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How to secure Cyndi Lauper presale tickets today for 2027 ‘Live in Las Vegas’ shows
The Rock & Roll Hall of Famer will perform 10 shows at The Colosseum at Caesars Palace across two runs in February and September.
How to secure Aerosmith presale tickets for Hollywood Bowl comeback shows
The band reunites for 2 nights in Los Angeles with Run-D.M.C., Heart, Slash, Tom Morello and many more.
💰 First Clásico tickets now on sale at extortionate prices
Barça has opened the exclusive presale for Clásico tickets against Real Madrid for its members, and the prices are prohibitive. Tickets range from 649 to 1,149 euros, according to the prices listed ...
How to secure Hilary Duff presale tickets for 2027 ‘Lucky Me Tour’ before they sell out
Four separate presale windows open this week ahead of the general on-sale.
How to secure Oprah Winfrey’s ‘AHA’ presale tickets for 2027 Las Vegas Sphere live shows
'AHA' is a two-hour immersive production built specifically for the Las Vegas Sphere, featuring surprise guests.
Comedian Jo Koy sets April El Paso show date
EL PASO, Texas (KVIA) -- Comedian Jo Koy planned a stop in El Paso for his world tour, the University of Texas at El Paso's Office of Special Events announced. On April 30, he will bring his "Koy Meets World" tour to the Don Haskins Center. Presale for tickets starts Wednesday at 10 a.m. with
Rodeo Tickets for Fort Worth Stock Show & Rodeo Go on Sale September 14
Presale for FWSSR Insiders Opens Sept. 10 at 10 a.m. Rodeo tickets for the 2027 Fort Worth Stock Show & Rodeo (FWSSR) go on sale to the public, Monday Se
The Dog Stars & Coyote vs. Acme’s Box Office Predictions Reveal Which Movie Wins
The Dog Stars and Coyote vs. Acme are heading for a surprising box office showdown this weekend. Early tracking and presale numbers reveal which film comes out on top as both compete for audiences in ...
GTA 6 Preorder Sales During Latest Take-Two Earnings Quarter
Video game publisher Take-Two Interactive hit $1.39 billion in sales from April-June, the quarter during which it opened presales for "Grand Theft Auto VI."
How to get presale tickets for Jon Stewart, Pete Davidson’s 9/11 comedy benefit at MSG
"NYC Still Rising After 25 Years" will raise money for organizations supporting the 9/11 community.
Netflix and Superheroes Are Having a Rough Stretch on Streaming....
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) I have a quick prediction before we start today’s article: You might see this data in future news articles. Not my specific charts or analysis, but the core trend I’ve been monitoring—Netflix is having a lackluster Q2—will become inescapable. Often, folks want to know “What does the data say?” Well, that’s what it says. I haven’t seen this analysis hit the trades really yet, but I have a feeling some other outlets are going to start making this case soon. Remember, you read it here first. You probably have read about the problems facing superhero films at the box office this weekend. Well, this week, I explore whether superheroes are dying on TV as well! And the data says: definitely maybe! We have a lot to cover in today’s Streaming Ratings Report, which covers the two weeks of 18-May and 25-May. Today, I’m just looking at TV, like Netflix’s disappointing Q2, superhero shows underwhelming, a few TV shows dropping off the charts, The Pitt finally ending its epic run on the viewership charts (and whether “view counts” change its status as one of the biggest shows of all time), all the flops, bombs and misses, and a whole lot more. Tomorrow, I’ve got a great rundown of the film side of things. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, Showlabs, TV Time trend data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of May 18th to May 31st, 2026. You can find a link to my terminology here.) Subscribe Television - Netflix’s Q2 Slump Continues Having analyzed streaming ratings for going on half a decade, I have learned to trust my gut, but I’m always relieved when I can find actual data to back it up. For example, after a string of very popular shows like Stranger Things, Bridgerton, The Lincoln Lawyer and The Night Agent came out, week after week, in January and February, my gut wondered if Netflix had enough new and returning TV shows to sustain them throughout the year. Since then, Netflix’s post-March slate of shows has not impressed me. This week seemed to feature a potential new hit, but then, like a classic Duffer Bros. TV show, there was a twist. I speak of The Boroughs, Netflix’s latest (and last) Duffer Bros. produced show. The pitch is “Stranger Things with older actors”. And it topped the Nielsen charts: With just two weeks of viewership, The Boroughs would have been a top 25 debut show last year: But here’s the twist: Netflix has already cancelled The Boroughs! What happened? Likely a few things. First, the show didn’t do as well globally as it did in the US. As What’s on Netflix showed, it lagged behind several other shows that got cancelled. Second, its completion rate was likely low; after an initial burst of interest, it quickly dropped off on the Samba TV and Luminate charts. Third, the Duffer Bros. left Netflix for Paramount, and that may have factored into Netflix’s decision here. (Though I tend to believe that if a show is doing well, Netflix would have kept greenlighting seasons.) Still, just because I can explain why Netflix may have cancelled this show doesn’t mean I’m justifying it. In particular, as I’ve noted before, Netflix is losing a lot of their bigger shows as they reach their natural ends, and they need to replace those shows. This show had the hallmarks of a big new genre show, and it’s their biggest hit of the last few months (in the US at least), but now it’s done. Netflix’s other show this week—The Four Seasons, the second season of the “hit” show from last year—definitely disappointed. Its sophomore season had about half the viewership of the first, only 12.7 million hours. It also only had a two week run on Samba TV, and its numbers were all down on Luminate too. In other words, even with two successes, the Q2 slump for Netflix looks real: I could add to the list of disappointments: Both Lord of the Files and Man on Fire had short runs on the Nielsen charts. Running Point’s sophomore season also opened to about half its viewership, similar to The Four Seasons. A Good Girl’s Guide to Murder’s second season—see below—didn’t even make any of the three viewership charts I track, unlike the first season. Netflix is absolutely having a dismal second three months of 2026. If this Nielsen data is any indication, and I think it is, I think this will show up in Netflix’s engagement report, and maybe even their financial outcomes. And the rest of June doesn’t look much better. We have two hit shows coming back—Sweet Magnolias, one of their quietest big shows, and Avatar: The Last Airbender, a big hit for them in 2024—but the other big swings are limited series crime thrillers i.e. no future season potential. Like I said above, sometimes when I uncover a juicy nugget like this, other outlets end up writing very similar articles mimicking the data without credit. We’ll see if that happens this time! Share Television - The State of Superhero Shows on Streaming When I first heard the pitch for Spider-Noir—a Sony TV show on Prime Video that binge-released eight episodes first on MGM+ then on Prime Video two days later—I had my doubts. It’s a live-action Spider-Man show set in the 1930s, starring Nicholas Cage, based on a cameo of a character in Spider-Man: Into the Spider-Verse. No, seriously, that’s the pitch. That could either go terrifically well or horribly wrong. Great because, Spider-Man. He’s the biggest superhero we have. I’ve seen tracking numbers that put the new _Spider-Man: Brand New Da_y as the blockbuster of the year and initial pre-sales back that up. And yet this Spider-Noir pitch feels very esoteric. (Also, the eight-episode binge release feels very “Amazon copying Netflix” again.) So what’s the data say? And what does this say about the future of superhero shows?
Missed out on securing Charli XCX presale tickets? Here’s how to score last-minute ticket deals fast
Set to take place over the course of September and October, the limited run takes the pop icon to several major markets throughout the U.S.
How to secure Charli XCX tickets during hectic ‘Music, Fashion, Film Tour’ presale
The 12-date North American tour kicks off in September, with the presale launching today, Friday, June 12.
Roger Daltrey announces ‘A Great Night Out’ solo run: How to secure tickets during this week’s presale
Legendary singer and guitarist of The Who, Roger Daltrey, just announced a 2026 solo run that includes 20 stops throughout the U.S.
Luke Bryan and Jason Aldean announce ‘Double Down Tour’: How to secure limited tickets during presale
The upcoming Double Down Tour includes only four show dates (three in Aug. and one in Dec.) and includes additional performances on select dates from a variety of fellow country music stars.
Dominic Fike ‘Comedy Tragedy Parody’ tour: How to secure tickets to limited U.S. run during hectic presale
After a successful performance at Coachella this month, Dominic Fike is continuing his time on the road with an intimate batch of headlining shows part of his Comedy Tragedy Parody tour.
Markiplier to Microdramas: The Ankler x NAB Show’s Future of Entertainment
Share Subscribe Vegas, baby! The Ankler is heading back to NAB Show for a second year in a row — and doubling down on conversations with the smartest people in the industry. From April 18–22, we’re partnering again with the industry’s biggest media and tech gathering to break down the Business of Media and Entertainment as it’s actually evolving: faster, riskier and increasingly driven by new formats, new audiences and new power players. This curated series will bring together top creators, executives and innovators to tackle the forces reshaping the industry — from the AI disruption of Hollywood’s creative ecosystem to the rise of the creator economy, shifting audience behavior and the changing economics of production. We’ll be rolling out more programming in the coming weeks — including top speakers from leading AI studios, prediction markets and beyond — so keep an eye on the Business of Media and Entertainment hub. But first up, we’re announcing two panels about what’s actually working in Hollywood: The Scary-Smart Business of Horror A good scare has become one of the entertainment economy’s most reliable engines. With disciplined budgets, built-in fandoms and global box office upside, horror consistently outperforms. From theatrical releases to streaming-first originals and creator-driven IP, the genre is artistically flexible and financially durable — and one of the last truly communal experiences for Gen Z and Gen Alpha audiences. Join YouTube creator Mark Fischbach, aka Markiplier, whose independent feature Iron Lung earned more than $50 million at the global box office, Atomic Monster president Michael Clear and screenwriter Akela Cooper (M3GAN, Malignant) for a conversation moderated by Like & Subscribe’s Natalie Jarvey about why horror travels so effectively across platforms and borders, how studios and independents are building sustainable genre pipelines and why the next wave of breakout franchises may emerge from unexpected sources. Inside the Microdrama Boom Short-form serialized storytelling is having a major moment. Microdramas, social-native series and creator-led narratives are capturing massive audiences with low-cost, rapid production cycles and direct-to-fan distribution. What was once dismissed as niche or experimental is now attracting major platform investment. Moderated by Jarvey, this panel of microdrama creators and executives — including one of the format’s top stars and producers, Kasey Esser, and Dhar Mann Studios’ head of vertical content, Erin McFarlane — examines how format innovation, fandom dynamics and algorithmic discovery are reshaping the economics of scripted storytelling and what traditional studios can learn from these agile models. For sponsorship opportunities, contact Lynne@theankler.com Share
The Arts and Entertainment Agenda, Jan. 16-22
The Wheeler Opera House tickets presale for The Wood Brothers, Jan. 16 Wheeler Insider tickets will go on presale for The Wood Brothers from 10 a.m. to noon Friday, Jan. 16, at the Wheeler House...