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The Politics of Retrieval: Accessing the Backstage of Judicial AI

--Estefânia Maria de Queiroz Barboza, Constitutional Law Professor, Federal University of Paraná (UFPR); Gustavo Buss, PhD Candidate, Federal University of Pa

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Oct 15 • 2:00 AM EDT • Politics • iconnectblog.com
NEUPATH HEALTH TO HOST ANNUAL PHYSICIAN FORUM FOCUSED ON CLINICAL EDUCATION

TORONTO, September 23, 2026--NeuPath Health Inc. (TSXV:NPTH), ("NeuPath" or the "Company"), operates one of Canada’s largest networks of community-based, multidisciplinary medical facilities focused on the assessment and treatment of chronic pain, musculoskeletal/back pain, sports medicine and other pain-related medical services, today announced that it will host its annual Physician Forum from September 25 to 27, 2026, at Fairmont Le Château Montebello in Montebello, Québec.

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Sep 23 • 7:30 AM EDT • Health • finance.yahoo.com
‘CODA’ didn’t change Hollywood for the disabled. Siân Heder hopes ‘Being Heumann’ can

“CODA,” the first film featuring a largely deaf cast to triumph at the Oscars, marked a watershed moment for the film industry | WBBM Newsradio 780 AM & 105.9 FM

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Sep 11 • 2:45 PM EDT • Entertainment • audacy.com
This Lafayette artist turns mud into the places people never want to forget

Over the years, Kai Drobish has has created items representing a lighthouse in Australia, a castle in Cuba, churches in Spain and Italy, hospitals in the United Kingdom, country houses in England and Scotland and a château in France.

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Sep 8 • 10:00 AM EDT • Entertainment • theadvocate.com
Entertainment Notebook: Paris comes to Montreal in AMÉLIE: The Musical

Amélie Poulain is welcoming people back to the Two Windmills Cafe! The META-nominated production of AMÉLIE: The Musical returns for a limited engagement. Presented by Penumbra Théâtre Pénombre at the

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Aug 23 • 8:00 AM EDT • Entertainment • thesuburban.com
Entertainment Notebook: Paris comes to Montreal in AMÉLIE: The Musical

Amélie Poulain is welcoming people back to the Two Windmills Cafe! The META-nominated production of AMÉLIE: The Musical returns for a limited engagement. Presented by Penumbra Théâtre Pénombre at the

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Aug 23 • 8:00 AM EDT • Entertainment • thesuburban.com
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Lessons from the Vogue Business Global Summit: Chantilly

This year’s European Global Summit was held at the beautiful Château du Chantilly just outside of Paris. The two-day event saw industry leaders discuss the future of luxury, AI, and new growth markets.

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May 22 • 10:55 AM EDT • Business • vogue.com
Behind the scenes at the Vogue Business Global Summit: Chantilly

This year’s European Global Summit was held at the beautiful Château du Chantilly just outside of Paris. The two-day event saw industry leaders discuss the future of luxury, AI, and new growth markets.

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May 22 • 10:01 AM EDT • Business • vogue.com
Punk Politics/Camp Costume is a fashion exhibition curated by (some of my) brilliant Parsons students!

I have the most amazing students. I teach Fashion Journalism at Parsons, as part of its MA Fashion Studies degree, though I have students of all different disciplines throughout the New School in my class — from fine-art photographers to investigative journalists to textile designers. And I learn about all sorts of fascinating things from them, like that designers are adding faux sweat stains to their garments now (part of a trend piece about “anatomy core”) and that real “French girl style” is actually about being “cunti cunta” (aka loud, rude, too much, liberated). So when I found out that some of my students were curating a fashion exhibition opening tonight(!!!), I just knew that it would be brilliant too. Wearable Art is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe It’s called Punk Politics/Camp Costuming1, and it’s up through May 10 at La Sudestada, the wonderful gallery and concept store in Greenpoint, Brooklyn. I asked the exhibit’s lead curator, Ella Birney (a talented costume and knitwear designer from Belfast who also happens to be in my class), all about it. This conversation has been edited for length and clarity. Tell me about the idea of this exhibition and how it came about. Ella Birney: For our Fashion Curation class, we had to pitch [exhibition] proposals to our professor, Jessica [Glasscock], and I really wanted to continue on the themes that I was exploring in my BA when I was studying in London a couple of years ago. My BA was very punk-inspired and very political. Everything I do, as you know from my writing, always has a slight Irish, political twist to it2. So in my BA project, it was looking at knitwear as a conveyor for exploring political identity in somewhere like Ireland, where identity is such a point of contention. And looking at the images that I generated from that project, there was something so camp about the whole thing. Like, it’s so playful and in bad taste to do a political message — like a knitted Union Jack — out of mohair. There’s something very camp about that. So that’s where it kind of became punk politics/camp costuming — looking at how from the 1970s to now there’s been protest through costume and clothing. What was your BA in? It was fashion textiles, knitwear. Very craft heavy, which — craft is never taken seriously either. That’s also a kind of spin [on the punk/camp thing]. The Union Jack knit that you made is included in the show — what is camp about knitting a Union Jack out of mohair? The whole ethos of camp is kind of bad taste, doing things that are tongue in cheek and a bit wink, wink, nudge, nudge. Like, this is a bit silly. Everything I do is like, this is a bit silly. Like, being from the North of Ireland, everything you do is political. So it’s like, everything is going to be looked at in a certain lens anyway, so we may as well lean into it. So the Union Jack was because I come from a mixed marriage — Protestant-Catholic. And in the North of Ireland, that’s still a big deal. And even though I’m a Catholic and brought up in a very like Catholic Nationalist family, there [were] Union Jacks [the symbol of the United Kingdom] on my street. So I was like, then I’m gonna make your Union Jack out of knitwear. And then that kind of all linked back to the punk movement that Vivian Westwood forefronted in the late 70s, [with her stores] Let It Rock and Seditionaries. How did you source your items? Once we decided on this exhibition idea, everyone in the class was put to [think about] what do you think can fit into punk politics/camp costuming and finding designers that fit that brief. Me and my co-curators, Dulcinea Flores and Allison Gramando, made a brief to send out — with a mood board and color stories, stuff like that — and then everyone kind of got to work emailing people. We reached out to other Parsons grads. Even through Instagram stories we’ve been able to reach so many people who were like, Yeah, of course, I’ll write something for this, or Please — let me submit stuff. It actually was quite easy sourcing things. … The Parsons thing gets you quite far. What were some great pieces you got? There’s a Brooklyn-based, nonbinary artist called Buzz Slutsky. I can’t even remember how I found them, but I came across this crazy, shoe thing — they had made all these different shoes out of papier-mâché, and the story behind them is so fantastic, so interesting. They were just so obliging, like, Of course, you can have these for a few weeks. I was really happy about that. And then we have art from a collective here called Art Comes First. And they lent loads of really amazing pieces that just tied everything together. You have your Union Jack knit in the show too. Any other pieces that you made? There’s three of my BA mohair knits. There’s the Union Jack. There’s a mohair with the word “No” — which is based on an old political campaign in Ireland that was “Ulster says no to sodomy.” And then there’s another one that is red, white and blue, like the Union Jack, but has the word “Catholic” on it and lots of holy medals. I’m so happy I got to include those. How many pieces are in the show? Between 49 and 52, something like that. A load of clothing and accessories, shoes. There’s a Brooklyn-based Irish photographer who’s given us photos. There’s also a shopping cart that is an art piece by Art Comes First that has gold knuckle dusters as the handles. There’s also lots of T-shirts, original pins from the 70s and 80s that were from people’s dads. I also brought my record player, and all of [co-curator] Allison’s dad’s original albums so everyone could play records. Oh my gosh! Yeah, it’s cool. Anything else you would like to add? If we get to do an exhibition, why would we not make it political in this day and age? I hope that people come. There’s a lot of history, because it starts back in the 70s. It’s not like chronological or anything, but there are historical objects. I hope people come out of it thinking, out of all the really horrendous decades of the 70s and 80s and 90s, all these amazing subcultures happened. There are horrible political times, but there’s art that comes out of it that lasts. Punk Politics/Camp Costume is on view May 1-10 at La Sudestada, 67 West St. Suite 513, Greenpoint, Brooklyn. RSVP for the opening Friday May 1 6pm-8pm here. There’s also a button-making and patch-making workshop and artist talk May 9. Follow the show’s Instagram page @punkxcamp.parsons. Special shout out to all the students who put on this show: Ella Birney (lead curator), Dulcinea Flores (curator), Allison Gramando (curator), Pierre Sanon (lead exhibition designer), Eliana Daneshvari (exhibition designer), Reilly Lowell (editor), Jess Gayo (researcher/writer), Joyce Gayo (researcher/writer), Maria Magdalena Ugarte Montero (researcher/writer), Cassidy Colarik (exhibition press officer), Shelby Shovein (educator), Sarah Mahnke-Baum (educator), Trinidy Coleman (graphic designer), and Leonie Soravia (project manager). Jessica Glasscock was the faculty advisor. 1 The website is definitely worth checking out. 2 This is true!

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May 1 • 3:59 PM EDT • Politics • raquellaneri.substack.com
From the Chaos Vault: Secret Lair Dandân Decklist

Dandân has officially surfaced in Secret Lair! This 80-card, Fish-filled deck will be available tomorrow, March 16, through the Chaos Vault.

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Mar 15 • 12:00 PM EDT • Technology • magic.wizards.com
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'Sirât' is nominated for Best International Film and Best Sound at the Oscars

The film was the winner of the Jury Prize at the 2025 Cannes Film Festival

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Mar 6 • 2:22 PM EST • Entertainment • spectrumlocalnews.com
Live Nation Entertainment, DF Entertainment, and Dale Play Live Enter Into Long-Term Partnership With Club Atlético River Plate at Mâs Monumental Stadium

Live Nation Entertainment today announced a long-term partnership with Club Atlético River Plate, alongside DF Entertainment, Argentina’s leading international live entertainment company; and Dale Play Live, Argentina’s leading Latin live entertainment company, to further elevate Mâs Monumental Stadium as one of the world’s premier destinations for global touring artists and…

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Jan 28 • 1:00 PM EST • Entertainment • newsroom.livenation.com
‘Zack is a phenomenal leader’: Siân Berry on the Green party’s next steps as membership doubles

Since Zack Polanski took over as leader, the party has doubled its membership and its four MPs want to take on Reform’s anger and build community spirit

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Dec 30, 2025 • 6:00 AM EST • Politics • theguardian.com
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