SCROLL NEWS / DISCOVERY
Search headlines
Find the stories shaping the conversation.
Results for " Laika " 18 found 🔀 AI-powered Shuffle
Laika has spent 20 years building up to Wildwood
How the stop-motion animation studio blends traditional techniques with modern tech.
From Wildwood to John Legend: your complete entertainment guide to the week ahead
Anination studio Laika takes flight with a grownup stop-motion tale, while the Grammy-, Oscar- and everything-winner returns with a Pharell-produced 11th album
'Wildwood' review: Laika's stop-motion animation impresses
Two intrepid teens head into the unknown on an absorbing, densely detailed rescue mission — not for the especially young — that stuns at every turn.
With ‘Wildwood,’ Laika’s stop-motion magic returns to the PNW
The animation studio's latest film, the Pacific Northwest-set "Wildwood," opens in theaters this week. Here's how the magic happened.
Laika's 'Wildwood' is rated PG-13. Here's how animation is changing
The PG-13 stop-motion epic opens Oct. 23. Can it draw teens and adults when even well-reviewed originals like “Forgotten Island” have struggled?
‘Wildwood’ review: Laika’s stunningly animated epic is a visual wonder
"Wildwood," the latest release from stop-motion studio Laika, shines bright visually. Its story, though, is quite a bit darker, writes our reviewer.
LAIKA and Fathom Entertainment Announce Nationwide WILDWOOD Fan First Premium Screenings
Following its acclaimed world premiere at the BFI London Film Festival, LAIKA and Fathom Entertainment have announced nationwide fan first premium-format screenings of Wildwood, director Travis Knight’s ambitious new stop-motion fantasy adventure. The film will be presented in more than 100 participating theatrical locations on Monday, October 19, offering audiences an exclusive early opportunity to […]
Angela Bassett and the “Wildwood” team discuss that high-flying chase sequence (exclusive)
“We hadn’t built much more than chickens, in terms of feathered animals, so an eagle was a huge feat,” Ollie Jones, Laika’s head of character and practical effects, tells EW.
‘Wildwood’ review: LAIKA weaves its extraordinary animation magic into a dark fairy tale
Think twice about bringing kids to the "Coraline" creators' brutal and spectacular adventure. Adults? Must watch.
Behind the Seams | Wildwood
Go behind the scenes at LAIKA Studios for an up-close look at the extraordinary costumes of ‘Wildwood,’ the studio’s most intricately designed stop-motion film yet. Nearly 20 years after ‘Coraline,’ LAIKA’s artists and designers reveal how every tiny stitch, button and layer of fabric is handcrafted and engineered to help bring its puppets to life, combining costume design, fabrication and animation at an astonishing scale.
Laika Readies ‘Made by Humans: Creatives in Conversation,’ a New Video/Podcast Series
"Made by Humans: Creatives in Conversation," a new video/podcast series from LAIKA, partners creators in new and unique ways.
Andrew Abbott leaned into some science to get his season back on track
Andrew Abbott locked in on the stick-figure graphic of himself. The world of biomechanics is very advanced. But with Abbott going through the worst rut of his big league career, he opened up to some new ideas to get himself back on track. He asked for some help, and he leaned into some sports science. He said the stick figures made it clear, and he credits biomechanics for helping him get his season back on track. Over his last three starts, he has allowed two total runs in 17 ⅔ innings. “There’s a photo of (me) last year and the year before on a graph, and this year is in a different color,” Abbott said. “You see where you are in comparison to that. Where the hands are at this moment, where your feet are, where the knee is, where your head is at, where your shoulders are at, it breaks it all down if you want it.” When Abbott saw his mechanics in this objective way, he recognized exactly what had been going wrong. “When my tempo, my feet and my hands are aligned, then normally my mechanics are sound,” Abbott said. “And when my mechanics are sound, my stuff behaves normally. The fastball is jumpy. I’m up in velo. My extension is better.” Abbott said that he started diving more into his biomechanics in the middle of April. The Reds have a biomechanics team, which works closely with pitching coach Derek Johnson and hitting coach Chris Valaika. Leading the group is biomecahnics manager Franky Mulloy. “I laugh every day,” Francona said. “When Franky starts talking, I start laughing. I remind him to know his audience.” Francona isn’t a scientist. The Reds’ manager jokes about his own comprehension of the data. But it’s easy for him to recognize the value that the biomechanics team is providing. “That’s why we got them,” Francona said. Abbott said that he had his first big biomechanics-oriented meeting in the middle of April. Behind the scenes, there was already a lot of communication going on within the Reds’ staff. “Franky calculates all the things, builds it into these graphs, and DJ gets them,” Abbott said. “They have their internal communication. Then, we go to them and ask what about this or that. The main thing for me is arm angle.” The data shows Abbott how his arm angle evolves from start to start. He hasn’t meant to change it. But just like all of us, our posture might be different from one day to the next. Pitchers’ arm angles can make minor shifts without the pitcher or even coaches noticing. But the data can’t miss a change like that. Abbott recognized that his arm angle had been moving around without him noticing. Now, he checks in with the data to make sure that his mechanics are in sync. “They get into these cool looking graphs,” Abbott said. “I can’t really describe them. I don’t know what they are. But for me, it’s a photo of a stick figure of myself.” The stick figure of his current positioning is superimposed over previous versions of himself. With that format, Abbott can compare his mechanics on any given day to what they were when he was pitching at his very best. “It was very noticeable from the moment I saw this year as black compared to two years ago and last year, it was very, very different,” Abbott said. “I could see with my eyes without having to ask any questions about the difference in the photos.” For any pitcher, there are a lot of moving pieces in your delivery. For Abbott to be the best version of himself, he needs his head, his arm, his hand, his knee and his feet to be on the right “tempo.” “Tempo is a word I’ve used a lot,” Abbott said. “Getting everything in certain areas working together.” He has been much better at that recently. The data backs that up, and so does Abbott’s ERA. The biomechanics data has also given the Reds’ staff and Abbott some better ideas for some training that he can do between starts. He has added drills to shore up areas of his body that Abbott needed to make stronger. “They make a plan based off what they see,” Abbott said. “If things start changing, we know what to revert back to.” Overall, Abbott says that he’s not a very analytical guy. There’s so much information out there, and he says that it’s important for him to not get too analytical when he breaks down his specific pitches. He has learned the value of being “analytical about mechanics.” And the way that the Reds presented that information to him made it easier for him to make the right adjustments without being overloaded by information. “It was a very simple fix,” Abbott said. “It took a long time to finally get there, feel the results and see it. But for the most part, it was very simple to apply it.”
LAIKA Partners With Fathom Entertainment for Domestic Distribution and FilmNation Entertainment for International Sales on Wildwood
PORTLAND, Ore., January 20, 2026--LAIKA partners with Fathom Entertainment for U.S. and FilmNation Entertainment for international sales on "Wildwood", coming October 23, 2026.
LAIKA's 'Wildwood' Sets October Theatrical Release with Fathom Entertainment
LAIKA"s sixth stop-motion animated feature 'Wildwood' will arrive in U.S. theaters on October 23 through Fathom Entertainment.
Laika’s New Distribution Partner? Fathom Entertainment, Which Isn’t Just for One-Off Events Anymore
After previously working with Focus Features, Annapurna Pictures, and United Artists Releasing, the stop-motion studio has picked a new partner to bring its film to audiences.
Laika’s New Distribution Partner? Fathom Entertainment, Which Isn’t Just for One-Off Events Anymore
After previously working with Focus Features and more, stop-motion studio Laika has picked a new partner to bring 'Wildwood' to audiences.
Laika Partners With Fathom Entertainment to Release Next Stop-Motion Film ‘Wildwood’
Laika, the leading stop-motion animation studio, has partnered with Fathom Entertainment for the release of their new film Wildwood.