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Lasses Preview: Friday Nights Under The Lights!
Charlotte Patterson previews tonight’s clash between Sunderland Women and Sheffield United — a big game awaits!
Mayor Sheffield sends bold message to Business & Political Leaders on Mackinac Island: Poverty Elimination is a Growth Strategy
Detroit's first woman Mayor doesn't play it safe in her first keynote address at Regional Policy Conference
Blades boss Wilder looking to bring in forward
Sheffield United boss Chris Wilder confirms the club have identified a forward in the free market but his arrival will depend on if they can release a current player.
Detroit's Mary Sheffield joins panel of new mayors in DC: How to watch
Detroit's first woman mayor will be on a panel at the US Conference of Mayors' winter meeting in Washington. Here's how to watch.
EFL Cup: Mansfield Town v Sheffield United
Follow live text commentary, score updates and match stats as Mansfield Town take on Sheffield United in the first round of the EFL Cup.
Pick of the stats: Stoke City v Sheffield United
BBC Sport highlights some of the key stats and facts for the Championship match between Stoke City and Sheffield United.
Mayor Sheffield taps Dearborn exec as Detroit's chief health officer
Mayor Mary Sheffield announced that Dearborn's former chief public health officer will lead Detroit's health department.
Ndiaye now at the top table of the game
Iliman Ndiaye's first comment in the interview room after Saturday's win was a bit of an understatement. Back in 2020, the Senegal winger was playing for Hyde United, on loan from Sheffield United. Six years on, Ndiaye is now at the top table of the game and it was a promising debut - including at least one bit of magic first half, which nearly set up a goal, and a half-chance with a flicked header in the second half, as well as some lovely touches throughout the game.
Devils beaten 3-1 at Steelers in Challenge Cup
Cardiff Devils remain without a win on the road in the Challenge Cup having been beaten 3-1 at 100% Group A leaders Sheffield Steelers.
Wilder hopeful but admits doubt over new Sheffield United signing
Chris Wilder remains hopeful Sheffield United can add another new signing to his squad but says a player must first leave the club before they can complete a deal.The Blades have identified a potentia...
Sheffield business owners 'don't feel safe' next to illegal waste site
An Attercliffe dumping ground is identified as one of the worst in the country by the government.
Wilder can't give players an excuse
Former Reading midfielder Jobi McAnuff believes that Sheffield United boss Chris Wilder's criticism over the scheduling of the football season could have contributed to the side's shock 1-0 loss to Fleetwood Town in the Carabao Cup.
David Storch: Sheffield Wednesday bidder talks vision for troubled club
In an exclusive interview with BBC Sheffield, Sheffield Wednesday bidder David Storch shares his vision for the club.
Sheffield taps longtime Detroiter to serve as new business, workforce chief
Olga Stella is the latest in a string of newly-appointed department heads aimed at fulfilling the mayor’s agenda on economic growth and revitalization.
Blades expect to avoid points deduction
Sheffield United CEO Stephen Bettis tells BBC Radio Sheffield the Blades expect to avoid an EFL points deduction but will not reinvest a summer transfer haul in January.
'I'm working with what I've got'
Sheffield United manager Chris Wilder praised his 'committed' players after they beat Bolton Wanderers to secure their first win of the season.
Bristol City appoint King as set piece coach
Bristol City appoint Sheffield Wednesday analyst Ben King as their new set-piece coach.
A draw in Cardiff still leaves unanswered questions
BBC Final Score's Laura Kenyon says despite their first Championship goals of the season, Sheffield United still have issues to resolve.
Wilder reveals that Sheffield United defender could miss Fleetwood clash
Chris Wilder revealed that Sam McCallum could miss Sheffield United’s EFL Cup clash against Fleetwood with injury.The left-back was forced off late in the game against Wolves last weekend after taki...
Wednesday appoint Wilson as sporting director
Sheffield Wednesday appoint former Stockport chief executive Simon Wilson as their new sporting director
Science on Target: Q2 2026 Research Spotlight
Basic Biology Consortium breaks new ground in ALS In 2022, Target ALS awarded funding to Drs. Jonathan Cooper-Knock (University of Sheffield, project lead) and Michael Snyder (Stanford University), along with fellow consortium members Drs. Ophir Shalem (University of Pennsylvania) and Eran Hornstein (Weizmann Institute), for their project “Exploring the landscape of ALS genetics with machine […]
University of Sheffield planning to cut jobs in chemistry and ...
Around 20% of the chemistry and materials science faculty could lose their jobs as university address financial challenges
'A great deal'
Tom: Heard incredibly positive things from Sheffield Wednesday fans about the season he spent on loan there. Alexander: He is a great signing - a proven player originated from Manchester City. New senior squad players are noticeably at the younger end of the spectrum.
Bettis 'left to face Sheff Utd music again'
BBC Radio Sheffield's Rob Staton on Sheffield United chief executive Stephen Bettis being left to answer fans questions by absent owners.
Dearborn health leader joins Sheffield administration
Ali Abazeed will oversee efforts to tackle chronic disease and health inequities.
'A weird and concerning period for the Blades'
BBC Radio Sheffield's Rob Staton on Sheffield United's League Cup exit, a lack of accountability from the board and a club seemingly lacking proper leadership at the top.
Detroit Mayor Sheffield announces new city health official
Analysis: Tigers show tenacity and talent
Since Hull were relegated from the Premier League in 2017, they have been down to League One and back before beating Middlesbrough 1-0 in the Championship play-off final to seal promotion last season. Slater, who joined the club initially on loan from Sheffield United in League One - and only cost £50,000 when he signed permanently - swung in a ball for Mendy - a £20m-plus purchase from Rayo Vallecano - to power in a header past Lammens. Sergej Jakirovic, the first manager in the Premier League from Bosnia-Herzegovina, will not let his Tigers get too carried away after being written off as relegation candidates by many on the eve of the campaign.
Reducing poverty is a growth strategy for Detroit, region, Sheffield says
Detroit Mayor Mary Sheffield told the Mackinac Policy Conference that \
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
Detroit Mayor Mary Sheffield unveils small business technology fund
BUSINESS MONDAY: Spotlight on Berkshire Mountain Distillers in Sheffield
After nearly two decades, the local business is expanding its scope with Two Lanterns Brewing Co., as well as more seating and culinary offerings.
Mayor Sheffield sends bold message to Business & Political Leaders on Mackinac Island: Poverty Elimination is a Growth Strategy
Detroit's first woman Mayor doesn't play it safe in her first keynote address at Regional Policy Conference
Detroit releases report with plans to tackle community health issues
Mayor Mary Sheffield and the Detroit Health Department released a comprehensive roadmap to tackle top health concerns identified by residents by 2028.
'This is not Wrexham. I'm not Ryan Reynolds'
A new BBC podcast Mud, Sweat and Cheers: Trouble at the Bottom – Sheffield FC goes behind the scenes on an extraordinary season at the world's oldest football club.
Sharp retires after incredible 22-year career
Sheffield United legend Billy Sharp announces his retirement from football at the age of 40.
Detroit can't survive without small, mid-sized businesses
Detroit must invest in small businesses and underserved communities to combat inequality, says a business leader, as Mayor Sheffield marks 100 days.
Sheff Utd's Kitching earns first international call
Sheffield United defender Liam Kitching earns his first senior international call-up for the Republic of Ireland's Nations League campaign.
Dani Hourani shares journey from prison to impact, mental health, Mayor Mary Sheffield controversy
Jamie Sherrod sits down with Dani Hourani, Director of Team Wellness Center, to discuss his 6 year anniversary of being released from prison 28 years ago, the impact he's had on the community and more.
Pick of the stats: Swansea City v Sheffield United
BBC Sport highlights some of the key facts and statistics for the Championship game between Swansea City and Sheffield United.
'Another summer with more questions than answers'
BBC Radio Sheffield's Rob Staton analyses Sheffield United's business in the transfer market.
Pick of the stats: Southampton v Sheffield United
Here are the key stats for Southampton v Sheffield United
Kamala Harris, Mary Sheffield meet to highlight Detroit business Trap Vegan
Former Vice President Kamala Harris met with Detroit Mayor Mary Sheffield to make a smoothie at Trap Vegan on Livernois.
Livestream: Mayor Sheffield, Detroit health chief to address wildfire smoke threat
Detroit Mayor Mary Sheffield, Chief Public Health Officer Ali Abazeed, and other city officials will hold a press conference to address the ongoing health risks from Canadian wildfire smoke impacting the region.
Wisconsin volleyball doesn't panic after tough start to season
Coach Kelly Sheffield contrasts his Badgers' response to adversity with a scene from "Animal House."
Detroit's health woes don't daunt new director: 'We can do hard things'
Mayor Mary Sheffield recruited Ali Abazeed from Dearborn where he restarted the Wayne County community's public health department.
Detroit Mayor Sheffield appoints Ali Abazeed as city's new chief public health officer
Police, business owner frustrated after series of arrests made near Aliquippa restaurant
Aliquippa Police were called three times in just about 24 hours to the Good to Go restaurant on Sheffield Road between Friday and Saturday.
Reduced rail service hitting trade, businesses warn
Business leaders say Sheffield to London train services are "critical", with trade already affected.
O'Hare 'can't wait' for home Wrexham debut
Callum O'Hare "can't wait" to make his home debut after a hectic welcome to Wrexham since completing his deadline-day move from Sheffield United. The 28-year-old got up in the early hours on Tuesday morning to seal his switch to the Racecourse Ground before Wrexham's trip to Millwall. O'Hare then raced to London on the train, arriving hours before kick-off to make the squad, but remained an unused sub as Wrexham won 3-0 at the Den.
'It might be useful to have a reality check'
BBC Radio Sheffield's Rob Staton believes it might be a time for a reality check after Sheffield Wednesday's heavy loss at Oldham.
Detroit Mayor Mary Sheffield appoints public health officer
Kelly Sheffield says volleyball is 'held back' with NCAA tournament TV deal
Kelly Sheffield believes volleyball is 'held back' with a TV deal that puts the first two rounds of NCAA tournament entirely on a streaming service.
K-State baseball clinches road series at Arizona
Nick English’s go-ahead three-run home run off the bench and Lincoln Sheffield’s career-high 10 strikeouts fueled Kansas State baseball to an 11-1, eight-inning victory over Arizona Saturday night at Hi
Sheffield names Dearborn official to become city's new Chief Public Health Officer
Ali Abazeed replaces Denise Fair Razo. After working with the U.S Department of Health and Human Services, he helped establish Dearborn's health department.
Stoke's form is a reason for genuine optimism
BBC Radio Stoke commentator Mark Elliott reflects on Stoke's 2-1 win over Sheffield United in the Championship.
Matchwinner Jimenez excited by 'must-win' derby date
Wolverhampton Wanderers striker Raul Jimenez, who scored a winner at Sheffield United, is looking forward to the derby game with West Bromwich Albion.
New face joins Detroit region's Big Four but goals remain the same
The group, now including Detroit Mayor Mary Sheffield, highlighted the need for cooperation at the Detroit Regional Partnership's 2026 annual meeting.
Detroit's chief public health officer looks to provide services for all
Ali Abazeed, Detroit's new chief public health officer, appointed by Detroit Mayor Mary Sheffield, in Detroit, Michigan on April 21, 2026.
Sheff Utd sign experienced forward Ayew
Sheffield United sign former Crystal Palace and Leicester City forward Jordan Ayew on a deal until the end of the season.