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BRE Committee Tours Gateway Studios
Chesterfield rehearsal facility has hosted top tier entertainment On Oct. 21, members of the Business Retention & Expansion (BRE) Committee toured Gateway Studios & Production Services (GSPS), a rehearsal facility…
Mid-Columbia Ballet prepares for 50th anniversary of "The Nutcracker"
RICHLAND, WA. — For 50 years, the Mid-Columbia Ballet has brought the holiday classic The Nutcracker to audiences in the Tri-Cities. This year, the organization is celebrating that milestone with 144 dancers, new costumes and months of preparation to bring the beloved production to life. The annual performance is a major undertaking for the dancers, instructors and volunteers who work behind the scenes to make the show possible. Rehearsals span 13 weeks, with dancers practicing four days a week for multiple hours at a time.This year’s production will feature new costumes for the Waltz of the Flowers, including a sequence with as many as 25 dancers on stage at once. The show also brings together performers across generations, including adults who have been part of the production for more than 20 years. For Artistic Director Debra Rogo, the preparation begins long before the curtains open.Rogo has been involved with the Mid-Columbia Ballet for 40 years and says planning for The Nutcracker takes place throughout the year. While organizing a production of this size requires significant time and effort, she says watching young dancers grow and develop a passion for ballet makes it all worthwhile. “It’s why I do this,” Rogo said. “It is overwhelming ina good way. To be able to share into their lives and watch them develop a love of this art form and the hard work … it makes me very proud.”Rogo’s decades of involvement reflect the lasting impact the production has had on the local dance community. For many performers, The Nutcracker is more than a seasonal performance. It is an opportunity to build skills, create relationships and become part of a tradition that continues year after year.While the dancers spend weeks rehearsing their routines, a large team of volunteers works behind the scenes to support the production.More than 100 volunteers are involved this year, helping make the performance possible. Their contributions reflect the range of people who come together to support the arts in the Tri-Cities.Randy Haven, a longtime volunteer, says the sense of community is one of the things that makes the experience so special.“The people that you hear volunteering, it’s incredible,” Haven said. He described seeing people from different backgrounds working together backstage, from employees at Hanford to parents raising large families.Haven says that shared commitment creates a family-like atmosphere among the people involved in the production. For Rebecca and Torrie, the Mid-Columbia Ballet has been part of their lives since childhood. Both began dancing with the organization at age seven and have since returned as teachers, helping introduce the next generation to the art form.Their connection to the ballet has continued into their adult lives, creating an opportunity to share their love of dance with younger performers.Torrie now has three daughters performing in The Nutcracker, giving her the chance to watch them experience a tradition that was also part of her own childhood.Being able to see her daughters participate in the production has made the experience especially meaningful, she said.Although audiences can see productions of The Nutcracker in major cities such as New York and Seattle, those involved with the Mid-Columbia Ballet say the local performance offers something distinctive.The community atmosphere allows audiences to experience the production while supporting local performers and the people who dedicate their time to the arts.Rebecca says experiencing a live performance alongside other people is particularly meaningful in a world where so much time is spent looking at screens.She believes live art gives people an opportunity to connect with one another through a shared experience.The ballet’s production also gives local dancers the chance to perform for their community while continuing a tradition that has been part of the Tri-Cities for five decades. When to see ‘The Nutcracker’ in RichlandThe Mid-Columbia Ballet will present its 50th-anniversary production of The Nutcracker Dec. 10 through Dec. 13 in Richland.Tickets go on sale Nov. 1. Audiences can look forward to seeing 144 dancers, new costumes and the work of more than 100 volunteers come together for the holiday production.COPYRIGHT 2026 BY APPLE VALLEY NEWS NOW. ALL RIGHTS RESERVED. THIS MATERIAL MAY NOT BE PUBLISHED, BROADCAST, REWRITTEN OR REDISTRIBUTED.
Who is Nathan Fielder? A guide to his shows including 'The Rehearsal'
Nathan Fielder, who's behind the Elizabeth Holmes doc 'You Can See Everything,' is well-known to comedy fans for his docuseries 'The Rehearsal' and 'Nathan for You.' Here’s a primer on the origin and rise of Fielder.
Inside 'Dancing With the Stars' rehearsals with Tatyana Ali and Jan Ravnik: Sore ribs, sharp humor and 'no days off'
Tatyana Ali and Jan Ravnik talk "DWTS" rehearsals, taking criticism and who's on his "dead to me" list.
Julia Stiles says she’s been ‘crying’ in “DWTS” rehearsals for Heath Ledger dedication: ‘I didn’t expect it’
Ledger, who starred alongside Stiles in 1999’s “10 Things I Hate About You,” died in 2008 at age 28.
Nonprofit proposes performing arts center that would incorporate former city hall
Renderings provided by Hartman Spiller show a proposed performing arts center that would be built and attached to the former, historic Des Moines City Hall on the east side of the building at 400 Robert D. Ray Drive. The original city hall would be converted into event, recital and rehearsal space. A nonprofit, the Des…
Rockettes kick into high gear ahead of 2026 'Christmas Spectacular'
The Radio City Rockettes are deep into rehearsal for the 2026 "Christmas Spectacular," which includes a brand-new dance number.
A strange journey indeed: Rocky Horror takes Garfield stage
CHESTERTOWN — Stage rehearsals for the musical thriller “The Rocky Horror Show” are underway at the Garfield Center for the Arts. After months of practice, Monday night marked the cast’s
How culinary school shaped Victoria Monét's return to music
LOS ANGELES — This past spring, while deep in rehearsals for a European stadium tour with Bruno Mars, Victoria Monét would get up early every morning to chop, blend and
Julia Stiles and Ezra Sosa put ‘final touches’ on ‘DWTS’ routine at last minute, after rib injury
Julia Stiles and Ezra Sosa explained how they put ‘final touches’ on ‘Dancing With the Stars’ routine at the last minute, following the actress’ rib injury, as shown in the ‘DWTS’ rehearsals.
Amber Glenn sobs after giving partner Pasha Pashkov a brutal bloody injury in “DWTS” rehearsal
The Olympic skater and pro dancer also received their highest scores of the season so far on “Yacht Rock” night.
Amber Glenn sobs after giving partner Pasha Pashkov brutal bloody injury in rehearsal
Amber Glenn broke down after giving partner Pasha Pashkov a brutal and bloody injury in ‘Dancing With the Stars’ rehearsal for ‘Yacht Rock’ night.
Nathan Fielder became obsessed with pilots’ mental health. The U.S. Senate just took action.
Comedian and documentarian Nathan Fielder made an entire season of 'The Rehearsal' about pilots' mental health. It led to real change.
Nathan Fielder's The Rehearsal Helped Push Pilot Mental Health Bills Through Senate
The US Senate has unanimously passed two aviation mental health bills addressing issues Nathan Fielder explored in Season 2 of The Rehearsal.
Bruins vs. Caps FINAL PRESEASON GAME: DC Dress Rehearsal
Just the Facts What happened last game? Boston did not have a particularly good time, but Mike DiPietro seems pretty good! 2-0 Flyers Win. Game Preview As the Bruins are now on their final preseason game, the roster for tonight’s contest will almost certainly resemble the closest version of themselves that will hit the ice […]
Maura Higgins reveals how she broke Mark Ballas’ tooth in “DWTS” rehearsals
“I’ve taken elbows to the face before, it’s fine,” Ballas said.
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
UCD marks Pitzer Center’s 10th year
From concerts to rehearsals, to lectures on musical literature, the Ann E. Pitzer Center is a home for music at UC Davis. On Oct. 1, the center marks its 10th
New and returning performers shine with the Oswego Players
OSWEGO — Rehearsals are underway for the Oswego Players’ fall show for the 2026 season, “Old Money, New Habits,” written by local playwright Alexis Martin and directed by Sherri Metz.The play will be performed starting Oct. 9 at the Frances Marion Brown Theater in Fort Ontario Park. × This page requires Javascript. Javascript is required for you to be able to read premium content. Please enable it in your browser settings. kAmyF?:A6C qC:88D 2?5 y6??:76C w:E494@4< A=2J E96 4=2DD:42==J >:D>2E4965 ?6H=JH65D |@?EJ 2?5 u6=:4:EJ s2G:6D :? E9:D 72C46 D6E :? E96 `hb_D :? t?8=2?5] |@?EJ :D 2? 62DJ8@:?8[ 56G@E65 9FD32?5[ H9:=6 u6=:4:EJ :D E96 5@>:?66C:?8 2?5 4@??:G:?8 H:76 H9@ >FDE 86E 6G6CJE9:?8 D96 56D:C6D] q@E9 92G6 D64C6ED 2?5 E96J H@F=5 5@ 2?JE9:?8 E@ 2G@:5 E96:C 6IA@DFC6]k^Am#placement_726068_0_i{width:100%;margin:0 auto;}var rnd = window.rnd || Math.floor(Math.random()*10e6);var pid726068 = window.pid726068 || rnd;var plc726068 = window.plc726068 || 0;var abkw = window.abkw || '';var absrc = 'https://ads.empowerlocal.co/adserve/;ID=181918;size=0x0;setID=726068;type=js;sw='+screen.width+';sh='+screen.height+';spr='+window.devicePixelRatio+';kw='+abkw+';pid='+pid726068+';place='+(plc726068++)+';rnd='+rnd+';click=CLICK_MACRO_PLACEHOLDER';var _absrc = absrc.split("type=js"); absrc = _absrc[0] + 'type=js;referrer=' + encodeURIComponent(document.location.href) + _absrc[1];document.write('');kAmw:E494@4< DE2CE65 H:E9 E96 !=2J6CD :? a__b[ 2?5 E9:D :D 96C 7:CDE E:>6 324< @? DE286 :? 2 7F==\=6?8E9 AC@5F4E:@? D:?46 a_a` 2?5 E96 3:CE9 @7 96C 52F89E6C]k^AmkAm“x’> 92G:?8 E96 E:>6 @7 >J =:76 H:E9 E9:D D9@H[” D96 D2:5] “|J 52F89E6C 5@6D?’E C62==J 8C2DA H9J |@>>J =62G6D 96C E@ 8@ E@ C6962CD2=D 2?5 8:G6D 2 AFKK=65 6IAC6DD:@? H9:=6 x’> C64:E:?8 >J =:?6D 2C@F?5 E96 9@FD6 :? >J A@D9 t?8=:D9 2446?E] x =@G6 5@:?8 72C46[ 2?5 H@C6 324< @? DE286]”k^AmkAmu@C qC:88D[ 2=E9@F89 96 92D D@>6 DE286 6IA6C:6?46 H:E9 @E96C E962E6CD[ E9:D :D 9:D 7:CDE D9@H H:E9 E96 ~DH68@ !=2J6CD]k^AmkAm“x 962C5 23@FE E96 2F5:E:@?D E9C@F89 E96 !=2J6CD’ u2463@@< A286[” 96 D2:5] “x 6[ D@ x 7:8FC65 x’5 8:G6 :E 2 D9@E] x H2D 56=:89E65 H96? $96CC: 42DE >6 2?5 92G6 C62==J 2AAC64:2E65 E96 H6=4@>6 x C646:G65 7C@> 2== 2?5 E96 ECFDE 2?5 C6DA64E 2== E96 24E@CD 2?5 4C6H D9@H E@ 6249 @E96C]”k^AmkAm|6EK 92D 366? A=62D65 H:E9 AC@8C6DD D@ 72C]k^AmkAm“x =@G6 72C46[ 3FE :E :D 2 G6CJ 5:77:4F=E EJA6 @7 E962E6C E@ 5@ H6==] }@E @?=J 5@ E96 42DE >6>36CD ?665 E@ ‘364@>6’ E96:C 492C24E6CD[ 3FE E96J >FDE 56=:G6C DA@E\@? E:>:?8 H:E9 6?EC2?46D[ 6I:ED[ 2?5 :?E6C24E:@?] %9:D H9@=6 4C6H 2C6 5@:?8 C62==J H6== 2?5 x 2> 4@?7:56?E H:== AC@G:56 2 7:CDE\4=2DD D9@H]”k^AmkAm!6C7@C>2?46 52E6D 2?5 E:>6D 7@C U=5BF@j~=5 |@?6J[ }6H w23:EDUC5BF@j 2C6 fib_ A]>] @? uC:52JD 2?5 $2EFC52JD ~4E] h\`_ 2?5 `e\`f[ H:E9 $F?52J >2E:?66D 2E a A]>] @? ~4E] `` 2?5 `g] %:46?E H:E9 ~=5 |@?6J !C@5F4E:@?D WHHH]@=5>@?6JAC@5F4E:@?D]4@>X] %96 ~DH68@ !=2J6CD 24
Haywood Choral Society welcomes new singers for fall season
Rehearsals for the fall season of the Haywood Choral Society will begin on Monday, Sept. 14, at First United Methodist Church of Waynesville, 566 S. Haywood St.
Actor Says Theatre Fired Him from “Bright Star” Over His Adult Entertainment Past
An actor says he was fired from an upcoming production of Bright Star just before rehearsals began after the theatre learned about his past work in adult entertainment.
Julia Stiles and pro partner Ezra Sosa admit to a ‘hard day’ during “DWTS” rehearsals
“You can still be hard on me,” the actress tells the pro during an interview with EW.
Julia Stiles and ‘DWTS’ partner Ezra Sosa admit to ‘hard day’ in rehearsal
Julia Stiles and her ‘DWTS’ partner, Ezra Sosa, got honest about their dynamic in an interview with EW.
New nonprofit offers different path for local artists
For local artists and performers who love being on the stage but can’t find the time for weeks of nightly rehearsals, a new Champaign-Urbana non-profit is hoping to present another
Leslie Jones reveals the ‘SNL’ host the entire cast thought would bomb
Leslie Jones is name-dropping the ‘SNL’ host who was ‘f---ing up so bad’ during rehearsals that the entire cast thought it’d be ‘one of the worst shows ever.’
Taylor Swift and Travis Kelce's rehearsal dinner guests leave with special gift boxes featuring wild party favor
Several members of Taylor Swift and Travis Kelce's inner circle were spotted leaving the couple's rehearsal dinner with mysterious gift boxes in hand.
Bernie Sanders says US is on the 'verge of a political revolution'
Meet Challenger, the legendary 35-year-old bald eagle making a special appearance to celebrate America's 250th anniversary in Washington, D.C., as military aircraft stage a thunderous dress rehearsal overhead.
Taylor Swift's MSG rehearsal dinner includes celebs, cocktails
Taylor Swift and Travis Kelce's multi-day wedding extravaganza reportedly kicked off with a star-studded rehearsal dinner and, of course, cocktails.
AP source: Taylor Swift and Travis Kelce will celebrate wedding Friday at MSG
The festivities will kick off with a smaller rehearsal dinner planned for Thursday night, the official said.
Heat forces yodelers at annual Swiss festival to sing in fountains
Yodelers at a festival in Basel, Switzerland, turned city fountains into rehearsal spaces during Europe’s June heat wave.
Pop/R&B singer JoJo reacts to Broadway's “Chess” closing 2 days before her scheduled appearance
The "Too Little, Too Late" singer was supposed to start rehearsals the same day news of the closure was announced.
Olivia Newton-John book explores ‘tension’ during 'Grease' rehearsals
An Olivia Newton-John book by Matthew Hild explores the 'tension' on the set of 'Grease' during rehearsals.
2026 Peabody Awards Entertainment Nominations
Additional noteworthy TV shows up for the prestigious honor, designed to recognize impactful small-screen storytelling, include 'Adolescence,' 'Andor,' 'Death by Lightning,' 'Dying for Sex,' 'Forever,' 'Mussolini: Son of the Century,' 'Pluribus' and 'The Rehearsal.'
World champion magician to perform at science museum
BUFFALO, N.Y. (WIVB) — A world champion magician held a special dress rehearsal at the Buffalo Museum of Science on Monday ahead of a week of performances in Buffalo. Jason Latimer is the man…
Clinical trial focuses on reducing fear and improving mental health outcomes in high-risk pregnancies
Study uses therapy and an immersive cesarean rehearsal to help high‑risk pregnant patients reduce fear and improve mental health outcomes.
Milan Cortina Olympics open with a ceremonial attempt at harmony
MILAN — Four locations, one Olympic heartbeat. For the first time in Olympic Games history, Friday’s opening ceremony unfolded across multiple locations, all in northern Italy, the culmination of more than 700 hours of rehearsal and 1,200 performers from ages 10 to 70 officially enshrining a month-long sports festival that will capture worldwide attention. In the San Siro Stadium in Milan as well as the town center in Cortina d’Ampezzo, the snowboard and freestyle skiing venue in Livigno and the ski jumping stadium in Predazzo, Italy celebrated “Armonia,” a narrative designed to...
NBA trade deadline chaos: Giannis rumors, early blockbusters, what's next
Blockbuster trades turned Tuesday into a dress rehearsal for Thursday's deadline, with Giannis Antetokounmpo looming over what happens next.
Takeaways From the 2025 IADMS Conference on Occupational Health Hazards
The 35th annual IADMS conference, in Las Vegas in September, hosted more than 650 dance medicine providers, researchers, and educators representing 28 countries. Dr. David Hinkamp’s keynote on occupational health encouraged the dance community to consider the environmental factors that contribute to the industry’s injury rates—things like moving sets, dangerous props, lighting, sound, dry ice, improper flooring, or inadequate breaks between performances or rehearsals.
Chequamegon Theater Association rallies for a compelling 'Rehearsal for Murder'
On the eve of her wedding, a celebrated actress plunges from the terrace of her New York apartment, her death ruled a suicide. But did she really kill herself over
2026 high school musicals: Tell us about your spring show in Lancaster County
High school musical season is on the way, with rehearsals gearing up and Lancaster County schools preparing for production. Casts, crew, set design, costume construction, promotions are all getting ready
The business of leading a marching band: SOSA drum majors talk about what they’ve learned on the podium - UT San Antonio Today
Leadership, communication and strategic thinking are are skills learned in class and also on the field, one rehearsal and one show, at a time.