boost and the freedom to realize their potential. With Cerny, he had pondered what a game industry version of that could be. Keighley liked the idea of centering the fellowship on students, drawing inspiration from the accomplishments of Jenova Chen, the USC game design graduate who went on to lead the creation of gently moving, ambitious games such as Flower and Journey. Keighley also thought it could be useful to help promising graduates bridge the transition from student to professional. “Joining an established studio isn’t always possible—especially in today’s market—and even then, it isn’t the right path for everyone,” Keighley said. A fellowship, he realized, could give “graduates the time, resources and guidance to pursue a game of their own and not worry about the commercial viability.” As the idea took shape, Cerny also saw an opportunity to enable more games of a certain type: “The target with the grants is games as an artistic medium,” Cerny told me. “We like to say games with ‘artistic, literary and societal value.’” He added: “I’m a pretty big gamer myself, though I tend to gravitate towards the smaller and more unique or artistic titles, games like Neva, Abzu, Gorogoa, Stray or Outer Wilds. I was just playing and Roger on a flight to Japan, and was getting misty eyed to a degree that I was concerned that a flight attendant would ask me if I was OK. “So one fun benefit here is the games that will come out of the Nova Games Foundation – I can’t wait to play them myself.” Cerny believes it will also be useful for Nova fellows to hone their craft and team leadership skills. “We are looking for the next generation of visionaries,” he said. “The trick is that they will also need to have the executive function necessary to drive a small project to completion.” Game File is a reader-supported publication. To receive new posts and support my reporting, please consider becoming a free or paid subscriber. Subscribe Going big with this Keighley and Cerny may have started Nova and may be the ones primarily backing it right now, but they’re dreaming of something that goes beyond them. “Mark and I may have helped get it started, but one of our measures of success is that Nova grows into something the entire games industry feels a sense of ownership in,” Keighley said. “Our ambition is to build a lasting endowment supported by people and companies across the industry, and an equally broad community of creators willing to give their time and experience to the next generation.” The industry has a lot of knowledge that it can pass to the next generation, Keighley said: “Nova can hopefully become a way to connect that generosity with talented young creators at the moment when it can make the biggest difference.” Cerny, who told me he believes Nova can mature “over the next 10 or 20 years,” sees an opportunity to give generations of game makers momentum. “The industry has changed immeasurably since I started in games in 1982,” he said. “These graduates have talent, training and tools that outclass what we had back in the day by an astonishing amount. But they face a tough road ahead getting traction in the industry, and many could benefit from our support. We want to be there to give it to them.” “There’s a personal side to this, too,” Keighley said. “I don’t have children, and I’ve spent a lot of time thinking about what I can do for future generations. Games have been my entire career. I’ve been incredibly fortunate, and helping someone else build a life in this industry feels like a meaningful way to give back.” Cerny’s oeuvre dates back to Marble Madness and Sonic the Hedgehog 2. He has stood on stage multiple times to reveal the future of PlayStation hardware. He’s been an executive producer for a string of modern PlayStation classics such as The Last Guardian and Marvel’s Spider-Man. Nevertheless, of Nova, he said, “It’s certainly not like anything I’ve done before.” Nova Foundation applications will be due in December and the first wave of fellows will be announced in March 2027. A full list of participating universities and steps students and recent graduates can take to apply to become a Nova Fellow is forthcoming.
Warner Bros. Discovery Home Entertainment Announces The End of Oak Street
The End of Oak Street, the wildest ride to hit theaters this summer, from writer/director/producer David Robert Mithcell (It Follows), debuts
The Otherworldly Geology of Vasquez Rocks
Layers of sedimentary rock that jut from the Soledad Basin at surprising angles have long enthralled television and film producers, including the team behind Star Trek.
Animal Welfare In Shrimp Aquaculture: Science-Based Manual To Foster Sustainable Rearing Practices
Over the past two decades, shrimp aquaculture has grown enormously worldwide. At the same time, consumer awareness of ethical, environmental and sustainability issues has increased, and concern for animal welfare is growing. Consumers are paying closer attention to how farmed animals are treated, pushing retailers and producers to improve standards.
Film "One Call" bringing awareness to mental health
International Exec Director of the KOGA Faith Foundation and writer/director/producer of "One Call" Jehoshua Otuya discusses how his film is bringing awareness to mental health.
"We truly feel this demo will dispel any kinds of uncertainty or concerns that people may have had" - Final Fantasy Resonance Director & Producer on the audience's positive reception after finally being able to play it
Director Hiroto Furuya and Producer Keisuke Nakashima spoke with us the day after the Final Fantasy Resonance demo came out, so we got to chat about their relief at finally being able to release something that people can play for themselves.
In 'Primetime,' Robert Pattinson takes on the 'irresistible' role of Chris Hansen
Robert Pattinson didn't plan to play Chris Hansen in “Primetime,” which debuts Saturday at the Venice Film Festival, but it became irresistible. He started as a producer on the film
From Science to Soil: Emily Fulstone Honors History Through Environmental Innovation
By blending environmental science with time-honored ranching traditions, this Smith Valley producer is proving that regenerative agriculture is the path forward.
President Trump puts Colorado farmers and ranchers first
By Brooke L. Rollins Ever since Colorado was admitted to the union 150 years ago this month, farmers and ranchers across the state have kept our nation’s food supply secure and our freedom alive. From cattle ranchers on the eastern plains to specialty crop producers on the Western Slope, Colorado is home to more than 36,000 farms spread across more than 30 million acres. Last week, I saw the tremendous effect of agriculture in the Centennial State firsthand as, along with U.S. […]
Executive producer of 'Obsession' sues over her cut of the profits
LOS ANGELES — "Obsession," the indie horror movie written and directed by Curry Barker, has proved to be one of this year's most successful films. Made for a reported budget
N.Y.’s plan to charge fossil-fuel producers for climate change struck down
A federal judge ruled that the sweeping law reaches beyond a state’s responsibility and into an area of federal interest.
N.Y.’s plan to charge fossil-fuel producers for climate change struck down
A federal judge ruled that the sweeping law reaches beyond a state’s responsibility and into an area of federal interest.
What does the Lindsay Clancy trial tell us about treating maternal mental health?
Lindsay Clancy is currently on trial for killing her three children.Prosecutors say the murders were intentional, but her defense team says she was suffering from severe postpartum psychosis -- a condition that does not have a distinct diagnosis in the Diagnostic and Statistical Manual of Mental Disorders.That's the handbook used to identify mental health conditions, so patients often have a hard time getting proper care.The case has put a spotlight on maternal mental health and how its treated by the public and healthcare professionals. What does it reveal?WBUR’s Deborah Becker contributed reporting to this episode.It was produced by Megan Lim and Karen Zamora, with audio engineering by Éowyn Fain, Hannah Gluvna and Ted Mebane. Our director is Jonas Adams.It was edited by Justine Kenin and Tinbete Ermyas.Our interim executive producer is Courtney Dorning.Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show’s perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.
How the Beef Industry Captures Climate Science
By pairing scientists with “mentors” from the industry, beef producers distort the field of climate research and foreclose any possibility of limiting their growth.
She was already a top producer. Video changed her business
The agents who'll win in the next era of real estate will be the ones who decide to take action and lean into video marketing.
Fossil Fuel Companies Worsen Water Crisis
Half of long-term Western U.S. water issues are tied to fossil fuel producers, cement makers … Scented cleaning products can pollute interior air … and more.
All iRacing content will be available in career mode at ‘zero extra cost’
All content will be available in iRacing's career mode at ‘zero extra cost’, according to Senior Vice President and Executive Producer, Greg Hill.
Politics panel says Indiana likely will suffer amid US-Canada trade spat
Political strategists warned that the recent trade dispute between the U.S. and Canada involving new tariffs will likely harm Indiana's consumers and producers.
Should You Use AI for Mental Health? | WSJ Wellness for Aug. 28
A producer for our new audio series, ‘The AI Therapist,’ shares what to know about the rise of mental-health AI services. Plus, boomers are smoking more pot and vacation can improve your health.
Danny De Lillo To Launch Sweet Humans Entertainment Company At AFM
Independent producer Danny De Lillo will announce the launch of his entertainment company Sweet Humans at the upcoming American Film Market in LA.
China's short-drama producers flood the market with cheap bets — and let audiences pick the winners
Short dramas' model posits a new alternative to traditional entertainment models, but distribution poses rising cost and audience retention challenges.
NFL 2026 Season Preview
Sports Business Radio Host Brian Berger and Executive Producer Bryan Griggs get you ready for the 2026-27 NFL Season with this NFL Season Preview podcast. From the salary cap to what each team nets from gross national revenue, to the highest paid players and new Head Coaches this season to what is new that you should be paying attention to this season, this show is packed with useful NFL information. Berger and Griggs also make their annual NFL team over/under picks and Super Bowl picks for the
NFL 2026 Season Preview
Sports Business Radio Host Brian Berger and Executive Producer Bryan Griggs get you ready for the 2026-27 NFL Season with this NFL Season Preview podcast. From the salary cap to what each team nets from gross national revenue, to the highest paid players and new Head Coaches this season to what is new that you should be paying attention to this season, this show is packed with useful NFL information. Berger and Griggs also make their annual NFL team over/under picks and Super Bowl picks for the
Building the beat: How New Orleans can grow the business behind the music
People dance to the music of the TBC Brass Band Photo by Michael DeMocker / The Times-Picayune This week New Orleans hosts the annual Cutting Edge CE Conference, which brings together members of the music industry, musicians, lawyers and others to learn about and discuss the latest changes in the business of making, producing and selling music. googletag.cmd.push(function() { googletag.display('ad-1492300'); }); The conference comes as AI and streaming are causing upheavals in the industry. Meanwhile, we’ve seen at least a partial collapse of the global festival industrial complex which has long been a key financial lifeline for many artists.All of that can feel a bit removed from life in New Orleans. After all, we are a city filled with music. On any given day or night, there are dozens of shows across the city, ranging from jazz and blues to hip-hop, bounce and house. Whereas in other cities kids dream of being the star of their local sports team, in New Orleans more often than not they dream of leading their own band.And music is a huge part of our economy. Before New Orleans was known as a foodie destination, it was already drawing millions of visitors from around the globe to experience our jazz, soul and funk scenes firsthand.But the reality is, if you want to make it big, you’re probably going to end up leaving the city. We’ve seen major performers like Lil Wayne, Master P and Jon Batiste (though he’s back on the Northshore) decamp to Los Angeles, Miami and New York. Likewise, up-and-coming musicians like Greer Grimsely, $leazy EZ and Lucky Daye have also left town in search of more profitable pastures.Meanwhile, our local universities train some of the best producers and engineers in the business — only to see them head to one of the big music industry cities after graduation.It’s not a new phenomenon, though the reasons have changed over the years. Like a lot of early jazz musicians, Louis Armstrong famously left New Orleans, first for Chicago before ultimately settling in New York City. But while those early migrations had more to do with racism, in today’s day and age, musicians end up leaving because New Orleans doesn’t have the industry infrastructure necessary to sustain the kind of growth and, well, success, a lot of folks dream of.It’s a hard, but very real, truth. Artists have to go to Nashville for publishing, Los Angeles for production, Atlanta to join a label or New York for representation. That, in turn, is a drain not only on the city’s talent pool but on money that could be staying here at home.Not being an industry town inevitably makes it that much harder for musicians who don’t leave to get the recognition and success they deserve. It also undoubtedly plays a part in keeping the wages working musicians in New Orleans make at their gigs here lower than in places like Austin or Nashville.That’s not to say we don’t have any of the infrastructure needed to make New Orleans a music industry town. We’ve got live music venues, studios, record labels, management companies, copyright attorneys ... all the various building blocks are there. We just haven’t ever built upon that solid foundation. googletag.cmd.push(function() { googletag.display('ad-1492297'); }); The question is how do we do that in a way that supports our existing industry and artists, respects our cultural traditions and ensures the wealth generated is equitably distributed so it isn’t just C-suite executives who end up reaping the benefits. And the time to start figuring out the answers is now: next year the legislature will focus on taxes and spending, making it vital that New Orleans leaders have a plan to try and secure funding to help grow our industry.So we asked a group of New Orleanians to give us their thoughts, ranging from industry attorneys and venue operators to working musicians and cultural advocates. Their answers point toward turning New Orleans into a music industry city without leaving musicians behind or abandoning what makes us the greatest music city on earth.If a dusty city like Austin can transform itself into a major hub not just for music but the industry behind it, surely the birthplace of jazz — and pretty much all modern music by extension — can figure it out as well. +3 Mailbox Money: The Recording Academy’s Reid Wick on supporting, and growing, New Orleans’ music industry Reid Wick has been a part of the New Orleans music landscape from virtually every angle. He'… California Dreaming: Pell discusses his time in L.A. and how New Orleans can help young musicians In 2015, New Orleans-born rapper Pell decided to make the move to Los Angeles. He was fresh … +2 Up from the street: To build a stronger music industry, support community first. At MaCCNO, most of our team aren’t just advocates, we’re also working musicians. Here are a … +2 Live and direct: Public investment in independent venues is key to a robust music economy. I’ve spent most of my adult life looking at the New Orleans music business from every side o… +2 Helping Hand: New Orleans doesn’t need more talent. It needs more infrastructure. People love to call New Orleans a music town. And they’re right. +2 \We out here: New Orleans doesn't need to be Austin. It's already a music industry city. +2 Futureshock: New Olreans has the music talent. Now it needs the innovation. New Orleans has long been known as a place for music creation and innovation. People travel … .donate-gambit-article-module-container { text-align: center; padding: 10px; /* background-color: #24da6d; */ background-color: rgb(153, 0, 0); margin-bottom: 20px; } .donate-gambit-article-module-title { font-weight: bold; color: #fff; } .donate-gambit-article-module-copy { color: #fff !important; font-size: 16px; } .donate-gambit-article-module-button { background-color: black; width: 50%; border-color: black; font-size: 16px; } .donate-gambit-article-module-button:hover { background-color: black; } @media only screen and (max-width: 600px) { .donate-gambit-article-module-button { font-size: 14px; width: 100%; } .donate-gambit-article-module-copy { font-size: 14px; } } BECOME A GAMBIT MEMBER AND JOIN OUR KREWE TODAY For more than 40 years, Gambit has covered New Orleans, for New Orleans. We’ve stood up to city hall with you, cheered the Saints with you, danced in the streets with you and cried over our collective loss with you. And we’re plannin’ on being here for 40 more. To do that, we need your help. Become a Gambit member today and help us continue our mission SUPPORT GAMBIT
A veteran political reporter shares the lessons she learned hearing from swing voters
As a political correspondent, NPR's Ashley Lopez regularly speaks to voters about their worries, and their dreams. But finding swing voters in swing states — the people who can decide elections — can be a difficult assignment. For this week’s Reporter’s Notebook, Lopez talks about her larger takeaways from working on NPR’s Swing Voter Project. This episode was produced by Kai McNamee.It was edited by Ben Swasey and Adam Raney.Our interim executive producer is Courtney Dorning.Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show’s perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.
Jaafar Jackson says sequel will tell Michael Jackson's story from his point of view
Jaafar Jackson says a sequel to the biopic "Michael" will tell Michael Jackson's story from his point of view, as producers and the estate weigh how to address past controversies.
Apple TV's 'Acapulco,' Andy Garcia Lead Winners and Honorees at '41st Annual Imagen Awards' Celebrating Latino Entertainment
Andy Garcia recieving the Lifetime Achievement Award from the Imagen Foundation Acclaimed actor, filmmaker, producer, and musician Andy Garcia received the Imagen Foundation's Lifetime Achievement Award, recognizing his four-decade career, groundbreaking storytelling, and longstanding commitment to Latino representation. Actor Danny Pino presented him with his award. Following the presentation, Garcia and The CineSon All Stars took the stage for a special performance, joined by Grammy Award-winn
One:eight Entertainment Launches Publishing Division, Signs Producers Kyle Lee & Ryan Rich
Artist development company one:eight entertainment has launched a new publishing division led [...]
Scientists explore large-scale geoengineering to slow glacier melt
Learn how scientists are attempting to reverse glacial melt through intervention
Wood’s research advances fertility understanding
Wood's team studies embryo development, nutrition impacts and lab techniques to help producers achieve better reproductive outcomes.
After ‘Burlesque the Musical’ Cancels More Performances, ATG Entertainment Says Show Must Go On
Following four more canceled performances of the touring production of “Burlesque the Musical” this week, partner ATG Entertainment has said it is “working closely” with producers of the beleaguered m...
ATG Entertainment Says ‘Burlesque the Musical’ Will Continue After Canceled Performances
ATG Entertainment is 'working closely' with 'Burlesque the Musical' producers to ensure the show will go on.
Eva Longoria shares her daily routine and work-life balance
Actor, producer, and entrepreneur Eva Longoria balances her career with motherhood by managing a media company and engaging in film work.
COOL vs growing the business
Contrasting emails highlight the ongoing COOL controversy while beef industry experiences record demand and producer prosperity without mandates.
The Sidemen & NFTS Team To Train New Unscripted Producers In UK
Sidemen Entertainment has teamed with the National Film and Television School to find the next generation of unscripted producers in the UK.
Clifton producer of cookies, breads finds buyer. What it means
The Clifton-based bread and cookie wholesale producer Jimmy’s Gourmet Bakery is being bought by Rise Baking Co.
Locarno Winner ‘Forgotten Spaceman’ Adds Khan & Kumar Media, Prism Entertainment as Executive Producers Ahead of Toronto Bow (EXCLUSIVE)
“Forgotten Spaceman,” the documentary short by BAFTA-nominated filmmaker Elham Ehsas that won the Leopard of Tomorrow (International Competition) award at Locarno’s Junior Jury Awards, has added Khan ...
Locarno Winner 'Forgotten Spaceman' Adds EPs Ahead of Toronto Bow
Elham Ehsas documentary about Afghanistan's first astronaut adds Khan & Kumar Media, Prism Entertainment as executive producers.
Review: In ‘Lanterns,’ the superheroes soar through a grounded detective story
For all their vaunted power, superheroes are at the mercy of the people who write them, draw them, play them on the screen, and by extension the producers and executives
Octavia Spencer Talks Giving 'Visibility' to Missing Indigenous Women
The narrator and executive producer of the ID series talks about the "duty" she feels to amplify the stories of missing and murdered native women and the current efforts toward seeking justice.
WORLDWIDE WEDNESDAYS: The Rise of A.I. Entertainment
NewsChannel 7’s Alyssa Dutton and Emmett Rice sit down with Producer Evan Bendall to discuss the rise of A.I. entertainment
Scientists say U.S. will suffer if White House bars science with China
A proposed Office of Management and Budget rule will ban all research funding for U.S. science collaboration with China, which has surpassed the U.S. as the world’s top investor and producer of science and engineering research and development.
50 Cent to executive produce 'Payday' TV series
50 Cent is cashing in on Payday.The rapper/producer has boarded the TV adaptation of the popular first-person shooter video game series. He’ll executive produce under his G-Unit Film & Television prod...
Pork producer sees value in AgView health data tracking
Disease prevention remains a key focus for a Michigan pork producer. Joe Dykhuis says he utilizes AgView to make decisions that support herd health and reduce disease spread. “As a producer using AgView, I have already loaded into that system all the locations I have pigs on. We put in any time we move pigs […]
Positive outlook for cattle business as summer business meeting concludes
With optimism for the cattle business remaining strong, nearly 700 cattle producers from across the country gathered in Colorado, for the Cattle Industry Summer Business Meeting.
PA Pork names new inaugural Penn State Sports Nutrition Fellow
Chritz will work closely with Penn State Sports Nutrition while serving as a nutrition ambassador for Pennsylvania Pork Producers Council.
Chartbook 464 The"China squeeze" - the politics of development counterfactuals.
There are three types of China shock discourse. Each has a distinct temporal register. China shock 1.0 was a phrase coined by US academics in the 2010s to retrospectively summarize the impact on particular US labour markets, which they identified through painstaking empirical investigation. China shock 2.0 on everyone’s lips in Europe in the mid 2020s is an alarm raised by trans-Atlantic policy thinkers warning of a coming disaster which they project onto Europe’s ailing car industry. The third type of China shock discourse - commonly known as the “China squeeze” launched most recently by Indian economists Shoumitro Chatterjee and Arvind Subramanian in the pages of Foreign Affairs - mobilizes a different, more speculative temporal register: the counterfactual realm of alternate history. The China squeeze argument asks not what has happened, or what is going to happen, but what might have been. Specifically, what options for economic development might have been open to Global South economies like India or the economies of sub-Saharan Africa, had it not been for China’s spectacular industrialization since the late 1990s and the persistent competitiveness of China’s manufacture in low-skilled segments. Chatterjee and Subramanian’s argument is that whilst China has built a powerful position in electrical machinery and other high-skill manufacturing, which is now delivering China Shock 2.0, it also continues to run a trade surplus in low-skill, labour-intensive manufacturing. This surplus is large and has remained largely unchanged in fifteen years. Indeed, in the 2010s, in trade with low-income countries, China’s surplus rapidly increased. On their reading, this squeezes low-income producers in low-skill sectors in which they “should” be able to compete. Source: “China’s Mercantilist Squeeze on Developing Countries” Shoumitro Chatterjee and Arvind Subramanian. Peterson Institute for International Economics 26-7 May 2026 Chatterjee and Subramanian’s wording is telling: (emphasis mine) The canonical trajectory of economic development in the post-World War II period is for countries to transition from agriculture to manufacturing, first in low-skilled manufacturing and then later on to high-skill manufacturing (Herrendorf, Rogerson, and Valentinyi 2013). At the global level, this implies that high-income countries (HICs) that once specialized in low-skilled activities cede manufacturing export space to poorer countries that come along to occupy that space. In 1965, advanced economies accounted for about 60 percent of global value-added exports in four key low-skilled manufacturing sectors, i.e., apparel, leather, textiles, and footwear. Over time this share declined and began to be occupied first by the East Asian tigers and, beginning in the late 1990s, by China. Today China accounts for about 50 percent of the global market. The question is whether China, with its rising prosperity, is continuing to behave like its richer counterparts and ceding export space to poorer followers or to behave unlike them and continuing to occupy space. In terms of the conceptual maneuvers it performs, of the three China shock discourses, the “China squeeze” argument is by far the most ambitious. After all, it bases its critique of China on a counterfactual imagining of the world. Like any counterfactual argument, to construct this alternative reality it must rely on a heuristic model. To make their argument Chatterjee and Subramanian mobilize two key claims. The first reference point is the actual history of rich-country industrialization, what they refer to as the “canonical path”. The idea is that countries transition from agriculture to light industry and low-skilled manufacturing and from there up the value chain. To make this useful as a standard of comparison and a means to construct a normative standard, they adjust sectoral export shares for two factors: 1. the underlying level of economic development of the exporting country, as measured by national income and 2. the degree to which the sector in question is internationalized. The idea being that for a high income country to have a high export share in low-skill sectors is anomalous and even more so if that particular product is highly internationalized and thus suitable for being “conceded” to lower-income competitors. Where should this process end? Here Chatterjee and Subramanian introduce their second benchmark. Their normative idea of a global development path is one in which, in due course, low-skill manufacturing exports are distributed in proportion to a country’s share in the global labour force. They imagine, in other words, a world of proportional, polycentric global development without much national specialization in low-skill manufacturing. A useful benchmark is that, in labor-intensive manufacturing sectors, a country’s share of world exports should be broadly commensurate with its share of the world’s low-skilled labor endowment. … In the Heckscher-Ohlin model, this would be true if value added per worker and export propensities, i.e., fraction of output that is exported, are the same across countries. It is this pleasant liberal vista of orderly global development, progressing towards a general distribution of low-skilled manufacturing against which they judge reality and conclude that the low-income countries are suffering a “China squeeze”. China is not exiting low-skill sectors fast enough Allowing for its gdp level and the degree of globalization, China’s share of low-skill manufacturing exports is far higher than it “should” be. Relative to population, its low-skill share of exports is far too high. That in turn yields the conclusion that huge numbers of jobs - the authors suggest tens of millions - are being hoarded by China. For the four sectors captured in figure 4, this excess in value-added exports is $110 billion in 2022. For all low-skilled sectors overall captured in appendix figure D.1, excess value-added exports amount to $365 billion. The crowding out of LMIC exports by China is therefore substantial. Both these claims have in common that they are strong structuralisms. The first is that development paths ought to resemble each other. The second is that broadly speaking as far as low-skilled manufacturing is concerned, all countries are alike. If the world currently diverges from the distribution of trade implied by these assumptions, if China is not following the advanced economy path and has huge exports, this must be the result of “policy”, which the authors then put in question as illegitimate or unfair. Thus the naturalistic construction of a canonical path leading to a “level” distribution of low-skilled manufacturing reveals itself to be a polemical tool. From the point of view of China shock polemics, this discourse is no doubt welcome. But as an account of economic history, it must surely be regarded as nothing short of bamboozling. Development paths do not follow a regular, natural sequence. As David Fishman put it aptly, “development is not a queue”. They are always and everywhere, through and through political. Development is not so much a process, as a project. Each such project is more or less well adjusted to its context. As Gerschenkron taught uneven and combined development implies differentiation rather than simple imitation on a single parth. It may be true that Europe and the US exited relatively early from low-skill work. But clearly technology has changed. As C&S themselves point out, China no longer enjoys a low wage environment. Do they really believe that such huge differences can be accounted for either by industrial policy, which as they admit does not operate powerfully in low-skill sectors, or by exchange rate manipulation? What is overwhelmingly dominant in explaining the persistence of “low-skill” manufacturing in China are surely the network effects of complex supply chains. Indeed the label of “low-skill” may miss the point. The degree of globalization which Chatterjee and Subramanian decide to conjure away in their model of the development path - to allow for the fact that Europe and American textiles exporters did not enjoy just-in-time logistics in the 1950s - obscures the point that the networks through which Chinese factories supply the world are themselves key parts of the low-skill industrialization project. China isn’t knocking out 1970s style “cheap”. It has redefined the entire product cycle. C&S’s casual reference to “T-shirts” is telling. In today’s “fast fashion”, there is weight on both terms. Fashion and fast. China’s success in delivering on both at unprecedentedly high speed and at unprecedentedly low cost, isn’t a low-skill operation at all. If we see development trajectories not as the serial repetition of the same, but as distinctive, crafted projects that cumulate in complex agglomerations of skill, technology and labor, then this explains why the assumption that low-skilled manufacturing should follow the distribution of population flies in the face of all experience. As countless cases attest, low-wage, low-income developed economies are not by themselves the makings of a competitive production base. As Leon Liao puts it quite fairly: “International trade has never been allocated according to population. A country’s population gives it no natural claim to an equivalent share of global exports." And the remarkable fact is that Subramanian alone and with co-authors has long been making this point, not to pillory China, as is the case of the tendentious _Foreign Affair_s and Peterson pieces, but to highlight the great counterpart to China’s industrial success, namely India’s relative failure. The much-quoted Foreign Affairs piece showed low-skill export shares only for China, not for India. If you put both countries in the picture as Chaterjee and Subramanian have done on other occasions, the picture looks like this. China is far above the line, but India, almost as large in terms of population, is no less anomalous, just in the opposite direction. As far as global populations are concerned, and the imagining of tens of millions of “squeezed” jobs, it is this Sino-Indian pair that account for a huge share of the action. What this graph reveals is not China’s cheating, but India’s “greatest development failure”, at least this is the argument made Arvind Subramanian, this time in co-authorship with Devesh Kapur, in their major book, A Sixth of Humanity. Independent India’s Development Odyssey which appeared with Oxford University Press earlier this year. In this highly critical work on India’s development, China is repeatedly evoked, not to criticize but as a benchmark against which to illuminate what India’s political economy has not delivered i.e. large-scale formal employment for hundreds of millions of citizens. Kapur and Subramanian leave no doubt, if you want to understand why China, not India was the main driver of manufacturing globalization from the 1980s, don’t look to slots opening up in the division of labour thanks to the liberal mindedness of advanced economies, look to the contrasting political economy of the Maoist PRC and India’s post-independence political economy. As Kapur and Subramian note: The great divergence between China and India did not begin in 1978 with the Deng reforms—it was well underway by then. In one of the great ironies of modern history, the conditions created by Maoism turned out to be a great launching pad for industrial globalization. As the comparison of India and China in 1980 makes clear, to imagine manufacturing would be equally distributed when populations are so differently endowed in terms of educational and nutritional is fanciful. Here is the data from Kapur and Subramanian, data which I explored back at the very beginning of Chartbook. As Kapur and Subramanian insist, the striking fact is that even as India’s growth accelerated from the 1980s, structural change has not. Formal employment in India lags woefully behind. Why? As Kapur and Subramanian note, the path-dependent impact of India’s poor early start was devastating. The list of factors they mention is long and weighty: We argue for a new five-fold explanation applicable at different stages of Indian history: in the initial stages, the legacy of two key pre-1980s policies, the neglect of agriculture and the strangling of the domestic private sector, were critical. The failure of broad-based agricultural growth militated against rural industrialization, which would have been devoted to satisfying local needs that would have necessarily been labour intensive. Then, when the boom came after 1980, the thicket of regulation and broader labour protections that were legislated prematurely in a nascent democracy, underpinned by a deep ideological aversion to private capital in general and big capital specifically, became a barrier to attaining the size that would be necessary to compete globally. Similarly, the reforms after 1991, while wide-ranging, did not quite encompass non-tradeable inputs critical to manufacturing, namely, land, logistics infrastructure and power. A combination of low investment (logistics infrastructure), regulation (land) and the continued monopoly supply by state governments (power), combined with residual socialism, kept costs at 75–100 per cent above efficient supply. These factors were compounded on the supply side by the government, which dominated the formal labour market and established exorbitantly high wages at the lower end of the skill spectrum. This made their employment in the labour-intensive sector by the private sector less attractive. Finally, when the services sector and its exports boomed, wages soared even further via a Dutch Disease effect: one successful tradeable sector killed and cannibalized another less-skilled tradable sector, namely, manufacturing. Thus, scarcity-inducing policies of the planning era, precocious democracy and a Gandhian aversion to size; inefficient, monopolistic supply of critical non-tradable inputs; the behemoth of government; and super-successful skill-intensive services successively undermined India’s unskilled labour employment opportunities. The employment failure seems to have been over-determined. … Less quantifiable but no less important are some of the sociological factors that have undermined manufacturing and factory jobs. Take the impact of the success of the IT sector—located in urban areas with better working conditions, such as air-conditioned offices, good schools for children and attractive entertainment options. It became a more attractive place for engineering and management graduates to flock to. … Consider manufacturing and female employment. Indian society makes it difficult for women to work, reflected in India’s unusually low female labour force participation (elaborated in Chapter XIII). Indian society, in particular the routine harassment of women in public spaces, makes it even more difficult for them to travel long distances to take up work.37 Combined with onerous regulations on creating hostels and dormitories for women—which, in turn, prevents multiple shifts of operation—factories need to be located in areas with a large female labour pool. While firms can take apparel plants to female labour or bring them to the plants by building large-scale dormitories, this raises costs. If there was a case for subsidies to encourage labour-intensive manufacturing, housing subsidies to build dormitories for women workers would be a good place to start. All of this meant, that when opportunities did open up, in part thanks to adjustments in China, India was in no position to take advantage. Here is the account of the 2020s from Kapur and Subramanian. It stands in dizzying contrast to the one-sided, “China squeeze” argument delivered in the Peterson and Foreign Affairs pieces: In 2022, for example, India’s share of global exports in clothing (the canonical labour-intensive sector) was 3.1 per cent compared to 32 per cent for China. This is extremely disappointing because China started vacating export space in this sector after the Global Financial Crisis as its wages started rising; it then vacated further space in the aftermath of geopolitical developments that led investors to seek alternative investment locations. Between its peak and today, China lost about 7.5 percentage points of global export share (worth about $43 billion in 2022); over this period, India’s export share remained stagnant at 3 per cent, while that of Vietnam and Bangladesh rose by 3.5 to 4 percentage points. China’s loss did not translate into any gain for India in terms of low-skill exports and employment. Put differently, when the conditions for dynamism and prosperity were established after 1991, and even more tantalizingly when the global export opportunities opened up, it was as if India was a high-wage economy and only skilled labour could benefit from the dynamism. It had converted its physically abundant unskilled workforce into an economically expensive resource, penalizing its use. It is not my mission here to argue for or against Kapur and Subramanian’s interpretation of India’s development trajectory. The point in this context is simply that the “China squeeze” such as it is can only be understood, in relation to the heavy burden of domestic constraints that Kapur and Subramanian so unsparingly enumerate. I am concentrating here on India because it is the great counterpart to China and the unspoken reference point of the “China squeeze” discourse. But the point is more general. Can anyone with a straight face suggest that the main problems afflicting the development of South Africa or Nigeria, the great centers of mass underemployment in sub-saharan Africa, are cheap competition from China driven by Beijing’s industrial policy and an undervalued RMB? Likewise, is the main problem of the American working-class the threat of Chinese competition or the manifest crisis of social reproduction in the United States itself? The point here, as in the discourse around China shock 2.0 in Europe, is to insist that we should not normalize the world and pathologize China, without actually investigating what is going on in America’s industrial wastelands, the German car industry, or India’s lopsided labour market. One-sided pathologization should be understood for what it is, a polemical gesture. Concepts like China shock and China squeeze are, what Reinhart Koselleck, following Carl Schmitt, would have described as “asymmetrische Kampfbegriffe”, or “asymmetrical counter-concepts” or “asymmetrical combat concepts”. If the function of arguments like the “China squeeze” is to alert elites in the rest of the world of the need to rejuvenate and energize their development projects, so be it. But let us see the resulting discourses as the mobilizing interventions that they are. Interestingly, a significant slice of China’s public sphere - the so-called industrial party - have been obsessed for the last twenty years with precisely these questions of counterfactual economic history. Since the mid 2000s, a massive online discourse developed around an alternative history in which Chinese techno-patriots were asked to imagine how they would proceed if they had the possibility of traveling back in time to transport modern technology into the Ming dynasty (1368-1644) thus averting the “great divergence” of the 18th and 19th centuries. It is a fantasy of course, but also a goad. The point was not directed at Westerners. The alternate history is dramatically nationalist, but few n the West had even heard of it until recently. The adherents of the industrial party are not liberal moralists. They don’t project natural ladders of international development and ask why others don’t cede space. They take the Realpolitik of global economic development for granted. Their pointe was directed against fellow Chinese. The rallying cry of the alternative narrative was this: Now that we are beginning to gain steam and push forward on our national development path, now that we are breaking out of the inferior position assigned to us even in the early years following WTO accession, do not lose yourself in humanistic imaginings about better futures. In the spirit of Deng, they called on China to embrace the hard truth of development. Perhaps one might of the Industrial Party as a cultural trend born out of desire for symbolic revenge against those who had inflicted the century of humiliation. In terms of the various temporalities of the “China shock” - retrospective, prospective and counterfactual - one might think of the Industrial Policy discourse as truly speculative, conjuring up the China shock that never was. Or perhaps one might better think of it as imagining a world in which a powerful China was no shock at all, but simply a defining fact of modern history. I love putting out Chartbook. I am particularly pleased that it goes out for free to thousands of subscribers around the world. But, writing this newsletter takes a lot of work. If you are enjoying it and would like to support the project, sign up for one of the subscription options here. It is the equivalent of a fancy cup of coffee per month! Subscribe
4 questions about the high-stakes Michigan Democratic primary
For two days last week, I lived inside the hottest political race in the country — the Michigan U.S. Senate Democratic primary between the more centrist congresswoman Haley Stevens and progressive former public health director Abdul El-Sayed. Producer Sam Weber and I flew into Detroit with some questions. How do these candidates stack up in real life? What actually matters to Michigan? Will this divide be a problem for Democrats in November? Does this race
Geno Segers will no longer join Broadway’s ‘Hadestown’ after online backlash
The actor and producers say they mutually agreed to part ways following criticism over past comments about transgender people. “Hadestown”
Ariana Grande withdraws from London musical, will take a break from the public
Ariana Grande has pulled out of an upcoming stage musical in London, producers said, and plans to withdraw from the public eye for a break from the intense scrutiny she faces.
Hades, King Herod and the Politics of Theater. A Starry August. Stageworthy News of the Week.
The producers of “Hadestown” on Broadway rescinded the casting of Geno Segers as Hades, after OnStageBlog reposted Segers’ (now deleted) videos on social media that belittled transgender people. Th…
Yoshi and the Mysterious Book devs talk about how they benefited from Nintendo Switch 2's hardware power
The developers behind Yoshi and the Mysterious Book have spoken about how they were able to take advantage of Nintendo Switch 2’s power while making the game. As we previously reported, the game actually started out as a Nintendo Switch 1 title. However, later on, it shifted over to the latest console. Senior producer Etsunobu Ebisu, director Masahiro Yamamoto, and...
Canada's Enbridge postpones plans for second phase of Mainline oil pipeline expansion
Canadian pipeline operator Enbridge said on Friday it was postponing the 250,000-barrel-per-day second phase of its Mainline crude pipeline network, partly due to Canadian oil producers not committing to significant output increases.
HRW report says oil production in DRC poses severe environmental health risks
Human Rights Watch (HRW) on Monday reported that Perenco, the sole oil producer in the Democratic Republic of Congo (DRC), is actively participating in production tactics that pose grave health and en...
Business In Filmmaking lecture held in Richmond with Mad Skillz
GRAMMY Award-winning musician Mad Skillz and Tony Award-winning producer B.K. Fulton held a Q&A session for the arts.
Silent Hill: Townfall promises to "massively subvert" your expectations, and it's left me painfully excited
Our hands-on impressions of Silent Hill: Townfall, plus producer Motoi Okamoto and director Jon McKellan's thoughts on evolving the series.
What happens when AI chatbots handle a mental health crisis?
Artificial intelligence is transforming how we gather information and communicate with one another.It’s also changing how some people seek out mental health care. But what happens when this sophisticated technology is used to deal with serious mental health issues?For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Jason Fuller, with audio engineering by Ted Mebane and Valentina Rodriguez Sanchez. Our director is Jonas Adams.It was edited by Diane Webber and Tinbete Ermyas.Our interim executive producer is Courtney Dorning.
Dana White decries UFC broadcast production again: ‘Brutal’
UFC CEO Dana White continues to publicly criticize the production quality of his promotion’s broadcasts. Earlier this month, following UFC 329, White took aim at his producers after another high-profile incident of misidentifying a celebrity attending the event. While showing an image of Shakur Stevenson, a boxer who was recently signed to the boxing promotion…
Natural gas producer Expand Energy to acquire Twin Eagle for $1.25 billion
Expand Energy said on Monday it would buy privately held natural gas marketer Twin Eagle Holdings from Five Point Infrastructure for $1.25 billion.
The unexpected cost of tariffs for some small business owners
When President Trump invokes tariffs - he promises they’ll benefit Americans. But the experience of some small business owners tells a different story. For this week's Reporter's Notebook, Host Debbie Elliott speaks with NPR Business Correspondent Alina Selyukh about what she learned about the unexpected costs small businesses are shouldering.For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Gabriel Sanchez. Our director is Erika Ryan.It was edited by Emily Kopp and Adam Raney.Our interim executive producer is Courtney Dorning.
Theater producer’s Des Peres home filled with entertainment collectibles
Stepping into the Des Peres home of theater producer Jack Lane is like taking a trip through the history of Hollywood, Broadway and the wonderful world of Disney all in
Entertainment headlines with TMZ
Bender talks with TMZ producer Eric Wilson about entertainment headlines and celebrity news.
How U.S. Audiences Feel About Gen AI in Entertainment Content
A central question facing all media industries has been what role generative AI should have in content creation. Yet business decisions about AI use aren’t insulated from public opinion. As generative AI begins to enter aspects of content creation, media industry leaders, producers and creatives increasingly need to understand how audiences will respond to its […]
S.F.’s Pier 70 lands its first music festival
The festival, headlined by DJ and producer BLOND:ISH, will take place in September.
Former ‘Bachelor’ producer relearned how to walk after near-fatal brain aneurysm
Former ‘Bachelor’ producer Desiree Duckett relearned how to walk after the near-fatal brain aneurysm she suffered while filming Joan Vassos’ season of ‘The Golden Bachelorette.’
Walker Scobell and ‘Percy Jackson’ EP warn season 3 is ‘darkest’ yet: ‘People are dying’ (exclusive)
‘Percy Jackson and the Olympians’ star Walker Scobell and executive producer Craig Silverstein talk about adapting ‘The Titan’s Curse’ for season 3 — and why it’s their ‘darkest’ one yet.
Nintendo explains why it's coming out with Splatoon Raiders instead of Splatoon 4
Rather than releasing Splatoon 4, the next entry in the series is Splatoon Raiders. Nintendo recently explained why it chose to release that title now. After more than a decade or core Splatoon gameplay, producer Seita Inoue explained in a new interview that the team “thought it might be interesting to create something with a slightly different approach to gameplay,...
The health risks of wildfire smoke across the Midwest and Mid-Atlantic
Learn about the dangerous wildfire smoke blanketing wide regions of the U.S.
To IMAX or not to IMAX, entertainment producer Tyra Martin on where to watch "The Odyssey"
Chicago's Very Own source for breaking news, weather, sports and entertainment.
ZeniMax Online Studios leadership to exit as part of Xbox cuts
There are major changes happening atop Maryland-based ZeniMax Online Studios, developer of the Elder Scrolls Online, Game File has learned. Joe Burba, a 14-year veteran of the studio who was appointed to run it last July, is departing, along with ESO executive producer Susan Kath, studio game director Rich Lambert and production director Ala Diaz. Their roles were listed among hundreds of others cut last week from the Maryland offices of ZeniMax, in a WARN letter sent to the state by ZeniMax and obtained today by Game File. Tonight, BUrbam Kath, Lambert and Diaz notified Zenimax Online Studios workers of plans to “transition” to a new leadership team consisting of promoted ZOS veterans. That transition will occur “over the next few months,” they told workers, according to a copy of the notice reviewed by Game File. “We will remain in place during the transition period to help ensure a smooth handoff.” Last week, Microsoft laid off of 1,600 workers across its vast gaming teams in locations around the U.S. and abroad. Just who has been impacted and how hard various studios have been hit has been emerging day by day. Game File reported last week that Microsoft/ZeniMax notified officials in Maryland that 379 gaming jobs were being cut across the state. They tallied cuts in two locations: one for ZeniMax Media Inc. (covering Elder Scrolls/Starfield/Fallout-maker Bethesda Game Studios and central Bethesda game publishing) and one for ZeniMax Online Studios (Elder Scrolls Online). More than 200 jobs were cut at the latter. Last week’s totals did not reveal job titles, nor did Microsoft announce any leadership changes in the ZeniMax group. That has now happened. Earlier today, Game File obtained from Maryland officials a breakdown of the 379 impacted roles, which, extraordinarily, included “studio head.” Microsoft later confirmed to Game File which studio head that referred to: ZeniMax Online Studios’. Microsoft has since has notified studio employees and internally announced new leadership. ZOS will now be run by Josh Henderson, previously head of business operations at the studio, and Nick Giacomini, who was promoted to game director for ESO last August. Game File is a reader-supported publication. To receive new posts and support my journalism, please consider becoming a free or paid subscriber. Subscribe Last week’s news of 200+ cuts at ZeniMax Online Studios generated public sympathy for those workers and questions about the long-term viability of the Elder Scrolls Online. ESO is a massively multiplayer online game that inherently persists on the strength of new content being developed for it. Earlier today, fans and workers in Maryland protested the cuts at the ZeniMax teams in a rally organized by the Communication Workers of America, the union that represents many of the impacted employees. Regarding concerns around the game, a community manager stated on Saturday: “The plan is still to deliver great content, and we will hopefully have an update soon.” In their note to the studio today, the outgoing leaders of ZeniMax Online Studios predicted “growth” for the game: We have tremendous confidence in Josh and Nick, the future of this studio, and the continued growth of ESO. With exciting experiences still ahead for our players as we wrap up work for Update 51 and beyond, we believe that your passion, creativity, and commitment to each other and the community will continue serving as the heartbeat of ESO. The list of jobs cut in the ZeniMax WARN notice in Maryland includes several very senior roles, including: Studio Head Studio Operations Director Studio Game Director Studio Audio Director Studio Art Manager Vice President and Controller VP, Global Sales & Business Development While some of those job descriptions match the exiting ZOS leadership team, Game File couldn’t verify if all were from that studio. The full list of cut roles shared by Maryland officials also covers workers at Bethesda Game Studios and its central publishing office. The following is an excerpt: The list of 379 eliminated ZeniMax jobs in Maryland also includes: four animators three bilingual CS (community service) leads for Chinese, Italian, and Japanese a creative director for the Elder Scrolls Online Player Life Cycle two food service workers seven producers more than 60 senior QA testers. and many others The WARN notice states that almost all of the 379 workers were notified of their layoff on July 6. In fine print, it states: “Approximately 9 employees were notified of the elimination of their position prior to July 6, 2026.” A 2021 mega-merger scaled back Microsoft announced in 2020 that it intended to buy ZeniMax and its network of game studios in 2020, and closed the $7.5 billion deal in March 2021. The purchase, which preceded Microsoft’s acquisition of Activision Blizzard, added several award-winning studios to Microsoft’s portfolio, including Bethesda (Elder Scrolls, Fallout), Arkane (Dishonored), and id Software (Doom). The studios’ output since then included a 2024 Game of the Year contented from MachineGames in the form of Indiana Jones and the Great Circle along with Starfield from Bethesda and the poorly-received Redfall from Arkane Austin. In recent years, a Microsoft repeatedly in cutback mode closed ZeniMax’s Tango Gameworks (which was reconstituted by Krafton) and closed Arkane Austin. The Xbox cuts last week have hit the ZeniMax group hard, with 158 jobs eliminated in Texas, many of them at id, and 379 from the ZeniMax teams in Maryland. Xbox also said last week that it would be entering a consultation process around Arkane Lyon, a process expected to end in a sale, shutdown or other form of divestment. The Lyon team has been working on a game tied to Marvel’s Blade vampire-hunting super-hero.