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Who is Nathan Fielder? A guide to his shows including 'The Rehearsal'
Nathan Fielder, who's behind the Elizabeth Holmes doc 'You Can See Everything,' is well-known to comedy fans for his docuseries 'The Rehearsal' and 'Nathan for You.' Here’s a primer on the origin and rise of Fielder.
Everything to know about Elizabeth Holmes doc 'You Can See Everything'
How much can you really see in Nathan Fielder and Lance Oppenheim's 'You Can See Everything' documentary about Elizabeth Holmes? At 2 hours and 54 minutes, there's a lot there, and yet still so many questions left unanswered.
Why we’re still so obsessed with Elizabeth Holmes
You Can See Everything, a documentary about the disgraced biotech company founder Elizabeth Holmes, has enjoyed a record-breaking opening in the US. It is a testament to how fascinated we remain by the convicted fraudster, but what is behind the enduring appeal? US technology editor Blake Montgomery tells Madeleine Finlay why Holmes continues to fascinate us, and reflects on whether the Theranos scandal has had a permanent impact on Silicon Valley
Elizabeth Holmes: Why are we still fascinated by Theranos fraudster?
'You Can See Everything' raises all sorts of questions about truth, lies and documentary filmmaking, but it skirts the most obvious mystery: In a world full of con artists, fraudsters and liars, why can't we quit Elizabeth Holmes?
Elizabeth Holmes Mania, Netflix Turmoil and a Glee reboot? This week in entertainment with Variety
Brad Holmes Faces Decision That Could Define Detroit Lions’ Season
Brad Holmes faces a crucial decision as the Detroit Lions weigh secondary help ahead of the November 10 NFL trade deadline.
T.J. Holmes and Amy Robach's exes announce engagement
Marilee Fiebig and actor Andrew Shue, former spouses of newly married journalists T.J. Holmes and Amy Robach, are engaged.
White House officials fear a post-midterms Trump rampage
President Donald Trump still has two weeks to salvage his Republican congressional majorities and defy expectations of a midterm wipeout. But all around him, aides and allies are bracing for what happens if he fails. CNN’s Kristen Holmes reports.
Elizabeth Holmes doc ‘You Can See Everything’ has huge opening weekend
NEW YORK — Nathan Fielder and Lance Oppenheim’s film about Theranos founder Elizabeth Holmes opened to box office numbers not seen in more than 20 years for a narrative documentary.
Elizabeth Holmes documentary stuns entertainment industry with $15 million opening weekend
CNBC's Andrew Ross Sorkin reports on the latest news.
Why Theranos launched in an opinion section instead of science news, and it was not an accident
How Elizabeth Holmes and Theranos bypassed rigorous medical scrutiny by launching via opinion pages and tech hype before the multimillion-pound health scam collapsed.
'You Can See Everything' just become a major player in the Oscar race
Nathan Fielder and Lance Oppenheim's experimental portrait of Elizabeth Holmes is the kind of phenomenon that even the pickiest awards voters will need to pay heed to.
“Street Fighter ”clobbers the weekend box office, but Nathan Fielder’s Elizabeth Holmes doc earns MVP
Meanwhile, Jessica Chastain’s horror schlocker “Other Mommy” suffers a seriously scary week 2 drop.
Amanda Seyfried addresses evasive red carpet comments about Elizabeth Holmes: ‘What AM I even saying’
The actress, who portrayed Holmes in “The Dropout,” was hesitant to weigh in on Nathan Fielder’s new doc about the disgraced Theranos founder.
The Elizabeth Holmes documentary is crushing it at the box office. See how much it's made so far.
Nathan Fielders nearly three-hour documentary about disgraced entrepreneur Elizabeth Holmes is running up numbers at the box office
Box Office: Elizabeth Holmes movie ‘You Can See Everything’ is now a hit in theaters too
Paramount's “Street Fighter” leads the box office this weekend, earning $31 million from 3,575 theaters in the U.S. and Canada | WBBM Newsradio 780 AM & 105.9 FM
Box Office: Elizabeth Holmes movie ‘You Can See Everything’ is now a hit in theaters too
Paramount's “Street Fighter” leads the box office this weekend, earning $31 million from 3,575 theaters in the U.S. and Canada. However, the spotlight is on the Elizabeth Holmes documentary “You
Box Office: Elizabeth Holmes movie ‘You Can See Everything’ is now a hit in theaters too
Paramount's “Street Fighter” leads the box office this weekend, earning $31 million from 3,575 theaters in the U.S. and Canada | KNX News 1070 AM
Box Office: Elizabeth Holmes movie ‘You Can See Everything’ is now a hit in theaters too
Paramount's “Street Fighter” leads the box office this weekend, earning $31 million from 3,575 theaters in the U.S. and Canada.
Elizabeth Holmes doc 'You Can See Everything' stuns at box office
Everyone is seeing "You Can See Everything."
‘You Can See Everything’ reviews: Nathan Fielder’s Elizabeth Holmes documentary hits 99% on Rotten Tomatoes as it opens in theaters
Nathan Fielder’s Elizabeth Holmes documentary “You Can See Everything” has a 99% Rotten Tomatoes score and is on track for one of the best documentary openings ever.
Nathan Fielder’s movie on Elizabeth Holmes absolutely lives up to the hype
(CNN) — About a third of the way through “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s new documentary about Elizabeth Holmes, we watch the disgraced Theranos founder and
My visit to a techie screening of the Elizabeth Holmes doc
Why is Silicon Valley so willing to laugh at Elizabeth Holmes? I asked some techies at a documentary screening.
Let's talk 'You Can See Everything' spoilers: An explainer for Nathan Fielder's Elizabeth Holmes documentary
Who gets naked? What are the big twists? And what's next?
Jenny McCarthy believes Tom Cruise attempted to ‘lure’ her and Jim Carrey into Scientology
The couple was invited to Cruise’s 2006 wedding to Katie Holmes, where McCarthy was introduced to Scientology leader David Miscavige.
Here’s what scientists think about Theranos a decade after it imploded
A viral documentary has everyone talking about Elizabeth Holmes’s fraudulent blood testing start-up again—but scientists never stopped
Cin-Emma Extra! reviews ‘You Can See Everything’ documentary, talks incoming ‘Club Kid’
“You Can See Everything” documents the 34 days before Theranos co-founder Elizabeth Holmes is sent to prison.
What we know about Billy Evans, Elizabeth Holmes' long-term partner
Elizabeth Holmes, her partner Billy Evans and their two children are the focus of the new, nearly three-hour long documentary, "You Can See Everything."
Nathan Fielder called in this Oscar-nominated star for a surprise role in “You Can See Everything”
A familiar face joins Fielder in his examination of Elizabeth Holmes.
Here’s why Nathan Fielder’s Elizabeth Holmes documentary earned an R rating for ‘graphic nudity’
Someone bares it all in “You Can See Everything.”
NFL fans question Donald Trump’s choice of Week 6 game
Ale_Mi/Depositphotos Donald Trump cancels NFL game visit President Donald Trump was reportedly planning to attend the Pittsburgh Steelers game against the Tampa Bay Buccaneers on October 18, 2026. CNN correspondent Kristen Holmes first reported the expected visit on October 13. The game was scheduled for a Sunday afternoon kickoff at Raymond James Stadium in Tampa,…
Elizabeth Holmes broke down in tears watching Amanda Seyfried portray her in “The Dropout”
The moment was captured for the documentary about Holmes, “You Can See Everything.”
Andrew Garfield, Elizabeth Holmes are set to crash the Oscar race
NEW YORK – After nearly three whirlwind weeks, the New York Film Festival drew to a close Oct. 12 – and with it, we got newfound clarity about this year’s
Clay Holmes Option Could Decide His Place in the Cubs’ 2027 Rotation
The Clay Holmes option is a $12 million decision the Chicago Cubs cannot make for him. What they can do is settle a different question first: which version of the right-hander they actually got at the trade deadline. Bleed Cubbie Blue’s Al Yellon asked this week whether Chicago should keep Holmes. The more useful angle …
‘You Can See Everything’ review: Elizabeth Holmes doc is utterly fascinating
OK, let’s just start with what I do not know. Because I am not Elizabeth Holmes, I do not know what is going on inside the head of the former
Amy Robach and T.J. Holmes are married 4 years after ABC scandal
Nearly four years after leaked photos of co-anchors Amy Robach and T.J. Holmes upended their careers and lives, the couple have said "I do."
Trump campaigns for ‘the real’ Dan Sullivan in Alaska
President Donald Trump traveled to Alaska to campaign for incumbent Republican Senator Dan Sullivan, whose race for reelection pits him against another man named Dan Sullivan. CNN’s Kristen Holmes reports.
T.J. Holmes and Amy Robach marry 4 years after their shocking ‘GMA3’ office romance went public
Former ‘Good Morning America’ anchors T.J. Holmes and Amy Robach got married in Arkansas on TK date, nearly four years after their scandalous office romance was revealed.
‘You Can See Everything’ review: Elizabeth Holmes doc is utterly fascinating
“You Can See Everything,” about Elizabeth Holmes and her blood-testing company Theranos, isn’t a conventional documentary, but it is a great one.
'The film of the year': Critics rave about Nathan Fielder's 'masterpiece' Elizabeth Holmes documentary
Filmed largely in secret, the "shocking" documentary takes viewers inside the life of the Theranos founder before prison.
Watch: Bria Holmes inducted into WVU Sports Hall of Fame
MORGANTOWN, W.Va. — Former West Virginia women’s basketball star Bria Holmes was inducted into the WVU Sports Hall of Fame on Saturday morning. Playing from 2013-16, Bria Holmes is one of fou…
Netflix’s Summer of Bummer
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Today, I’ve got a guest post from longtime friend of the newsletter, Brandon Katz. I’ve been trying to find time all summer to look at Netflix’s straight-to-streaming film slate, but between a pre-planned trip and Nielsen moving up their streaming data timeline, I’ve been swamped. So I reached out to Brandon, one of my favorite fellow analysts, to write about it. And I feel like he captured the tone and data focus of the newsletter perfectly. You can connect with Brandon on LinkedIn and Twitter. Enjoy! Don’t worry, folks. You’re in safe hands with me. To ease any anxieties about an interloper in ESG’s domain, I’ll start by stealing one of his best framing devices: headlines. Box office flops are covered in the same way the Teenage Mutant Ninja Turtles eye pizza: with cartoonish insatiability. I would know. I’m a former reporter who wrote nearly identical headlines: Yet, intentionally or not, streaming misses get treated with kids gloves, filtered through a rosy lens: In the last six years, U.S. streaming viewership has become nearly as transparent as the box office, but the data often arrives weeks later, in a number of less intuitive metrics, and with nary an official budget to be found. This plays into the Wall Street-whispering narratives major streamers have been cultivating for years. They get a pass in a way that theatrical studios simply don’t. Subscribe Netflix’s Summer Slate Not a single Netflix original film released between May and August this year opened above 20 million U.S. TV hours, per Nielsen. That benchmark usually serves as the EntStrategyGuy’s floor for a streaming hit on Netflix. None of these films enjoyed a hit-cementing single week of 20-plus million hours during their runs. Netflix’s two best films were true crime docs, Maternal Instinct (16.5 million hours) and The Crash (19.7 million), the best overall week for a film this summer. Great for most other streamers, but not necessarily what we’re used to seeing from Netflix. For an overly-dramatic comparison, Happy Gilmore 2 opened last summer to around 47 million hours (celebrity cameos, baby!). Zooming out, the picture looks even worse. In 2026, Netflix’s five biggest scripted summer films posted the lowest average (28.6 million hours) and median (28.8 million hours) eight-week viewership totals of the past four years. Now, it’s unrealistic and unfair to expect Netflix to deliver a _KPop Demon Hunters-_sized hit every year. But it’s also not ideal to see the size of their hits shrinking over the last few summers. Let’s quickly run through some of the notable summer misses. Jennifer Lopez and Brett Goldstein’s perfectly fine romcom, Office Romance, fell off the charts after 20 million hours in its first two weeks. Top films usually last for four-plus weeks. Starry titles ideally don’t decay that fast either. Homegrown star Millie Bobby Brown couldn’t prevent the snappy Enola Holmes franchise from diminishing returns. At 14.3 million U.S. hours, the third film posted roughly half of what the first two films did in their first two weeks. What’s on Netflix calculated that per-day global views were down nearly 60% from the second movie. The Whisper Man did okay with more than 36 million hours over its first four weeks. But I expected a little more juice from a film featuring Robert De Niro, Michelle Monaghan, and Adam Scott. Kevin Hart’s Ladies First collected just 11.2 million hours total across two weeks. That’s a big miss for one of Netflix’s go-to stars. Plopping into the same bucket are Sunny Sandler’s Don’t Say Good Luck (10.3 million in two weeks) and John Cena’s Little Brother (17.5 million). Meanwhile, English-language originals Color Book (June 19), In the Hand of Dante (June 24) and Heartstopper Forever (July 17) never sniffed Nielsen’s Top 10 at all, despite needing only 2 to 5 million hours to land in the top ten most weeks. (By my count, eleven English-language scripted original films released between May and August did chart). It’s only fair to mention that Swapped (1-May) posted nearly 42 million U.S. hours over five weeks (the longest Netflix original run this summer) and is currently their eighth most-watched English-language film ever worldwide. Remarkably Bright Creatures (37 million, 4 weeks) and Voicemails for Isabelle (27 million, 4 weeks) weren’t bombs either. Still, overall, I think it’s fair to say this was a quieter summer season than we’re used to seeing from the market-leader. You might not realize that given the language commonly used in public analysis. The Twist Despite the starkly black-and-white tone of the coverage, here’s the twist: when many box office bombs arrive on streaming, their viewership looks a whole lot like many of Netflix’s supposedly successful summer releases. Hmm, where have we heard that one before? Masters of the Universe topped out at $65 million stateside against a $170 million budget_._ I’ll admit, Skeletor ripping sleeveless curls as a gym bro and bodyslamming Adam’s co-workers was funny. But, much to the chagrin of my bank account, my laughter doesn’t launch franchises. Yet the He-Man reboot opened to 19.6 million hours (from a Wednesday five-day opening instead of just one weekend), on par with Hoppers on Disney+ (19.4 million). It put up nearly 47 million hours over its first six weeks, bigger than all of Netflix’s summer releases. Pretty darn healthy and likely to land among the 25 most-watched movies on streaming this year. Sticking with Amazon, The Sheep Detectives just barely broke even at the box office with $133 million worldwide (and only $66 million domestic). I never expected cloven-hooved, cud-chewing mammals to be able to bring me to tears. Yet that’s exactly how I found myself at the end of this surprisingly affecting movie (#NoShame). It was likely the unexpected quality in a family-friendly film that powered its streaming over-performance. Sheep Detectives delivered a solid run for Prime video netting 26.2 million hours! How about franchise IP? Star Wars: The Mandalorian & Grogu had the lowest opening ($81 million) and lowest-grossing Disney-era live-action Star Wars film ($178 million domestic). One day before release, its Heat score (19.8%)—audiences who list their interest as a 7/7—fell behind blockbusters Wicked (21%), Superman (23%), Fantastic Four: First Steps (23%), Michael (23%), Toy Story 5 (26%) and Avatar: Fire and Ash (27%), according to Greenlight Analytics. The urgent enthusiasm just wasn’t there. On streaming, Mando opened to weeks of 12.1 million, 6.1 million and 2.7 million hours (21 million total) over its first three frames. Not the numbers Lucasfilm was hoping for nor the numbers of a streaming hit. But they’re in the same vicinity as some Netflix summer releases with $345 million at the global box office to offset a smidgen of the pain. Final Thoughts So why oh why does this nuance gap exist? Four key reasons: Data Literacy: A “$100 million opening” just makes sense. After decades of box office reporting, even casual movie fans are well-versed in the benchmarks of hits and home runs. There’s an immediate shorthand. But “16.5 million” hours doesn’t land nearly as cleanly. Despite leaps of progress, the streaming ratings era is still in its infancy compared to theatrical. The EntStrategyGuy and I met thanks to a late 2010s group chat of data nerds hungry to find a shred of certainty in nebulous streaming performance. I’m not surprised to see “No. 1 on Netflix” still getting misconstrued out in the wild. Timing: By Friday morning, we have the box office’s Thursday night previews totaled, allowing us to better project the weekend’s expectations. From there, ticket sales are reported daily. By Sunday, the film’s fate is usually finalized, at least in terms of public perception. In streaming, Nielsen recently improved its delay to…two weeks. The medium isn’t forced to contend with instant gratification as harshly. Financials: Theatrical film budgets are a mere Google away. Profit and loss is calculated in the cold and unforgiving naked light of day for all to see. But finding the vast majority of streaming exclusive movie budgets requires the forensic investigation skills of a Criminal Minds detective. Also, it’s very difficult to calculate how much revenue/value a straight-to-streaming films provides a streamer. This is why there are so few stories about streaming original movies “losing X amount of money”. On top of that, marketing budgets are far greater for theatrical movies than streaming exclusive movies, which leads to earlier and better awareness. This then translates to a wider pool of potential interest. Narrative Control: Netflix is the only major streaming service to publish weekly first-hand viewership data and annual engagement reports. Naturally, some headlines borrow their first-hand framing**.** Other streamers benefit from their comparative lack of transparency. They may occasionally announce vague performance platitudes such as Apple TV’s Mayday becoming its “biggest film debut on the platform to date over its first 18 days,” and that it ranked No. 1 with left-handed viewers in its first weekend. (Fine, I made up that second one). But, for the most part, they keep first-hand viewership shrouded in mystery to avoid bad press. Especially for outlets that demand multiple articles per day from their writers, it’s an easy (and understandable) way for some reporters to hit their daily article quota by just repeating what the streamers have told them. TL:DR version: Streaming-exclusive movies are asked to do different things than theatrical movies, but that doesn’t mean they should escape judgment. Both still need to draw enough eyeballs to justify their cost within the proper performance contexts. The more cleanly we can inject a little nuance into streaming analysis, the better we’ll understand the audience and content trends that drive this industry. And that’s what all of this is really about: knowing what audiences actually want! Brandon Katz is the Director of Insights & Content Strategy at Greenlight Analytics where he focuses on evaluating the ever-fluid media landscape to unearth understanding, opportunity and value. Greenlight Analytics is the entertainment intelligence consulting company redefining how Hollywood finds, understands, and activates audiences. Prior to joining Greenlight Analytics, he served as the senior entertainment industry strategist at Parrot Analytics, and as a full-time entertainment industry reporter covering the Xs and Os of Hollywood, most notably with TheWrap and the Observer.
Pretend you're sitting at Elizabeth Holmes' desk on this weirdly detailed website
With over a thousand emails, slides, texts, and documents from the United States v. Elizabeth Holmes trial, Extend engineer Bo Lau created a website that simulates what it might have been like to rifle through the Theranos founder's desk.
Who Won August and September: Original Films or Franchises?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback... Subscribe Follow-Ups: What Should We Call Mid-Budget Movies Which Aren’t Cinematic Enough for Theaters But Are Too Expensive to Make Money on Streaming? After I asked for feedback on what we should call straight-to-streaming films that are too big to pencil out on streaming but not really big enough to resonate in theaters, I got some great suggestions from you all, including... “Moldilocks” from John Aboud “Little Big Indie” from Travis Frick1 “Midflicks” from Jonathan Funke. “Extra-Medium” from Jona Nwuke. (Read the explanation in the footnote.) Between these and Brandon Katz—who suggested “Bermuda Budget Triangle”, “The Platform Gap” and “The Distribution Deadzone”—we’ve got some excellent suggestions. And they’re better than my suggestion, the “Streaming Budget Dead Zone”, so let’s take a poll! The winning entry becomes the new term. Loading... RIGHT: LIV Golf is Fully Bankrupt…Is Anyone Else Next? A few years ago, I was always a bit perplexed at all the articles I’d read praising LIV Golf and their strategy to disrupt the PGA. LIV Golf, a brand new professional golf league, offered PGA stars ten times what they made on the PGA Tour to join their new league. And folks praised this strategy for its initial “success” in that a lot of big names did indeed leave the PGA. Yeah, of course the players came over. LIV Golf paid them so, so, so much more! But LIV Golf hadn’t discovered a way to increase potential revenue. So think about this in basic business terms… They paid much more in costs… …but had no real way to increase revenue. That’s not a strategy! That’s deficit financing. It won’t work unless you bankrupt the competition (and then turn around and pay those same golfers much, much less). It’s not a sustainable strategy and only lasts as long as the company/person/nation backing it decides they’re cool with losing money. For LIV Golf, that meant Middle East oil wealth, in particular Saudi Arabian money. Clearly, the current Iran War has hurt Middle East finances, so they need to trim their more exorbitant spending. And LIV Golf was part of that trimming. This should be a major warning for others. TGL’s parent company, TMRW Sports, just got a $1 billion valuation, despite TGL’s (the indoor golf league) horrible TV viewership of less than half a million viewers per match. Unrivaled, the women’s basketball league, just secured a $650 valuation, despite its horrible TV viewership and a new rival (Project B) entering the scene next year. To relate this to streaming, Hollywood should ask which streamers may have wealthy patrons funding their losses. (Let’s be clear: Google, Amazon and Apple.) Could those patrons lose their appetite? For Amazon, probably not. But Apple has a new boss, so maybe! WRONG: My Analysis of the Streaming Bubble Was Missing a Week I’m going to be congratulating myself a lot today, but I make mistakes too, like this data goof. When I last compiled the data on the decline in TV shows, I was missing one week at the end of June. If you look at the first image, you can see that one week was mislabelled as “July”. Mainly, this image got updated to show a 27% decline, not 29%: This change doesn’t really impact the overall analysis, but it is two percent better. By the way, through the third quarter, the decline increased and it’s now a 30% decrease since 2022. (I’ll write/visualize this in an upcoming article.) But I want you to trust me and my data. Especially these days, when many people are using LLMs that I know are inserting faulty data into their charts, I want to keep earning my audience’s faith. So that’s the accurate data. RIGHT: IP Remains Very, Very Popular In July, I wrote a giant (and I mean giant) article on Backrooms, Obsession, and the box office, going over what we know, what we don’t know about what works in theaters, looking at YouTubers, IP, the horror genre, comic book movies, and a whole lot more. The month of August really tested a lot of my theses and, being honest, mostly supported my arguments. Let’s start with IP. Looking at 8-Aug (the weekend after Spider-Man: Brand New Day came out) to 18-Sep (the weekend that Resident Evil came out, which I think provides a nice bookend to this time period), there were seven films based on pre-existing IP: Resident Evil (2026) ($126 million) Practical Magic 2 ($65 million) _Insidious: Out of the Furthe_r ($65 million) Coyote Vs. Acme ($59 million) Paw Patrol: The Dino Movie ($53 million) Tony ($15 million) Super Troopers 3 ($7 million) Compare those to the notable original films from the past month—I actually could have included more movies, but here are just thirteen, bringing us to an even twenty films—including.... The End of Oak Street ($54 million) Buddy ($26 million) Mutiny ($15 million) By Any Means ($15 million) The Dog Stars ($14 million) Runner ($14 million) One Night Only ($11 million) Hope ($8 million) Spa Weekend ($7 million) The Uprising ($6 million) Teenage Sex and Death at Camp Miasma ($6 million) Onslaught ($3 million) Eli Roth’s Ice Cream Man ($2.8 million) Here’s that in chart form: Five of the top six films in this time period were all based on IP. I made a big chart of films that grossed over $200 million at the box office before Spider-Man: Brand New Day and The Odyssey hit theaters. Let’s update that chart! By the way, if you want to see how I categorized each film—so another bar chart—here it is: I know that many of my fellow critics/pundits/analysts dislike films based on IP and how Hollywood is making so many of them. And I’m sympathetic to this point of view. As I’ve written many, many times before, you need a balance between existing franchises, new IP, and original films. And Hollywood clearly needs to make more films like Resident Evil (a well-made film from a visionary director) and fewer Practical Magic 2’s (which didn’t get critical or customer buzz). But at some point, critics and pundits need to contend with what audiences are telling them: Movie-goers aren’t showing up to original films. Audiences are speaking with their dollars, telling you they want more IP and franchises. You can try to convince studio heads to make fewer IP-based films and franchises, but the data and numbers aren’t there. Instead, critics need to work harder to convince audiences to show up for original films. Aim your ire/concern at the average person, not studio heads.2 Because they’re just making the films that audiences are telling them to make. WRONG: Original Horror Films Didn’t Break Out I’ll be honest, even though I wrote an article casting some skepticism on the horror genre in July, if you asked me to make a prediction, I would have predicted that, in August, a new, original horror film would have blown up. No, seriously, I just assumed that Obsession and Backrooms presaged a change in audience behavior. But none of the buzzy new original horror films from August—Teenage Sex and Death at Camp Miasma, Onslaught (not an action film in spite of the ads), The End of Oak Street, Eli Roth’s Ice Cream Man, or _Buddy—_broke out. To be clear, exactly one of those films (Buddy) had good “ROI”, but again—I try to be specific in my language—none were “popular” in any broad sense of the word. None of them will be “saving” movies theaters like Backrooms or _Obsession_helped save the summer. The new Insidious film and Resident Evil, both based on IP, were far and away the biggest horror films since July. (We’ll see if this changes in October/Halloween season.) RIGHT: Stay Skeptical about Crowdfunding... I’ve long been skeptical about crowd-investing platforms as one of Hollywood’s saviors, mainly because there’s so much hype/buzz. People need to stay more skeptical about more things, explaining both the potential upside but also the downsides. In particular, the media often hypes crowdfunding at the start and never checks in on the actual results after they’ve come in later. And August gave us our first update! _Ice Cream Man—_directed by Eli Roth—grossed $6 million off of a $5.5 million budget. This is a production of The Horror Section, which was one of the first “crowd investing” studios with 2,400 investors, which means that 2,400 investors probably lost money. They certainly aren’t getting as great of returns as if they had just invested their dollars in the stock market. Hopefully Stiletto (Tagline: “Someone’s Going to Make it Rain Blood!”) does better next month. WRONG: Another Data Goof Here’s another data error. When the first episode of House of the Dragon came out, HBO put out that it had 21.5 million viewers in the first three days, and I read that to mean in the US…but no, it was global. So my US-only datecdotes charts shouldn’t have included it. We never got US-only numbers for the first episode, but for the final episode, HBO put out that it had 11 million US viewers. (And that global dropped to 21 million viewers.) Here’s the updated chart (which I’ve since used in the Streaming Ratings Report): Still, this show is absolutely huge. RIGHT: Superhero Films Remain Very, Very Popular After Supergirl flopped, I read a few takes that “comic book movies are going the way of the Western”. Post-Spider-Man: Brand New Day, that take didn’t age well. To be fair, I have a very nuanced take on the superhero genre right now; it’s down right now, for a lot of reasons. But it’s not “dead”. Maybe _Spider-_Man is just a really popular character? I saw that take, and it’s a fair counter-argument. (But pundits arguing that superhero movies were dead should have mentioned this $1.5 billion counter-argument…) But is it just Spider-Man? The next Avengers film already has $50 million in pre-sales (and I was skeptical that that film would do well) and the Avengers: End Game re-release topped the box office two weekends ago (over three original films). And I wouldn’t bet against Batman or Superman. So maybe it’s just Spider-Man, Batman, Superman and the Avengers. Oh, and Deadpool, of course. And Black Panther. And Wolverine. And probably the X-Men. Plus a well-made Wonder Woman or the Hulk film could break out. But that’s it! It’s just those ten characters/teams. Oh, what’s that? Lanterns is also doing well on HBO? (See previous section…) To be fair, I’m actually pretty sympathetic to the argument that more popular characters—like Spider-Man and Batman—anchor more popular films. In fact, I made that exact argument three years ago when I first wrote about the “Marvel-cession”. In many ways, you can blame The Guardians of the Galaxy for fooling Marvel Studios (and the rest of us) into believing that any character could pop. It turns out, the list of iconic characters is probably smaller than most people think. But it’s probably too early to say that superhero films and comic book movies are dead unless “death” means a slight decline over a longtime. RIGHT: Who Killed Theaters? Old People I get frustrated whenever I see headlines or analysis about how young people are “returning” to theaters. As I’ve detailed(for years), young people have always powered the US box office, despite narratives about “kids these days” and their “phones”. Really, what’s changed post-2020/pandemic is that old people aren’t going to the movies nearly as much. This summer, I saw a movie (from an older director) in a theater near a retirement community, and multiple older people at the theater were talking about how this was their first time seeing a movie in years. I dislike personal anecdotes, so YouGov can fill in the data, best summarized by this headline: “Who killed movie theaters? Not the youths”. According to them, 64% of people aged 18-29 have seen a movie in the last year, but only 30% of 65-and-older. 20% of 18-29 have seen a movie in theaters in the last week and 42% in the last month. Here’s the polling data: Most concerning? Many Americans (17%) think theaters are a worse or much worse experience than watching films at home. Slight WRONG: Hadestown Opens Big A live theater capture of the Broadway musical, Hadestown, made $20 million at the US box office, which begs the question: was I wrong to be skeptical about musicals a few years ago? Yes and no. On the one hand, $20 million is a far cry from being “popular”, so yeah, the genre isn’t that popular overall and Hadestown is one of the more popular musicals from recent years (i.e. the “Taylor Swift Data Fallacy” in action). On the other, I doubt filming this cost all that much, and I don’t think that they spent much on marketing, so this is a good source of ancillary revenue. Smaller Updates WRONG: As I mentioned in a Streaming Ratings Report, I underestimated the budget for Enola Holmes 3. It probably cost more like $50 million, if not more. But... I’m not sure that it really matters? At sub-10 million hours, prices have to come down to make this work. WRONG: Netflix is giving Ink a 27-day in theaters! To quote the kids/YouTubers these days, let’s go! Now I might actually have a chance to see Danny Boyle’s latest in theaters. I’d complained about this in a “Coming Soon” section, but I was heartened to read that Netflix is giving multiple films longer theatrical windows this year. RIGHT: Netflix is sending 4-5 films per year to theaters. Netflix is slowly but surely sending more and more films to theaters, as I cautiously predicted earlier this year. For now, it’s just three big films and a number of awards contenders, but still, this is great news. And they’ll be releasing box office grosses! Just this week, Ted Sarandos confirmed that KPop Demon Hunters 2 will come to theaters (and my guess is it performs in the box office top ten at a minimum). WRONG: Angel has 3 million subscribers! How do I know this? Well, they told Deadline, who reported it. I marked this as “wrong”, since they’ve doubled their subscribers in one year but, you know, they don’t really have a hit film to speak of and they’re still losing money. WRONG: Furious was only renewed for one more season. I accidentally wrote “two more seasons” in my latest “Renewals, Cancellations, Un-Orders and Removals Update”. RIGHT: House of David is ending with its third season. In July, Prime Video renewed House of David for a third season, as I just wrote in my latest “Renewals and Cancellations” report. Well, now it’s ending after that third season. Why? As I’ve been writing, its viewership wasn’t great. I got feedback that this show didn’t cost very much, but it cost enough that its limited viewership didn’t save it. WRONG: Adults was a Hulu original! So I missed Adults when it first came out last year; I saw that it aired on FX and just assumed that it was a linear-first program. Turns out, it aired three episodes on FX, but binge-released the rest of its episodes the next day on Hulu. Huh. So I should have covered it last year! But I just wrote about it. 1 “When I was a kid in the 90s, if you wore a t-shirt to school that wasn’t too big and also wasn’t too small, but somehow didn’t quite fit, we’d say you were wearing an “extra-medium” shirt.” 2 As always, a huge exception is Disney, which barely makes anything original anymore.
Lions Linked to Blockbuster Jalen Ramsey Trade
ESPN insider Jeremy Fowler floated Steelers star Jalen Ramsey as a potential Detroit Lions trade target as Brad Holmes searches for secondary help.
T.J. Holmes and Amy Robach's wedding details are revealed
T.J. Holmes and Amy Robach's wedding plans are taking shape.
Lions Injury Could Force Brad Holmes Back Into Trade Market
Rock Ya-Sin’s hamstring injury could increase the Detroit Lions’ urgency to trade for a cornerback after their pursuit of Joey Porter Jr.
Elizabeth Holmes dangled 'easy' service hours in front of students to boost her state House campaign
She dangled service hours in front of her students. Her district opened a file.
Braves Face Dodgers Juggernaut After Wild-Card Revenge
The Braves survived the Phillies but now must topple a historic Dodgers trio. Can Grant Holmes and Chris Sale stop the run for a third title?
Lions Miss Out on Joey Porter Jr.
Joey Porter Jr. is officially off the market, but Lions fans shouldn’t panic. Brad Holmes passed on the blockbuster move, and Detroit may have a much bigger opportunity waiting before the trade deadline.
No longer a secret, Nathan Fielder's Elizabeth Holmes doc 'You Can See Everything' lands in New York
No longer a secret, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary, has premiered at the New York Film Festival
No longer a secret, Nathan Fielder's Elizabeth Holmes doc 'You Can See Everything' lands in New York
No longer a secret, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary, has premiered at the New York Film Festival | KCBS All News 106.9FM and 740AM
No longer a secret, Nathan Fielder's Elizabeth Holmes doc 'You Can See Everything' lands in New York
No longer a secret, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary, has premiered at the New York Film Festival | WWL
The Family Business Advantage: Third Quarterly Power Breakfast of 2026 explores how family businesses balance legacy and innovation
Photo by GFBJAnother successful Power Breakfast is in the books. The Greater Fayetteville Business Journal hosted its third quarterly Power Breakfast of 2026 on Tuesday, Sept. 29. Local leaders and decision-makers gathered to network and learn from the panel about how established principles drive long-term stability while allowing for operational evolution. The panel featured Managing Partner of Luigi’s Italian Chophouse & Bar, Nate Ernst; Inside Sales at Hubbard Supplyhouse, Mary Grace Hurley; Chief Operations Officer for Copiers Plus, Drew Smith; and CEO of Holmes Security Systems, Stephen Wheeler. The panel was moderated by Lauren Willets, director of the Family Enterprise Center at UNC’s Kenan-Flagler Business School. Throughout the discussion, the panelists returned to a common idea: family businesses thrive when they preserve the relationships and values at their core while remaining open to change.Each panelist shared personal stories that carried practical lessons. Stephen Wheeler emphasized the role of relationships with customers and employees, saying, “What makes a family business successful today is relationships.” Mary Grace Hurley echoed Wheeler’s sentiment, describing relationships as a lasting inheritance, including a customer connection that began when she was young and continued into her working life. “If something’s given to you, that’s going to cost you too,” added Nate Ernst. He explained this philosophy by sharing that, in his view, earning responsibility builds credibility and confidence.Another hot topic was the idea of tradition versus change. For these businesses that have been around for a century or even more, it can be difficult to escape the “we’ve always done it this way” caveat, but these speakers emphasized how change has been an integral part of their growth and longevity. A family business can honor its history without being bound by it.“Innovation and tradition–they don’t have to be competing with one another,” shared Hurley. She pointed to changes in how businesses operate, including the adoption of computers and new management practices. Ernst stressed that adaptation is essential, while Wheeler described how his family’s electrical contracting business had evolved into a security-focused company. The details of the work may change, but identifying and upholding core values is key to embracing change while maintaining the character of a business. “I think it’s just important to remember why you started in the first place. What was your mission? What are your core values? And to reevaluate those,” shared Drew Smith.In addition to the first-hand accounts and wisdom shared by panelists, Moderator Lauren Willets recommended two novels during the panel for those seeking additional educational resources. Those two novels are “Hug of War: How to Lead a Family Business with both Love and Logic”by Cathy Carroll and “In the Company of Family: How to Thrive When Business Is Personal” by Melissa Mitchell-Blitch. Preparing the next generation requires more than handing over a title or company. Wheeler argued that future leaders need genuine passion and a vested interest in the business. The panelists were in agreement that succession is a process, and there is not one clear answer for how to perfectly prepare for it. Leaders must cultivate readiness, keep communication open and make room for the next generation to earn responsibility while being sure not to neglect the business in the here and now. “Today’s Power Breakfast was one of our best events yet! Between the passion and in-depth knowledge of the panelists, the great audience questions and the guidance and expertise of Mrs. Willets, the conversation was both engaging and informative,” shared GFBJ Publisher Faith Hatton. “A lot of small businesses in Fayetteville are family-owned and grown, and it’s great to be able to spotlight some of the businesses that have stood the test of time by strengthening the next generation of leadership and preparing them for ownership. I hope everyone received some inspiration and ideas that they can bring back to their own businesses and organizations!”We thank everyone who attended this Power Breakfast and hope you’ll all join us for the next Power Breakfast on Dec. 8. Details about the event will be shared on our social media and in future email updates. To learn about becoming a Power Breakfast sponsor, contact the Greater Fayetteville Business Journal at 910.240.9697 or marketing@bizfayetteville.com.
Nathan Fielder’s Elizabeth Holmes documentary gets an R rating for an eyebrow-raising reason
“You Can See Everything” just might live up to its name.
Imprisoned tech fraudster Elizabeth Holmes to be moved to halfway house
Elizabeth Holmes, the disgraced onetime youngest self-made billionaire whose health care startup Theranos turned out to be a fraud, will be moved from her current minimum-security prison to a halfway
'You Can See Everything' trailer: Nathan Fielder moves in with Elizabeth Holmes
Nathan Fielder’s Elizabeth Holmes documentary, 'You Can See Everything,' gets a full trailer ahead of its Oct. 16 theatrical release.
Jamie Foxx talks preparing to welcome 3rd child at age 58
Jamie Foxx appears on 'Jimmy Kimmel Live!' on Sept. 22, 2026. (Randy Holmes/Disney)
Millie Bobby Brown appears to welcome 2nd baby, shares new photo
Millie Bobby Brown and Jake Bongiovi attend the Enola Holmes 3 NY Premiere on June 25, 2026, in New York City. (Roy Rochlin/Getty Images for Netflix)
Holmes Murphy’s Brainery class completes 1,700 hours of insurance training
Holmes Murphy’s onboarding program Brainery, recently completed its latest cohort, which completed more than 1,700 combined hours of insurance training during the program. Full-time employees participate in Brainery when they are hired and transition into their respective roles after completing it. This year’s cohort included 25 full-time employees who received hands-on training across the company’s…
Pittsburgh Pirates vs. Chicago Cubs: Paul Skenes vs. Clay Holmes
The Bucs are battling to finish the year but the MLB Playoffs are slipping away.
Elon threatens to sue over new 'Musk' doc. But festival crowd loves it
Elon Musk and Elizabeth Holmes are unwitting film fest stars as documentaries about problematic tech titans have dominated news coming out of prestigious film festivals.
Cubs Expected To Lose $12 Million Pitcher
Clay Holmes was a key pickup by the Chicago Cubs ahead of this summer’s MLB trade deadline. He may not be pitching for the Cubs next season, though — a reality they knew well when they dealt for him but one that will still be important toward the plans Chicago puts together for the offseason […] The post Cubs Expected To Lose $12 Million Pitcher appeared first on HEAVY.
Multi-generational business expertise: How legacies in local businesses find sustained success
Join us Sept. 29 for our third Power Breakfast of 2026 as business leaders share how they leverage decades of institutional wisdom. The Greater Fayetteville Business Journal invites you to join us for our third quarterly Power Breakfast, The Family Business Advantage: How Third-Generation Leaders Drive Longevity and Innovation, where business owners, executives and community leaders will come together to explore how multi-generational leadership creates lasting success. We are proud to welcome CEO of Holmes Security Systems, Stephen Wheeler; Director of Communications for Copiers Plus, Drew Smith; Inside Sales at Hubbard Supplyhouse, Mary Grace Hurley; and Managing Partner of Luigi’s Italian Chophouse & Bar, Nate Ernst, as our featured panelists. Representing the third generation of leadership within their family businesses, each brings a unique perspective on honoring decades of tradition while embracing new ideas, technologies and strategies that drive long-term growth. Together, with moderator Lauren Willets, Director of the Family Enterprise Center at UNC’s Kenan-Flagler Business School, they will share the challenges, opportunities and lessons learned from leading established organizations into the future.“Growing up in a family business gave me a unique perspective on what business can be. I saw the pride my grandfather and father took in knowing someone was a Copiers Plus customer, and the deep responsibility they felt to support our employees and the families who depended on the business. Seeing that sense of connection firsthand is what drew me to the business, and the legacy they built continues to drive me today. I’m excited to be part of the conversation about how family businesses can honor what previous generations built while continuing to grow and evolve for the future,” shared panelist Drew Smith. “We are so excited to welcome our panelists highlighting long-standing Fayetteville family businesses. This theme has certainly piqued the interest of the business community even beyond Fayetteville. I’m excited to pass the moderator baton over to Lauren Willets. With her background and expertise in the subject, she’s sure to unlock some great talking points and perspectives that will keep the conversation fresh and interesting to our guests. “We are so excited to welcome our panelists highlighting long-standing Fayetteville family businesses. This theme has certainly piqued the interest of the business community A third-generation family business is quite an impressive accomplishment, and we look forward to examining their secrets to a successful succession at this upcoming Power Breakfast!” shared Greater Fayetteville Business Journal Publisher Faith Hatton. Join us at the Cape Fear Botanical Garden for an inspiring morning of networking, thought-provoking discussion and actionable insights into the power of continuity, strategic evolution and visionary leadership. Whether your organization is family-owned or simply focused on creating a lasting legacy, you’ll leave with ideas that can strengthen your business for generations to come.To learn about becoming a Power Breakfast sponsor, contact the Greater Fayetteville Business Journal at 910.240.9697 or marketing@bizfayetteville.com. Tickets are on sale now. Reserve your seat by going to fayettevillepowerbreakfast.com.
Is Elizabeth Holmes posting her way into a pardon?
I read all of Elizabeth Holmes' 6,000 prison tweets. Here's what I learned.
G.A. Carmichael Family Health Center ribbon cutting set for Wed., Sept. 9
GOODMAN, MS — G.A. Carmichael Family Health Center is proud to announce the grand opening and ribbon cutting of the G.A. Carmichael Community Student Health Center at Holmes Community College…
Elizabeth Holmes documentary upends Telluride Film Festival
A month before Holmes, the founder of Theranos, reported to prison to begin her 11-year sentence for defrauding investors, she welcomed a camera crew.
Nathan Fielder drops trailer for mind-bending Elizabeth Holmes documentary filmed in secret over 3 years
“To this day, I don’t quite know what I went through,” Fielder said of filming “You Can See Everything.”
What critics said about A24's secret Elizabeth Holmes documentary
A24 surprised critics at the Telluride Film Festival with a screening of an Elizabeth Holmes documentary. Here were some of their impressions.
Surprise new Elizabeth Holmes documentary follows Theranos founder's final weeks before prison
The former CEO granted filmmakers extensive access to a project that was kept largely secret for three years.
Inside Telluride's secret screening: a meta Elizabeth Holmes doc
“You Can See Everything,” co-directed by Fielder and Lance Oppenheim, offers extraordinary access to the convicted Theranos founder before taking a reality-bending turn.
Detroit Lions Face Salary Cap Decision Before Week 1
The Detroit Lions need to create salary-cap space before Week 1, and Brad Holmes has several options to get Detroit compliant.
Lions confident Branch, Joseph return following PUP stints
Lions GM Brad Holmes remains confident Brian Branch and Kerby Joseph will play in 2026, but he couldn't offer a firm timetable for their returns.
Lions GM Pushes Back on Major Roster Concern
When the Detroit Lions released Terrion Arnold after his arrest, the team faced scrutiny for not doing enough to protect themself at the position. However, General Manager Brad Holmes made it clear that he feels good about the cornerback room, and they felt they had a good group whether Arnold was here or not. “We […] The post Lions GM Pushes Back on Major Roster Concern appeared first on HEAVY.
Brad Holmes: Terrion Arnold situation 'unfortunate,' happy with CB room
D.J. Reed and Rock Ya-Sin are expected to start at CB for 2026 Detroit Lions, who cut Terrion Arnold in June after he was arrested on 8 felonies.
Buccaneers announce practice squad signings
The Tampa Bay Buccaneers today signed the following players 16 players to the practice squad: TE Devin Culp WR Garrett Greene OLB Yasir Holmes DL Jayson Jones G Henry Lutovsky S Ifeatu Melifonwu CB Roman Parodie WR Dean Patterson IV WR Eric Rivers Jr. S J.J. Roberts T Paul Rubelt G Ben Scott QB Easton […]
Chicago Cubs update: Pete Crow-Armstrong, Seiya Suzuki, Clay Holmes
Here’s who was hot and not for the Cubs over the past week.
Holy Waldschmidt! Dbacks 5, Cubs 4
Mark Grace perhaps said it best in the postgame show when he said, “Im not sure we have seen a more unlikely Dbacks win the season” The almost Dback Clay Holmes shut this Dbacks offense down for 7 innings. The Dbacks had a deal in place for Holmes per multiple reports but the deal fell […]
Cubs BCB After Dark: Would you re-sign Clay Holmes?
The late-night/early-morning spot for Cubs fans asks if you’d re-sign Clay Holmes.
Cameron Holmes embracing versatility as Arizona freshman finds his footing
Cameron Holmes is seeing playing time "everywhere" as Tommy Lloyd tinkers with configurations ahead of Arizona's upcoming Lithuania trip.
Cubs roster move: Clay Holmes added, Braxton Garrett optioned
The Cubs have added Saturday's starter to the active roster.
John Beilein, Bia Holmes headline 2026 WVU Sports Hall of Fame class
MORGANTOWN, W.Va. — Seven outstanding contributors to Mountaineer Athletics make up the 36th class of honorees in the West Virginia University Sports Hall of Fame, announced today by Vice President…
Brewers among most likely landing spots for Clay Holmes
While other teams are interested, the Brewers are heavily pursuing Holmes, who is expected to be moved by the Deadline.
Yankees Showing Interest in $38 Million Pitcher Before Trade Deadline
The New York Yankees took a look at Mets pitcher Clay Holmes, who is expected to hit the trade block. The post Yankees Showing Interest in $38 Million Pitcher Before Trade Deadline appeared first on HEAVY.
Tom Cruise and Katie Holmes’ daughter Suri drops dad’s last name
Tom Cruise and Katie Holmes’ 20-year-old daughter Suri drops dad’s last name in favor of mom’s middle name, Noelle.
Detroit Lions Named as Landing Spot for Diego Pavia
The Detroit Lions have been named as a potential landing spot for former Ravens quarterback Diego Pavia, but there's little reason to believe Brad Holmes will pursue him.
Tom Cruise and Katie Holmes’s Daughter Suri, 20, Is Following in Parents’ Footsteps With Big Career Move
Suri is currently in her sophomore year at Carnegie Mellon University.
Mets to Begin Extension Talks with Clay Holmes
With Clay Holmes' return from injury looming, the Mets are reportedly set to begin extension talks with the right-hander in "the coming days."
Clay Holmes 'definitely open' to midseason extension with Mets
Clay Holmes is a name that other teams would like to trade for, but the right-hander has expressed interest in a midseason extension to stay with the Mets.
Personnel note: Chesapeake Utilities adds Lance Pierce to Florida team
Pierce will oversee external affairs in Jackson, Liberty, Gadsden, Calhoun, Holmes, Washington, Bay and Escambia counties
ESPN Grades Detroit Lions Offseason
ESPN gave the Detroit Lions one of the NFL's highest offseason grades, praising Brad Holmes' work while questioning one major move.
Millie Bobby Brown gets 'secondhand ick' from 'Enola Holmes 3' costar Louis Partridge’s audition horror story
'So embarrassing!' Millie Bobby Brown gets 'secondhand ick' after hearing her 'Enola Holmes 3' costar Louis Partridge's audition horror story during a game of 'Lie vs. Lie' with 'Entertainment Weekly.'
What to stream: ‘Enola Holmes 3,’ Madonna’s new album and ‘Zorro’
"Enola Holmes 3" and a new album from Madonna are some of the new television, films, music and games headed to a device near you.