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The One Chart That Explains Why Netflix Cleaned House
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Yeah, I’ll be honest: I went with a clickbait-y headline today. One chart? That explains everything? That’s as clickbait-y as it gets. But let’s be real. I’m analyzing a dataset that I’ve built over six years, and c’mon, I never write articles which feature just one chart! If you think this article—which includes a level of data detail unheard of in journalism twenty years ago—is clickbait, fine by me. Really, what I’m doing is using data to explain Netflix’s recent strategy changes, since the story of the month is the turbulence at Netflix. First, head of content Bela Bajaria was fired. Then head of film Dan Lin followed her to the unemployment ranks. (Along with, sadly, 1,000 other Netflix workers.) And then Netflix delivered a “sub-optimal” earnings report, which continued their year-long stock price slide. Then came a flood of articles explaining why all this is happening. (Mine’s coming shortly, rest assured.) I realized I had the perfect chart to explain Netflix’s woes. Specifically, Nielsen’s weekly top ten charts. Usually I focus on one or two weeks in my Streaming Ratings Reports, but sometimes it’s worth stepping back to look at the larger story. And hoo boy, what a story. This article is my annual (plus three months) follow-up to one of my most popular articles of last year. (And a topic I’ve been visualizing for the last half decade.) Subscribe Netflix’s Share of The Nielsen Charts Continues to Decline
Actor Tom Skerritt of ‘Steel Magnolias,' 'Top Gun,' dies at 93
NEW YORK — Prolific actor Tom Skerritt died Wednesday from natural causes. He was 93. Skerritf’s “heartbroken” family said, though fans knew him for his work on films including “Alien,”
Cherokee Nation signs historic filmmaking collaboration with UCLA
Cherokee Nation recently signed an agreement with the UCLA School of Theater, Film and Television that will support an annual reciprocal filmmaking exchange between UCLA TFT and Cherokee Film with
Inflation at the movies: Runtimes are longer, from ‘The Odyssey’ to ‘You Can See Everything’
Your bladder isn’t lying.
Inflation at the movies: Runtimes are longer, from 'The Odyssey' to 'You Can See Everything'
Your bladder isn’t lying | Talk 1370
‘Klara and the Sun’ review: Film adaptation lacks novel’s poignancy
Maybe some books just shouldn’t become movies. Kazuo Ishiguro’s bestselling 2021 novel “Klara and the Sun” was a work of rare poignancy — though not rare for Ishiguro, whose elegant
Bronze Siskel & Ebert statue, with their theater seats, coming to Prudential Plaza
The sculpture will invite fans of Chicago's most celebrated film critics to sit in their iconic theater balcony seats.
Judi Dench says worsening eyesight means she can no longer act
LONDON, Oct 22 (Reuters) - British actress Judi Dench said her eyesight had deteriorated to the point that she could no longer act on stage or in films.
Elizabeth Holmes: Why are we still fascinated by Theranos fraudster?
'You Can See Everything' raises all sorts of questions about truth, lies and documentary filmmaking, but it skirts the most obvious mystery: In a world full of con artists, fraudsters and liars, why can't we quit Elizabeth Holmes?
John Gillispie: Life isn’t ‘Normal’ in Odenkirk film
Movies & More reviewer John Gillispie shares his thoughts on the movie “Normal,” which is rated R and is available on DVD.
National Color Graphics purchases new press
Spokane-based National Color Graphics Inc. has become the first commercial printer in the U.S. to install the Fujifilm Revoria Press PC2120, an advanced digital printing system designed to expand color capabilities, automate production, and improve efficiency.
Previews for movies of Oct. 22-25: “Clayface”
Catch a new film in the Denver area this weekend, here is a new release, including "Wicker"
What to stream: Add best horror films of 2026 to your spooky...
Build your spooky-season watchlist with 2026 horror picks including “Obsession,” “Backrooms,” “Send Help” and “The Bride!,” now streaming or available to rent.
Independent filmmakers finding ways to protect work from AI
As the use of artificial intelligence in the entertainment industry continues to grow, indie filmmakers are looking for ways to protect their work
5 classic movies that saw our AI future coming
An MSU Denver film professor explores how science fiction anticipated today's biggest questions about artificial intelligence.
‘Klara and the Sun’ review: Film adaptation lacks novel’s poignancy
The film adaptation never quite finds the delicacy of Kazuo Ishiguro’s bestselling novel, writes Moira Macdonald.
Selma Blair no longer uses alcohol to cope with MS symptoms
Selma Blair revealed that she used alcohol when she was younger to cope with MS symptoms during an episode of 'The Jenny McCarthy Wahlberg Show,' filmed before the actor was arrested Oct. 11.
Tom Cruise to receive life achievement award from the American Film Institute
Tom Cruise is being honored with a life achievement award from the American Film Institute | WBBM Newsradio 780 AM & 105.9 FM
Tom Cruise to receive life achievement award from the American Film Institute
Tom Cruise is being honored with a life achievement award from the American Film Institute | Talk Radio 1210 WPHT
Film and TV shoots in L.A. continue to drop despite state tax credit
L.A. logged 4,171 on-location shoot days last quarter, down 4.8% from a year earlier, but tax-credit projects made up a growing share of TV and film work.
Cherokee Nation commits $470,000 to UCLA filmmaking exchange
Cherokee Nation has committed $470,000 over four years to a partnership with the UCLA School of Theater, Film and Television that will support an annual filmmaking exchange, Cherokee‑language media production and student training. Principal Chief Chuck Hoskin Jr. and Deputy Chief Bryan Warner joined tribal leaders and UCLA film school officials in Los Angeles on […]
Julia Stiles on ‘Dancing with the Stars’ performs ‘10 Things’ tribute
Julia Stiles honored her late '10 Things' costar Heath Ledger and reunited with cast members from the movie, which was filmed in the Seattle area, during 'Dancing with the Stars'
With ‘Wildwood,’ Laika’s stop-motion magic returns to the PNW
The animation studio's latest film, the Pacific Northwest-set "Wildwood," opens in theaters this week. Here's how the magic happened.
Target Unwraps the Science of Gift Giving in Holiday Campaign
Created by Mythology and directed by ‘Hacks’ co-creator Lucia Aniello via hungryman, the retailer gives tenure to actor D’Arcy Carden as leader of its ‘Academy of Giftology’, a digital destination beyond its nine bilingual films
Why Entertainment Industry Layoffs Are Accelerating
Hollywood layoffs are mounting as streaming competition, overseas production and shifting audience habits reshape the entertainment industry.
Greenwich Entertainment Buys Philip Byron’s ‘Spin Wars’
Greenwich will release the film in December.
Hudson Williams says he’s writing a film but ‘getting tripped up’ over a “Heated Rivalry” parallel (exclusive)
The actor, who’s written multiple short films, talks about getting in his head about a character who’s an ex-hockey player.
Overlooked: Black Women’s Heart Health
Rhonda Poe has always held a job. From Church’s Chicken to more than a decade in the jewelry industry to working as a script supervisor in the film industry, her daughter, Lily Poe, describes her as a hardworking and determined woman. That all changed on Super Bowl Sunday, February 9, 2025, in New Orleans. Rhonda...
Kansas City’s sports scene is expanding into entertainment with a new film festival and the Chiefs getting behind the camera
Kansas City’s sports scene is expanding into entertainment with a new film festival and the Chiefs getting behind the camera with Full Tilt.
Oct. 21 - SCAD Film Fest to Impact Downtown Traffic
October 21 2026 - Motorists can expect delays in Savannah this coming week as the annual Savannah College of Art & Design (SCAD) Film Fest will be taking place from
Robert Pattinson agreed to star in “Primetime” after massive Zyn shipment from director Lance Oppenheim
Pattinson also produced the film about the “To Catch a Predator” star.
Student-produced film captures Ireland sports experience | UNC Hussman School of Journalism and Media
The documentary created by a UNC Hussman School of Journalism and Media team premieres on campus Oct. 22 and Oct. 23. — This story, written by UNC Hussman alumnus Michael Lananna ’14, was originally published at unc.edu. — Carolina senior Anna Laible came up with the idea about a year ago. At the annual UNC Sports and Entertainment Summit, the journalism student walked up to then-athletic director Bubba Cunningham and took a chance. “Hi, Bubba, I’m not sure if you remember me, but I’m part of the student broadcast team from the Olympics,” Laible told him. “I have this idea to do an Ireland documentary on the football team.” Encouraged by the enthusiastic response to the proposal, Laible and a team of students from the UNC Hussman School of Journalism and Media worked diligently to turn that vision into reality. In August, Laible and seven peers traveled to Dublin, Ireland, with the Carolina football team and women’s soccer team. Equipped with video cameras, the student journalists covered both teams during their international games — both wins — and filmed scenes throughout Dublin, interviewing Irish locals, Tar Heel fans and key Carolina figures who helped make the trip possible. Back home, Laible’s team put the finishing touches on the documentary, with its first screening at 6:30 p.m. Oct. 22-23 in Carroll Hall room 111. The project is the latest in a long line of sports documentaries produced under the guidance of C.A. Tuggle, John H. Stembler Jr. Distinguished Professor. Since the 2008 Beijing Olympics, Tuggle and the Hussman school have sent journalism students to cover each of the Summer Games, and Tuggle’s students have also produced documentaries on Carolina teams that win national championships. But this Ireland excursion presented a new kind of opportunity. “This trip is really unique,” Tuggle said. “Bubba liked the idea, so we started working on it, and it’s all because Anna was forward-thinking and assertive.” Laible’s team worked to create a holistic depiction of the Dublin trip, billed as “Much More Than a Game.” The documentary’s 12 chapters cover Irish culture, music, trips to the Guiness Storehouse and the myriad connections between Tar Heels and Ireland. “Our main focus was to make sure we gave a whole encompassing idea of what this experience was like,” Laible said. “We wanted to show not just the student-athletes, but other students, other Carolina fans, Carolina alumni, the music and really incorporate that all in the documentary.” Joining Laible in Dublin were juniors Emily Brietz, Cooper Hall, Eliza Jennings and Katherine McCullough and seniors Molly Malek, May Proctor and Merrily Tew. Those students also traveled to Milan for the 2026 Olympic Winter Games in February. Those kinds of opportunities wouldn’t be possible without the support of UNC Hussman and, in the case of the Ireland trip, the Carolina athletic department. UNC Hussman students create Ireland trip documentary. (Submitted photo) “Never in a million years did I think I would have the opportunity to go to the Olympics or to the Aer Lingus College Football Classic, and now I’m even being presented with potential opportunities go to the Super Bowl,” said Malek, who served in a leadership role with Laible in Dublin. “I think that Carolina does a terrific job of connecting us to these opportunities that almost no other university does. This is a university where you have the opportunity to have an interdisciplinary education and to learn and experience a lot of things all at once.” With the support of UNC Hussman, Tuggle and fellow students like Malek, Laible turned a spur-of-the-moment idea into a documentary. When the film screens, Laible said she’s not quite sure what emotions to expect. “I’m a little worried that I might cry — not that crying is a bad thing,” Laible said, laughing. “But I’m really grateful for so many people helping, and I’m excited for everyone to see it.”
Toy Story 5, Backrooms and The Breadwinner Vie to Become the Second Biggest Film This Year...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Often, people blame “data” for ruining Hollywood, when I’d argue that hype (which can often be debunked by data) is often worse, as you can see in these two headlines. To use a common meme, here’s how it started: and how it’s going: Earlier this year, I read countless (and I mean countless) articles (in almost every mainstream media outlet) about how Heated Rivalry was a huge hit and that it “heated” interest in hockey. But Heated Rivalry wasn’t a huge viewership hit compared to the hype: [ ](https://entertainment.substack.com/p/you-cant-eat-buzzdid-heated-rivalrys) [ You Can’t Eat Buzz…Did Heated Rivalry’s Buzz Translate into Actual Viewership? ](https://entertainment.substack.com/p/you-cant-eat-buzzdid-heated-rivalrys) Entertainment Strategy Guy · Jan 22 [ Read full story ](https://entertainment.substack.com/p/you-cant-eat-buzzdid-heated-rivalrys) In this case, the hype (Heated Rivalry is really popular) belied the data (It didn’t make the top ten charts, meaning it wasn’t a huge hit.1) Even worse, every time I write about this, I get a lot of negative feedback, hence why I only sparingly mention the show these days or add lots of caveats when I write about it, but this just further cements the hype. But companies, and the executives leading them, have to determine strategy based on reality, not media coverage. The NHL committed real marketing dollars to a campaign that didn’t work. Sure enough, the latest NHL season opened to under a million viewers. At some point, you have to focus on what the data says, because real dollars are at stake. And that’s why we have the Streaming Ratings Report! To provide and analyze cold, hard data. Luckily, this week, I can be positive and take a look at a huge opening on streaming, along with a very buzzy horror film that customers kind of like, but don’t really love. And a comedy that tried to rebound on streaming. Today, I’m covering two weeks—21-Sep and 28-Sep—so we have a lot to discuss (nearly 5,000 words worth), including a series of film misses for Netflix, another argument for weekly-released TV shows on streaming, another sitcom tries to avoid the comedy curse, Netflix has two new game shows (one powered by AI), Reacher falling off the charts after a huge run, Prime Video tries its hands at the romcom game**,** a look at the WNBA’s big season, a big night for the VMAs on CBS and MTV, all the flops, bombs and misses, and a whole lot more. (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of September 14th to October 4th, 2026. You can find a link to my terminology here.) Subscribe Film - Two Hits and a Miss Come to Streaming… Three very interesting films came to streaming in one week, and I like comparing them since they show the range of theatrical films. One was a huge blockbuster, one was popular, and one was neither. One is a horror film, a buzzy genre; one is a comedy, a struggling genre; and one is an animated family film, the king of the box office. One went to a tiny streamer (HBO Max), one went to a second-tier streamer (Disney+), and one went to the biggest (Netflix). So… If you just went by box office, you’d expect Backrooms—the $197 million grosser, and partner of Obsession for “YouTube Horror Summer”—to dominate on streaming. If you read this report, though, you know that horror films don’t do great on streaming, and that’s the case again. Backrooms opened at 3.8 million hours according to Nielsen, and had 3.9 million hours in its second week. Here’s how that stacks up to other HBO Max films: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… ...why I don’t buy Backrooms budget… …two new games shows arrive on streaming… …another sitcom struggles… ...another argument for putting out shows weekly on Netflix... ...and a whole lot more, nearly 5,000 words more... ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue. Coming Soon! Next week, I’ll be taking a look at the eighth season of Hulu’s The Kardashians, answering the question: will this show ever make the charts? If Mormon wives can make it, surely one of social media’s most popular families can as well. Also, Prime Video has a new horror show based on popular IP, Carrie, Netflix has a horror show starring Josh Hartnett, Below, and Apple TV has a UK import, Small Prophets. Plus a bunch of movies like Disclosure Day heading to Peacock, The Housemaid coming to HBO Max, Ben Affleck’s latest on Apple TV, Animals, and Matchbox the Movie on Apple TV, a John Cena action comedy inspired by Hasbro’s toy cars. The week after is even busier! I’ll look at another IP-based horror show, Crystal Lake, a new MCU show on Disney+, VisionQuest, season two of The Lowdown on FX/Hulu, the fourth seasons of The Diplomat on Netflix and Tulsa King on Paramount+, another season of Love is Blind, and four straight-to-streaming films: Netflix’s Sacrifice (starring Chris Evens, Anya-Taylor-Joy, Vincent Cassel, John Malkovich, Salma Hayek. Charlie XCX), Apple TV’s Tenzing (starring Tom Hiddleston and Willem Defoe), Prime Video’s Love of Your Life (Margaret Qualley) and Masterplan (Stanley Tucci) and a whole lot more, somehow. Long term, here’s some huge IP news: a Game of Thrones movie is coming to theaters, Game of Thrones: Aegon’s Conquest in 2029, while Jon Watts (who helmed three of the most recent Spider-Man movies) is directing the next Star Wars trilogy, to be written by Simon Kinberg. I’m cautiously optimistic for both. It feels obvious to say that making good movies matters, but for bets this big (Star Wars is on a swoon, Game of Thrones hasn’t been to theaters yet), the quality has to be there.
The Academy Museum opens 'The Horror Show' exhibit
The exhibit includes film favorites like “Halloween,” “The Exorcist” and “A Nightmare on Elm Street”
Former Netflix and Tubi Producer To Launch Shortee, A Vertical Streaming and Gaming App
Nelson Moses Lassiter, an Emmy-nominated producer known for his work on Netflix’s major international hits and for creating original films at Tubi, is launching his venture. Shortee, a mobile entertai...
Movie review: 'Wicker' weaves a feisty feminist fable
It’s too bad the title “The Wicker Man” was already taken, as that’s literally what star Alexander Skarsgård is playing in “Wicker,” a randy little ditty of a film from
‘Once Upon a Time in Harlem’ film review: A must-see on Black history, arts, and politics
In 1972, Harlem-born documentarian William Greaves filmed a historic gathering of many still-living talents who had experienced the Harlem Renaissance, which had transpired about 50 years earlier. The Harlem Renaissance was a Black awakening in the arts, politics, fashion, etc.
Griffin Gaming Partners launches new joint production company
A prominent game industry fund and Hollywood talent agency are teaming up to adapt games for TV and film.
Griffin Gaming Partners and Entertainment 360 launch new company to support video game adaptations for film and TV
HITpoint Entertainment will "combine Griffin's relationships with devs and publishers with Entertainment 360's producing track record on IP-driven franchises"
'Office Space' star Richard Riehle dies at 78
Actor Richard Riehle arrives at the premiere of New Line Cinema's 'A Very Harold & Kumar 3D Christmas' at Grauman's Chinese Theatre on November 2, 2011 in Hollywood, California. (Jason Merritt/Getty Images)Richard Riehle, known for his role in the 1999 film Office Space, has died. He was 78.A statement shared by Artists & Representatives and Wright Entertainment, Inc. announced Riehle's passing on Monday, writing, "Our industry has lost an exceptional talent, and our community has lost a truly wonderful man.""We are deeply saddened to confirm the passing of our beloved client, Richard Riehle, this past weekend," the statement said. "A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy."The statement continued, "Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity."Born on May 12, 1948, Riehle starred in many television series and films over the years.Notable projects include Casino, The Man from Earth and Deuce Bigalow: Male Gigolo.He got his start as an actor at the University of Notre Dame, where he was involved in the University Theatre and starred in several stage productions. He went on to earn a Master of Fine Arts in acting and directing from the University of Minnesota.While he's played characters that have an "average Joe" presence, he always made the most of his brief screen time.Some roles that he is remembered for include The Quartermaster in Glory, the train guard in The Fugitive, Reverend Scroggins in Fried Green Tomatoes and Bill Cozbi in Bridesmaids.On television, he starred as Principal Ed Rooney in the 1990 series Ferris Bueller and as grandfather Walt Finnerty in the early 2000s sitcom, Grounded For Life.In 2023, he also played Warden Reynolds in Barry.Riehle is survived by his wife, Jane Latham, and their four children.Copyright © 2026, ABC Audio. All rights reserved.
Spanish Science Fiction Horror Film MEMORIA to Get Release from Mondo Macabro
Memoria 1 Blu-ray disc Label: Mondo Macabro Preorder: 11/10/26 Release: 12/8/26 MSRP: $29.99 UPC: 843276036195 Catalogue #: MDO361 Genre: Horror Color 87 minutes in Spanish with English subtitles MPAA Rating: NR High Definition 1080p 1.66:1 Dolby Digital
New Book Includes Previously Unreleased Interviews By Edward Gorey
For ardent Edward Gorey fans there’s a new book available, “Memento Gorey: The Last Interviews with Edward Gorey” by Chatham filmmaker and documentarian Christopher Seufert, published by Schiffer Publishing with
‘Iolani bowler Ezra Bentkowski is a student of the sport’s science
Back in the day, black-and-white films would play in darkened class rooms at Washington Intermediate School.
Gwyneth Paltrow sets first lead TV role in The Apology
Gwyneth Paltrow's last major onscreen role was in the 2025 film, Marty Supreme.
Things to do: These are the best entertainment events in Brevard for Oct. 16-22
Find your weekend adventure! Film festival, Oktoberfest and Reggae top our list of Brevard's best entertainment events.
Richard Riehle, dependable TV and film character actor who was in ‘Glory and ‘Office Space,’ dies
He often played authority figures but was equally skilled at comedy.
Richard Riehle, dependable TV and film character actor who was in ‘Glory’ and ‘Office Space,’ dies
Beloved character actor Richard Riehle has died at 78.
Richard Riehle, dependable TV and film character actor who was in 'Glory and 'Office Space,' dies
Beloved character actor Richard Riehle has died at 78. Wright Entertainment Inc. announced Monday that Riehle died on Oct. 15. Riehle's career spanned nearly five decades, with memorable roles in...
Richard Riehle, dependable TV and film character actor who was in 'Glory and 'Office Space,' dies
Beloved character actor Richard Riehle has died at 78.
Iowa 55-hour ‘FilmSprint’ comes to Cedar Rapids this fall
Cedar Rapids Independent Filmmakers launches the Iowa 55-Hour FilmSprint, Nov. 6-8, 2026, challenging teams to write, shoot and edit a short film with Iowa-themed secret elements.
Charli XCX is figuring out what happens after you win
LOS ANGELES — What’s the opposite of a victory lap? One answer arrived this year in the form of “Music, Fashion, Film,” Charli XCX’s bracing follow-up to 2024’s Grammy-winning “Brat.”
Charli XCX brings 'Music, Fashion, Film' to the Kia Forum
The English pop star brought her tour behind this year's 'Music, Fashion, Film' to Inglewood's Kia Forum for two shows over the weekend.
Elizabeth Holmes doc ‘You Can See Everything’ has huge opening weekend
NEW YORK — Nathan Fielder and Lance Oppenheim’s film about Theranos founder Elizabeth Holmes opened to box office numbers not seen in more than 20 years for a narrative documentary.
Richard Riehle, prolific character actor known for roles in 'Office Space' and 'Casino,' dies at 78
Riehle's signature mustache and warm persona made him a regular staple in TV and film throughout his nearly 50-year career.
Star Wars Battlefront 3 Could Land at Bungie, as Lucasfilm Reportedly Weighs the Halo and Destiny Studio Against EA DICE
According to a startling rumor, Lucasfilm may be considering giving Star Wars Battlefront 3 to Bungie rather than DICE.
Netflix film chief Dan Lin is out as streamer shuffles executive ranks
Netflix's film chief Dan Lin has left the company after the streamer conducted massive layoffs.
Entertainment Company Sponsors NJ Student Film Showcase in Atlantic City
Netflix has signed on as a sponsor for the New Jersey School Boards Association’s Workshop (NJSBA) 2026 Student Film Showcase in Atlantic City. The Workshop 2026 runs Oct. 19–22. It…
Jesse Eisenberg claims he couldn’t get ‘movie studio parts anymore’ after “Batman v Superman”
The Oscar-nominated actor, screenwriter, and director said he began penning films “just to kind of keep my career afloat.”
BBC Studios' Strategy for Bluey and Beyond
As the "Bluey" property gets its first feature film, Suzy Lee Raia outlines what has made the brand so successful.
Jesse Eisenberg, Julianne Moore bring curtain down on London Film Festival with 'The Debut'
By Francesca Halliwell LONDON, Oct 18 (Reuters) - Actor-filmmaker Jesse Eisenberg said he wrote the lead role in his musical comedy "The Debut" with Julianne Moore in mind, praising the
Taika Waititi Confirms His ‘Star Wars’ Movie Has Been ‘Put on Ice’ Indefinitely
Taika Waititi’s “Star Wars” movie, which has been in development since 2020, is officially on hold, the director confirmed while promoting his latest film “Klara and the Sun.” “I hate to break this to...
Tracey Moore Receives 2026 Queen City Film Festival Legacy Award
PLAINFIELD, NJ — Casting director, acting coach, and producer Tracey Moore received the 2026 Legacy Award Friday night during the Queen City Film Festival
'Street Fighter' wins N. America box office, buzzy doc stuns in 2nd
Paramount's action film "Street Fighter" karate-chopped the competition this weekend with a $31 million debut at the North American box...
Streaming’s Biggest Show Returns…and a Buzzy Genre Struggles
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Obviously, the big news of the week (if not month) is Netflix letting go of executive Bela Bajaria, their chief content officer. I’m going to cover this in my next “Most Important Story of the Week”, but I also have a data angle that I might publish before then. (Too much news this month, am I right?) But first, I have a bonus Streaming Ratings Report issue for you. Today’s article is a bit of a grab bag of topics I’ve wanted to write about, but couldn’t squeeze into the (already very long) Streaming Ratings Report issues. The NFL drives huge viewership numbers, so I’ve got a look at that. A whole bunch of TV shows returned to the traditional broadcast channels, and I have thoughts. And I have a quick look at adult animated shows, since a couple flopped earlier this month. Plus, the Emmys aired earlier this month, and we got some fun data bout how popular those nominated shows are and why I’m not optimistic about the show’s future. That’s a lot, so let’s dive right in. Subscribe Sports - Football Remains the King of Streaming Over the last two Streaming Ratings Reports, I sorta ignored the biggest “show” each week. (I was tempted to say “piece of content” but I know that word bugs folks.) In my database, I call these “specials”, and they sure are special. I speak of the king of American TV: football!!! Streaming football is back and, unlike some other sports, it routinely dominates all viewership. Probably the best way to show this is to update one of my favorite graphics, the “40 Million Hour Club”1 since football games have joined that club each week they’ve premiered: (Yep, that’s the data through 28-Sep, the first four weeks of the season. As a reminder, I take the average minute audience provided by Nielsen, factor out a percentage of linear TV viewers in home markets, and multiply the run time by the three-hour runtime.) Again, the numbers are huge. Let’s start with Netflix. They grabbed the rights to the bonus opening week NFL Kickoff game (which was on YouTube last year) and it put up 18.5 million viewers on average. That nets out to 47.4 million hours of estimated streaming hours. That’s good! Though, notably, it’s well below Christmas Day games from previous years. Compared to other streamers/broadcasters, that’s a bit of a mixed result. On one hand, Netflix’s 18.5 million average is about what YouTube claimed last year, though Nielsen used a bespoke methodology at that time, so I trust this viewership figure more. So that’s good. (The game also shifted from a Friday to a Thursday and that could have helped the viewership as well.) And Netflix continues to best Prime Video in total viewership—as you’ll see next—though Netflix has had much higher-profile (opening week and Christmas Day) games. NBC/Peacock’s opening game the night before averaged 25.1 million average viewers, which is just much bigger than Netflix (or Prime Video). That’s the big caveat to all streaming viewership records: even in success, they can’t compete with traditional linear TV. Previously, I called this my “hierarchy of viewership”, and the data keeps supporting that thesis. The downside for NBC is that this game’s viewership was down compared to previous years, though it may be a counting issue. Here’s a great chart from Sports Media Watch: Indeed, looking at all the opening week games across all windows, Netflix still lags the other primetime windows, but does well compared to the afternoon games: I saw a few folks make the case that streamers still lag traditional broadcasters in reach, and I’d add they really lag compared to “broadcast plus streaming” options like NBC/Peacock, ESPN/Disney+ and CBS/Paramount+. The best data I saw for this came from Samba TV, who charted reach through the 2025 season, and, wow. (Samba TV’s numbers are historically lower than Nielsen’s, so don’t compare their household figures to Nielsen’s hours, but use them as a proxy for the relative reach of the streamers.) The good news is Prime Video is NOT having a down year. Their opening Thursday Night Football game reached 18.6 million viewers (about what Netflix got), but that’s a high for Prime Video on Thursdays and the biggest Thursday night game since 2015. The TNF games the weeks of 21-Sep and 28-Sep continued this streak, getting 43.1 (16.8 million average viewers) and 42.5 total hours (16.6 million average viewers), which were both up from last year. Still, that continues the (typical) season slide: (For those new-to-streaming-football-numbers folks, the viewership declines for Thursday Night Football as the year goes along.) Overall, it appears as if Prime Video is now part of the “football habit”, be it for customers at home or out at places like bars and restaurants. And its viewership is slowly catching up to broadcast. One last chart shows this. Last season, Nielsen started adding out-of-home viewership to the charts, so I try not to do season-to-season comparisons as I did for the first few years. And while Nielsen added Big Data viewing this year, I’m going to compare the last two seasons. Here’s that chart, which shows the season-over-season gains: When it comes to streaming football, we have to keep a few seemingly contradictory thoughts in our head… First, streaming doesn’t come close to matching broadcast’s reach and, thus, viewership. Second, even with that gap, football is still the biggest “thing” on streaming. It’s very, very popular. Third, while some methodology changes have likely helped Prime Video’s numbers, their viewership does appear to be growing. Lastly, yeah, the NFL started the season off poorly, with week one dragging down the numbers in year-over-year comparisons. However—and again, methodology changes may have helped this—the viewership grew compared to previous seasons over the next couple of weeks. So football is still king. On streaming and off. Television - Adult Animation Continues to NOT Make the Streaming Charts In the last two reports, two adult-animated shows whiffed: Netflix’s animated comedy, Dang! Paramount+’s Sega-video-game-inspired fantasy/comedy, Golden Axe. Neither made the charts, but that’s usually the case for animated shows. I mean, here’s literally every animated show that’s made the Nielsen Original charts since the start of 2025: And one of those shows is G_abby’s Dollhouse_! A kids show! The problem with charts like this is that they don’t give you a sense of how many shows miss the charts. Netflix had at least eleven animated flops, including comedies like Big Mouth (a show everyone assumed was popular in the pre-Streaming Ratings Era), Long Story Short, Haunted Hotel, Mating Season, Strip Law, and Alley Cats, and action shows like Blood of Zeus, Castlevania: Nocturne, Devil May Cry, Splinter Cell: Deathwatch, and Tomb Raider: The Legend of Lara Croft. Prime Video had at least six animated misses, two in the same universe (Hazbin Hotel, Helluva Boss), three more comedies (#1 Happy Family USA, The Second Best Hospital in the Galaxy and Kevin) and an action show (The Mighty Nein). Disney+ had MCU and Star Wars animated misses (Eyes of Wakanda, Marvel Zombies, Star Wars: Visions, Star Wars: Maul – Shadow Lord, and Star Wars: Tales of the Underworld) but I can’t tell how many of those shows were geared towards adults. HBO Max had Harley Quinn and Hulu had Solar Opposites. None of these shows made the charts! That’s a lot of misses! If I remade the chart with all those misses, here’s how it would look: Listen, I know the counter arguments. First, it’s cheaper to produce animated shows than live action. Fair enough, but with viewership this low, even that cheaper price point starts to not matter. Second, just look at the acquired charts. Hit animated comedies can generate viewership for years! Shows like The Simpsons, South Park, Family Guy, and Bob’s Burgers do really, really well. Fair enough, but streaming has failed to recreate the dynamic that Fox has mastered so well. That’s a problem for streaming still. Television - Emmys! The annual Emmys broadcast was a few weeks ago, and I’ve got data on how the nominees performed on streaming, plus hot takes on this year’s viewership (and the big news about the broadcast’s, er, streamcast’s future). We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… The top Emmy-nominated shows… ...why I’m worried about the future of the Emmys telecast... ...the pros of broadcast television ...and the cons... ...please subscribe! We can only keep doing this great work with your support. Coming Soon! Next week, we’ve got a double issue (since the weeks of 21-Sep and 28-Sep were so light), but then I’ll be all caught up after a deluge of streaming ratings data from Nielsen in September. In the meantime, I’m going to try to take a look at Netflix’s stats to explain why Bela Bajaria is out. But even light weeks give me plenty to talk about. The Great British Baking Show returns to Netflix and Apple TV has a buzzy new star-studded comedy. And Netflix has a controversial-but-appears-to-be-popular new game show. Plus big films like Toy Story 5, Backrooms and The Breadwinner head to streaming. And is East of Eden a hit? After that, The Kardashians return to Hulu, Prime Video has a reboot of Carrie, and Netflix has a horror show, Below. Disclosure Day heads to Peacock, The Housemaid heads to HBO Max_,_ a new Ben Affleck film, Animals, lands on Netflix, and Apple TV has a new John Cena action film based on, checks notes, Hasbro’s Matchbox toys. Okay. Longterm, some interesting TV production news. HBO Max ordered How to Survive Without Me, starring Kaley Cuoco, Joshua Jackson, Ray Romano and Rita Wilson, for fifteen episodes! I love that some streamers (or, at least, HBO Max) are finally ordering TV shows with more than eight episodes. In less wise production news, Landman does not appear to be coming back this year, since it just started production. Frankly, I don’t love this (get your shows out on time) but Landman is so popular, I doubt it matters.
Mister Organ is one of the most unsettling documentaries I’ve ever seen
The story of Michael Organ is the rare documentary that doubles as a psychological horror film.
'You Can See Everything' is crushing it at the box office
Lance Oppenheim and Nathan Fielder have a hit with their new film, "You Can See Everything." It's the highest-grossing documentary of the year.
Box Office: Elizabeth Holmes movie ‘You Can See Everything’ is now a hit in theaters too
Paramount's “Street Fighter” leads the box office this weekend, earning $31 million from 3,575 theaters in the U.S. and Canada | WBBM Newsradio 780 AM & 105.9 FM
Box Office: Elizabeth Holmes movie ‘You Can See Everything’ is now a hit in theaters too
Paramount's “Street Fighter” leads the box office this weekend, earning $31 million from 3,575 theaters in the U.S. and Canada | KNX News 1070 AM
MIKE FLANAGAN’S “CARRIE” TRIUMPHS ACROSS THE GLOBE
Stephen King’s debut novel Carrie has seen many adaptions over the years. Aside from Brian De Palma’s 1976 feature adaption, other iterations of Carrie haven’t been quite so successful. When it was announced filmmaker Mike Flanagan would be adapting Carrie once more, many fans rolled their eyes. However, Flanagan’s adaption has rocketed to the top ...Read More
Prague Science Film Fest brings world premieres and fresh perspectives
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Netflix co-stars bring Hollywood ambitions to The Rock
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Joe Manganiello reveals plot of Ben Affleck’s scrapped Batman film
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Schmooze: WV natives return to Charleston area for film shoot 20 years in the making
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Schmooze: WV natives return to Charleston area for film shoot 20 years in the making
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Antonio Banderas, Nicolas Cage to star in 'True Detective' season 5
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Can DC blend horror with a superhero movie? 'Clayface' wants to blur genres
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Can DC blend horror with a superhero movie? 'Clayface' wants to blur genres
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IP Saves the Day On Streaming
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Before we get started, I wanted to highlight a new idea I saw from Real Good AI, proposing a ratings system for AI use. (H/T to Anthony Kaufman’s article highlighting this.) It would look something like this: In general, I think that this is a solid, middle-ground solution that should appease both the pro-AI camp (who love AI) and the anti-AI camp (who wants to know if what they’re watching didn’t come from humans). Regardless of your feelings on AI/LLMs—I’ll never use it for my writing—transparency is often the best solution to many problems. In general, I think way more media outlets need to be using way more AI disclosures. My quick “Yes and...” to this idea: what about ads? In particular, I hate it when I see or hear ads that are obviously AI-generated, but a person or voice says, “I used this product”. AI doesn’t use products! Just today, I watched a YouTube ad where a “person” said they use some sort of rain wind chime...but that’s not a real person! They didn’t use this product. (Especially since the video of the wind chime itself also appeared to be AI-generated...) I believe most traditional advertising already has standards like this anyway.1 Okay, on to this week’s issue. We’re covering the week of 14-Sep, and then next issue, I’ll be fully caught up with Nielsen’s new release schedule. In the future, I plan to put out Streaming Ratings Reports each Monday after Nielsen’s Thursday releases. Overall, we had some big new shows this week, like Prime Video’s Reacher spinoff_, Neagley_, which is off to a big, big start, and Netflix’s latest in its Monster anthology, which is their largest opening since June and the second-largest since One Piece came out in March. All that, plus Slow Horses returns, the trio of returning shows (Lioness, Reacher and Ted Lasso) continue to dominate the top tens, Paramount+’s latest crime drama, a big whiff for a Netflix original film and a precipitous drop for Netflix film charts, all the flops, bombs and misses, and a whole lot more. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of September 14th to September 20th 2026. You can find a link to my terminology here.) Subscribe Television - IP For the TV Win Can I use the dirty word of entertainment journalism right now? IP. Shhh. Don’t tell anyone I said it. But IP works at the box office, and we’ve seen some evidence it works in TV too. Not as well, and not all the time—no absolutes here!—but often enough. And glancing at the Nielsen top ten…it worked this week! Take Prime Video, who has a monster hit in the crime drama Reacher. Would a spinoff work for that show? Yep! They binge-released Neagley, about a detective from the original Reacher series, and its eight episodes debuted to 29.6 million hours. Here’s how it stacks up to Reacher, one of Prime Video’s biggest shows: That’s great. Nearly as strong as Reacher’s opening! (Both shows started with eight, binge-released episodes, so this comparison is apples-to-apples.) Notably, Prime Video scheduled the debut of Neagley to overlap with Reacher’s most recent season, to help drive tune-in. Obviously, I love smart release strategies like that. And even though I wrote “obviously”, it’s not really that obvious, since streamers don’t often take advantage of natural overlaps like this_._2 Other data backs how well Neagley performed. It opened at second place on Samba TV for two weeks and got 51.7 million hours on Luminate. That’s the eleventh biggest opening on Luminate since May of 2024 and tied with Bridgerton’s third season opening. That’s a huge opening! Its IMDb is solid too, a 7.7 on 24K reviews. Netflix’s latest edition in the “Monster” series—which started with Jeffrey Dahmer and comes from Ryan Murphy—did well too, opening to 24.7 million hours. That’s the biggest opening for Netflix since I Will Find You in June, and second biggest since March. Unlike the Reacher series, this franchise is trending downward, though. The first Monster show—Dahmer - Monster—was giant. More than anything, I think this reflects that Netflix running out of extremely popular—if that’s the right word?—serial killers to feature. Still, the data says this is a very good opening. It made it to third place on Samba TV for two weeks. It also opened to 40.0 million hours on Luminate. That’s not quite as elite as Neagley, but still very, very strong. I’ll be honest: my priors coming into any given week are that IP works to help drive buzz for new shows, but TV shows need to stand on their own even more than movies, so they will succeed or fail based on their quality. But these two spinoffs definitely worked. Quick Notes on TV The top show, film or special this week? Football, again. Specifically, Prime Video’s season opener of Thursday Night Football. The games run long (three hours) but mainly a lot of people watch each game. That adds up to a lot of viewership. Paramount released the second season of MobLand on an unusual day for that service, a Friday! Often, they put their new shows out on a Sunday, as they did last year with a run of shows (Lioness, Tulsa King and Landman). MobLand didn’t make Nielsen in its first week, but on Samba TV it got to eighth and seventh place. Luminate had a smaller opening too, only 5.3 million hours. MobLand missed the Nielsen charts for its first eight weeks, so this season is off to a stronger start. (Bonus note: the first season streams on both Prime Video and The Roku Channel, but I only have it as Paramount+ on those charts.) I’ve mentioned a few times that foreign-language originals do lower numbers than English-language originals on Netflix most of the time. But I don’t usually emphasize what country those originals come from, and observationally, they tend to be from Western or Northern European countries, in general. So credit to Not a Stranger, a Turkish Netflix original, for breaking through on Luminate, getting to 7.9 million hours in its first full week on those charts. As I mentioned last issue, Crew Girl ended up making the Nielsen charts in its second week. That’s still a soft performance compared to many shows, but again this, one looks affordable. And if you’re curious, here’s how it stacks up to some other sports romance shows: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… …about a new data source and how it drives streaming viewership… ...what reality show is struggling in its latest season…. ...what Netflix film bombed…. ...How Reacher, Ted Lasso, and Lioness are doing on the charts… ...what obscure sport put up great viewership numbers… …how far streaming films are falling… …all the flops, bombs and misses for the last week… …and more… ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue. Coming Soon! Next week, we’ve got a double issue, then we’ll be all caught up with Nielsen’s data. Yes! The goal is to have my report out on the Monday after I get Nielsen’s data. So next issue, I’m looking at East of Eden, The Great British Baking Show, a Willy Wonka game show (that people are upset uses AI, but viewers might not care), and a Cosby show spinoff reboot on Netflix, and Brothers on Apple TV (starring Woody Harrelson and Matthew McConaughey). That’s about it for TV, but who’s going to win the streaming week, The Breadwinner or Backrooms on streaming? Answer: Toy Story 5. Plus Netflix has a Unabomber film and a new Tyler Perry film, Teenage Sex and Death at Camp Miasma tries to repeat The Substance’s run on MUBI, and Paramount+ has Jackass: Best and Last. Long term, Netflix is remaking Lonesome Dove. I love this choice, but man, there are a lot of westerns on TV right now. And they’re making Sega TV shows, including a Crazy Taxi TV show and Sonic show with an “edge”.
Netflix drops ‘Free Leonard Peltier’ film on Indigenous Peoples Day
The story of one of the most famous prisoners in the United States – Leonard Peltier – is on Netflix, the largest streaming platform, as of Oct. 12.
'Arabian Nights' Fantasy Series in the Works From 'Spartacus' Creator
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LAIKA and Fathom Entertainment Announce Nationwide WILDWOOD Fan First Premium Screenings
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Bleecker Street Sells to Outerlight Entertainment
Outerlight Entertainment has bought Bleecker Street, the independent studio behind films like Spinal Tap 2 and Musk.
Bleecker Street Sells to Outerlight Entertainment
Outerlight Entertainment has bought Bleecker Street, the independent studio behind films like Spinal Tap 2 and Musk.
CAA, WME and UTA Team With Ron Howard and Jason Blum to Push for Indie Productions
A new group, formed by the top talent agencies and producers, is lobbying for independent films and movies to be made in the U.S.
Andrew Garfield, Elizabeth Holmes are set to crash the Oscar race
NEW YORK – After nearly three whirlwind weeks, the New York Film Festival drew to a close Oct. 12 – and with it, we got newfound clarity about this year’s