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‘Coyote Vs. ACME’: A smash riot
Long-delayed feature film cleverly honors its cartoon predecessors
John Cena shares his unique take on WB shelving ‘Coyote vs. Acme’: ‘My answer’s not the common one’
‘Coyote vs. Acme’ star John Cena looks back on the live-action and animated comedy’s bumpy road to the big screen, telling EW he has no hard feelings about the movie initially being shelved as a tax write-off.
'Coyote vs. Acme' comes to streaming — Where to watch the new movie at home
The long-awaited Looney Tunes movie finally arrives on-demand.
Meep, meep. ‘Coyote vs. Acme’ opens with $15.5 million
Three years after Warner Bros. abruptly canned the Looney Tunes feature “Coyote vs. Acme,” it has a new lease on life thanks to Ketchup Entertainment.
‘Coyote vs. Acme’ surges past expectations, snagging No. 2 at domestic box office after cancellation
‘Coyote vs. Acme dropped an anvil on the domestic box office this weekend, surpassing projections for a $15.4 million premiere that placed it just behind ‘Spider-Man: Brand New Day’ and just ahead of ‘The Odyssey.’
Meep, meep. ‘Coyote vs. Acme’ opens with $15.5 million, 'Spider-Man' stays No. 1 for fifth weekend
Three years after Warner Bros.
Why we're seeing coyotes in suburban North Texas
Coyotes have expanded their range across the U.S. and now thrive in cities like Dallas, where food, shelter and human habits shape their behavior.
Coyote vs. Acme Box Office Continues To Prove Its Cancellation Decision Wrong
Coyote vs. Acme has proven that Warner Bros’ decision to shelve it was wrong, as it continues to make its mark at the box office. Despite a long weekend, the movie held up well, with only a small drop...
Calabasas girls get the 4x100 relay win at Mt. SAC Relays
The Coyotes ran a meet record of 44.48 seconds to avenge a loss to Fullerton Rosary last week at the Arcadia Invitational.
The Dog Stars & Coyote vs. Acme’s Box Office Predictions Reveal Which Movie Wins
The Dog Stars and Coyote vs. Acme are heading for a surprising box office showdown this weekend. Early tracking and presale numbers reveal which film comes out on top as both compete for audiences in ...
“Coyote vs. Acme” surges past expectations, snagging No. 2 at domestic box office after cancellation controversy
Elsewhere, “Spider-Man: Brand New Day” continues to dominate in week 5, Ridley Scott’s “The Dog Stars” brutally bombs, and A24’s “Tony” holds strong.
The deadly tapeworm spreading across America has reached the Pacific Northwest
A potentially dangerous tapeworm linked to severe, cancer-like disease has now been found in the Pacific Northwest, marking its first detection in wild animals along the U.S. West Coast. Researchers discovered the parasite, Echinococcus multilocularis, in 37% of coyotes tested around Puget Sound—a surprisingly high rate for a region where it had never been reported until recently.
Movie review: 'Coyote vs. Acme' has a surprisingly deep message
There’s a poignant poetry in the Sisyphean quest of Looney Tunes character Wile E. Coyote. This born yearner roams the desert, trying to catch and eat the Road Runner, his
USD’s offense rolls over Eastern Washington
VERMILLION, S.D. (KELO) – USD football is off to a undefeated start following a 41-23 victory over Eastern Washington on Sunday. The Coyotes’ win over the Eagles improved their record to 3-0 for the first time since 2017. “We spent a lot of time in the offseason and obviously in fall camp, our main theme […]
Meep, meep. ‘Coyote vs. Acme’ opens with $15.5 million, 'Spider-Man' stays No. 1 for fifth weekend
Three years after Warner Bros.
2026 Rising Stars: Summerlyn Feckner
After growing Spokane-based Ginger Co. Interiors LLC, which does business as Ginger Designs, from a small startup into an established interior design firm, Summerlyn Feckner, 30, expanded into co-ownership of Spokane Valley-based Coyote Creek Cabinets, bridging the gap between design and physical craftsmanship.
Will Forte felt 'white hot anger' when 'Coyote vs. Acme' was shelved: 'It was so maddening'
Will Forte says he felt 'white hot anger' after Warner Bros. shelved 'Coyote vs. Acme': 'It was this beautiful, special little movie that was something I would've been able to share with my kids.'
Meep, meep. ‘Coyote vs. Acme’ opens with $15.5 million, 'Spider-Man' stays No. 1 for fifth weekend
Three years after Warner Bros. abruptly canned the Looney Tunes feature “Coyote vs. Acme,” it has a new lease on life thanks to Ketchup Entertainment. The movie debuted with an estimated $15.5...
'Coyote vs. Acme' Crosses $100 Million: Inside the Underdog's David vs. Goliath Marketing Campaign
How "Coyote vs. Acme," a movie deemed unreleasable by Warner Bros., managed to cross $100 million at the global box office.
The 14 movies we’re most looking forward to in 2026
We asked the film staff to name the titles they were most stoked for in 2026. They were happy to see the returning likes of Nolan, Spielberg, Gerwig and Wile E. Coyote.
Who Won August and September: Original Films or Franchises?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback... Subscribe Follow-Ups: What Should We Call Mid-Budget Movies Which Aren’t Cinematic Enough for Theaters But Are Too Expensive to Make Money on Streaming? After I asked for feedback on what we should call straight-to-streaming films that are too big to pencil out on streaming but not really big enough to resonate in theaters, I got some great suggestions from you all, including... “Moldilocks” from John Aboud “Little Big Indie” from Travis Frick1 “Midflicks” from Jonathan Funke. “Extra-Medium” from Jona Nwuke. (Read the explanation in the footnote.) Between these and Brandon Katz—who suggested “Bermuda Budget Triangle”, “The Platform Gap” and “The Distribution Deadzone”—we’ve got some excellent suggestions. And they’re better than my suggestion, the “Streaming Budget Dead Zone”, so let’s take a poll! The winning entry becomes the new term. Loading... RIGHT: LIV Golf is Fully Bankrupt…Is Anyone Else Next? A few years ago, I was always a bit perplexed at all the articles I’d read praising LIV Golf and their strategy to disrupt the PGA. LIV Golf, a brand new professional golf league, offered PGA stars ten times what they made on the PGA Tour to join their new league. And folks praised this strategy for its initial “success” in that a lot of big names did indeed leave the PGA. Yeah, of course the players came over. LIV Golf paid them so, so, so much more! But LIV Golf hadn’t discovered a way to increase potential revenue. So think about this in basic business terms… They paid much more in costs… …but had no real way to increase revenue. That’s not a strategy! That’s deficit financing. It won’t work unless you bankrupt the competition (and then turn around and pay those same golfers much, much less). It’s not a sustainable strategy and only lasts as long as the company/person/nation backing it decides they’re cool with losing money. For LIV Golf, that meant Middle East oil wealth, in particular Saudi Arabian money. Clearly, the current Iran War has hurt Middle East finances, so they need to trim their more exorbitant spending. And LIV Golf was part of that trimming. This should be a major warning for others. TGL’s parent company, TMRW Sports, just got a $1 billion valuation, despite TGL’s (the indoor golf league) horrible TV viewership of less than half a million viewers per match. Unrivaled, the women’s basketball league, just secured a $650 valuation, despite its horrible TV viewership and a new rival (Project B) entering the scene next year. To relate this to streaming, Hollywood should ask which streamers may have wealthy patrons funding their losses. (Let’s be clear: Google, Amazon and Apple.) Could those patrons lose their appetite? For Amazon, probably not. But Apple has a new boss, so maybe! WRONG: My Analysis of the Streaming Bubble Was Missing a Week I’m going to be congratulating myself a lot today, but I make mistakes too, like this data goof. When I last compiled the data on the decline in TV shows, I was missing one week at the end of June. If you look at the first image, you can see that one week was mislabelled as “July”. Mainly, this image got updated to show a 27% decline, not 29%: This change doesn’t really impact the overall analysis, but it is two percent better. By the way, through the third quarter, the decline increased and it’s now a 30% decrease since 2022. (I’ll write/visualize this in an upcoming article.) But I want you to trust me and my data. Especially these days, when many people are using LLMs that I know are inserting faulty data into their charts, I want to keep earning my audience’s faith. So that’s the accurate data. RIGHT: IP Remains Very, Very Popular In July, I wrote a giant (and I mean giant) article on Backrooms, Obsession, and the box office, going over what we know, what we don’t know about what works in theaters, looking at YouTubers, IP, the horror genre, comic book movies, and a whole lot more. The month of August really tested a lot of my theses and, being honest, mostly supported my arguments. Let’s start with IP. Looking at 8-Aug (the weekend after Spider-Man: Brand New Day came out) to 18-Sep (the weekend that Resident Evil came out, which I think provides a nice bookend to this time period), there were seven films based on pre-existing IP: Resident Evil (2026) ($126 million) Practical Magic 2 ($65 million) _Insidious: Out of the Furthe_r ($65 million) Coyote Vs. Acme ($59 million) Paw Patrol: The Dino Movie ($53 million) Tony ($15 million) Super Troopers 3 ($7 million) Compare those to the notable original films from the past month—I actually could have included more movies, but here are just thirteen, bringing us to an even twenty films—including.... The End of Oak Street ($54 million) Buddy ($26 million) Mutiny ($15 million) By Any Means ($15 million) The Dog Stars ($14 million) Runner ($14 million) One Night Only ($11 million) Hope ($8 million) Spa Weekend ($7 million) The Uprising ($6 million) Teenage Sex and Death at Camp Miasma ($6 million) Onslaught ($3 million) Eli Roth’s Ice Cream Man ($2.8 million) Here’s that in chart form: Five of the top six films in this time period were all based on IP. I made a big chart of films that grossed over $200 million at the box office before Spider-Man: Brand New Day and The Odyssey hit theaters. Let’s update that chart! By the way, if you want to see how I categorized each film—so another bar chart—here it is: I know that many of my fellow critics/pundits/analysts dislike films based on IP and how Hollywood is making so many of them. And I’m sympathetic to this point of view. As I’ve written many, many times before, you need a balance between existing franchises, new IP, and original films. And Hollywood clearly needs to make more films like Resident Evil (a well-made film from a visionary director) and fewer Practical Magic 2’s (which didn’t get critical or customer buzz). But at some point, critics and pundits need to contend with what audiences are telling them: Movie-goers aren’t showing up to original films. Audiences are speaking with their dollars, telling you they want more IP and franchises. You can try to convince studio heads to make fewer IP-based films and franchises, but the data and numbers aren’t there. Instead, critics need to work harder to convince audiences to show up for original films. Aim your ire/concern at the average person, not studio heads.2 Because they’re just making the films that audiences are telling them to make. WRONG: Original Horror Films Didn’t Break Out I’ll be honest, even though I wrote an article casting some skepticism on the horror genre in July, if you asked me to make a prediction, I would have predicted that, in August, a new, original horror film would have blown up. No, seriously, I just assumed that Obsession and Backrooms presaged a change in audience behavior. But none of the buzzy new original horror films from August—Teenage Sex and Death at Camp Miasma, Onslaught (not an action film in spite of the ads), The End of Oak Street, Eli Roth’s Ice Cream Man, or _Buddy—_broke out. To be clear, exactly one of those films (Buddy) had good “ROI”, but again—I try to be specific in my language—none were “popular” in any broad sense of the word. None of them will be “saving” movies theaters like Backrooms or _Obsession_helped save the summer. The new Insidious film and Resident Evil, both based on IP, were far and away the biggest horror films since July. (We’ll see if this changes in October/Halloween season.) RIGHT: Stay Skeptical about Crowdfunding... I’ve long been skeptical about crowd-investing platforms as one of Hollywood’s saviors, mainly because there’s so much hype/buzz. People need to stay more skeptical about more things, explaining both the potential upside but also the downsides. In particular, the media often hypes crowdfunding at the start and never checks in on the actual results after they’ve come in later. And August gave us our first update! _Ice Cream Man—_directed by Eli Roth—grossed $6 million off of a $5.5 million budget. This is a production of The Horror Section, which was one of the first “crowd investing” studios with 2,400 investors, which means that 2,400 investors probably lost money. They certainly aren’t getting as great of returns as if they had just invested their dollars in the stock market. Hopefully Stiletto (Tagline: “Someone’s Going to Make it Rain Blood!”) does better next month. WRONG: Another Data Goof Here’s another data error. When the first episode of House of the Dragon came out, HBO put out that it had 21.5 million viewers in the first three days, and I read that to mean in the US…but no, it was global. So my US-only datecdotes charts shouldn’t have included it. We never got US-only numbers for the first episode, but for the final episode, HBO put out that it had 11 million US viewers. (And that global dropped to 21 million viewers.) Here’s the updated chart (which I’ve since used in the Streaming Ratings Report): Still, this show is absolutely huge. RIGHT: Superhero Films Remain Very, Very Popular After Supergirl flopped, I read a few takes that “comic book movies are going the way of the Western”. Post-Spider-Man: Brand New Day, that take didn’t age well. To be fair, I have a very nuanced take on the superhero genre right now; it’s down right now, for a lot of reasons. But it’s not “dead”. Maybe _Spider-_Man is just a really popular character? I saw that take, and it’s a fair counter-argument. (But pundits arguing that superhero movies were dead should have mentioned this $1.5 billion counter-argument…) But is it just Spider-Man? The next Avengers film already has $50 million in pre-sales (and I was skeptical that that film would do well) and the Avengers: End Game re-release topped the box office two weekends ago (over three original films). And I wouldn’t bet against Batman or Superman. So maybe it’s just Spider-Man, Batman, Superman and the Avengers. Oh, and Deadpool, of course. And Black Panther. And Wolverine. And probably the X-Men. Plus a well-made Wonder Woman or the Hulk film could break out. But that’s it! It’s just those ten characters/teams. Oh, what’s that? Lanterns is also doing well on HBO? (See previous section…) To be fair, I’m actually pretty sympathetic to the argument that more popular characters—like Spider-Man and Batman—anchor more popular films. In fact, I made that exact argument three years ago when I first wrote about the “Marvel-cession”. In many ways, you can blame The Guardians of the Galaxy for fooling Marvel Studios (and the rest of us) into believing that any character could pop. It turns out, the list of iconic characters is probably smaller than most people think. But it’s probably too early to say that superhero films and comic book movies are dead unless “death” means a slight decline over a longtime. RIGHT: Who Killed Theaters? Old People I get frustrated whenever I see headlines or analysis about how young people are “returning” to theaters. As I’ve detailed(for years), young people have always powered the US box office, despite narratives about “kids these days” and their “phones”. Really, what’s changed post-2020/pandemic is that old people aren’t going to the movies nearly as much. This summer, I saw a movie (from an older director) in a theater near a retirement community, and multiple older people at the theater were talking about how this was their first time seeing a movie in years. I dislike personal anecdotes, so YouGov can fill in the data, best summarized by this headline: “Who killed movie theaters? Not the youths”. According to them, 64% of people aged 18-29 have seen a movie in the last year, but only 30% of 65-and-older. 20% of 18-29 have seen a movie in theaters in the last week and 42% in the last month. Here’s the polling data: Most concerning? Many Americans (17%) think theaters are a worse or much worse experience than watching films at home. Slight WRONG: Hadestown Opens Big A live theater capture of the Broadway musical, Hadestown, made $20 million at the US box office, which begs the question: was I wrong to be skeptical about musicals a few years ago? Yes and no. On the one hand, $20 million is a far cry from being “popular”, so yeah, the genre isn’t that popular overall and Hadestown is one of the more popular musicals from recent years (i.e. the “Taylor Swift Data Fallacy” in action). On the other, I doubt filming this cost all that much, and I don’t think that they spent much on marketing, so this is a good source of ancillary revenue. Smaller Updates WRONG: As I mentioned in a Streaming Ratings Report, I underestimated the budget for Enola Holmes 3. It probably cost more like $50 million, if not more. But... I’m not sure that it really matters? At sub-10 million hours, prices have to come down to make this work. WRONG: Netflix is giving Ink a 27-day in theaters! To quote the kids/YouTubers these days, let’s go! Now I might actually have a chance to see Danny Boyle’s latest in theaters. I’d complained about this in a “Coming Soon” section, but I was heartened to read that Netflix is giving multiple films longer theatrical windows this year. RIGHT: Netflix is sending 4-5 films per year to theaters. Netflix is slowly but surely sending more and more films to theaters, as I cautiously predicted earlier this year. For now, it’s just three big films and a number of awards contenders, but still, this is great news. And they’ll be releasing box office grosses! Just this week, Ted Sarandos confirmed that KPop Demon Hunters 2 will come to theaters (and my guess is it performs in the box office top ten at a minimum). WRONG: Angel has 3 million subscribers! How do I know this? Well, they told Deadline, who reported it. I marked this as “wrong”, since they’ve doubled their subscribers in one year but, you know, they don’t really have a hit film to speak of and they’re still losing money. WRONG: Furious was only renewed for one more season. I accidentally wrote “two more seasons” in my latest “Renewals, Cancellations, Un-Orders and Removals Update”. RIGHT: House of David is ending with its third season. In July, Prime Video renewed House of David for a third season, as I just wrote in my latest “Renewals and Cancellations” report. Well, now it’s ending after that third season. Why? As I’ve been writing, its viewership wasn’t great. I got feedback that this show didn’t cost very much, but it cost enough that its limited viewership didn’t save it. WRONG: Adults was a Hulu original! So I missed Adults when it first came out last year; I saw that it aired on FX and just assumed that it was a linear-first program. Turns out, it aired three episodes on FX, but binge-released the rest of its episodes the next day on Hulu. Huh. So I should have covered it last year! But I just wrote about it. 1 “When I was a kid in the 90s, if you wore a t-shirt to school that wasn’t too big and also wasn’t too small, but somehow didn’t quite fit, we’d say you were wearing an “extra-medium” shirt.” 2 As always, a huge exception is Disney, which barely makes anything original anymore.
Mountain lions changed everything in this tiny California preserve
A surprising ecological makeover unfolded when mountain lions began frequenting a small preserve south of San Francisco. Deer activity dropped, plants recovered, and shifts among predators like coyotes, bobcats, and foxes followed. The study shows that powerful “trophic cascades” aren’t limited to remote wilderness—they can happen in small, suburban preserves too.
Who's wild for Wile E.? 'Coyote vs. Acme' is finally here
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Health officials warn public after coyote injures person in Warwick Township
The Pennsylvania Game Commission is searching for the animal, but officials don't know if it is rabid.
‘Coyote Vs. Acme’ $1.7M Previews, ‘Dog Stars’ $850K As Canines Rule Thursday
Ketchup Entertainment’s dog rescue of Warner Bros’ Animation’s Coyote vs. Acme was solid in previews with $1.7M. That includes not only Thursday money, but also $446K in sneaks last weekend from U.S. ...
'Coyote vs. Acme' review: The movie Warner Bros. didn't want you to see is Looney Tunes at its very best
Starring Will Forte, John Cena and Lana Condor, "Coyote vs. Acme" was fated to be a tax write-off. Then fans spoke out.
V10 Entertainment To Handle Pay 1 & Downstream Sales On Ketchup Movies Including ‘Coyote vs. Acme’
EXCLUSIVE: Ketchup Entertainment has entered into a distribution partnership with V10 Entertainment for the latter to sell the pay-1 window and downstream rights to Ketchup’s movies, including the upc...
Tracy Rietzke Inducted Into Kansas Sports Hall of Fame
Former Kansas Wesleyan standout player and coach Tracy Rietzke ’77 was inducted into the Kansas Sports Hall of Fame Sunday in Kansas City, Kansas. Rietzke was part of a KSHOF record 32-person class inducted into the Hall of Fame in 2026. KSHOF officials divided the inductions into three separate ceremonies concluding on Sunday at Sporting Park. Rietzke retired from coaching volleyball at Rockhurst University following the 2019 season, leading the Hawks for 32 seasons, amassing a 1105-229 record (.828 win percentage). He also coached eight seasons in women’s basketball at Rockhurst from 1988 to 1996, leading the Hawks to a 206-45 record and five NAIA National Championship appearances. Before heading to Kansas City and Rockhurst, Rietzke coached at Kansas Wesleyan after a stellar playing career for the Coyotes. Rietzke coached volleyball, women’s basketball and softball at KWU. In volleyball, Rietzke coached six seasons leading the Coyotes to a 172-56 record. He never won less than 25 games in a season and had three 30-win seasons, the only three in program history, culminating with a 34-9 season in his final year in 1987. He still ranks second in all-time coaching wins at KWU. In women’s basketball, he coached six seasons, leading the Coyotes to a 94-60 record. His career culminated with a 25-5 season in 1987-88, earning the program’s first KCAC Championship that season and the program’s only conference title until 2009. He ranks third all-time in career wins at KWU in the sport. In softball, Rietzke started the dynasty of KWU softball in the 1980’s and 1990’s, leading the program for six seasons, amassing a 126-40 record, ranking third in all-time wins in program history. Rietzke’s teams never finished worse than third place in the KCAC and won or shared four straight conference championships from 1985 through 1988. The Kensington, Kansas native brought his basketball talents to Kansas Wesleyan after two seasons at York College (now University) in York, Nebraska after starring at Kensington High School. In two seasons with the Coyotes, he was a two-time All-KCAC honoree and was an Honorable Mention NAIA All-American in 1976. He continues to hold the KWU school records for season field goal percentage (.771) in 1976, and the career field goal percentage record (.692 (423/611)). His .771 field goal percentage in 1976 led the NAIA. Rietzke is also a member of the Jerry Jones Kansas Wesleyan University Coyote Athletic Hall of Fame (a 1986 charter member), the Missouri Sports Hall of Fame, the American Volleyball Coaches Association Hall of Fame and the Rockhurst University Athletic Hall of Fame. KWU will sponsor Smoky Hills PBS’ presentation of the induction, which will be presented on tape-delay later this fall. Stay tuned to university social media outlets for the announcement of a date and time. Release Courtesy of KWU Athletics
Movie Review: What's up, flop? The toon-human hybrid 'Coyote vs. Acme' should've stayed on shelf
Some Hollywood decisions defy logic. Like, who looked at the world of Looney Tunes, those unhinged cartoons of our youth, and thought: Let’s add a bunch of personal injury lawyers.
Ketchup Entertainment Names Qube Wire As Primary Distribution Partner for Expanding Theatrical Slate, Led By Wide Release COYOTE VS. ACME
Ketchup Entertainment has appointed Qube Wire as its primary digital distribution partner across its expanding theatrical slate, led by Coyote vs. Acme, the company’s largest release to date, set for a nationwide wide rollout this summer. The slate will be immediately followed by Rolling Loud, starring Owen Wilson, Matt Rife, and Travis Scott, further cementing […]
'Coyote vs. Acme' & Other Ketchup Movies To Be Sold By V10
Ketchup has entered into a distribution partnership with V10 for the latter to sell the pay-1 window and downstream rights to Ketchup's movies.
Meep, meep. ‘Coyote vs. Acme’ opens with $15.5 million, 'Spider-Man' stays No. 1 for fifth weekend
Three years after Warner Bros. abruptly canned “Coyote vs. Acme,” the Looney Tunes feature film that was given a new lease on life by Ketchup Entertainment debuted with an estimated $15.5 million in ticket sales over the weekend. For the fifth weekend in a row, “Spider-Man: Brand New Day” topped…
Las Vegas Hosts 35th Annual Disability Awareness Day With Free Resources and Entertainment
Families, caregivers, and people with disabilities can find a full day of support, information, and fun in one place when Las Vegas hosts the 35th annual Disability Awareness Day on…
'Coyote vs. Acme' made stronger by corporate conflict
I want you to imagine that you are in an art class. You’ve spent all year working on your project; you and your friends are really proud of the end
University of Washington study suggests more coyotes are living in cities
University of Washington researchers found that coyote density in Seattle was nine times higher than in the wild.
Oilers Sign Finnish Forward Aku Raty
Fresh off a dominant point-per-game season in Finland, the former Coyotes draft pick returns to North America on a two-way deal to bolster Edmonton's offensive depth.
'Coyote vs. Acme' Earns $100 Million, Proves David Zaslav Wrong
Three years after Warner Bros. shelved "Coyote vs. Acme," the Looney Tunes adaptation is a box office hit.
Nebraska softball named big winner by USA TODAY Sports for postseason
The Nebraska softball team will open the tournament against the South Dakota Coyotes (20-34-1) on Friday, May 15, at 5:30 p.m. CT.
V10 Entertainment To Handle Pay 1 & Downstream Sales On Ketchup Movies Including ‘Coyote vs. Acme’
EXCLUSIVE: Ketchup Entertainment has entered into a distribution partnership with V10 Entertainment for the latter to sell the pay-1 window and downstream rights to Ketchup’s movies, including the upc...
'Coyote vs. Acme' Official Trailer Debuts from Ketchup Entertainment
Prepare for cartoon chaos to meet the courtroom in 'Coyote vs. Acme,' the live-action/animated movie making its long awaited debut in August.
Jumbo $5.8B freight brokerage deal will ripple through Chicago
C.H. Robinson is buying RXO, the parent company of Coyote Logistics.
Iconic Spurs entertainment tradition returns
Spurs fans will notice an electrifying new addition to the game day experience at Frost Bank Center this season. After eight long years, the iconic all-female dance group — the Silver Dancers — will grace the sidelines once again. Spurs Sports and Entertainment originally dismantled the team in 2018 after their 26th season due to...
Coyotes selected to the Lincoln Regional
VERMILLION, S.D. (USD) — The South Dakota softball program will be heading to Lincoln, Nebraska for the Lincoln Regional in the 2026 NCAA Softball Tournament. After winning the program’s first-ever Summit League Tournament title, the Coyotes will partake in their first-ever NCAA Tournament in program history – in Division I or Division II – since the program […]
'Coyote vs. Acme,' 'Scream 7’ Box Office Protest Ticket Analysis
“Coyote vs. Acme” had a buycott; “Scream 7” faced a boycott. What their box office results reveal about Hollywood’s new protest ticket economy.
Coyote vs. Acme finally opens in theaters after multiyear detour
It was a long road.
What's The Biggest Difference Between Ford's Coyote And GM's LS Engines?
The biggest differences between Ford's Coyote and GM's LS engines are their camshaft locations and their sizes. The Ford engines also produce more horsepower.
Coyote vs. Acme is even funnier because Warner Bros. Discovery tried to kill it
The answer may surprise you.
Nebraska forces 1-1 draw against South Dakota
Nebraska held its home opener on Sunday against South Dakota. The Huskers forced a draw against the Coyotes 1-1 after trailing for over 40 minutes.
'Coyote vs. Acme' Distributor Picks Up 'ViQueens' Animated Movie
Ketchup Entertainment has acquired North American rights to Norwegian animated movie "ViQueens'
'Coyote vs. Acme' review: Courtroom drama wastes cartoon icons
"Coyote vs. Acme" is a live-action and animation hybrid that brings Looney Tunes into the courtroom. The film features Wile E.
'Coyote vs. Acme' review: A movie worth fighting for
Will Forte and John Cena face off over the fate of Wile E. Coyote in this silly but smart (and nearly shelved) comedy.
USD soccer takes down Drake in Senior Day shutout
VERMILLION, S.D. (USD) — South Dakota women’s soccer closed out its two-match homestand in style Sunday, defeating Drake 2-0 at First Bank & Trust Soccer Complex on Senior Day. The Coyotes earned their third win of the season while handing the Bulldogs, the Missouri Valley Conference preseason favorite, their third loss of the season. The Coyotes […]
'Spider-Man: Brand New Day' Takes Fifth No. 1 As 'Coyote vs. Acme' Takes $14 Million Opening
Ketchup Entertainment nearly quintuples its opening weekend record while 20th Century's "The Dog Stars" bombs with $7 million launch