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Trump Administration’s "Anti-Fraud" Task Force Is Just Doubling Down on Policies to Push and Price People Out of Health Coverage
WASHINGTON, D.C. – Anthony Wright, executive director of Families USA, issued the following statement in response to Vice President JD Vance’s announcement today that the administration is removing more than 750,000 people from Affordable Care Act marketplace coverage, with another 440,000 under review: “Once again, the Trump administration is using alleged fraud accusations as a […]
Downtown Mobile Entertainment District may be expanded
Downtown Mobile Entertainment District may be expanded
NC Supreme Court candidates spar over past rulings, racial equity proposals
North Carolina’s Supreme Court currently has a 5-to-2 Republican majority, and just one of those seats will be on the ballot this November. Justice Anita Earls, a Democrat, faces former N.C. Rep. Sarah Stevens, a Republican who stepped down from the legislature earlier this year.
Mobile leaders push go-cup enforcement as arena district expansion is introduced
Mobile leaders say they want downtown’s entertainment districts to support local businesses—not turn into a bring-your-own-drink party.That message came Tuesday
Florida's Success Prompted Warning From Pete Golding
Riding a hot streak into a high-stakes showdown, the Florida Gators represent a dangerous trap for Ole Miss as Pete Golding warns his Rebels against post-LSU complacency.
Google is reinventing the Thompson Center. Hear from the team making it happen.
Crain’s will explore what Google’s investment could mean for the future of downtown Chicago at a live event on Oct. 14.
Montana Health Department Director Stepping Down for Private-Sector Job
The director of Montana’s largest state agency, the Department of Public Health and Human Services (DPHHS), is stepping down from his position at the end of October for a job in the private sector. Charlie Brereton, 31, has led DPHHS since 2022, after serving as the agency’s chief of staff and as Gov. Greg Gianforte’s […]
Gov. announces Doug Harringon to lead MT Department of Public Health and Human Services
The Governor’s Office on Tuesday announced that Montana Department of Public Health and Human Services Director Charlie Brereton will step down on Oct. 30.
Downtown Augusta businesses brace for more construction disruption
Another disruptive phase of Broad Street construction has begun, potentially affecting businesses that have been dealing with headaches for months.
F.B.I. Shut Down Inquiry Into Top Ally of Senator Susan Collins
The inquiry was closed last year because senior bureau officials questioned the veracity of a campaign donor’s account, according to current and former officials.
Vance pushes for health fraud legislation in the Senate
The White House is working with Senate leadership to get health care fraud legislation over the finish line before the end of the congressional session, Vice President JD Vance said Tuesday during an announcement about cracking down on health care fraud. As part of that announcement, Vance said the Trump administration has removed about 760,000 enrollees […]
Man City fight back from two down to thwart Bayern
Manchester City produce a superb recovery as they fight back from two goals down on their return to the Women's Champions League to draw 2-2 with Bayern Munich in Germany.
Jeffrey Adams, an established restaurateur's first business, is closing after 14 years
Jeffrey Adams on Fourth, an upscale New American restaurant in downtown Winston-Salem, closes after 14 years due to financial challenges.
INTERVIEW: Director and Health Officer of Eau Claire City-County Health Department stepping down
WEAU’s Bob Gallaher sat down with Giese as she reflects on her tenure helping prevent disease and injury in her hometown.
Florida's College Football Playoff Odds Skyrocket After 3-0 Start
Surging metrics give the Gators a fighting chance in a crowded SEC. With a crucial Ole Miss showdown looming, Gainesville braces for a gauntlet that could define their season.
Bears-Vikings stock watch: Bradbury down, Muhammad up
The Bears laid a massive egg with plenty to improve. @SamHouseholder has his weekly stock watch
40-unit apartment building planned on surface parking lot in downtown Muskegon
Grand Rapids-based The Development Studio plans a $12.9 million, 40-unit apartment project in downtown Muskegon.
Humor, audience participation: Renowned hypnotist to play Modesto’s Gallo Center
“His performances go far beyond a traditional stage show.”
Roundtable Rams Episode 36
Roundtable Rams crew James Brizuela and Billie Melissa break down the Los Angeles Rams Week 2 victory over the New York Giants.
Academies of Math and Science Announces National Expansion with Two New Schools and 1,300 New Student Seats
Academies of Math & Science announces new tuition-free K–8 campuses in Fort Smith, AR and North Las Vegas, LV opening Fall 2027. Join the interest list!...
Middle-earth: Shadow of War, Shadow of Mordor coming to Nintendo Switch 2
Middle-earth: Shadow of War Definitive Edition and Shadow of Mordor Game of the Year Edition are both coming to Nintendo Switch 2, it’s been revealed. A listing on the Nintendo eShop has them down for September 30, 2026. Middle-earth: Shadow of War Game of the Year Edition features season pass content – specifically the Guardians of the Flaming Eye Warband...
Governor Evers points to K-12 funding as unfinished business as tenure winds down
WISCONSIN DELLS, Wis. -- With only months remaining in his tenure, Governor Tony Evers says increasing support for Wisconsin's public schools is one area
Scientists Tracked The Earth's Center Of Mass Using Satellites, And It's Shifting Around Down There
Over the course of a year, the Earth's center of mass changed significantly.
The next generation of American scientists is fading away
While the Trump administration racks up ‘wins’ in its anti-woke crusade, the US is eroding its talent pipeline
With "a dozen" music levels, Rayman Legends Retold doubles down on the best bit of the original game, and having played it I couldn't be happier
By adding in more music tracks to Rayman Legends Retold, Ubisoft proves the indefatigable spirit of the 2013 game is still alive.
Scientists identify 'sweet spot' for early stage of life on Earth that preceded LUCA, the ancestor of all living things
New research has pinned down the onset of the "RNA World," a hypothetical time in Earth's very early history when RNA was the primary replicating substance.
Trump officials plan to cut hundreds of thousands from ACA, claiming fraud
Vance targeted ACA enrollment as part of a broader administration crackdown on suspected fraud.
John Martin steps down as CEO of MVP-PFL
The MVP-PFL era will move forward without John Martin after the executive announced Tuesday that he's resigned as CEO of the company.
Jewel on Emotional Inheritance, Mental Health, Motherhood, More
Singer-songwriter Jewel sits down with TODAY’s Jenna Bush Hager and Sheinelle Jones to talk about her nonprofit, Inspiring Children Foundation, and the #NotAloneChallenge. She opens up about growing up in Alaska and overcoming challenges from her childhood. Jewel also talks about motherhood: “I really love being a mom. I wanted to be a mom, and I was in a really privileged position that I could change a lot of my life to make sure my son was the center,” she shares.
Durable Business Strengths Underpin Vontier Corp’s (VNT) Long-Term Growth Outlook
The London Company, an investment management company, released its second-quarter 2026 investor letter for its “Small Cap Strategy.” U.S. equities rebounded in the quarter, driven by AI infrastructure spending and positive earnings. The letter can be downloaded here. Despite this optimism, rate outlook uncertainty persisted. Technology, previously weak, surged to lead the market, especially in semiconductors, […]
Massive residential development near Ann Arbor mall gets $110M-plus in state incentives
It’s expected to be the first project under Ann Arbor’s TC-1 zoning ordinance geared toward creating density along a pair of transit corridors outside of downtown.
What CDC's new teen health survey shows, and what it skips
Teen suicide risk hit a 10-year low in 2025. Guns, sexual violence, and self-harm. Where are the 2025 data on transgender teens? Missing data changes public health policy. Teen suicide risk hit a 10-year low in 2025. CDC asked more than 10,000 high school students over 100 questions in spring 2025. Yesterday, it published a report covering a fraction of them. The report focsed on five areas: diet, physical activity, sleep, digital behaviors, and mental health, reflecting the priorities of the Make America Healthy Again movement. There was good news. Fewer teens seriously considered suicide in 2025 than in any survey year since 2015: 14%, down from 20% in 2023. Sadness fell. Underlying Conditions is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe Sports participation, which dipped to 49% in 2021, is back to its 2015 level of 58%. Daily PE fell from 27% to 20% in two years, while fewer students eat breakfast daily than a decade ago. Guns, sexual violence, and self-harm. The questionnaire is public, and it goes well beyond those five areas. Students answered questions about sexual violence, self-harm, and whether they got help when they felt sad or anxious. They said how quickly they could get a loaded gun. They reported whether food ran out at home and whether they felt close to people at school. There were questions about sexual identity, including whether they were transgender. The report did not publish any of the answers students gave to those questions. CDC posts the raw survey data online, so anyone can see what the report left out. The report doesn’t cover the health of sexual minority students. Among students who identified as gay, lesbian, bisexual, questioning, or another non-straight identity, persistent sadness fell from 66% to 57% between 2023 and 2025. Serious thoughts of suicide fell from 41% to 30%. Those drops were bigger than the ones among straight students, although the gap remains wide: 28% of straight students reported persistent sadness, about half the rate of LGBQ+ students. About 1 in 7 girls reported sexual violence in the past year. One in 6 students hurt themselves on purpose. Among students who needed help for sadness or anxiety, half rarely or never got it. And among students who had seriously considered suicide, 43% said they could get a loaded gun without an adult’s permission. One protective factor rose sharply. In 2023, 55% of students said they felt close to people at their school; in 2025, 63% did. CDC’s earlier research ties that kind of connection to better mental health. Where are the 2025 data on transgender teens? In 2023, CDC's national survey asked high school students, for the first time, whether they were transgender. Their answers are the only nationally representative data on transgender teens, and their mental health is by far the worst of any demographic. That year, 71% of transgender students reported persistent sadness, 54% seriously considered suicide, and 26% attempted it, compared with 38%, 18%, and 8% of cisgender students. But we don’t have 2025 data. The timing matters because students took the survey in spring 2025, as federal policy toward transgender youth shifted. On January 28th, an executive order directed agencies to end federal support for gender-affirming care for people under 19, and several hospitals paused that care within days. In February, the CDC said it would no longer process transgender identity data. Later in 2025, the Supreme Court upheld Tennessee’s ban on gender-affirming care for minors, and HHS ended the 988 Lifeline’s dedicated line for LGBTQ+ youth. Researchers disagree about how much state policy shapes trans teens’ mental health. A 2024 Trevor Project study estimated that anti-trans laws increased suicide attempts among trans and nonbinary youth. Critics dispute its methods and its estimates. The 2025 survey could have added national evidence to that fight. CDC collected the data but hasn’t publicly released it. Missing data changes public health policy. Surveillance works as a feedback loop. It can show officials whether their policies help or hurt. The CDC didn’t provide data on the students most exposed to transgender policy shifts. The report kept measures that frame health as personal choice, like fruit, breakfast, and sports. It left out measures that track policy, like gun access, mental healthcare, food at home, and school climate, all of which respond to what legislators and agencies decide. HHS did not respond to questions that I sent on September 21st.
Plan a Night Out in Downtown Bloomsburg, PA
Plan a night out in Downtown Bloomsburg, PA, with local food, shopping, games, live music and creative activities. Explore walkable stops near Bloomsburg University for date nights, group outings and evenings with friends.
Hellblade developer Ninja Theory to be shut down in new wave of Xbox cuts, as two separate agreements collapse
Ninja Theory - developer of the Hellblade series - is shutting down as part of today's Xbox cuts. Its proposed buyers pulled out, resulting in the closure.
Texans throw some weird bulletin-board material after Bengals beatdown
A comment in the aftermath of the Bengals routing the Texans is starting to get attention.
LA residents are feeling the heat as urban oil fields take a toll on health and air quality
Many lifelong residents of Los Angeles have health impacts from growing up so close to oil extraction. Now, the city is trying to close down the worst offenders, but it's an enormous task.
Chris Hayes: GOP facing Texas meltdown
MS NOW host explains how turning Texas into a lab for "right-wing state policy" ultimately backfired
Mariachi, heavy metal and a little blood spatter: Things to do in Merced in October
A four-time Grammy Award-winning singer-songwriter performs at the Merced Theater.
Kargo's Emissions Reduction Targets Verified by the Science Based Targets Initiative
Near-term targets through 2030 hold 76.4% of Kargo's suppliers by emissions to science-based targets of their own...
Patriots offense sputtered as Drake Maye looks for answers
The Patriots have serious offensive issues despite their 20-3 win over Pittsburgh. They've scored only two touchdowns in 20 drives over two games.
Marco Rubio defends Trump’s ban on media outlets from White House, arguing police or soldiers are not ‘kicking down the doors’
“They’re just not allowed to work from the workspace at the White House,” the secretary of state said in an interview on “TODAY,” referring to CNN, Politico and MS NOW.
Can AI Be Slowed Down? Stanford HAI Experts Weigh the Risks, Rules and Race Ahead
In a new series called 'Prompt Response,' Stanford’s Surya Ganguli, Diyi Yang and Rob Reich examined emergent agent behavior, recursive self-improvement, independent evaluation and whether a 'kill switch' can make advanced AI safer.
Fine Entertainment Launches El Corazón Investment Offering for Accredited Investors
Fine Entertainment Launches El Corazón Investment Offering for Accredited Investors...
Jameis Winston pins Giants' passing woes on early-down failures
New York Giants QB Jameis Winston feels the team's passing woes on Monday night were the result of early-down failures.
Is Ageu finally ready to prove his worth?
Wouter Vrancken has transformed the style of play within months, guided Hearts into the Conference League and the League Cup semi-finals. It has reached the point where I am trying to track down Vladimir Romanov's spiritual healer, Rima, and persuade her to bring the golden stick to Oriam. Vrancken is already hugely popular with the support.
How John Green reckoned with his own fame in ‘Hollywood, Ending’
When John Green began promoting his 2017 novel “Turtles All the Way Down,” he made an irreversible decision.
Raspberry Pi Locks Down RAM Upgrades
In a recent video [Jeff Geerling] addresses an issue discovered with the Raspberry Pi firmware, specifically how since around 2024 the firmware locks down what RAM size and even module is supported…
14th-century woman in China lost her nose to amputation — likely as punishment for stealing or adultery
A face-down burial of a middle-aged woman who died around 700 years ago in China is the world's first evidence of punitive nasal amputation.
Newark City Council loosens restrictions on downtown live entertainment
It's been well over a generation since music legends like Bruce Springsteen, Ray Charles, Hall & Oates, and the Dave Matthews Band played at Newark's legendary Stone Balloon, but a
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
Tuesday ‘Dawg Bites Won’t Fumble In The Endzone
Welcome to Tuesday, Bulldog fans! We’ve entered that limbo period where certain fanbases are still basking in the glow of Saturdays victory, and others are still steaming from a frustrating loss that exposed expectations like telephone poles in winter when the kudzu dies off. Clemson has had as many lightning delays as rushing touchdowns this […]
Jiang Feng: The Unravelling of German & European Politics
A state election in eastern Germany has become a revealing test of the changing political landscapes of Germany and Europe, writes Jiang Feng, Professor and Chairman of the Council of the Shanghai Academy of Global Governance and Area Studies (SAGGAS) at Shanghai International Studies University. His analysis follows the decisive victory of the Alternative for Germany (AfD) (which has been classified as right-wing extremist by German authorities)in the state of Saxony-Anhalt on 6 September, in which it finished far ahead of its mainstream rivals. Jiang previously served as Minister-Counsellor at the Chinese Embassy in Berlin. The following article was published on 8 September 2026 on huanqiu.com, the online platform of the Global Times. On 6 September, the results of the state election in Saxony-Anhalt, Germany, were announced. The Alternative for Germany (AfD), classified as far-right by German authorities, made history by becoming the largest party in the state parliament, winning 43.8 per cent of the vote — twice its share in the previous election. The Christian Democratic Union (CDU), which had governed the state continuously for 24 years, won just 17.2 per cent, its worst result ever in Saxony-Anhalt. On the night the results were announced, the atmosphere at the CDU gathering was unusually calm. There was neither shock nor argument, as if the defeat had long been expected. Several veteran party members who had spent years working in the state government said: “Defeat is not a bad thing. It is time to make changes.” This state election has not only upended Saxony-Anhalt’s political landscape, but also laid bare the deep tensions between Germany’s traditional party structure and model of governance, on the one hand, and an increasingly polarised society on the other. Its repercussions are already being felt at the federal level, making Saxony-Anhalt a useful case study of the broader trend towards political polarisation and realignment in Europe. Governing Difficulties after Electoral Victory The most immediate consequence of the election is a historic setback for the mainstream party order that took shape in post-war Germany. In Saxony-Anhalt, the AfD has leapt from a peripheral party to the largest political force in the state. Its electoral base has expanded beyond the traditional category of “marginal protest voters” to take on the characteristics of a cross-class coalition. The party has not only consolidated its support in rural areas, but also attracted many middle-class voters and even members of the social elite with stable jobs, their own homes, and substantial incomes. It has thus evolved from a “protest party” into one with the potential to govern. Despite its commanding lead in the vote, however, the AfD faces an institutional obstacle to governing the state: the mainstream parties’ long-standing “firewall” against it. Neither of the two potential routes to forming a government appears likely to break the current political deadlock. The first would be a coalition of establishment parties, led by the CDU and bringing together the Social Democratic Party (SPD), the Greens, the Left Party (Die Linke) and the Sahra Wagenknecht Alliance (BSW) in a cross-camp government. In terms of parliamentary arithmetic, such a coalition could prevent the AfD from forming a government and preserve the outward stability of the traditional political order. Yet these parties are fundamentally divided over key issues including immigration, the energy transition, economic management, and cultural and education policy. Coalition negotiations would therefore be extremely difficult, and even if a government could be formed, it would most likely prove short-lived. More importantly, an alliance of establishment parties aimed at keeping the largest party out of government would play directly into the AfD’s narrative that “political elites are suppressing public opinion”. It could deepen perceptions of political unfairness, further strengthening the AfD’s political capital, and creating a dynamic in which “the more it is suppressed, the more people vote for it”. Ulrich Siegmund, the AfD’s candidate for state premier, has said that if efforts to form a government fail because other parties refuse to cooperate, the AfD will push for a fresh election, which he believes could deliver the party an absolute majority of seats. This points to more intense political battles ahead. The second option would be a coalition between the AfD and the BSW. Together, the two parties would command a simple majority in parliament, making this, on paper, the quickest route to forming a government. The BSW is the only elected party that has not ruled out cooperation with the AfD, and the two parties share some common ground, including on policy towards Russia. There is therefore a degree of political basis for cooperation. Were such a coalition to materialise, Germany would see its first state government jointly formed by a party defined as far-right and one with a far-left background, creating what might be called a “bipolar anti-establishment alliance”. Such an outcome would fundamentally break with the ideological boundaries of post-war German party politics. It is worth noting that even if the AfD ultimately fails to enter the state government, its roughly 47 per cent share of parliamentary seats would give it a powerful blocking minority. Without its consent, major decisions requiring a two-thirds majority — including constitutional amendments, significant budgetary adjustments, and state-level institutional reforms — would be extremely difficult to pass. Therefore, whoever ultimately forms the government, the AfD will be an unavoidable force in Saxony-Anhalt politics, with a direct influence on the state’s legislative process. Systemic Failures in Germany’s Governance Model The Saxony-Anhalt election result reflects a systemic failure of Germany’s post-war mainstream-party model of governance to adapt to rapidly changing socioeconomic conditions. It stems from multiple, mutually reinforcing structural tensions and highlights the existing political system’s difficulty in adapting to “an increasingly polarised society First, collective anxiety has replaced individual material hardship as a central driver of political mobilisation. The rise of the AfD can no longer be explained simply by poverty or social marginalisation. Its increasingly cross-class electoral base suggests that what is driving voters towards the party is, above all, concern about the broader direction of society. This anxiety about the future of the political community goes beyond individual gains and losses. In political discourse, economic anxiety has become closely intertwined with immigration, while immigration and refugee issues are, in essence, questions of social fairness. This perception turns conflicts over the distribution of social resources into negative assessments of governing parties, providing a broad social basis for far-right political narratives. Second, regional disparities and East German identity have undermined the strategy of addressing eastern Germany’s structural challenges at the regional level. More than three decades after German reunification, eastern states such as Saxony-Anhalt have experienced periods of economic growth, but their underlying economic structures remain weak, and household incomes and wealth remain significantly below those in western Germany. At the same time, they continue to face population outflow, an ageing population, labour shortages, and other structural challenges. At a deeper level, historical experiences — including the collapse of the former East German economic system, mass unemployment during the transition, and the westward shift of decision-making power over major issues — have left some residents with a sense of being “second-class citizens” and of being excluded. For years, the German government treated the “syndrome” of reunification as a regional problem to be gradually addressed at the local level. That approach is becoming increasingly unsustainable, as regional development disparities emerge as a core structural factor shaping national politics. Third, the erosion of institutional trust is perhaps the most decisive factor. AfD supporters tend to distrust establishment institutions, including parliament, government, and the mainstream media. Their concerns about economic security, pensions, and social fairness are significantly greater than the social average. Increasingly, their support for the AfD reflects not an expectation that the existing system can be improved, but a search for an alternative to the current political order. Such a systemic deficit of trust will be extremely difficult for the traditional parties to repair in the short term. Fourth, a generational shift in political mobilisation has amplified political polarisation. Unlike traditional parties, which rely heavily on offline rallies and mainstream media coverage, the AfD has developed a social-media mobilisation strategy built around “raising an issue — identifying who is responsible — offering a simplified solution — building a shared identity”. It turns complex social tensions into concise political narratives, rapidly channelling public sentiment into political support. The contrast on the eve of the election was particularly telling. The establishment parties, together with trade unions and churches, organised an offline march attended by more than 10,000 people, but its reach was largely confined to those present and to traditional media coverage. The AfD held a much smaller indoor event, yet livestreaming on TikTok, YouTube, and other platforms, combined with the involvement of online influencers, gave it a reach and mobilising capacity far beyond that of the march. The contrast illustrates how the traditional parties’ methods of political mobilisation are increasingly struggling to keep pace with a political environment transformed by changes in media technology. A Microcosm of Structural Political Change in Europe The shockwaves from the Saxony-Anhalt election quickly travelled beyond the state to the federal level. Calls for political accountability followed immediately after the results were announced. The governing CDU and SPD are now under enormous pressure, while Chancellor Friedrich Merz and Vice Chancellor Lars Klingbeil face an unprecedented test. Political polarisation in Germany is no longer simply a regional phenomenon. The post-war model of multiparty government by establishment parties is breaking down and being reshaped. Viewed in a broader European context, the Saxony-Anhalt election is part of a continent-wide wave of party polarisation, mainstream-party decline, and rising right-wing forces. Far from an isolated phenomenon, it is a microcosm of the structural political changes unfolding across Europe. Weak economic growth, cultural tensions over immigration, and declining trust in institutions are fuelling the rise of right-wing forces in several countries, challenging the liberal internationalist order established in post-war Europe. As a core member state of the European Union, Germany’s ability to adapt its political system and the direction of its politics will have profound implications for both European integration and the evolution of the international order. Subscribe [ Pekingnology China’s Germany watchers take stock of Berlin’s uneasy turn On 7 December 2025, nearly 50 Chinese scholars and policy researchers gathered in Beijing for the 2025年德国形势年终研讨会 “2025 Year-End Seminar on the Situation in Germany… Read more 9 months ago · 31 likes · 1 comment · YIRUI LI and Yuxuan JIA ](https://www.pekingnology.com/p/chinas-germany-watchers-take-stock?utm_source=substack&utm_campaign=post_embed&utm_medium=web&embedding_publication_id=1151841) [ Jiang Feng on Germany's 2025 and beyond: no easy exit ](https://www.eastisread.com/p/jiang-feng-on-germanys-2025-and-beyond) Yirui LI and Yuxuan JIA · Jan 24 The following is an op-ed by Jiang Feng, published on 29 December 2025 at Shanghai Observer 上观新闻, the digital platform of Jiefang Daily, the official newspaper of the Shanghai Municipal Committee of the Communist Party of China (CPC). [ Read full story ](https://www.eastisread.com/p/jiang-feng-on-germanys-2025-and-beyond)
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