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Vivek Ramaswamy’s Amy Acton Attack Ad Is ‘One of the Most Despicable Things’ Chris Hayes Has Seen in Politics
Chris Hayes condemned a controversial attack ad targeting Ohio Democratic gubernatorial candidate Amy Acton, calling it "despicable"
NBA Excitement Elevates as New Season Kicks Off
ScreenShare: A data partnership between ScreenEngine & TheWrap
Legendary Entertainment Submits Takeover Offer for Lionsgate
The move comes after the "Dune" producer first eyed a potential acquisition of the Hollywood studio last year
Legendary Entertainment Submits Takeover Offer for Lionsgate
The move comes after the "Dune" producer first eyed a potential acquisition of the Hollywood studio last year
Megyn Kelly Bemoans ‘You Can See Everything’ ‘Political’ Charlie Kirk Mentions: ‘Cannot Go Anywhere’
Megyn Kelly is still recommending "You Can See Everything" to her audience even if the Charlie Kirk mentions angered her.
Bleecker Street Sells to Outerlight Entertainment
Outerlight Entertainment has bought Bleecker Street, the independent studio behind films like Spinal Tap 2 and Musk.
Bleecker Street Sells to Outerlight Entertainment
Outerlight Entertainment has bought Bleecker Street, the independent studio behind films like Spinal Tap 2 and Musk.
CAA, WME and UTA Team With Ron Howard and Jason Blum to Push for Indie Productions
A new group, formed by the top talent agencies and producers, is lobbying for independent films and movies to be made in the U.S.
Fox News’ Brit Hume Questions If Trump ‘Should Be Out There Front and Center’ Amid Dismal Polls
"His approval rating is, what, 36%" Fox News' chief political analyst says of President Donald Trump.
Aaron Paul Pays Tribute to RJ Mitte, Advocates for Mental Health: ‘I’m So Sorry You Were Hurting’
Aaron Paul posted a video of his "Breaking Bad" co-star RJ Mitte advocating for mental health alongside a moving tribute following his death earlier this week.
Scarlett Johansson-Produced ‘Assassins’ Competition Show Greenlit at Peacock
The competition series will be executive produced by Johansson, Brien Meagher and Rhett Bachner for B17 Entertainment
Fox Entertainment Partners With Hartbeat for Vertical IP Development, Distribution
The new partnership gives Fox first look at films and TV series developed from select Hartbeat labels' microseries.
Netflix’s Summer of Bummer
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Today, I’ve got a guest post from longtime friend of the newsletter, Brandon Katz. I’ve been trying to find time all summer to look at Netflix’s straight-to-streaming film slate, but between a pre-planned trip and Nielsen moving up their streaming data timeline, I’ve been swamped. So I reached out to Brandon, one of my favorite fellow analysts, to write about it. And I feel like he captured the tone and data focus of the newsletter perfectly. You can connect with Brandon on LinkedIn and Twitter. Enjoy! Don’t worry, folks. You’re in safe hands with me. To ease any anxieties about an interloper in ESG’s domain, I’ll start by stealing one of his best framing devices: headlines. Box office flops are covered in the same way the Teenage Mutant Ninja Turtles eye pizza: with cartoonish insatiability. I would know. I’m a former reporter who wrote nearly identical headlines: Yet, intentionally or not, streaming misses get treated with kids gloves, filtered through a rosy lens: In the last six years, U.S. streaming viewership has become nearly as transparent as the box office, but the data often arrives weeks later, in a number of less intuitive metrics, and with nary an official budget to be found. This plays into the Wall Street-whispering narratives major streamers have been cultivating for years. They get a pass in a way that theatrical studios simply don’t. Subscribe Netflix’s Summer Slate Not a single Netflix original film released between May and August this year opened above 20 million U.S. TV hours, per Nielsen. That benchmark usually serves as the EntStrategyGuy’s floor for a streaming hit on Netflix. None of these films enjoyed a hit-cementing single week of 20-plus million hours during their runs. Netflix’s two best films were true crime docs, Maternal Instinct (16.5 million hours) and The Crash (19.7 million), the best overall week for a film this summer. Great for most other streamers, but not necessarily what we’re used to seeing from Netflix. For an overly-dramatic comparison, Happy Gilmore 2 opened last summer to around 47 million hours (celebrity cameos, baby!). Zooming out, the picture looks even worse. In 2026, Netflix’s five biggest scripted summer films posted the lowest average (28.6 million hours) and median (28.8 million hours) eight-week viewership totals of the past four years. Now, it’s unrealistic and unfair to expect Netflix to deliver a _KPop Demon Hunters-_sized hit every year. But it’s also not ideal to see the size of their hits shrinking over the last few summers. Let’s quickly run through some of the notable summer misses. Jennifer Lopez and Brett Goldstein’s perfectly fine romcom, Office Romance, fell off the charts after 20 million hours in its first two weeks. Top films usually last for four-plus weeks. Starry titles ideally don’t decay that fast either. Homegrown star Millie Bobby Brown couldn’t prevent the snappy Enola Holmes franchise from diminishing returns. At 14.3 million U.S. hours, the third film posted roughly half of what the first two films did in their first two weeks. What’s on Netflix calculated that per-day global views were down nearly 60% from the second movie. The Whisper Man did okay with more than 36 million hours over its first four weeks. But I expected a little more juice from a film featuring Robert De Niro, Michelle Monaghan, and Adam Scott. Kevin Hart’s Ladies First collected just 11.2 million hours total across two weeks. That’s a big miss for one of Netflix’s go-to stars. Plopping into the same bucket are Sunny Sandler’s Don’t Say Good Luck (10.3 million in two weeks) and John Cena’s Little Brother (17.5 million). Meanwhile, English-language originals Color Book (June 19), In the Hand of Dante (June 24) and Heartstopper Forever (July 17) never sniffed Nielsen’s Top 10 at all, despite needing only 2 to 5 million hours to land in the top ten most weeks. (By my count, eleven English-language scripted original films released between May and August did chart). It’s only fair to mention that Swapped (1-May) posted nearly 42 million U.S. hours over five weeks (the longest Netflix original run this summer) and is currently their eighth most-watched English-language film ever worldwide. Remarkably Bright Creatures (37 million, 4 weeks) and Voicemails for Isabelle (27 million, 4 weeks) weren’t bombs either. Still, overall, I think it’s fair to say this was a quieter summer season than we’re used to seeing from the market-leader. You might not realize that given the language commonly used in public analysis. The Twist Despite the starkly black-and-white tone of the coverage, here’s the twist: when many box office bombs arrive on streaming, their viewership looks a whole lot like many of Netflix’s supposedly successful summer releases. Hmm, where have we heard that one before? Masters of the Universe topped out at $65 million stateside against a $170 million budget_._ I’ll admit, Skeletor ripping sleeveless curls as a gym bro and bodyslamming Adam’s co-workers was funny. But, much to the chagrin of my bank account, my laughter doesn’t launch franchises. Yet the He-Man reboot opened to 19.6 million hours (from a Wednesday five-day opening instead of just one weekend), on par with Hoppers on Disney+ (19.4 million). It put up nearly 47 million hours over its first six weeks, bigger than all of Netflix’s summer releases. Pretty darn healthy and likely to land among the 25 most-watched movies on streaming this year. Sticking with Amazon, The Sheep Detectives just barely broke even at the box office with $133 million worldwide (and only $66 million domestic). I never expected cloven-hooved, cud-chewing mammals to be able to bring me to tears. Yet that’s exactly how I found myself at the end of this surprisingly affecting movie (#NoShame). It was likely the unexpected quality in a family-friendly film that powered its streaming over-performance. Sheep Detectives delivered a solid run for Prime video netting 26.2 million hours! How about franchise IP? Star Wars: The Mandalorian & Grogu had the lowest opening ($81 million) and lowest-grossing Disney-era live-action Star Wars film ($178 million domestic). One day before release, its Heat score (19.8%)—audiences who list their interest as a 7/7—fell behind blockbusters Wicked (21%), Superman (23%), Fantastic Four: First Steps (23%), Michael (23%), Toy Story 5 (26%) and Avatar: Fire and Ash (27%), according to Greenlight Analytics. The urgent enthusiasm just wasn’t there. On streaming, Mando opened to weeks of 12.1 million, 6.1 million and 2.7 million hours (21 million total) over its first three frames. Not the numbers Lucasfilm was hoping for nor the numbers of a streaming hit. But they’re in the same vicinity as some Netflix summer releases with $345 million at the global box office to offset a smidgen of the pain. Final Thoughts So why oh why does this nuance gap exist? Four key reasons: Data Literacy: A “$100 million opening” just makes sense. After decades of box office reporting, even casual movie fans are well-versed in the benchmarks of hits and home runs. There’s an immediate shorthand. But “16.5 million” hours doesn’t land nearly as cleanly. Despite leaps of progress, the streaming ratings era is still in its infancy compared to theatrical. The EntStrategyGuy and I met thanks to a late 2010s group chat of data nerds hungry to find a shred of certainty in nebulous streaming performance. I’m not surprised to see “No. 1 on Netflix” still getting misconstrued out in the wild. Timing: By Friday morning, we have the box office’s Thursday night previews totaled, allowing us to better project the weekend’s expectations. From there, ticket sales are reported daily. By Sunday, the film’s fate is usually finalized, at least in terms of public perception. In streaming, Nielsen recently improved its delay to…two weeks. The medium isn’t forced to contend with instant gratification as harshly. Financials: Theatrical film budgets are a mere Google away. Profit and loss is calculated in the cold and unforgiving naked light of day for all to see. But finding the vast majority of streaming exclusive movie budgets requires the forensic investigation skills of a Criminal Minds detective. Also, it’s very difficult to calculate how much revenue/value a straight-to-streaming films provides a streamer. This is why there are so few stories about streaming original movies “losing X amount of money”. On top of that, marketing budgets are far greater for theatrical movies than streaming exclusive movies, which leads to earlier and better awareness. This then translates to a wider pool of potential interest. Narrative Control: Netflix is the only major streaming service to publish weekly first-hand viewership data and annual engagement reports. Naturally, some headlines borrow their first-hand framing**.** Other streamers benefit from their comparative lack of transparency. They may occasionally announce vague performance platitudes such as Apple TV’s Mayday becoming its “biggest film debut on the platform to date over its first 18 days,” and that it ranked No. 1 with left-handed viewers in its first weekend. (Fine, I made up that second one). But, for the most part, they keep first-hand viewership shrouded in mystery to avoid bad press. Especially for outlets that demand multiple articles per day from their writers, it’s an easy (and understandable) way for some reporters to hit their daily article quota by just repeating what the streamers have told them. TL:DR version: Streaming-exclusive movies are asked to do different things than theatrical movies, but that doesn’t mean they should escape judgment. Both still need to draw enough eyeballs to justify their cost within the proper performance contexts. The more cleanly we can inject a little nuance into streaming analysis, the better we’ll understand the audience and content trends that drive this industry. And that’s what all of this is really about: knowing what audiences actually want! Brandon Katz is the Director of Insights & Content Strategy at Greenlight Analytics where he focuses on evaluating the ever-fluid media landscape to unearth understanding, opportunity and value. Greenlight Analytics is the entertainment intelligence consulting company redefining how Hollywood finds, understands, and activates audiences. Prior to joining Greenlight Analytics, he served as the senior entertainment industry strategist at Parrot Analytics, and as a full-time entertainment industry reporter covering the Xs and Os of Hollywood, most notably with TheWrap and the Observer.
Glen Powell Doesn't Want to Talk About Politics as a Movie Star: 'My Calling Is Elsewhere'
Glen Powell told Esquire in a new profile that he has no intention of stepping into the ring of political discourse.
Glen Powell Doesn’t Want to Talk About Politics as a Movie Star: ‘My Calling Is Elsewhere’
Glen Powell told Esquire in a new profile that he has no intention of stepping into the ring of political discourse.
Banijay Entertainment Unites US Operations With Banijay America Following All3Media Merger
Ben Samek will serve as the CEO of this division, which will now house Turnkey Studio Services
Banijay Entertainment Unites US Operations With Banijay America Following All3Media Merger
Ben Samek will serve as the CEO of this division, which will now house Turnkey Studio Services
Raine Group Close to Sale of Majority Stake in Ron Howard and Brian Grazer’s Imagine Entertainment
Raine Group is selling its majority stake in Ron Howard and Brian Grazer's Imagine Entertainment.
PMK Entertainment Brings Prodigy PR Founder Erik Bright on as EVP of Content and Strategic Comms
PMK Entertainment has appointed Prodigy Public Relations founder Erik Bright as EVP of Content and Strategic Communications.
PMK Entertainment Brings Prodigy PR Founder Erik Bright on as EVP of Content and Strategic Comms
PMK Entertainment has appointed Prodigy Public Relations founder Erik Bright as EVP of Content and Strategic Communications.
Fox Business Lines Up New Weekday Programming Slate After Maria Bartiromo Exit
Fox Business has set a new weekday programming lineup starting Monday, Oct. 12, just a month after Maria Bartiromo's abrupt departure.
Matt Rice Takes the Reins of UTA’s Film Division as Agency Reshuffles Leadership
Matt Rice has been elevated to president of the new UTA Filmed Entertainment unit, as the agency has reorganized its filmed entertainment division
Matt Rice Takes the Reins of UTA's Film Division as Agency Reshuffles Leadership
Matt Rice has been elevated to president of the new UTA Filmed Entertainment unit, as the agency has reorganized its filmed entertainment division
Bono Says Ed Sheeran Worried About Getting 'Into Politics' on Their Song About the War in Ukraine
Sheeran and U2 collaborated on "Yours Eternally" earlier this year before his Free Palestine fallout with Macklemore
Jewish and Israeli Artists Face Growing ‘Cultural Boycotts’ Across Entertainment, ADL Report Says
The Anti-Defamation League has tracked 65 cases of protests, cancellations and harassment involving Jewish, Israeli and Zionist performers.
‘Grand Theft Auto VI’ Becomes First Video Game of 2026 to Top List of Titles People Are Most Excited About
ScreenShare: A data partnership between ScreenEngine & TheWrap
CNN Taps Pamela Brown for New Women’s Health Streaming Series
“The Situation Room” co-anchor Pamela Brown will host “Body Language by CNN,” a new women’s health series debuting Oct. 8 on CNN All Access.
Tom Cruise Dusts Off 'Risky Business' Dance Moves for Packed 'Jennifer Hudson Show' Spirit Tunnel
Tom Cruise revived his “Risky Business” dance moves for an appearance in “The Jennifer Hudson Show” spirit tunnel, which drew a record number of participants.
AI Has Already Impacted How Creatives Are Pitching Films, According to FoxNXT Head
Jon Flynn, EVP and head of FoxNXT, took the stage during TheWrap's first-ever AI Creator Day ahead of TheGrill.
Paramount+ Picks Up US Rights for 3 British Series From A24
Paramount+ has picked up the U.S. rights for three British series from A24, "It Gets Worse," "Major Players" and "The Ministry of Time"
VMAs 2026 Tally Biggest Audience Since 2015 With 8.4 Million Viewers on CBS and MTV
MTV’s Video Music Awards returned to Los Angeles with a bang, bringing in its biggest audience since 2015.
Shawn Levy and 21 Laps Entertainment Sign Overall TV Deal With Disney's 20th Television
The new deal that lured the producer over from Netflix kicks off in 2027
Shawn Levy and 21 Laps Entertainment Sign Overall TV Deal With Disney’s 20th Television
The new deal that lured the producer over from Netflix kicks off in 2027
2026 MTV VMAs Winners List
A complete list of VMAs winners for the 2026 awards, including Madonna, Taylor Swift and Sabrina Carpenter
Trump Again Rants About Press After Barring CNN From Air Force One: 'These Are Sick People'
President Trump again raged against press coverage after barring CNN from Air Force One: "It is amazing that I have succeeded so long."
Does Doctor Doom Appear in ‘Avengers: Endgame Encore?’
Here's what you need to know about Doctor Doom's presence, or lack thereof, in "Avengers: Endgame Encore."
Los Angeles Dodgers’ Mookie Betts Signs With 3 Arts Sports and Sanders Sports & Entertainment
Los Angeles Dodgers star Mookie Betts has signed with 3 Arts Sports and Sanders Sports & Entertainment for personal representation.
Los Angeles Dodgers' Mookie Betts Signs With 3 Arts Sports and Sanders Sports & Entertainment
Los Angeles Dodgers star Mookie Betts has signed with 3 Arts Sports and Sanders Sports & Entertainment for personal representation.
Disney Promotes Cathleen Taff and Lisa Baldzicki in Consumer Products Shakeup
Disney restructured its Disney Consumer Products team, looping the division into the Disney Entertainment umbrella.
Disney Promotes Cathleen Taff and Lisa Baldzicki in Consumer Products Shakeup
Disney restructured its Disney Consumer Products team, looping the division into the Disney Entertainment umbrella.
'Coyote vs. Acme' Crosses $100 Million: Inside the Underdog's David vs. Goliath Marketing Campaign
How "Coyote vs. Acme," a movie deemed unreleasable by Warner Bros., managed to cross $100 million at the global box office.
John Oliver Calls Out ‘Soon-to-Be Business Daddy’ David Ellison for Having a ‘Literal Business Daddy’
John Oliver pokes fun at his "Soon-to-be business daddy" for having a "literal business daddy" in Sunday's "Last Week Tonight"
John Oliver Calls Out 'Soon-to-Be Business Daddy' David Ellison for Having a 'Literal Business Daddy'
John Oliver pokes fun at his "Soon-to-be business daddy" for having a "literal business daddy" in Sunday's "Last Week Tonight"
John Oliver Calls Out ‘Soon-to-Be Business Daddy’ David Ellison for Having a ‘Literal Business Daddy’
John Oliver pokes fun at his "Soon-to-be business daddy" for having a "literal business daddy" in Sunday's "Last Week Tonight"
‘Youth’ Creator Sharon Horgan Explains the Premiere’s Emotional Rug-Pull Ending
"Youth" creator Sharon Horgan tells TheWrap about writing her new mother-son coming-of-age story and unpacks the HBO comedy's premiere.
Ben Affleck Almost Cast Ex-Wife Jennifer Garner in His Netflix Film ‘Animals’: ‘She Was Like, “We Don’t Want to Do That”’
Ben Affleck says he almost cast his ex-wife Jennifer Garner in his Netflix thriller "Animals," but knew it'd come with "baggage."
Aaron Sorkin Confesses David Fincher Was His First Choice to Direct ‘The Social Reckoning’
Aaron Sorkin says he was his second choice to helm "The Social Reckoning" and hoped to reunite with "Social Network" director David Fincher.
‘Resident Evil’ Scores a Bloody Good $60 Million Box Office Opening
Zach Cregger sets a franchise and personal opening weekend record with his gory Sony video game adaptation
Hannah Waddingham and Octavia Spencer’s ‘Ride or Die’ Canceled at Prime Video After One Season
Amazon's "Ride or Die" starring Hannah Waddingham and Octavia Spencer will not return for a second season on Prime Video.
New York Times Staffers Protest 175th Anniversary Gala Over AI, Health Care Contract Disputes
New York Times Guild members plan to protest outside the paper’s 175th anniversary gala over health care costs and AI protections.
Disney Entertainment Promotes Adam Smith to Direct-to-Consumer Chair
Joe Earley will serve in the newly created role of television franchise and content strategy president
Disney Entertainment Promotes Adam Smith to Direct-to-Consumer Chair
Joe Earley will serve in the newly created role of television franchise and content strategy president
‘Spider-Man: Brand New Day’ Hangs in There as NFL Tops Audience Excitement
ScreenShare: A data partnership between ScreenEngine & TheWrap
Hollywood Gets New Bipartisan Caucus on Capitol Hill
A bipartisan group of House lawmakers is launching a new congressional caucus focused on Hollywood, music, sports and the creator economy.
Why Science and Education Videos Are Thriving on YouTube
From deep-dive science explainers to optimistic experiments, creators are proving there’s an audience for STEM content beyond the classroom
Thunder Road and Lit Entertainment Group Launch TR/AK Banner
Thunder Road Films founder Basil Iwanyk and partner Erica Lee are joining forces with Lit founder Adam Kolbrenner to launch TR/AK
Laika Readies ‘Made by Humans: Creatives in Conversation,’ a New Video/Podcast Series
"Made by Humans: Creatives in Conversation," a new video/podcast series from LAIKA, partners creators in new and unique ways.
‘The View’ Hosts Miserably Fail Trivia About Their Experiences on the Show: ‘I Have No Idea What That Was’
The hosts of "The View" don't remember a whole lot of what they've done on the show over the years, and proved that on Tuesday
Penélope Cruz and Javier Bardem Say 'It's Impossible' Not to Talk Politics After Starring in Projects Like 'Bunker'
Penélope Cruz and Javier Bardem agree that "it's impossible" not to talk politics as actors when they're starring in timely stories
Google Avoids Breakup of Ad Tech Business in Antitrust Ruling
Google avoided a breakup of its ad tech business after a federal judge rejected the DOJ’s push to force the company to sell key assets.
'Spider-Man: Brand New Day' Takes Fifth No. 1 As 'Coyote vs. Acme' Takes $14 Million Opening
Ketchup Entertainment nearly quintuples its opening weekend record while 20th Century's "The Dog Stars" bombs with $7 million launch
Paramount Sports Entertainment Chief Ushers in New Era of Storytelling and Experiences
Office With a View: "We have this unique opportunity to be part of a big rocket ship but still be entrepreneurial," Jesse Sisgold tells TheWrap
Disney CEO Josh D'Amaro Says ABC Is 'Not Going to Be Told How to Run' Its Business Amid FCC Fight
"We're going to stand up to what we believe is journalistic integrity," the Disney CEO tells CNBC
Matthew McConaughey Confirms He Nearly Played Pedro Pascal’s Role in ‘The Last of Us’: ‘Wasn’t for Me’
Matthew McConaughey almost fought off clickers in "The Last of Us," confirming he almost took on the role made famous by Pedro Pascal.
Why Publishers Need Live Events Strategies to Thrive
TIME, Axios and other media companies are turning live events into growing revenue and audience businesses
Ari Emanuel's Mari to Acquire Broadway and West End Theater Giant ATG Entertainment
ATG operates 70 venues across the U.S., U.K., Germany and Spain and hosts Broadway productions such as "The Lion King," "Wicked" and "Harry Potter and the Cursed Child"
How Fox News, MS NOW and CNN Are Building Beyond the Cable Bundle
Fox News, MS NOW and CNN are using profitable linear TV businesses to invest in streaming, memberships and digital products.
‘The Odyssey’ Journeys Up the Top Titles Audiences Are Hyped For
ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap
M+C Saatchi North America Launches Entertainment Marketing Practice, Taps Jen Bacchus to Lead
The former WME exec will report to Derek Goode as the agency expands its Sports+Entertainment offering
M+C Saatchi North America Launches Entertainment Marketing Practice, Taps Jen Bacchus to Lead
Former WME exec Jen Bacchus will report to Derek Goode as M+C Saatchi North America expands its Sports+Entertainment offering.
Fathom Entertainment Names Jason Brenek as New CEO
Fathom Entertainment has named Jason Brenek as the company's new CEO, taking over for Ray Nutt who is retiring.
Netflix Partners With Variety, THR, Vanity Fair and More in Video Deal to ‘Deepen Fandom’
Netflix is licensing video programming from Penske Media brands, Condé Nast, Hearst, and other publishers as it bolsters its content lineup.
Reality Shows Are Tapping Into the Microseries Boom
Industry players like NBCUniversal and Fox and microseries platforms like FlareFlow and aTwist are investing in reality shows as their next frontier.
Comcast’s Sky to Buy ITV’s Media & Entertainment Unit in $2.1 Billion Deal
ITV’s linear channels and ITVX streaming platform will remain free-to-air, while Sky News and ITV News will stay editorially distinct
Comcast’s Sky to Buy ITV’s Media & Entertainment Unit in $2.1 Billion Deal
ITV’s linear channels and ITVX streaming platform will remain free-to-air, while Sky News and ITV News will stay editorially distinct
Comic-Con Shocker: Entertainment Weekly Scraps Annual Party
Entertainment Weekly’s annual Saturday night comic-con party is skipping Comic-Con this year, TheWrap has exclusively learned.
Comic-Con Shocker: Entertainment Weekly Scraps Annual Party
Entertainment Weekly’s annual Saturday night comic-con party is skipping Comic-Con this year, TheWrap has exclusively learned.
Comcast's Sky Reaches Terms to Acquire ITV's Media & Entertainment Unit for $2 Billion
The deal, which includes ITV's linear channels and ITVX streaming platform, could be announced in the next two weeks, according to Reuters
Comcast’s Sky Reaches Terms to Acquire ITV’s Media & Entertainment Unit for $2 Billion
The deal, which includes ITV's linear channels and ITVX streaming platform, could be announced in the next two weeks, according to Reuters
Sony Pictures Entertainment Invests $100 Million, Takes Minority Stake in Cosm
Sony Pictures Entertainment Chairman and CEO Ravi Ahuja will also join the immersive entertainment company's board of directors
Film Independent Spirit Awards to Present Robert Redford Environmental Vision Award
The new award in the late actor's honor "celebrates environmental fiction film and television projects taking an entertainment-first approach"
How ‘Stop! That! Train!’ Producer Unapologetic Projects Built a Business Model on Diverse Voices and Audiences
Unapologetic Projects co-CEOs Chris Quintos Cathcart and Tyler Boehm explain their business model that's built on diverse voices and audiences.
AI-Generated Microdramas Are Real — and Thriving Under Our Noses
Vertical-first platforms are proving that human-assisted AI production is a commercially viable engine for mobile entertainment
AI-Generated Microdramas Are Real — and Thriving Under Our Noses
Vertical-first platforms are proving that human-assisted AI production is a commercially viable engine for mobile entertainment
‘House of the Dragon’ Enters Top 5 Buzziest Titles Ahead of June 21 Return
ScreenShare: A data partnership between ScreenEngine/ASI & TheWrap
Blue Fox Entertainment Acquires iPic Theaters in Los Angeles and Manhattan
Blue Fox Entertainment Group announced Friday its acquisition of two cinema locations previously owned and operated by iPic Theaters.
Entertainment Veteran’s Venture Fund Unveils First AI Bets
Hallstone Ventures' initial portfolio includes investments in cinema-grade robots and human authentication tech
Microdramas Are Exploding: Here Are 5 Ways People Are Talking About Them
TikTok unveiled a Sundance partnership, Fox's vertical shows are incoming and ReelShort's founder got candid about AI
‘Access Hollywood’ Producer Rob Silverstein, Front Office Sports Team Up for Daily TV News Program
"Access Hollywood" producer Rob Silverstein will serve as the executive producer of "Front Office Sports Tonight," which launches this fall
‘Access Hollywood’ Producer Rob Silverstein, Front Office Sports Team Up for Daily TV News Program
"Access Hollywood" producer Rob Silverstein will serve as the executive producer of "Front Office Sports Tonight," which launches this fall
How LA's Fight for Its Entertainment Future May Tilt a Tight City Election
Both the close mayoral primary and a winner-take-all city council race have made Hollywood part of the debate for Los Angeles' future.
Wheelhouse Acquires Matthew Kelly and Michael Sorensen's Anomaly Entertainment
Unscripted producer Wheelhouse has acquired Matthew Kelly and Michael Sorensen's production company, Anomaly Entertainment.
Sony Pictures Entertainment’s Stacy Weitz to Exit After 10 Years
The TV veteran headed up corporate communications since joining the studio in 2016
Disney’s 1,000-Person Layoffs Claim Entire PR Teams, Specialty Divisions
Disney's 1,000-person layoffs impacted Marvel and several entire divisions of publicity, and some lieutenants of Asad Ayaz.
Why Young People Are Poised to Save Movie Theaters, In-Person Entertainment
A National Research Group study finds that Gen Z and Gen Alpha audiences express the highest interest in leaving their homes for movies, entertainment
Fox Entertainment CEO Claps Back at Vertical Dramas’ Bad Rap and Looks to the Future With Dhar Mann
‘Entertainment Tonight’ and ‘Inside Edition’ Renewed at CBS Media Ventures
CBS Media Ventures also renewed syndicated daytime programs "Hot Bench," "Flip Side" and "The Perfect Line"
LA Times Projects News Business to Break Even in 2026
The Los Angeles Times expects its news business to break even in 2026, a company spokesperson told the Wall Street Journal, after it lost about $5 million in 2025.
Fox Entertainment Taps Billy Parks as Head of Fox Creator Studios
Previously, Parks served as an executive vice president at The Chernin Group
Ashley Judd Condemns Her Breakout Film 'Kiss the Girls' for 'Making Entertainment Out of Sexual Terror'
Ashley Judd reflected on the complicated feelings she has for her breakout film, 1997's "Kiss the Girls," criticizing the thriller for "making entertainment out of sexual terror."