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Arts & Entertainment Agenda, Oct. 23 to 29
‘Día de los Muertos,’ Oct. 7 to31 Celebrate “Dia de los Muertos” with a vibrant three-course meal, available Wednesday to Saturday through Oct. 31 at Toro Snowmass inside the Viceroy Snowmass, 130 Wood Rd. Led...
Witkoff faces backlash for praising Putin as a ‘humanitarian’
The comments were swiftly condemned by U.S. lawmakers who view Russian President Vladimir Putin as responsible for the brutal war in Ukraine.
Entertainment this week: Tahoe City Zombie Crawl, Steely Dead and more
Friday, October 23 2026 Business Walks – Incline Village. Description Tahoe Property Center October 19-23, the Tahoe Prosperity Center and partners from across the region will visit businesses around the Lake for the 2026 Tahoe...
UNC’s student-led ‘nonpartisan’ politics institute argues with Democrats online
Commenters were swift to point out how the institute’s comments might be at odds with its nonpartisan mission.
Travis Kelce recalls early morning phone call from brother Jason that Taylor Swift called ‘f---ed up’
Everyone knows midnights are her afternoons, Jason!
Town of Truckee, Tahoe Institute for Natural Science celebrate Bee City USA Designation
TRUCKEE, Calif. – The Town of Truckee has officially earned designation as a Bee City USA affiliate, joining communities across the country working to support pollinators and expand healthy habitat. The designation is the result...
Halloween fun with a slice of science
Halloween can be many things: spooky, enchanting, fun, creative, mysterious and…scientific? That last word is what Walking Mountains Science Center hopes to bring to light when kids and families attend Fright at the Museum on...
Caitlin Clark joins Taylor Swift at Chiefs game
Caitlin Clark is making the most of her basketball offseason by returning to Arrowhead Stadium and cheering for her longtime favorite NFL team. The Indiana Fever star joined Taylor Swift as the Kansas City Chiefs defeated the Los Angeles Chargers, adding another memorable moment to Clark’s well-documented Chiefs fandom.
Academy Museum Gala: 10 best-dressed stars on the red carpet
Taylor Swift, Kendall Jenner, Jessica Biel and Teyana Taylor were among the best-dressed stars at the Academy Museum Gala.
UN climate panel head wants swift end to deadlock over key scientific report
The world's top climate scientists will reconvene at the earliest opportunity, the panel's chair said on Monday, after member states failed to agree when to release its crucial new findings on global ...
‘They Want to Get Into the Taylor Swift Business’ — Media Analyst ‘Rationalizes’ Travis Kelce Possibly Coming in as Troy Aikman’s ESPN Replacement
Kansas City Chiefs tight end Travis Kelce re-signed with the franchise this offseason, and the Chiefs have come flying out of the blocks to a 4-0 record. Once the current season ends, however, there is some speculation about where Kelce may head next, particularly if it comes to a role in the broadcasting booth.
Mountain Dreamers series aims to connect Summit County’s Latino business community
What began as an effort to help Summit County residents navigate their taxes has grown into a broader initiative to support local Latino entrepreneurs. Mountain Dreamers launched its first Café y Emprendimiento in August, inviting...
Vail turns up the volume for winter entertainment this season
With the first snowfall on Vail Mountain’s peaks this week and snowmaking efforts underway, anticipation for winter is building fast. This season, Vail is raising the bar with its most ambitious music lineup yet, bringing more live music, more venues...
Arts and Entertainment Agenda, Oct. 16 to 22
‘Music in the West End’ concert series kicks off, Oct. 16 The first concert of the 2026-27 season is at 5:30 p.m. Friday, Oct.16, at Christ Episcopal Church Aspen, 536 W. North St. Pianist Mandy...
One year in, Routt County Mental Health Response Team shows positive impact
The Routt County Mental Health Response Team, now just over a year old, is continuing to make a positive impact for local residents in crisis, with 128 calls for service through August of this year....
G-Pro Snow Removal celebrates 10-plus years in business with new home base
SOUTH LAKE TAHOE, Calif. – What started out as a hobby for Gino Bedwell has expanded into a thriving business over the last decade, and due to its growing success, G-Pro Snow Removal has found...
Regional efforts are needed to address longstanding behavioral health challenges on the Western Slope, report shows
Over the years, Colorado’s Western Slope has developed a range of services to address the region’s behavioral health challenges. Longstanding challenges with funding uncertainty, provider shortages and gaps in care, however, have limited their ability...
Regional efforts are needed to address longstanding behavioral health challenges on the Western Slope, report shows
Over the years, Colorado’s Western Slope has developed a range of services to address the region’s behavioral health challenges. Longstanding challenges with funding uncertainty, provider shortages and gaps in care, however, have limited their ability...
Basalt to host business roundtables for community
The town of Basalt is inviting local business owners to join Basalt Town Manager Gloria Kaasch-Buerger and Basalt Chamber President and CEO Kris Mattera for an open dialogue about the business climate and local economy.
Ubisoft plans cuts at German studios, adding to wave of workforce reductions
Ubisoft is planning to reduce its workforce in Germany, where it operates a trio of studios, by about 100 workers, Game File has learned. The company wants to offer employees buyouts to, should enough people accept, avoid having to lay anyone off. “In Germany, we initiated discussions with the Works Council last week regarding a proposed voluntary departure plan across Ubisoft Dusseldorf, Ubisoft Berlin & Ubisoft Mainz,” a company rep told Game File. A “works council” is a union-like group representing employees. “The voluntary plan is the primary measure being proposed to support the intended organizational changes,” the Ubisoft rep added. The company declined to confirm the scale of the potential headcount cut. Of the impacted studios, Mainz might be the best known to the public. It leads development of the Anno series and shipped the well-reviewed strategy game Anno 117: Pax Romana in November 2025. Berlin and Dusseldorf operate as support studios within Ubisoft’s creative network. Berlin recently supported the development of Rainbow Six Siege and the Rayman Legends Retold remake. Dusseldorf also contributed to those projects, as well as The Settlers and Ubisoft-branded escape rooms. Dusseldorf is the biggest of the three studios, with some 400+ workers, compared to just over 100 at the other two, a source familiar with the reductions and the teams told Game File. More than half of these new reductions of about 100 people are expected to happen at Dusseldorf. The planned cuts were announced at a town hall for the German studios on Tuesday of last week. In an email follow-up, the studio group’s managing director, Benedikt Grindel, said the cuts were intended to “best position our German studios for the future... with a clearer focus on their role, capabilities and organizational setup needed for the work ahead.” The email was an echo of the past. In January 2025, Grindel had emailed the Ubisoft developers in his region (or studio “zone”) to explain that a round of 185 cuts at the time, including about 65 at Dusseldorf, were “essential to improve our operational efficiency and ensure the long-term sustainability of our studios, the zone and the company.” A half-decade of continued job cuts Ubisoft has been aggressively cutting its headcount for years. At the end of September 2022, it had 20,729 workers. By the end of March 2026, that total was down to 16,590. Studio management is trying to trim costs as it grapples with a changing industry and a drought of releases, let alone hits. The company announced earlier this year that it had reduced its costs since 2022 by “nearly €325 million” ($362m) and planned to lower them through 2028 by another €180 million ($200m). In June the company said it was closing down its Winnipeg and Belgrade studios and cutting roles in its Barcelona team. Even commercial and creative success hasn’t spared studios from this ongoing company-wide contraction. As Game File was nailing down details around the proposed cuts in Germany, Ubisoft management was informing workers of cuts in its Singapore studio, which shipped a hit remake of Assassin’s Creed IV: Black Flag this past July. Some 70 positions in Singapore are being eliminated “to align the studio with upcoming production needs,” per a company rep’s statement to Game File. In early 2024, a large team in the Singapore studio launched the multiplayer pirate game Skull & Bones. It performed poorly but has been supported with regular content updates since. Many of Ubisoft’s studios around the world are heavily subsidized via regional grants and tax breaks. Singapore had been among them for years, but received no such local assistance in the 12 months ending this past March. News of the Singapore cuts broke today alongside word that Ubisoft is also proposing the closure of RedLynx, pending negotiations with officials. The Finnish studio behind the motorbike series Trials was founded in 2000 and sold to Ubisoft in 2011. As reported by VGC (and corroborated by Game File), Ubisoft management told employees it could not come up with a new, sustainable assignment for RedLynx. The 2025 workforce at Ubisoft Dusseldorf were straight-up cuts. This time, Ubisoft is hoping the reductions at its trio of German studios will largely come from workers taking a payout to leave. The company offered such voluntary dismissals at its Massive Entertainment studio (The Division) a year ago. For the German studios’ buyouts this time around, Ubisoft and the Works Council had discussed a formula that’d pay a worker’s monthly salary multiplied by 1.5 and by the number of years they’ve worked at the company, according to Game File sources. The formula is still subject to negotiations with the Works Council and has not yet been part of an official offer to workers. It could be adjusted up or down, and it could be supplemented with additional bonuses. Asked about the floated payout formula, a Ubisoft rep told Game File, “The terms of a potential voluntary departure program remain subject to negotiation with employee representatives. No final agreement has been reached, and we won’t comment on specific proposals while discussions are ongoing.” Game File is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe Item 2: Epic’s AI adventures Epic Games (Fortnite, the Unreal engine) is all-in on using AI to try to transform the way it makes video games and game-making tools. It’s leaders appear to be undeterred by any resistance among gamers and some game developers around generative AI—and instead emboldened by advances, particularly in AI-assisted programming. A recap of the last three days: On Monday, Bloomberg reported that Epic management told workers last week that development of an upcoming game combining Star Wars and Marvel characters would be “AI first.” Employees would be expected to use AI models such as Claude to code the game. A manager told Epic’s developers there would be “[n]o more hand-written code” and that art for the game would be “generated with full AI workflows,” per the outlet. Just ahead of that story running, Epic founder Tim Sweeney tweeted: “We have a huge pivot underway here at Epic, moving developers around to retool for maximum AI acceleration. The aim isn’t to do the same stuff with fewer people, but to enable everyone here to build MORE and BETTER stuff, and to bring the benefits to all teams using Unreal.” In a follow-up, Sweeney predicted that most game development processes would be at least three times faster a year from now than they were in January 2026, thanks to AI. To a person on X who told him he was failing to read the room, Sweeney said: “Much of the room wants it to be 2016 again, but it’s not. Our job, as the provider of tools and technology to much of the industry, is to design for the present that is and the future that will soon be.” On Wednesday, Epic announced it was releasing a faster launcher for its Epic Games Store marketplace. It did so by stating in a blog post as clear as could be that the launcher is an AI-enabled, vibe-coded project: Programming is hard. So, instead of doing that, we vibe coded a new Epic Games Launcher that’s way faster and more responsive than the current one, and has a new look. Programming is hard? That was unexpected phrasing from a company founded by a legendarily great programmer. Back in 2011, Sweeney told me that he’d picked up programming quickly as a kid and rejoiced at the power it gave him. “I could look at any program that anybody else had written and, with enough effort, build something cooler.” Item 3: The Xbox Labs experiment (and one of the people behind it) Microsoft’s Xbox division, which is flooding the zone with announcements lately, yesterday revealed a new internal tech-tinkering team called Xbox Labs. In the words of Xbox boss Asha Sharma Labs is “a small group of game makers, engineers and scientists whose job is to turn emerging ideas into things our players and developers can experience.” Conventional wisdom coming out of the announcement is that Labs is a team that’ll focus on ideas driven by generative AI. In her announcement, Sharma cited some of the dizzying achievements in tech and gaming over the past month as AI agents and other AI tools have been deployed to swiftly figure out how popular games work, then rebuild them and mix them up. She mentioned seeing ”games rapidly decompiled and rebuilt to run on hardware they were never originally designed to support” and said “[p]erhaps more surprisingly, we’ve seen many of the biggest games in the world have been remixed into the source code of another.” (Minecraft plus Elden Ring, for example, or Fortnite + Super Monkey Ball + Overwatch + Diablo + others.) Sharma also cited the work of Windows PC games being ported to run in browsers, a seeming reference to a recent AI-assisted fan port of Halo. Or perhaps Call of Duty or GTA. Sharma didn’t use the specific term “AI” in her memo, but she came close, citing AI “agents” and their potential for game-making tools that Labs could help craft: I think XBOX has an important role to play here. Coding became the first major workload for agents because they can write, run, and test software. Games share many of those same properties, and people spend more than 72 billion hours a year playing XBOX games, roughly five times the estimated time spent writing code worldwide. We’ve spent 25 years learning how to make great games, and I want our game makers to help shape what these new technologies make possible. As we learn, we’ll share the tools we build with developers across the industry, just as we always have. When I asked an Xbox rep if Labs was an AI-centric team, they said genAI was not the focus, describing it as having a broader mandate for using new tech in new ways in gaming. As an example, they pointed to Xbox’s recently launched disc-to-digital gaming usage rights program. Microsoft didn’t specifically name anyone involved full-time in Xbox Labs yesterday, but on social media and LinkedIn, I spotted Adrian Mato IDing himself as leading the creatio of tools at Labs and talking up the launch. Mato first caught my attention in late September, when he said on X that he was “starting to build a new team at Xbox focused on products and tools for how games get built and distributed as agentic tools become more capable.” At the time, he framed AI-based tools as a supplement to traditional game dev tools. “I don’t think we need to replace them,” he said. Since then, he’s publicly shown interest in AI and in games. He’s recently spent some of his X feed marveling at the power of AI agents and praising the lighting in the latest Gears of War. Following the Labs announcement yesterday, he enthused about the Xbox Labs’ stylish landing page. He wrote: “We built some fun tools to art-direct shaders in real time, experimented with interactive ASCII art, and sprinkled in lots of tiny details. “Move your mouse to leave a colorful trail that reveals the original footage, or interact with the video to trigger bursts of particles. “A lot of love went into making it all feel just right. “More to come”
100+ Manufacturing, Business Groups Urge Congress to Pass Bipartisan Permitting Deal
Washington, D.C. – The National Association of Manufacturers, joined by members of its Council of Manufacturing Associations, Conference of State Manufacturers Associations and other leading manufacturing and business organizations, sent a coalition letter urging Congress to swiftly pass the Bipartisan American Affordability and Jobs Act. Representing businesses across the country and industries throughout the manufacturing …
AI Can’t Tell Real Science From Junk. That’s a Big Problem.
Artificial intelligence is in the news every day. It solves fundamental math problems by hundreds, hacks into highly protected networks, and outstreams Taylor Swift. AI is also supposed to lead us to…
Middle Park Health Granby emergency department closes twice following mechanical issues
GRANBY — The Middle Park Health Granby Campus suffered two separate closures over the weekend due to mechanical issues. The facility and its emergency department first closed Saturday evening, Oct. 10. It reopened Sunday at...
D'Andre Swift reaches end zone in Week 5
Bears RB D'Andre Swift involved in running and passing game in Week 5
Taylor Swift Spends Her 100th Week at No. 1 on the Billboard 200, as ‘Life of a Showgirl’ Stays on Top in Week 2 of ‘Encore’ Rebound
Taylor Swift is fond of the number 13, but here’s betting she also considers the numeral 100 lucky, too. She can now celebrate having 100 weeks at No. 1 on the Billboard 200 chart, for all of her albu...
Taylor Swift and Travis Kelce Step Out for Birthday Date Night
Go inside Travis Kelce and Taylor Swift's date night celebrating his birthday.
Health insurance rates rise across Colorado, with the biggest increases hitting the Western Slope
Health insurance premiums for Coloradans using the state’s Affordable Care Act marketplace are increasing by an average of 10% in 2027, lower than preliminary rates showed in June. Western Slope residents, however, are set to...
Albums with the most No. 1 hits: Taylor Swift, Katy Perry, Drake, more
Taylor Swift's "The Life of a Showgirl" has yielded three No. 1 hits on the Billboard Hot 100, joining an elite list of blockbuster albums.
Hegseth wants to livestream a firing squad execution. What we know about the rare move
Defense Secretary Pete Hegseth’s announcement Thursday that the firing squad death of the Fort Hood mass shooter will be livestreamed was swiftly met with bipartisan criticism and questions over how the public execution will be carried out.
Taylor Swift, Travis Kelce new neighbors rail against privacy fence
NEW YORK — Taylor Swift and Travis Kelce’s Ohio neighbors aren’t pleased with the privacy measures they’re adopting for their new property, including a security fence and new trees they
NYCC apologizes for ‘repeated disturbance’ during panel, actor slams fan for ‘disrespecting’ his castmates (exclusive)
“I will always step in to protect that space,” Rogers tells EW, while NYCC producer ReedPop says it’s “taking steps to ensure any future incidents are addressed in a swifter manner.”
Beef Industry political ‘isms’
Amidst this high-tension political season, everybody and their dog (er, cow) wants to lay strident, negative political monikers on all the political persons that they disagree with. All the good ol’ political system standard “isms”...
Barton Health Invites Community Members to Free Health Fair at Bijou Elementary School
SOUTH LAKE TAHOE, Calif. – Barton Health is holding a Community Health Fair, an inclusive event to benefit members of the Lake Tahoe community. The event offers an opportunity to connect with healthcare providers and...
Guest column: Bringing health care concerns directly to policymakers
Mountain Family Health Centers hosted a roundtable discussion Sept. 27 with attendees holding tremendous influence over our health care system. Those who joined the discussion were Centers for Medicare & Medicaid Services Administrator Dr. Mehmet...
Political Deepfakes and the Limits of Regulation
At least 31 states have laws against AI-generated deepfake ads and campaign calls. As the laws in two of them demonstrate, there’s not much that can be done to guarantee voters that what they’re seeing or hearing is real.
Arts and Entertainment lineup for Oct. 9-19
Note: for a complete list of calendar events from around Garfield County and the Roaring Fork Valley, go to http://www.postindependent.com/entertainment/community-calendar/. Embervine: A Night of ’70s, ’80s and ’90s Hits What: Bring your friends and your...
Taylor Swift to perform at 2026 Academy Museum Gala
Taylor Swift arrives for the MTV Video Music Awards, Sept. 27, 2026, in Los Angeles. (Frazer Harrison/Getty Images)
Arts and Entertainment Agenda, Oct. 9 to 15
Bonnie Paine of Elephant Revival at TACAW, Oct. 9 Branching out on her own, Colorado-based Bonnie Paine of Elephant Revival will perform at 8 p.m. Oct. 9 at The Arts Campus at Willits, 400 Robinson...
Who Won August and September: Original Films or Franchises?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback... Subscribe Follow-Ups: What Should We Call Mid-Budget Movies Which Aren’t Cinematic Enough for Theaters But Are Too Expensive to Make Money on Streaming? After I asked for feedback on what we should call straight-to-streaming films that are too big to pencil out on streaming but not really big enough to resonate in theaters, I got some great suggestions from you all, including... “Moldilocks” from John Aboud “Little Big Indie” from Travis Frick1 “Midflicks” from Jonathan Funke. “Extra-Medium” from Jona Nwuke. (Read the explanation in the footnote.) Between these and Brandon Katz—who suggested “Bermuda Budget Triangle”, “The Platform Gap” and “The Distribution Deadzone”—we’ve got some excellent suggestions. And they’re better than my suggestion, the “Streaming Budget Dead Zone”, so let’s take a poll! The winning entry becomes the new term. Loading... RIGHT: LIV Golf is Fully Bankrupt…Is Anyone Else Next? A few years ago, I was always a bit perplexed at all the articles I’d read praising LIV Golf and their strategy to disrupt the PGA. LIV Golf, a brand new professional golf league, offered PGA stars ten times what they made on the PGA Tour to join their new league. And folks praised this strategy for its initial “success” in that a lot of big names did indeed leave the PGA. Yeah, of course the players came over. LIV Golf paid them so, so, so much more! But LIV Golf hadn’t discovered a way to increase potential revenue. So think about this in basic business terms… They paid much more in costs… …but had no real way to increase revenue. That’s not a strategy! That’s deficit financing. It won’t work unless you bankrupt the competition (and then turn around and pay those same golfers much, much less). It’s not a sustainable strategy and only lasts as long as the company/person/nation backing it decides they’re cool with losing money. For LIV Golf, that meant Middle East oil wealth, in particular Saudi Arabian money. Clearly, the current Iran War has hurt Middle East finances, so they need to trim their more exorbitant spending. And LIV Golf was part of that trimming. This should be a major warning for others. TGL’s parent company, TMRW Sports, just got a $1 billion valuation, despite TGL’s (the indoor golf league) horrible TV viewership of less than half a million viewers per match. Unrivaled, the women’s basketball league, just secured a $650 valuation, despite its horrible TV viewership and a new rival (Project B) entering the scene next year. To relate this to streaming, Hollywood should ask which streamers may have wealthy patrons funding their losses. (Let’s be clear: Google, Amazon and Apple.) Could those patrons lose their appetite? For Amazon, probably not. But Apple has a new boss, so maybe! WRONG: My Analysis of the Streaming Bubble Was Missing a Week I’m going to be congratulating myself a lot today, but I make mistakes too, like this data goof. When I last compiled the data on the decline in TV shows, I was missing one week at the end of June. If you look at the first image, you can see that one week was mislabelled as “July”. Mainly, this image got updated to show a 27% decline, not 29%: This change doesn’t really impact the overall analysis, but it is two percent better. By the way, through the third quarter, the decline increased and it’s now a 30% decrease since 2022. (I’ll write/visualize this in an upcoming article.) But I want you to trust me and my data. Especially these days, when many people are using LLMs that I know are inserting faulty data into their charts, I want to keep earning my audience’s faith. So that’s the accurate data. RIGHT: IP Remains Very, Very Popular In July, I wrote a giant (and I mean giant) article on Backrooms, Obsession, and the box office, going over what we know, what we don’t know about what works in theaters, looking at YouTubers, IP, the horror genre, comic book movies, and a whole lot more. The month of August really tested a lot of my theses and, being honest, mostly supported my arguments. Let’s start with IP. Looking at 8-Aug (the weekend after Spider-Man: Brand New Day came out) to 18-Sep (the weekend that Resident Evil came out, which I think provides a nice bookend to this time period), there were seven films based on pre-existing IP: Resident Evil (2026) ($126 million) Practical Magic 2 ($65 million) _Insidious: Out of the Furthe_r ($65 million) Coyote Vs. Acme ($59 million) Paw Patrol: The Dino Movie ($53 million) Tony ($15 million) Super Troopers 3 ($7 million) Compare those to the notable original films from the past month—I actually could have included more movies, but here are just thirteen, bringing us to an even twenty films—including.... The End of Oak Street ($54 million) Buddy ($26 million) Mutiny ($15 million) By Any Means ($15 million) The Dog Stars ($14 million) Runner ($14 million) One Night Only ($11 million) Hope ($8 million) Spa Weekend ($7 million) The Uprising ($6 million) Teenage Sex and Death at Camp Miasma ($6 million) Onslaught ($3 million) Eli Roth’s Ice Cream Man ($2.8 million) Here’s that in chart form: Five of the top six films in this time period were all based on IP. I made a big chart of films that grossed over $200 million at the box office before Spider-Man: Brand New Day and The Odyssey hit theaters. Let’s update that chart! By the way, if you want to see how I categorized each film—so another bar chart—here it is: I know that many of my fellow critics/pundits/analysts dislike films based on IP and how Hollywood is making so many of them. And I’m sympathetic to this point of view. As I’ve written many, many times before, you need a balance between existing franchises, new IP, and original films. And Hollywood clearly needs to make more films like Resident Evil (a well-made film from a visionary director) and fewer Practical Magic 2’s (which didn’t get critical or customer buzz). But at some point, critics and pundits need to contend with what audiences are telling them: Movie-goers aren’t showing up to original films. Audiences are speaking with their dollars, telling you they want more IP and franchises. You can try to convince studio heads to make fewer IP-based films and franchises, but the data and numbers aren’t there. Instead, critics need to work harder to convince audiences to show up for original films. Aim your ire/concern at the average person, not studio heads.2 Because they’re just making the films that audiences are telling them to make. WRONG: Original Horror Films Didn’t Break Out I’ll be honest, even though I wrote an article casting some skepticism on the horror genre in July, if you asked me to make a prediction, I would have predicted that, in August, a new, original horror film would have blown up. No, seriously, I just assumed that Obsession and Backrooms presaged a change in audience behavior. But none of the buzzy new original horror films from August—Teenage Sex and Death at Camp Miasma, Onslaught (not an action film in spite of the ads), The End of Oak Street, Eli Roth’s Ice Cream Man, or _Buddy—_broke out. To be clear, exactly one of those films (Buddy) had good “ROI”, but again—I try to be specific in my language—none were “popular” in any broad sense of the word. None of them will be “saving” movies theaters like Backrooms or _Obsession_helped save the summer. The new Insidious film and Resident Evil, both based on IP, were far and away the biggest horror films since July. (We’ll see if this changes in October/Halloween season.) RIGHT: Stay Skeptical about Crowdfunding... I’ve long been skeptical about crowd-investing platforms as one of Hollywood’s saviors, mainly because there’s so much hype/buzz. People need to stay more skeptical about more things, explaining both the potential upside but also the downsides. In particular, the media often hypes crowdfunding at the start and never checks in on the actual results after they’ve come in later. And August gave us our first update! _Ice Cream Man—_directed by Eli Roth—grossed $6 million off of a $5.5 million budget. This is a production of The Horror Section, which was one of the first “crowd investing” studios with 2,400 investors, which means that 2,400 investors probably lost money. They certainly aren’t getting as great of returns as if they had just invested their dollars in the stock market. Hopefully Stiletto (Tagline: “Someone’s Going to Make it Rain Blood!”) does better next month. WRONG: Another Data Goof Here’s another data error. When the first episode of House of the Dragon came out, HBO put out that it had 21.5 million viewers in the first three days, and I read that to mean in the US…but no, it was global. So my US-only datecdotes charts shouldn’t have included it. We never got US-only numbers for the first episode, but for the final episode, HBO put out that it had 11 million US viewers. (And that global dropped to 21 million viewers.) Here’s the updated chart (which I’ve since used in the Streaming Ratings Report): Still, this show is absolutely huge. RIGHT: Superhero Films Remain Very, Very Popular After Supergirl flopped, I read a few takes that “comic book movies are going the way of the Western”. Post-Spider-Man: Brand New Day, that take didn’t age well. To be fair, I have a very nuanced take on the superhero genre right now; it’s down right now, for a lot of reasons. But it’s not “dead”. Maybe _Spider-_Man is just a really popular character? I saw that take, and it’s a fair counter-argument. (But pundits arguing that superhero movies were dead should have mentioned this $1.5 billion counter-argument…) But is it just Spider-Man? The next Avengers film already has $50 million in pre-sales (and I was skeptical that that film would do well) and the Avengers: End Game re-release topped the box office two weekends ago (over three original films). And I wouldn’t bet against Batman or Superman. So maybe it’s just Spider-Man, Batman, Superman and the Avengers. Oh, and Deadpool, of course. And Black Panther. And Wolverine. And probably the X-Men. Plus a well-made Wonder Woman or the Hulk film could break out. But that’s it! It’s just those ten characters/teams. Oh, what’s that? Lanterns is also doing well on HBO? (See previous section…) To be fair, I’m actually pretty sympathetic to the argument that more popular characters—like Spider-Man and Batman—anchor more popular films. In fact, I made that exact argument three years ago when I first wrote about the “Marvel-cession”. In many ways, you can blame The Guardians of the Galaxy for fooling Marvel Studios (and the rest of us) into believing that any character could pop. It turns out, the list of iconic characters is probably smaller than most people think. But it’s probably too early to say that superhero films and comic book movies are dead unless “death” means a slight decline over a longtime. RIGHT: Who Killed Theaters? Old People I get frustrated whenever I see headlines or analysis about how young people are “returning” to theaters. As I’ve detailed(for years), young people have always powered the US box office, despite narratives about “kids these days” and their “phones”. Really, what’s changed post-2020/pandemic is that old people aren’t going to the movies nearly as much. This summer, I saw a movie (from an older director) in a theater near a retirement community, and multiple older people at the theater were talking about how this was their first time seeing a movie in years. I dislike personal anecdotes, so YouGov can fill in the data, best summarized by this headline: “Who killed movie theaters? Not the youths”. According to them, 64% of people aged 18-29 have seen a movie in the last year, but only 30% of 65-and-older. 20% of 18-29 have seen a movie in theaters in the last week and 42% in the last month. Here’s the polling data: Most concerning? Many Americans (17%) think theaters are a worse or much worse experience than watching films at home. Slight WRONG: Hadestown Opens Big A live theater capture of the Broadway musical, Hadestown, made $20 million at the US box office, which begs the question: was I wrong to be skeptical about musicals a few years ago? Yes and no. On the one hand, $20 million is a far cry from being “popular”, so yeah, the genre isn’t that popular overall and Hadestown is one of the more popular musicals from recent years (i.e. the “Taylor Swift Data Fallacy” in action). On the other, I doubt filming this cost all that much, and I don’t think that they spent much on marketing, so this is a good source of ancillary revenue. Smaller Updates WRONG: As I mentioned in a Streaming Ratings Report, I underestimated the budget for Enola Holmes 3. It probably cost more like $50 million, if not more. But... I’m not sure that it really matters? At sub-10 million hours, prices have to come down to make this work. WRONG: Netflix is giving Ink a 27-day in theaters! To quote the kids/YouTubers these days, let’s go! Now I might actually have a chance to see Danny Boyle’s latest in theaters. I’d complained about this in a “Coming Soon” section, but I was heartened to read that Netflix is giving multiple films longer theatrical windows this year. RIGHT: Netflix is sending 4-5 films per year to theaters. Netflix is slowly but surely sending more and more films to theaters, as I cautiously predicted earlier this year. For now, it’s just three big films and a number of awards contenders, but still, this is great news. And they’ll be releasing box office grosses! Just this week, Ted Sarandos confirmed that KPop Demon Hunters 2 will come to theaters (and my guess is it performs in the box office top ten at a minimum). WRONG: Angel has 3 million subscribers! How do I know this? Well, they told Deadline, who reported it. I marked this as “wrong”, since they’ve doubled their subscribers in one year but, you know, they don’t really have a hit film to speak of and they’re still losing money. WRONG: Furious was only renewed for one more season. I accidentally wrote “two more seasons” in my latest “Renewals, Cancellations, Un-Orders and Removals Update”. RIGHT: House of David is ending with its third season. In July, Prime Video renewed House of David for a third season, as I just wrote in my latest “Renewals and Cancellations” report. Well, now it’s ending after that third season. Why? As I’ve been writing, its viewership wasn’t great. I got feedback that this show didn’t cost very much, but it cost enough that its limited viewership didn’t save it. WRONG: Adults was a Hulu original! So I missed Adults when it first came out last year; I saw that it aired on FX and just assumed that it was a linear-first program. Turns out, it aired three episodes on FX, but binge-released the rest of its episodes the next day on Hulu. Huh. So I should have covered it last year! But I just wrote about it. 1 “When I was a kid in the 90s, if you wore a t-shirt to school that wasn’t too big and also wasn’t too small, but somehow didn’t quite fit, we’d say you were wearing an “extra-medium” shirt.” 2 As always, a huge exception is Disney, which barely makes anything original anymore.
D'Andre Swift does not practice Wednesday
Bears RB D'Andre Swift sits out Wednesday because of multiple injuries
Travis Kelce tickled over Taylor Swift hay decorations: 'Why'd they make my wife cross-eyed?'
The calendar has turned to October, and in a lot of places across the United States, the weather is starting to feel a little more crisp and a little more fall. The autumnal decorations have begun, ranging from pumpkins on porches to apple cider candles.
Study: Does earlier menopause onset mean faster cognitive decline?
A new study found that women who experience earlier onset menopause had earlier cognitive decline and were diagnosed with Alzheimer's sooner.
RYOBI Cleans Up Local Politics with Unlikely Mayoral Candidate 'Swifty'
McCann Birmingham and RYOBI unveil the first trailer for a documentary following the spot cleaner’s unlikely bid to become mayor of Staines
Scientists seek new ways to protect Sierra Nevada meadows
Sierra Nevada meadows may cover a relatively small portion of the landscape, but scientists say they play an important role in supporting wildlife, storing water and maintaining biodiversity. Researchers and conservationists recently gathered at the...
Country singer known for ‘country-versial’ lyrics dead at 84: ‘Lost a great entertainer’
He also helped launch Taylor Swift's career.
Olympiacos Eye Contract Renewal for Midfielder Amid Juventus Interest
Olympiacos are moving swiftly to secure Santiago Hezze's future, fighting off European heavyweights Juventus and Villarreal following his pivotal role in their historic continental and domestic success.
Taylor Swift debuts new curly hairstyle after career milestones
Taylor Swift has once again switched up her "Style."
Taylor Swift debuts new hairstyle after career milestones
Taylor Swift has once again switched up her "Style."
D'Andre Swift removed from the injury report
D'Andre Swift will be in the Bears' line up in Week 4.
Studying Science in an Anti-Scientific Time
This Chronicle Review Deep Cut was first published in 2025. By Julianne Werlin Thanks for reading The Chronicle Review! Subscribe for free to receive new posts and support my work. Subscribe The last two decades have not been kind to science studies. Already bruised and battered by the “science wars” of the 1990s, by the 2000s sociologists of science — who had long argued that science had to be understood in its human context — were encountering the funhouse-mirror version of their own views in right-wing critiques of climate scientists. It was enough to give some prominent scholars pause. “Was I wrong to participate in the invention of this field known as science studies?” asked Bruno Latour, the most famous sociologist of science in the world, in 2003. “Should we apologize for having been wrong all along? Or should we rather bring the sword of criticism to criticism itself and do a bit of soul-searching here: What were we really after when we were so intent on showing the social construction of scientific facts?” In response, Latour proposed a change of method and attitude. Science studies, now chastened and contrite, would no longer seek to strip facts of their authority, but to enrich and enhance them. What this meant in practice was never fully clear. But his diagnosis of problems resonated, even if his solutions did not. Latour’s exercise in public hand-wringing signaled a shift in mood. By 2016, with the first election of Donald Trump, the idea that skepticism of science was a right-wing position, not a left-wing one, had become a commonplace, discussed eagerly in The New York Times. For liberals, vaccine denial during the Covid era and Trump’s second-term attacks on the funding of scientific research, covered extensively in these pages, added a new urgency to the defense of science on both practical and principled grounds. There was little appetite for a sociology or philosophy of science that emphasized the messiness and missteps of the scientific process rather than its integrity and triumphs. The distinguished historian of science Peter Dear’s new book, The World as We Know It: From Natural Philosophy to Modern Science (Princeton University Press, 2025), which seeks to tell the story of 18th- and 19th-century science for a general public, may seem comfortably remote from these bitter contests. In its 16 short chapters, Dear draws swift, sure sketches of major discoveries from Newton to Einstein, ably guiding the reader through debates on stellar nebulae, animal taxonomy, atomic chemistry, evolution, and other flashpoints in the history of science. But though a work of history, Dear’s book must still negotiate our polarized present. In a blurb on its back cover, the historian of biology Lynn K. Nyhart alludes to the “present moment, when scientific knowledge is being swamped by misinformation and its institutions are under siege.” Dear himself, in his conclusion, refers to the “yard signs” and “bumper stickers” that proclaim “Science Is Real.” One antidote to both anti-science propaganda and to reductive slogans in science’s defense is a robust history and philosophy of science: exactly what Dear’s scholarship has long offered. But his new book illustrates how difficult such work has become. Dear, an emeritus professor of history at Cornell University, is best known as a creative and philosophically minded historian of the Scientific Revolution. His edited volume The Literary Structure of Scientific Argument (1991) analyzed the rhetoric of Galileo’s thought experiments to brilliant effect. Discipline and Experience: The Mathematical Way in the Scientific Revolution (1995) was a major contribution to the analysis of scientific experiments in early modern Europe and beyond, while Revolutionizing the Sciences: European Knowledge in Transition, 1500-1700 (2001), now in its third edition, remains one of the best overviews of the profound epistemological upheavals of 16th- and 17th-century science. But Dear has also ventured into later periods. Nearly two decades ago, in The Intelligibility of Nature: How Science Makes Sense of the World (2006), he turned to the 18th and 19th centuries to sketch a history and theory of scientific knowledge. Aimed at a generalist audience, Dear’s simple prose belied serious philosophical ambitions. Science, Dear argued, has two aspects: “natural philosophy,” the quest to understand the true nature of the universe, and “instrumentality,” the applied skills and technologies that allow us to manipulate the world for human advantage. Both strands are ancient, but the innovation of the phenomenon we call “science” was to yoke them together. As Francis Bacon wrote, “Human knowledge and human power meet in one; for where the cause is not known, the effect cannot be produced,” an insight typically abridged to “knowledge is power.” Or, in Bertrand Russell’s characteristically blunt phrase, science has two functions, “1. to enable us to know things, and 2., to enable us to do things.” So far, so conventional. But Dear took issue with this familiar story in one respect. Bacon’s formula implied that theory and practice could be fused in a single method. In fact, Dear argued, the quest to understand nature and the desire to manipulate it were coupled only loosely. They could come together, but they could also pull apart. Focusing on natural philosophy, the “knowing” half of the scientific circle, he used a series of case studies from cosmology, taxonomy, chemistry, electromagnetism, and quantum theory to show how theories changed over time, in dialogue with practice, but never reducible to it. Take the case of matter, the basic substrate of the physical world. In the 18th and 19th centuries, scientists not only disagreed about what it was, but also about how well it could be known. In 1789, the chemist Antoine Lavoisier dismissed speculation about the atomic composition of chemicals as “discussions entirely of a metaphysical nature,” as he sought to orient chemistry away from philosophical abstraction and toward laboratory results. But in the 19th century, atoms returned with a vengeance in the atomic chemistry of John Dalton, who wanted to explain the underlying structure of nature. It was not just that Dalton and Lavoisier had a different set of experimental results, or even a different theory, Dear showed. What counted as an explanation had changed. In arguing that scientific theories depended on their intelligibility to human beings with complex arrays of beliefs and commitments, Dear was in sympathy with science studies. Key figures such as the sociologist Steven Shapin emphasized the importance of psychological mechanisms like trust in the formation and acceptance of scientific ideas. But in focusing on the scientific pursuit of knowledge, not its politics or economics, Dear resisted the more cynical perspective of some of his colleagues. The Intelligibility of Nature strikes a very different note than Shapin’s collection of a few years later, Never Pure: Historical Studies of Science as If It Was Produced by People With Bodies, Situated in Time, Space, Culture, and Society, and Struggling for Credibility and Authority (2010), to name just one example. Walking a very fine line, Dear depicted science as driven at once by complex social dynamics and by the intellectual power of real discoveries. It was a testament not only to his own acumen but also to the vitality of the field that he was able to do so. Nearly two decades later, The World as We Know It returns to the questions broached in The Intelligibility of Nature. Like Dear’s earlier study, it begins with the Newtonian cosmos and ends with debates between Einstein and Bohr on quantum physics. Beyond its terminal figures, many of the same characters appear in both studies, including the naturalists John Ray and the Comte de Buffon; the chemists Étienne François Geoffroy, Antoine Lavoisier, and John Dalton; as well as Charles Darwin and Michael Faraday, among others. Its subject is nearly identical: As in The Intelligibility of Nature, The World as We Know It considers natural philosophy as opposed to instrumentality, here defined as the “desire to create a picture of what the world is really like — the world as God knows it — rather than simply having instrumental or operational control over it.” The two books also overlap in insights — and sometimes even in language. The reader who has learned in The Intelligibility of Nature that Buffon’s method of classifying animals “reflected his belief in the importance of the senses and empiricism in learning about nature (a doctrine associated with Newton and the philosopher John Locke)” will experience a sense of déjà vu on reading, in The World as We Know It, that the classification “reflects Buffon’s commitment to the epistemological stance of Newton and his philosophical underlaborer John Locke, who stressed the role of the senses in creating natural knowledge.” Later in the passage, we read that, “because of its stress on understanding the ways of life of animals in their environments, Buffon’s approach could almost be labeled (anachronistically) as ‘ecological.’” And again, “an anachronistic way of putting it would be to say that Buffon recommends an ecological mode of understanding.” Likewise, in The Intelligibility of Nature we read of Dalton that he was initially drawn to meteorology, and that: He did a bit of experimental work on these things, especially having to do with the water-holding capacity of gases, but his real interest lay in understanding what, at an underlying natural-philosophical level, was really going on physically.” Whereas, in The World as We Know It: He did experimental work on these things, especially concerning the water-holding capacity of gases — although not at a very refined level quantitatively — but he was continually trying to develop a theoretical conception of what was happening physically. The final full chapter of each book closes on the same resigned note. Intelligibility: These days, most serious work on the natural philosophical underpinnings and implications of quantum mechanics is performed not by physicists but by philosophers of science. Among scientific practitioners themselves, Bohr’s attempt to use instrumentality as sufficient grounds for a respectable science has met with a high degree of success. And again, in The World as We Know It: Bohr’s and Einstein’s concerns are now questions that are mostly discussed by philosophers of science rather than by physicists themselves. The marginalization of these sorts of questions amounts to the demise of natural philosophy, at least in physics, in the 20th century. Quantum mechanics “works,” and that’s good enough for most scientists who encounter it. Examples could be multiplied. When handling the same subject matter, some echoes are inevitable. Scholars should not feel that because they have written “Isaac Newton died in 1727” in one book, in the next they must describe him as perishing, expiring, or meeting his maker. But the repetitions of language and arguments (not to mention six reproduced images) threaded throughout The World as We Know It are more extensive than that. They should have been caught by Princeton University Press or its reviewers, and revised. Because the two books have so much in common, it is easy to see where they diverge. The World as We Know It is a less theoretical work than its predecessor. The sociology of knowledge that organized The Intelligibility of Nature has been reduced in scale and folded into readings and examples. The taut interplay between history and theory, which gave the earlier study so much interest, is there, but it is subtle. In the earlier book, the case studies demonstrated theoretical claims about the character and development of science. In the later work, each narrative of discovery is an end in itself. Insights emerge from the history, but they do not control the organization of the study. With the theory muted, it can be hard to understand the logic uniting Dear’s sprawling history of more than two centuries of scientific knowledge. The 16 brisk chapters cover an enormous amount of material. But the closer the volume edges to comprehensiveness, the more obvious the missing elements become. A chapter on “Institutions and Pedagogy,” describing the birth of the research university, illustrates the problem. Inserted roughly halfway through the book, the unnumbered chapter is designed as an “entr’acte,” in acknowledgement that it does not fit the study’s organization around scientific discoveries. Yet as Dear is well aware, no general history of the development of modern science can bracket its 19th-century institutionalization and professionalization. It was the 19th-century university, after all, that gave us the “scientist,” a term coined by the Cambridge philosopher William Whewell. Dear’s history of scientific discoveries implies a wider social and institutional history, but it remains largely subterranean, only occasionally extruded under the pressure of the narrative. It must be said that the balance is not all on the side of the earlier study. There are some advantages to the more historical, less theoretical organization of The World as We Know It. Dear’s accounts of paradigm shifts are remarkably lucid, no small accomplishment given that they span fields and centuries. He makes excellent use of the wealth of new scholarship on Darwin and his influences, to which he has himself contributed. It is satisfying to see puzzle pieces from Buffon’s natural history, Georges Cuvier’s animal taxonomy, Thomas Robert Malthus’s demography, and Charles Lyell’s geology recombined seamlessly in the Darwinian jigsaw. Likewise, Dear’s discussion of stellar nebulae, divided between chapters two and 15, shows vividly how Newton, Kant, Herschel, and Hubble reimagined insights and observations as they sought to discover whether the diffuse light that filtered through early telescopes was a glowing, gaseous substance or discrete but distant stars. Yet despite such pleasures, the book remains a more modest work than The Intelligibility of Nature. Dear has clearly not changed his views about the history of science. But in the two decades that have elapsed, the discipline and the world around it have changed, making it harder to write a sociologically and philosophically ambitious history of science for the general reader. That is a shame, because in the age of Silicon Valley and biotechnology, both the reciprocity and the tensions Dear identified between the epistemological and instrumental ambitions of science are more evident than ever. In recent years, some of the most exciting new books on the history of science in early modernity have focused precisely on this pressure point. Important studies such as Pamela H. Smith’s From Lived Experience to the Written Word (2022), James Poskett’s Horizons: The Global Origins of Modern Science (2022), and Vera Keller’s The Interlopers: Early Stuart Projects and the Undisciplining of Knowledge (2023) all shed new light on how early modern science negotiated the relationship between its instrumental and epistemological ambitions, or in Russell’s phrase, knowing and doing. There is every opportunity for a philosophically informed approach to draw new insights from this wealth of material. Dear, unfortunately, has not done so in The World as We Know It. But for future scholars of the history of science, his body of work over nearly four decades may provide just the model. Julianne Werlin is an associate professor of English at Duke University. Thanks for reading The Chronicle Review! Subscribe for free to receive new posts and support my work. Subscribe
D'Andre Swift a new addition to practice report
Bears RB D'Andre Swift misses practice because of a knee issue
Arts and Entertainment Agenda, Oct. 2 to 5
Annual ‘John Denver Celebration’, Sept. 30 to Oct. 4 The annual John Denver Celebration, Sept. 30 to Oct. 4, brings fans from around the world to Aspen and Snowmass. Festivities include big concerts, smaller shows,...
Entertainment this week: Party in the Sky, A Liar’s Cruise and more
Thursday, October 1 Football Fun at Alibi – 12-9 p.m., Alibi Ale Works – Truckee Public House, 10069 Bridge St. Watch football at Alibi. Come save your spot and get some beer for every NFL...
Time lost to political haggling means lost momentum for research
While it’s not up to universities to set deadlines for EU institutions, “lost time” in the run-up to the launch of the next Horizon Europe would translate into “lost momentum” for universities, according to Dag Rune Olsen, president of the Young European Research Universities Network.“I think it's important to have [the EU budget] in place in order to be able to work on the research funding mechanisms, because we cannot afford to lose more momentum than we already have,” Olsen told Science|Business in an interview in September, just after EU research lobbies gathered in Brussels to push for a €200 billion budget for the next Horizon Europe programme.A funding gap would mean ramping down research activities, said Olsen. “You can do that quite swiftly, that’s not a problem, but ramping up again is much more difficult.”The last-minute push for an ambitious budget, and for a timely adoption of the research programme, comes at a time when the richest EU states have teamed up to call for significant cuts to European Commission’s proposal for the next multiannual budget, which allocates €175 billion for Horizon Europe. At the same gathering of research associations in September, the European Parliament’s budget rapporteur warned that the EU will need to raise its own taxes, otherwise political pressure and tighter national budgets will translate into a limited EU budget with a less ambitious envelope for research. The research sector hopes EU institutions will reach timely agreement on the budget and on Horizon Europe, but progress has been slow. Legislative progress has been delayed, partly because the European Parliament’s budget committee is still haggling over how to apply new EU-wide spending rules, known as the Performance Framework Regulation, and partly because EU governments have yet to agree on the size of the next EU budget. EU research Commissioner Ekaterina Zaharieva told Science|Business in July that she was hoping for an agreement on Horizon Europe by the end of 2026, but the timelines have been pushed back significantly, with the Parliament now aiming to announce its official position on Horizon Europe only in November. Avoid the funding gapAccording to Olsen, delayed EU funds could prompt universities and researchers to move on and do something else, potentially jeopardising years of work building consortia and collaborations. “If funding is interrupted, the networks fall apart in just a few months,” he said. Olsen also noted that an interruption would affect junior researchers first. PhD students and postdocs are on shorter term contracts and universities risk losing them if funding for EU projects is interrupted. Related articlesEU own resources ‘essential’ for future research budget, says leading MEPParliament haggle over EU-wide spending rules delays vote on Horizon EuropeZaharieva hopes for a Horizon Europe deal in 2026Universities usually have more employees, permanent and short-term staff, than they can cover with national funding, and external funding is essential to keep them all on the payroll. In case of an EU funding gap, “there will be a huge number of people that might end up without any contracts,” he said. Apart from the money issue, Olsen said EU projects forces universities to collaborate more which, in turn, increases the quality of teaching and research. In case of a funding dip, people will look around for opportunities elsewhere, in the private sector or abroad. “And then then you have to recruit again, and it's a tedious business,” said Olsen. “A gap is not a good idea, it's actually a waste of money.”According to Olsen, the difficult political context should encourage universities to make a stronger case for the EU increasing research funding, as universities can deliver on competitiveness, technological sovereignty, security and defence. “The reason why we ask for substantial investments in research is exactly what the Commission, what Europe, the Parliament have been discussing,” he said. “You really need to invest in order to thrive in the longer run.”Focus on the member statesBut EU and national R&D expenditure hasn't kept up with the times. EU governments have failed to reach a spending target set almost 25 years ago. Only six EU countries spend 3% or more of their GDP on R&D. Asked whether universities should put more effort into convincing the governments to ramp up their own spending, but also to support a strong budget for Horizon Europe in the ongoing budget negotiations, Olsen said “the answer is yes.”“We are very actively encouraging our members to talk to their ministries in order to enlighten them about the joint effort,” he said. The network is made up of 25 universities from across Europe, all established in the past 60 years or so.Who will call the shots?Budget and timing issues aside, the Parliament’s research committee has been locked in behind-the-scenes negotiations over the future structure of Horizon Europe, with MEPs disagreeing on the degree to which its collaborative research should be governed by councils of experts.The European Parliament’s lead rapporteur on Horizon Europe wants councils of independent experts to decide on the funding agenda, but the Commission, the Council, and parts of the Parliament disagree. For Olsen, it is normal for politicians to point at the big challenges, but when they start detailing how those challenges should be solved, the endeavour “fails utterly.” He does not necessarily think that “bureaucrats who don’t know the field” would be “much better at it” either. “There has to be a combination” of broad political directions and bottom-up implementation, Olsen said.
MTV VMAs producer clarifies remark about ‘external’ influence leading to Taylor Swift’s new award
MTV VMAs producer clarified a colleague’s remark about ‘external’ influence leading to Taylor Swift’s new award, which she accepted Sunday, before the debut of her ‘Patient Zero’ music video.
A storied NASA observatory could be weeks away from falling to Earth after failed rescue attempt
A daring mission failed to rescue NASA’s Swift telescope, and the nearly 22-year-old observatory will soon burn up in Earth’s atmosphere.
Todd Rundgren: Taylor Swift ruined music, is 'the apotheosis of mediocrity’
Boys and their 1990s allowance-spending shift from music to video games spawned the rise of female artists such as Taylor Swift, who then “ruined music,” at least according to 1970s
’70s Rock Icon Says Taylor Swift ‘Ruined Music’ And Labels Her ‘The Apotheosis Of Mediocrity’
Todd Rundgren’s scathing comments on Swift came amid a chat about what he described as “the era of the female artists.”
Basalt Chamber announces 2026 Roaring Fork Valley Business Summit
The Basalt Chamber of Commerce has announced that the 2026 Roaring Fork Valley Business Summit will take place on Thursday, Oct. 8, from 8 to 11:30 a.m. at the Rocky Mountain Institute Innovation Center. The...
Todd Rundgren says Taylor Swift ‘ruined music,’ calls her the ‘apotheosis of mediocrity’
The “Bang the Drum All Day” rocker also claimed the rise of female artists in music was due to video games.
Truckee Chamber celebrates business community at the ‘Top of the Town’
TRUCKEE, Calif. – The Truckee Chamber of Commerce presented six awards at Top of the Town, its 73rd Annual Awards Celebration on Friday, September 25 at Alder Creek Adventure Center in Tahoe Donner. “The Top of...
Business Council of Douglas County announces business spotlight and lifetime achievement awards
STATELINE, Nev. – The Business Council of Douglas County honored businesses and people that have made a positive mark on Douglas County with the Business Spotlight Awards and the Lifetime Achievement Awards at its 34th...
Grand County Rural Health Network honors 2026 health service award recipients
Grand County Rural Health Network has named Mara Pacyga, Dr. Eliza Buyers and Hannah Wynd recipients of its 2026 Award for Excellence in Health Service, recognizing their leadership and contributions to health care access and...
IBM is Building a Bigger Software Business. Can Its Balance Sheet Keep Up?
On September 24, International Business Machines Corporation (NYSE:IBM) announced two key capabilities designed to strengthen its digital asset infrastructure for tier-one financial institutions, governments, and regulated entities. In a new beta rollout, IBM Digital Asset Haven clients can connect to SWIFT’s blockchain-based shared ledger, linking into a cooperative network of over 12,500 financial institutions across […]
AP Entertainment SummaryBrief at 6:11 p.m. EDT
Taylor Swift becomes most-awarded artist in MTV VMAs history, dedicates top prize to Dolly Parton
Dakota Johnson reveals root of Taylor Swift friendship, shares thoughts on Travis Kelce wedding photos
The “Verity” actress doesn’t think her longtime bestie will ever drop the pictures from her nuptials.
Can we just like a Taylor Swift song in peace?
Taylor Swift's four new songs sparked instant debate, but "Patient Zero" makes a case for letting the music grow on you before joining the discourse.
Taylor Swift and Dakota Johnson were besties onstage, plus a buzzy ‘Off Campus’ reunion: Here’s what caught my eye during the VMAs
Risqué fashion choices, historic wins, onstage reunions and a slate of top-notch performances. What more could you want from the VMAs?
Taylor Swift's 'Patient Zero' video premieres during historic VMAs
Taylor Swift debuted her video for 'Patient Zero' at a historic MTV VMAs for the pop superstar, who broke a Beyoncé record. The video featured Swift's 'good friend' Dakota Johnson, who also presented Swift with an award during the event.
Aspen Valley Health receives Baby-Friendly designation
Aspen Valley Health announced that it has achieved the international Baby-Friendly designation after a review process conducted by BabyFriendly USA, the organization responsible for this certification.
NASA Highlights Lessons Learned From Swift Boost Mission
A commercial mission to boost NASA’s Swift observatory concluded without raising the spacecraft’s orbit, but the agency and industry vendor gained valuable experience that will benefit future in-space servicing programs.
Graham Norton teases mystery star at Taylor Swift wedding
Graham Norton is keeping at least one detail from Taylor Swift and Travis Kelce's star-studded wedding under wraps.
2026 MTV VMAs red carpet: The best, boldest and most 'wait, what?!' outfits, from Belmont Cameli's Canadian tuxedo to Taylor Swift's stunning sparkles
Presenting the MTV VMAs' most stylish — and, OK, out-there — red carpet looks.
Biggest VMAs moments, from Madonna's performance to Taylor Swift's new record
Whether honoring the past with an accolade for Nirvana or christening the vocal spitfire Raye, the MTV Video Music Awards crisscrossed demographics and genres while sparking a few notable moments.
Taylor Swift sets new record at MTV VMAs
Taylor Swift is having another good year — just months after her lavish wedding to Travis Kelce, the pop superstar on Sunday made history by becoming the most awarded artist at the MTV Video Music Awards.
AP Entertainment SummaryBrief at 12:25 a.m. EDT
Taylor Swift becomes most-awarded artist in MTV VMAs history, dedicates top prize to Dolly Parton
NFL player makes unexpected cameo in Taylor Swift music video
An NFL star features in Taylor Swift's new "Patient Zero" music video, but it's not her husband Travis Kelce or any of his teammates.
Taylor Swift turned up, Madonna let loose and everybody smoked: The 2026 MTV VMAs, from every angle
The 2026 VMAs gave us a Madonna and Sabrina Carpenter collab, a football-related delay and ... smoking rock stars.
AP Entertainment SummaryBrief at 11:28 p.m. EDT
Taylor Swift becomes most-awarded artist in MTV VMAs history, dedicates top prize to Dolly Parton
Taylor Swift broke Beyoncé's VMAs record, bringing home 3 new awards
Swift also received the first MTV VMA Artist Director Honors.
MTV Video Music Awards 2026 winners list including Taylor Swift
More than 40 years after her iconic "Like a Virgin" performance rocked the very first MTV Video Music Awards, Madonna is back in a big way.
MTV VMAs 2026 Winners List: Madonna Dominates, Taylor Swift Wins Special Honor
It was like 1998 all over again. Madonna won six Video Music Awards that year for Ray of Light. Flash forward to tonight, and the pop icon won seven awards, including Artist of the Year, for Confessio...
Best and Worst Moments of the 2026 MTV VMAs: Madonna Slays Opening Performance and More
Snoop Dogg hosted the 2026 MTV Video Music Awards on Sunday, September 27, where Madonna, Taylor Swift and more stars were honored
Taylor Swift debuts ‘Patient Zero’ music video at VMAs starring Dakota Johnson and Colin Farrell
The pop star and actress play women who have dated the same man — who secretly poisoned both of them the whole time.
Taylor Swift Confirms She’s ‘Patient Zero’ In VMAs Music Video Debut
Fans had been parsing the singer’s social media for clues and coming up with theories for days leading up to the ceremony.
Taylor Swift Confirms She’s ‘Patient Zero’ In VMAs Music Video Debut
Fans had been parsing the singer’s social media for clues and coming up with theories for days leading up to the ceremony.
The Deadlock Between Beyoncé And Taylor Swift Is Officially Over
Sunday’s ceremony marked the introduction of the MTV Video Music Awards’ Artist Director Honors.
Taylor Swift premieres music video for ‘Patient Zero’ at the VMAs
Dakota Johnson and Colin Farrell star in this track off the encore edition of Swift’s 12th album, “The Life of a Showgirl.”
Taylor Swift Receives Inaugural Artist Director Honors at 2026 MTV VMAs as She Thanks Fans for Making Directing ‘So Rewarding’
Swift went on to premiere her new music video for “Patient Zero”
Taylor Swift becomes the most-awarded artist in VMA history. How she broke the record
Taylor Swift made MTV Video Music Awards history at the 2026 ceremony, becoming the most-awarded artist in the show's history.
Taylor Swift sparkles in black-and-silver gown at 2026 VMAs
Taylor Swift made a show-stopping return to the MTV Video Music Awards red carpet.
2026 MTV VMAs Winners List
A complete list of VMAs winners for the 2026 awards, including Madonna, Taylor Swift and Sabrina Carpenter
Here’s Why Travis Kelce Isn’t Going With Wife Taylor Swift to the 2026 MTV VMAs
Taylor Swift is attending the 2026 MTV Video Music Awards without her husband Travis Kelce. The Kansas City Chiefs tight end, 36 — who tied the knot with Swift, 36, over the July 4th weekend at Madiso...
Taylor Swift Announces First New Song Since Marrying Travis Kelce
Taylor Swift has been holding out, but she's finally announcing some exciting news.
Why Travis Kelce will miss VMAs as Taylor Swift earns inaugural award
Though both are famously supportive of each other, Travis Kelce will miss her at the VMAs, and Taylor Swift will miss his Kansas City Chiefs game.
Routt County to host free mental health support training Tuesday, Sept. 29
In honor of September as Suicide Prevention Month, Routt County Colorado State University Extension and Reaching Everyone Preventing Suicide will host a “Changing Our Mental and Emotional Trajectory” training on Tuesday, Sept. 29 from 2:30...
MTV VMAs 2026 nominations: Full list as Madonna, Taylor Swift lead the pack ahead of tonight's show
This year's Best New Artist race is also heating up, with divisive pop-country nepo baby Stella Lefty and English vocal powerhouse Sienna Spiro among the evening's buzziest nominees.