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Tiger mauls man to death at U.K. animal park, evacuation ordered after guest entered enclosure
Police gave an update on the incident in a statement obtained by EW.
Jessica Biel and Justin Timberlake’s son disapproved of her revealing outfit in ‘Matchbox: The Movie’: ‘Yuck’
The 11-year-old was “very concerned” about one of his mom’s looks in the new Apple TV film.
Matthew Lillard recalls thinking post-“Scream” night shoot that movie was ‘lame’ and he’d become a TV star
Around this time, he filmed a pilot that never aired.
KJ Apa talks finding Jimmy Stewart’s voice, recreating classic ‘It’s a Wonderful Life’ scene
KJ Apa talked to Entertainment Weekly about the new biopic ‘Jimmy,’ in which he plays Oscar-winning actor James Stewart, known for his distinctive voice and the all-time Christmas classic ‘It’s a Wonderful Life.’
Princess Diana’s Brother Offers Prince Harry and Meghan Markle a Place to Stay: ‘Rent-Free of Course’
Princess Diana‘s brother Charles Spencer is offering Prince Harry and Meghan Markle a permanent home should things get too rough where they are in the U.K., a source tells Closer. “He adores Harry and...
IRRR, AEOA celebrate 1,000 small business grants
The Ely Echo weekly newspaper and its companion pieces - North Country SAVER and North Country ANGLER - provide insight into the news and happenings of northern Minnesota, alongside the Canadian border. www.elyecho.com
Colorado Politics Calendar Oct. 12-18
CoPo’s weekly political calendar will help you find political and public-policy events throughout Colorado. It includes candidate and issue campaign events, public policy meetings, court hearings, state and local party conventions, assemblies, debates, rallies, parades, speaking engagements, traveling dignitary appearances, water meetings, book signings, county commission hearings, city council meetings and more. As a subscriber, […]
Weekly Portland women’s sports wrap up (10/9)
Weekly Portland women’s sports wrap up (10/9) presented by Rebound Orthopedics and Neurosurgery and Rivermark Community Credit Union.
Britney Spears drops 2001 unreleased song written with ex Justin Timberlake, ‘She’ll Never Be Me’
The track is part of the 25th anniversary edition of her album “Britney.”
“The Exorcist ”film, starring Scarlett Johansson, should feel ‘dangerous’: ‘It made me wildly uncomfortable’
“I want this to be a world where God is dead,” writer-director Mike Flanagan tells EW as the new trailer drops.
“Newlyweds” showrunner fired before series premiere, calls series ‘the most joyous TV experience of my life’
Gail Lerner co-created the NBC sitcom, which stars Téa Leoni and Tim Daly, with Jamie Lee Curtis.
Bob Mackie’s death certificate reveals shocking new details after rep confirmed designer died of pneumonia
The fashion designer suffered a fall in the days before his death.
Ciara Miller says “DWTS” did not show enough of her personality beyond Bravo’s “Summer House” scandal
Miller and her pro partner, Brandon Armstrong, were eliminated from the competition in week 4.
Netflix’s Summer of Bummer
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Today, I’ve got a guest post from longtime friend of the newsletter, Brandon Katz. I’ve been trying to find time all summer to look at Netflix’s straight-to-streaming film slate, but between a pre-planned trip and Nielsen moving up their streaming data timeline, I’ve been swamped. So I reached out to Brandon, one of my favorite fellow analysts, to write about it. And I feel like he captured the tone and data focus of the newsletter perfectly. You can connect with Brandon on LinkedIn and Twitter. Enjoy! Don’t worry, folks. You’re in safe hands with me. To ease any anxieties about an interloper in ESG’s domain, I’ll start by stealing one of his best framing devices: headlines. Box office flops are covered in the same way the Teenage Mutant Ninja Turtles eye pizza: with cartoonish insatiability. I would know. I’m a former reporter who wrote nearly identical headlines: Yet, intentionally or not, streaming misses get treated with kids gloves, filtered through a rosy lens: In the last six years, U.S. streaming viewership has become nearly as transparent as the box office, but the data often arrives weeks later, in a number of less intuitive metrics, and with nary an official budget to be found. This plays into the Wall Street-whispering narratives major streamers have been cultivating for years. They get a pass in a way that theatrical studios simply don’t. Subscribe Netflix’s Summer Slate Not a single Netflix original film released between May and August this year opened above 20 million U.S. TV hours, per Nielsen. That benchmark usually serves as the EntStrategyGuy’s floor for a streaming hit on Netflix. None of these films enjoyed a hit-cementing single week of 20-plus million hours during their runs. Netflix’s two best films were true crime docs, Maternal Instinct (16.5 million hours) and The Crash (19.7 million), the best overall week for a film this summer. Great for most other streamers, but not necessarily what we’re used to seeing from Netflix. For an overly-dramatic comparison, Happy Gilmore 2 opened last summer to around 47 million hours (celebrity cameos, baby!). Zooming out, the picture looks even worse. In 2026, Netflix’s five biggest scripted summer films posted the lowest average (28.6 million hours) and median (28.8 million hours) eight-week viewership totals of the past four years. Now, it’s unrealistic and unfair to expect Netflix to deliver a _KPop Demon Hunters-_sized hit every year. But it’s also not ideal to see the size of their hits shrinking over the last few summers. Let’s quickly run through some of the notable summer misses. Jennifer Lopez and Brett Goldstein’s perfectly fine romcom, Office Romance, fell off the charts after 20 million hours in its first two weeks. Top films usually last for four-plus weeks. Starry titles ideally don’t decay that fast either. Homegrown star Millie Bobby Brown couldn’t prevent the snappy Enola Holmes franchise from diminishing returns. At 14.3 million U.S. hours, the third film posted roughly half of what the first two films did in their first two weeks. What’s on Netflix calculated that per-day global views were down nearly 60% from the second movie. The Whisper Man did okay with more than 36 million hours over its first four weeks. But I expected a little more juice from a film featuring Robert De Niro, Michelle Monaghan, and Adam Scott. Kevin Hart’s Ladies First collected just 11.2 million hours total across two weeks. That’s a big miss for one of Netflix’s go-to stars. Plopping into the same bucket are Sunny Sandler’s Don’t Say Good Luck (10.3 million in two weeks) and John Cena’s Little Brother (17.5 million). Meanwhile, English-language originals Color Book (June 19), In the Hand of Dante (June 24) and Heartstopper Forever (July 17) never sniffed Nielsen’s Top 10 at all, despite needing only 2 to 5 million hours to land in the top ten most weeks. (By my count, eleven English-language scripted original films released between May and August did chart). It’s only fair to mention that Swapped (1-May) posted nearly 42 million U.S. hours over five weeks (the longest Netflix original run this summer) and is currently their eighth most-watched English-language film ever worldwide. Remarkably Bright Creatures (37 million, 4 weeks) and Voicemails for Isabelle (27 million, 4 weeks) weren’t bombs either. Still, overall, I think it’s fair to say this was a quieter summer season than we’re used to seeing from the market-leader. You might not realize that given the language commonly used in public analysis. The Twist Despite the starkly black-and-white tone of the coverage, here’s the twist: when many box office bombs arrive on streaming, their viewership looks a whole lot like many of Netflix’s supposedly successful summer releases. Hmm, where have we heard that one before? Masters of the Universe topped out at $65 million stateside against a $170 million budget_._ I’ll admit, Skeletor ripping sleeveless curls as a gym bro and bodyslamming Adam’s co-workers was funny. But, much to the chagrin of my bank account, my laughter doesn’t launch franchises. Yet the He-Man reboot opened to 19.6 million hours (from a Wednesday five-day opening instead of just one weekend), on par with Hoppers on Disney+ (19.4 million). It put up nearly 47 million hours over its first six weeks, bigger than all of Netflix’s summer releases. Pretty darn healthy and likely to land among the 25 most-watched movies on streaming this year. Sticking with Amazon, The Sheep Detectives just barely broke even at the box office with $133 million worldwide (and only $66 million domestic). I never expected cloven-hooved, cud-chewing mammals to be able to bring me to tears. Yet that’s exactly how I found myself at the end of this surprisingly affecting movie (#NoShame). It was likely the unexpected quality in a family-friendly film that powered its streaming over-performance. Sheep Detectives delivered a solid run for Prime video netting 26.2 million hours! How about franchise IP? Star Wars: The Mandalorian & Grogu had the lowest opening ($81 million) and lowest-grossing Disney-era live-action Star Wars film ($178 million domestic). One day before release, its Heat score (19.8%)—audiences who list their interest as a 7/7—fell behind blockbusters Wicked (21%), Superman (23%), Fantastic Four: First Steps (23%), Michael (23%), Toy Story 5 (26%) and Avatar: Fire and Ash (27%), according to Greenlight Analytics. The urgent enthusiasm just wasn’t there. On streaming, Mando opened to weeks of 12.1 million, 6.1 million and 2.7 million hours (21 million total) over its first three frames. Not the numbers Lucasfilm was hoping for nor the numbers of a streaming hit. But they’re in the same vicinity as some Netflix summer releases with $345 million at the global box office to offset a smidgen of the pain. Final Thoughts So why oh why does this nuance gap exist? Four key reasons: Data Literacy: A “$100 million opening” just makes sense. After decades of box office reporting, even casual movie fans are well-versed in the benchmarks of hits and home runs. There’s an immediate shorthand. But “16.5 million” hours doesn’t land nearly as cleanly. Despite leaps of progress, the streaming ratings era is still in its infancy compared to theatrical. The EntStrategyGuy and I met thanks to a late 2010s group chat of data nerds hungry to find a shred of certainty in nebulous streaming performance. I’m not surprised to see “No. 1 on Netflix” still getting misconstrued out in the wild. Timing: By Friday morning, we have the box office’s Thursday night previews totaled, allowing us to better project the weekend’s expectations. From there, ticket sales are reported daily. By Sunday, the film’s fate is usually finalized, at least in terms of public perception. In streaming, Nielsen recently improved its delay to…two weeks. The medium isn’t forced to contend with instant gratification as harshly. Financials: Theatrical film budgets are a mere Google away. Profit and loss is calculated in the cold and unforgiving naked light of day for all to see. But finding the vast majority of streaming exclusive movie budgets requires the forensic investigation skills of a Criminal Minds detective. Also, it’s very difficult to calculate how much revenue/value a straight-to-streaming films provides a streamer. This is why there are so few stories about streaming original movies “losing X amount of money”. On top of that, marketing budgets are far greater for theatrical movies than streaming exclusive movies, which leads to earlier and better awareness. This then translates to a wider pool of potential interest. Narrative Control: Netflix is the only major streaming service to publish weekly first-hand viewership data and annual engagement reports. Naturally, some headlines borrow their first-hand framing**.** Other streamers benefit from their comparative lack of transparency. They may occasionally announce vague performance platitudes such as Apple TV’s Mayday becoming its “biggest film debut on the platform to date over its first 18 days,” and that it ranked No. 1 with left-handed viewers in its first weekend. (Fine, I made up that second one). But, for the most part, they keep first-hand viewership shrouded in mystery to avoid bad press. Especially for outlets that demand multiple articles per day from their writers, it’s an easy (and understandable) way for some reporters to hit their daily article quota by just repeating what the streamers have told them. TL:DR version: Streaming-exclusive movies are asked to do different things than theatrical movies, but that doesn’t mean they should escape judgment. Both still need to draw enough eyeballs to justify their cost within the proper performance contexts. The more cleanly we can inject a little nuance into streaming analysis, the better we’ll understand the audience and content trends that drive this industry. And that’s what all of this is really about: knowing what audiences actually want! Brandon Katz is the Director of Insights & Content Strategy at Greenlight Analytics where he focuses on evaluating the ever-fluid media landscape to unearth understanding, opportunity and value. Greenlight Analytics is the entertainment intelligence consulting company redefining how Hollywood finds, understands, and activates audiences. Prior to joining Greenlight Analytics, he served as the senior entertainment industry strategist at Parrot Analytics, and as a full-time entertainment industry reporter covering the Xs and Os of Hollywood, most notably with TheWrap and the Observer.
A new “Carrie ”adaptation, “Fjord,” and “Eternally Yours” top this week’s Must List
“Coven Academy” and Remi Wolf’s “Mud” round out our picks for the weekend of Oct. 9.
Weekly Rundown: Nextech taps Assort Health, EliseAI for agentic AI; Elsevier rolls out clinical AI tool for nurses
Stay up to date on the latest in health tech, digital health and health AI news with this weekly brief. Read below for news from the week of Oct. 5 to 9. | The latest news from Nextech, Assort Health, EliseAI, Elsevier, Arcadia, Solera Health and more.
“DWTS” judge Carrie Ann Inaba responds to claim she shows favoritism among contestants
Inaba has been a judge on the reality competition since 2005.
Sportico Transactions: Moves and Mergers Roundup for Oct. 9
Welcome to Sportico’s transactions wire, a weekly rundown of personnel, partnerships, products and purchases across the sports business industry. PERSONNEL X Games Appoints Sports Steve Rogers as Chief Operating Officer X Games has named sports and entertainment executive Steve Rogers as chief operating officer, as the company continues the expansion of the MoonPay X Games …
Craig Melvin reveals reason for recent “Today” absence: ‘I don’t get to miss work a whole lot’
The anchor was in his hometown celebrating a special occasion.
Chuck Lorre claims Melanie Lynskey was ‘terrified’ of Charlie Sheen during his final “Two and a Half Men” scene
“I had no choice but to shut down the show.”
Journey drummer Deen Castronovo suffers medical emergency during concert
He was taken to the hospital while the concert went on with his drum tech Steve Toomey.
Avatar Kuruk gets his own animated TV series in “Wave of Chaos” first look
Paramount+ revealed imagery of young Kuruk and his animal companion, Nikik.
Your Weekly Michigan Political Brief
Democratic U.S. Senate nominee Abdul El-Sayed has been endorsed by the Michigan Chapter of the Sierra Club, the Michigan Farmers Union and Detroit City Council President James E. Tate Jr. Republican Michael Bouchard Jr. was endorsed by the Southeastern Michigan Association of Chiefs of Police in his run for the 10th Congressional District. The American Federation […]
Pat Sajak makes rare appearance 2 years after retiring from hosting “Wheel of Fortune”
The television personality won an Emmy for his final season on the game show.
Notre Dame Fans To Team: Just Win (Big), Baby
Welcome back to One Foot Down Reacts, where we ask the most connected Notre Dame football fans to weigh in on a weekly question of our choosing. This week, the biggest question after an 11-point win over a North Carolina team and a beleaguered Stanford on deck was: What does the team most need to […]
NYCC apologizes for ‘repeated disturbance’ during panel, actor slams fan for ‘disrespecting’ his castmates (exclusive)
“I will always step in to protect that space,” Rogers tells EW, while NYCC producer ReedPop says it’s “taking steps to ensure any future incidents are addressed in a swifter manner.”
“Shark Tank” star calls out cohost Kevin O’Leary for going ‘too far’ on TV show: ‘What pisses me off’
Robert Herjavec said drama that happens on the show is “not” acting: “When we’re in the moment, it’s very real.”
‘Never going to play a song the same way two times live’: BR record shop jam features ‘monster rotation’ of talent
The goal for Classic Vinyls’ weekly jazz jams is for people to learn, network, appreciate jazz and build community.
Ali Larter explains why she feels ‘so distant’ from her “Landman” character
Angela and Ainsley need to reunite STAT!
Aaron Sorkin reveals the tough question he’d ask Mark Zuckerberg if he ever got the chance
‘The Social Reckoning’ writer-director Aaron Sorkin has never spoken to Facebook founder Mark Zuckerberg despite writing two movies about him. He tells Entertainment Weekly the one question he’d like to ask if he got the chance.
Aaron Sorkin reveals the one thing he’d ask Mark Zuckerberg: ‘There’s a whole other movie in answering the question’
‘The Social Reckoning’ writer-director has never spoken to the billionaire Facebook founder.
Michael Douglas reacts to wife Catherine Zeta-Jones saying she has ‘no intention’ of reading his memoir
The “Wall Street” actor had a brilliant response.
“The Purge”, “M3GAN”, and more Blumhouse movies to get comic book spinoffs (exclusive)
IDW Dark creators tease what’s to come from this new partnership.
Hard Pressed: Alaska Journalists Rewrite the Rules of Survival
The revival of the Anchorage Press as a weekly newspaper defies an industry-wide tide of media outlets going online or out of business.
In brief: 'Stick' season 2 trailer and more
Bill Murray stars in the official trailer for A Course Called Ireland. The six-part documentary series premieres on Paramount+ on Oct. 25. The show follows Murray and his friends as they travel across the island to explore Northern Ireland and the Republic of Ireland's best fairways ...The Die Hard films are getting a brand-new home media release. All five of the movies will be released on physical media in 4K Ultra HD on Dec. 1. Bruce Willis stars as John McClane in all of the Die Hard films. The original movie finds the New York City policeman taking on terrorists after he flies to Los Angeles to be with his estranged wife and two children on Christmas ... TNCMS.AdManager.render({region: 'fixed-big-ad-top-asset', slot: 1, fold: "above"}); The trailer for Stick season 2 is here. Owen Wilson stars as the talented golfer who strives for second chance in the sophomore season. Peter Dager, Timothy Olyphant, Rhea Seehorn, Marc Maron, John Higgins and Billy Zane also make up the cast of the new season. The Apple TV series premieres its first two episodes on Nov. 4. A new episode drops weekly every Wednesday that follows until the season finale airs on Dec. 30 ...Copyright © 2026, ABC Audio. All rights reserved. Thank you for reading kmaland.comAt KMA, we attempt to be accurate in our reporting. If you see a typo or mistake in a story, please contact us by emailing kmaradio@kmaland.com.
On the Move: Week of October 9
Dakotah ReedIowa RealtyPromoted to general managerdakotah@iowarealty.com
Tommy Lee Jones makes a rare red carpet appearance to support “The Lowdown”
The Oscar winner, 80, appears in season 2 of the FX dramedy.
Sanibel Island Writers Conference returns this November
During the past decade, as cell phones and tablets made their way into every jacket pocket and onto most bedside tables, you may – fairly – have subscribed to the
Kyle Richards’ daughter Alexia reveals on “Special Forces ”she was ‘taken advantage of by a friend’
The “Real Housewives of Beverly Hills” star shared that neither of her parents know about the experience.
Matthew Lillard explains why he ‘resented’ the “Scooby-Doo” movies ‘for a long time’
The “Scream” star is now “so grateful” for the “humbling” that the films inspired in him.
“Boy Meets World” star Will Friedle reveals he was recently hospitalized after waking up ‘badly peeing blood’
The 50-year-old actor was recognized by a nurse, who teased him with Eric Matthews’ famous “Feeny Call.”
Ben Affleck may have subtly exposed he owns a prayer candle with his face on it
The actor might have revealed he owns his own merch.
“Boston Blue ”showrunners reveal what it would take to get Tom Selleck on “Blue Bloods” spinoff
“It’s a long, never-ending conversation,” co-showrunner Brandon Margolis said.
Business Insider launched the subscriber only newsletter, VC Insider.
Business Insider is launching VC Insider, a weekly subscriber-only newsletter that covers the deals, people, and power shifts shaping venture.
CNN guest calls out “The View” to Ana Navarro’s face live on air
The Republican “View” cohost remained silent as Scott Jennings criticized the talk show amid Disney’s recent tussle with the Federal Communications Commission.
Catherine Zeta-Jones reveals whether she’s read Michael Douglas’ explosive memoir
“One Helluva Ride” is available for purchase wherever books are sold.
“RHONJ ”star Teresa Giudice’s daughter Milania offers apology after airport incident
“You are the best sorry mother.”
Stars of “Carrie”, “Primetime”, “Off Campus”, and more to be “Entertainment Weekly”’s Breaking Big honorees at 2026 SCAD Film Festival
EW partners with the Savannah College of Art and Design annually to celebrate the best in Hollywood.
Exclusive first look at the return of “A Few Good Men” to the Broadway stage
Bradley Whitford, Tom Blyth, and Krysta Rodriguez headline the highly-anticipated revival.
This Week in Sports Trivia: Oct. 8, 2026
How closely were you following the sports news this week? Find out and test your knowledge by taking The Athletic's weekly quiz.
Is the new best stadium in America in Evanston, Illinois? MoneyCall
The latest free weekly sports business newsletter from The Athletic, also featuring Tebowmania at 20 and an exciting internship opportunity.
BBC Sport weekly quiz: What was odd about Lionel Messi's Argentina debut?
How much attention have you paid to what has happened in the world of sport over the past seven days?
holding space in music therapy for patients with dementia
They call it music therapy, which is too imprecise a term to describe what really happens sometimes, when music touches a person sliding into eternity through a gradually darkening tunnel
Naples Film Festival highlights indie films and new talent
Naples International Film Festival Producer Shannon Franklin grew up in Naples and got her theater degree from the University of Florida, but her area code is all “Hollywood.”
The Herald's weekly entertainment picks
Looking to be entertained from Thursday, Oct. 8, through Wednesday, Oct. 14? Check out the Skagit Valley Herald’s weekly recommendations.
Weekly Entertainment Report: Live music and lively arts, Oct. 8-11 » Nashua Ink Link
Live entertainment could be the key to life.
GLP-1s: the science behind today’s weight-loss drugs
The medicines reshaping obesity treatment grew out of research into how the body handles a meal. Long before weekly weight-loss injections became familiar, scientists were studying signals that travel from the intestine to the pancreas, helping it release insulin when nutrients arrive.
Who Won August and September: Original Films or Franchises?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback... Subscribe Follow-Ups: What Should We Call Mid-Budget Movies Which Aren’t Cinematic Enough for Theaters But Are Too Expensive to Make Money on Streaming? After I asked for feedback on what we should call straight-to-streaming films that are too big to pencil out on streaming but not really big enough to resonate in theaters, I got some great suggestions from you all, including... “Moldilocks” from John Aboud “Little Big Indie” from Travis Frick1 “Midflicks” from Jonathan Funke. “Extra-Medium” from Jona Nwuke. (Read the explanation in the footnote.) Between these and Brandon Katz—who suggested “Bermuda Budget Triangle”, “The Platform Gap” and “The Distribution Deadzone”—we’ve got some excellent suggestions. And they’re better than my suggestion, the “Streaming Budget Dead Zone”, so let’s take a poll! The winning entry becomes the new term. Loading... RIGHT: LIV Golf is Fully Bankrupt…Is Anyone Else Next? A few years ago, I was always a bit perplexed at all the articles I’d read praising LIV Golf and their strategy to disrupt the PGA. LIV Golf, a brand new professional golf league, offered PGA stars ten times what they made on the PGA Tour to join their new league. And folks praised this strategy for its initial “success” in that a lot of big names did indeed leave the PGA. Yeah, of course the players came over. LIV Golf paid them so, so, so much more! But LIV Golf hadn’t discovered a way to increase potential revenue. So think about this in basic business terms… They paid much more in costs… …but had no real way to increase revenue. That’s not a strategy! That’s deficit financing. It won’t work unless you bankrupt the competition (and then turn around and pay those same golfers much, much less). It’s not a sustainable strategy and only lasts as long as the company/person/nation backing it decides they’re cool with losing money. For LIV Golf, that meant Middle East oil wealth, in particular Saudi Arabian money. Clearly, the current Iran War has hurt Middle East finances, so they need to trim their more exorbitant spending. And LIV Golf was part of that trimming. This should be a major warning for others. TGL’s parent company, TMRW Sports, just got a $1 billion valuation, despite TGL’s (the indoor golf league) horrible TV viewership of less than half a million viewers per match. Unrivaled, the women’s basketball league, just secured a $650 valuation, despite its horrible TV viewership and a new rival (Project B) entering the scene next year. To relate this to streaming, Hollywood should ask which streamers may have wealthy patrons funding their losses. (Let’s be clear: Google, Amazon and Apple.) Could those patrons lose their appetite? For Amazon, probably not. But Apple has a new boss, so maybe! WRONG: My Analysis of the Streaming Bubble Was Missing a Week I’m going to be congratulating myself a lot today, but I make mistakes too, like this data goof. When I last compiled the data on the decline in TV shows, I was missing one week at the end of June. If you look at the first image, you can see that one week was mislabelled as “July”. Mainly, this image got updated to show a 27% decline, not 29%: This change doesn’t really impact the overall analysis, but it is two percent better. By the way, through the third quarter, the decline increased and it’s now a 30% decrease since 2022. (I’ll write/visualize this in an upcoming article.) But I want you to trust me and my data. Especially these days, when many people are using LLMs that I know are inserting faulty data into their charts, I want to keep earning my audience’s faith. So that’s the accurate data. RIGHT: IP Remains Very, Very Popular In July, I wrote a giant (and I mean giant) article on Backrooms, Obsession, and the box office, going over what we know, what we don’t know about what works in theaters, looking at YouTubers, IP, the horror genre, comic book movies, and a whole lot more. The month of August really tested a lot of my theses and, being honest, mostly supported my arguments. Let’s start with IP. Looking at 8-Aug (the weekend after Spider-Man: Brand New Day came out) to 18-Sep (the weekend that Resident Evil came out, which I think provides a nice bookend to this time period), there were seven films based on pre-existing IP: Resident Evil (2026) ($126 million) Practical Magic 2 ($65 million) _Insidious: Out of the Furthe_r ($65 million) Coyote Vs. Acme ($59 million) Paw Patrol: The Dino Movie ($53 million) Tony ($15 million) Super Troopers 3 ($7 million) Compare those to the notable original films from the past month—I actually could have included more movies, but here are just thirteen, bringing us to an even twenty films—including.... The End of Oak Street ($54 million) Buddy ($26 million) Mutiny ($15 million) By Any Means ($15 million) The Dog Stars ($14 million) Runner ($14 million) One Night Only ($11 million) Hope ($8 million) Spa Weekend ($7 million) The Uprising ($6 million) Teenage Sex and Death at Camp Miasma ($6 million) Onslaught ($3 million) Eli Roth’s Ice Cream Man ($2.8 million) Here’s that in chart form: Five of the top six films in this time period were all based on IP. I made a big chart of films that grossed over $200 million at the box office before Spider-Man: Brand New Day and The Odyssey hit theaters. Let’s update that chart! By the way, if you want to see how I categorized each film—so another bar chart—here it is: I know that many of my fellow critics/pundits/analysts dislike films based on IP and how Hollywood is making so many of them. And I’m sympathetic to this point of view. As I’ve written many, many times before, you need a balance between existing franchises, new IP, and original films. And Hollywood clearly needs to make more films like Resident Evil (a well-made film from a visionary director) and fewer Practical Magic 2’s (which didn’t get critical or customer buzz). But at some point, critics and pundits need to contend with what audiences are telling them: Movie-goers aren’t showing up to original films. Audiences are speaking with their dollars, telling you they want more IP and franchises. You can try to convince studio heads to make fewer IP-based films and franchises, but the data and numbers aren’t there. Instead, critics need to work harder to convince audiences to show up for original films. Aim your ire/concern at the average person, not studio heads.2 Because they’re just making the films that audiences are telling them to make. WRONG: Original Horror Films Didn’t Break Out I’ll be honest, even though I wrote an article casting some skepticism on the horror genre in July, if you asked me to make a prediction, I would have predicted that, in August, a new, original horror film would have blown up. No, seriously, I just assumed that Obsession and Backrooms presaged a change in audience behavior. But none of the buzzy new original horror films from August—Teenage Sex and Death at Camp Miasma, Onslaught (not an action film in spite of the ads), The End of Oak Street, Eli Roth’s Ice Cream Man, or _Buddy—_broke out. To be clear, exactly one of those films (Buddy) had good “ROI”, but again—I try to be specific in my language—none were “popular” in any broad sense of the word. None of them will be “saving” movies theaters like Backrooms or _Obsession_helped save the summer. The new Insidious film and Resident Evil, both based on IP, were far and away the biggest horror films since July. (We’ll see if this changes in October/Halloween season.) RIGHT: Stay Skeptical about Crowdfunding... I’ve long been skeptical about crowd-investing platforms as one of Hollywood’s saviors, mainly because there’s so much hype/buzz. People need to stay more skeptical about more things, explaining both the potential upside but also the downsides. In particular, the media often hypes crowdfunding at the start and never checks in on the actual results after they’ve come in later. And August gave us our first update! _Ice Cream Man—_directed by Eli Roth—grossed $6 million off of a $5.5 million budget. This is a production of The Horror Section, which was one of the first “crowd investing” studios with 2,400 investors, which means that 2,400 investors probably lost money. They certainly aren’t getting as great of returns as if they had just invested their dollars in the stock market. Hopefully Stiletto (Tagline: “Someone’s Going to Make it Rain Blood!”) does better next month. WRONG: Another Data Goof Here’s another data error. When the first episode of House of the Dragon came out, HBO put out that it had 21.5 million viewers in the first three days, and I read that to mean in the US…but no, it was global. So my US-only datecdotes charts shouldn’t have included it. We never got US-only numbers for the first episode, but for the final episode, HBO put out that it had 11 million US viewers. (And that global dropped to 21 million viewers.) Here’s the updated chart (which I’ve since used in the Streaming Ratings Report): Still, this show is absolutely huge. RIGHT: Superhero Films Remain Very, Very Popular After Supergirl flopped, I read a few takes that “comic book movies are going the way of the Western”. Post-Spider-Man: Brand New Day, that take didn’t age well. To be fair, I have a very nuanced take on the superhero genre right now; it’s down right now, for a lot of reasons. But it’s not “dead”. Maybe _Spider-_Man is just a really popular character? I saw that take, and it’s a fair counter-argument. (But pundits arguing that superhero movies were dead should have mentioned this $1.5 billion counter-argument…) But is it just Spider-Man? The next Avengers film already has $50 million in pre-sales (and I was skeptical that that film would do well) and the Avengers: End Game re-release topped the box office two weekends ago (over three original films). And I wouldn’t bet against Batman or Superman. So maybe it’s just Spider-Man, Batman, Superman and the Avengers. Oh, and Deadpool, of course. And Black Panther. And Wolverine. And probably the X-Men. Plus a well-made Wonder Woman or the Hulk film could break out. But that’s it! It’s just those ten characters/teams. Oh, what’s that? Lanterns is also doing well on HBO? (See previous section…) To be fair, I’m actually pretty sympathetic to the argument that more popular characters—like Spider-Man and Batman—anchor more popular films. In fact, I made that exact argument three years ago when I first wrote about the “Marvel-cession”. In many ways, you can blame The Guardians of the Galaxy for fooling Marvel Studios (and the rest of us) into believing that any character could pop. It turns out, the list of iconic characters is probably smaller than most people think. But it’s probably too early to say that superhero films and comic book movies are dead unless “death” means a slight decline over a longtime. RIGHT: Who Killed Theaters? Old People I get frustrated whenever I see headlines or analysis about how young people are “returning” to theaters. As I’ve detailed(for years), young people have always powered the US box office, despite narratives about “kids these days” and their “phones”. Really, what’s changed post-2020/pandemic is that old people aren’t going to the movies nearly as much. This summer, I saw a movie (from an older director) in a theater near a retirement community, and multiple older people at the theater were talking about how this was their first time seeing a movie in years. I dislike personal anecdotes, so YouGov can fill in the data, best summarized by this headline: “Who killed movie theaters? Not the youths”. According to them, 64% of people aged 18-29 have seen a movie in the last year, but only 30% of 65-and-older. 20% of 18-29 have seen a movie in theaters in the last week and 42% in the last month. Here’s the polling data: Most concerning? Many Americans (17%) think theaters are a worse or much worse experience than watching films at home. Slight WRONG: Hadestown Opens Big A live theater capture of the Broadway musical, Hadestown, made $20 million at the US box office, which begs the question: was I wrong to be skeptical about musicals a few years ago? Yes and no. On the one hand, $20 million is a far cry from being “popular”, so yeah, the genre isn’t that popular overall and Hadestown is one of the more popular musicals from recent years (i.e. the “Taylor Swift Data Fallacy” in action). On the other, I doubt filming this cost all that much, and I don’t think that they spent much on marketing, so this is a good source of ancillary revenue. Smaller Updates WRONG: As I mentioned in a Streaming Ratings Report, I underestimated the budget for Enola Holmes 3. It probably cost more like $50 million, if not more. But... I’m not sure that it really matters? At sub-10 million hours, prices have to come down to make this work. WRONG: Netflix is giving Ink a 27-day in theaters! To quote the kids/YouTubers these days, let’s go! Now I might actually have a chance to see Danny Boyle’s latest in theaters. I’d complained about this in a “Coming Soon” section, but I was heartened to read that Netflix is giving multiple films longer theatrical windows this year. RIGHT: Netflix is sending 4-5 films per year to theaters. Netflix is slowly but surely sending more and more films to theaters, as I cautiously predicted earlier this year. For now, it’s just three big films and a number of awards contenders, but still, this is great news. And they’ll be releasing box office grosses! Just this week, Ted Sarandos confirmed that KPop Demon Hunters 2 will come to theaters (and my guess is it performs in the box office top ten at a minimum). WRONG: Angel has 3 million subscribers! How do I know this? Well, they told Deadline, who reported it. I marked this as “wrong”, since they’ve doubled their subscribers in one year but, you know, they don’t really have a hit film to speak of and they’re still losing money. WRONG: Furious was only renewed for one more season. I accidentally wrote “two more seasons” in my latest “Renewals, Cancellations, Un-Orders and Removals Update”. RIGHT: House of David is ending with its third season. In July, Prime Video renewed House of David for a third season, as I just wrote in my latest “Renewals and Cancellations” report. Well, now it’s ending after that third season. Why? As I’ve been writing, its viewership wasn’t great. I got feedback that this show didn’t cost very much, but it cost enough that its limited viewership didn’t save it. WRONG: Adults was a Hulu original! So I missed Adults when it first came out last year; I saw that it aired on FX and just assumed that it was a linear-first program. Turns out, it aired three episodes on FX, but binge-released the rest of its episodes the next day on Hulu. Huh. So I should have covered it last year! But I just wrote about it. 1 “When I was a kid in the 90s, if you wore a t-shirt to school that wasn’t too big and also wasn’t too small, but somehow didn’t quite fit, we’d say you were wearing an “extra-medium” shirt.” 2 As always, a huge exception is Disney, which barely makes anything original anymore.
Right wing laughter to take center stage in Naples
Three years ago, Arynne Wexler was working in the tech industry. Two years ago, she became a TikTok darling of the political right.
Big Ten Power Rankings: Week 5
The Hawkeyes fall in our weekly power rankings after a home loss to Ohio State.
Sebastian Stan recounts failed “American Idol ”audition: ‘They line you up like they’re gonna assassinate you’
Needless to say, he did not secure a Golden Ticket.
Former champion picks Alex Pereira to beat Sergei Pavlovich
Former middleweight champion Chris Weidman weighed in on the UFC 335 co-main event.
Ben Affleck explains why he was banned from Instagram twice
The actor also weighed in on his iconic smoking meme.
Mia Goth files for divorce from Shia LaBeouf
The former couple met while filming Lars von Trier’s “Nymphomaniac.”
Sydney Sweeney and Marilyn Monroe are related, because of course they are
The blonde actresses are ninth cousins, once removed, via a shared relative in the 1600s.
Jupiter lighthouse gears up for events through late 2027
The Jupiter Inlet Lighthouse & Museum is preparing to shine even brighter, with a packed lineup of special events closing out 2026 and a full calendar of new experiences already
'Star Wars: The Mandalorian & Grogu' Returns Atop U.K. Home Entertainment Sales Chart Through Oct. 7
Disney’s Star Wars: The Mandalorian & Grogu strikes back at No. 1 on the Official Film Chart, the weekly U.K. home entertainmetn sales chart through Oct. 7. Last week’s chart-topper, Universal’s Disclosure Day slipped one spot to No. 2, while at No. 3 is Arrow Films’ newcommer A Better Tomorrow Trilogy. The newly restored collection … Continue reading "‘Star Wars: The Mandalorian & Grogu’ Returns Atop U.K. Home Entertainment Sales Chart Through Oct. 7"
“DWTS” contestants ‘gasped’ backstage when Ciara Miller and Brandon Armstrong were eliminated
Some of the remaining stars react to the surprise goodbye while speaking with EW.
Robin Roberts reunites with Diane Sawyer on “GMA” set 17 years after journalist’s exit: ‘Treasure these special moments’
Roberts and Sawyer co-anchored “Good Morning America” from 2005 through Sawyer’s exit in 2009.
Why Jon Favreau ‘said yes’ to directing ‘Young Sheldon’ pilot (exclusive)
‘Iron Man’ director Jon Favreau explains in Entertainment Weekly’s exclusive ‘Young Sheldon’ excerpt why he ‘said yes’ to directing the show’s 2017 pilot episode.
Weekly Stat Review: Post Week 4 edition
Offense continues putting on a show while the defense figures out how to overcome significant injuries.
This week in Santa Cruz County business: Mixed courtroom results for Joby Aviation; digging into summer tourism numbers
In her weekly look at Santa Cruz County business, Jessica M. Pasko relays how Joby Aviation has fared in the courtroom lately, crunches local summer tourism data and spotlights more names, numbers and dates to know.
Matthew Lillard says Hollywood doesn’t ‘understand’ him: ‘I still fight for jobs now.’
The “Scream” star talks about living with Paul Rudd early in his career.
Sitcom king Chuck Lorre says Roseanne Barr ‘fundamentally hated’ her show’s writers: ‘It was malice’
Lorre, who created hits like “Two and a Half Men” and “The Big Bang Theory,” got his start writing for the tempestuous stand-up on “Roseanne.”
Elizabeth Berkley says “DWTS” created ‘drama’ where it ‘didn’t exist’ when she was on show
The “Saved by the Bell” alum competed on the 17th season and was eliminated despite earning a perfect score.
“The Voice ”coach Riley Green makes ‘painful’ choice as he presides over first battle: ‘It’s really tough’
Green and Queen Latifah are new coaches this season.
“Glee” star Chris Colfer says he was ‘uncomfortable’ with the public wanting him to date Darren Criss
The actor also reflected on the strangeness of having fan fiction written about his real life: “It was really jarring and sometimes really sexual.”
“NCIS” showrunner unpacks Michael Weatherly’s surprising season 24 return
We’ve never seen Tony like this before.
Hayden Panettiere’s jewelry has been sold to a pawn shop, former fiancé Wladimir Klitschko claims
The father of the late star’s daughter has requested temporary guardianship of her estate on behalf of their daughter.
Jessica Chastain doubles down on criticism of Apple delaying “The Savant” after Charlie Kirk murder: ‘Had to go on record’
The actress previously said she and the streamer were “not aligned” on postponing the extremist series’ debut.
One Foot Down Reacts: Notre Dame’s Top Need Against Stanford
Welcome to SB Nation Reacts, a survey of fans across the NCAA. Throughout the year we ask questions of the most plugged-in Notre Dame fans and fans across the country. Sign up here to participate in the weekly emailed surveys: This week for One Foot Down Reacts, we’re asking: What do you, as a Notre […]
Ben Affleck recreates iconic “Good Will Hunting” scene, swaps out Matt Damon for Kerry Washington
Affleck’s new thriller, “Animals,” premieres on Netflix on Oct. 9.
Halle Berry denies ex-husband’s claim that she abused their 13-year-old son: ‘I would never hurt our child’
Olivier Martinez accused his ex-wife of abuse last week, asking for sole custody of their son.
Carson Daly returning for huge 'TRL' reunion special with surprises in store — and it’s not for MTV
Carson Daly returning for huge 'TRL' reunion special with surprises in store — and it’s not for MTV
Andy Cohen texted Kelly Ripa to see how much she pays babysitters after Jeff Lewis called him cheap
The “Watch What Happens Live” host caught heat for paying his sitter $70 for two hours and 15 minutes of work.
Miley Cyrus’ new album “Bass Persuades” shockingly suffers one of the biggest drops from No. 1 in chart history
The “Hannah Montana” icon’s latest LP took a massive dip in its second week.
“Crystal Lake” gave Jason Voorhees actor the hockey mask — but only behind the scenes (exclusive)
Callum Vinson, 12, talks about his transformation into the future masked serial killer.
Julia Stiles says it was ‘very wrong’ to play up dance training for “Save the Last Dance” at the time
The actress is competing on season 35 of “Dancing With the Stars” alongside pro partner Ezra Sosa.
Michael Douglas recalls conversations with Rob Reiner about having sons with ‘serious drug issues’
The “Basic Instinct” star’s son Cameron Douglas previously served a seven-year sentence in federal prison for drug possession.
Jesse Metcalfe makes rare comment on rumored “Desperate Housewives ”drama: ‘Wasn’t really aware’
The actor played John Rowland on 31 episodes of the ABC series.
“Boy Meets World” star Matthew Lawrence recalls ‘dysfunction’ on “Girl Meets World ”set: ‘It was very weird’
Lawrence spoke to EW about reprising the role of Jack on a 2015 episode of the Disney Channel spinoff.
Michael Douglas denies rumor he punched “Basic Instinct” director Paul Verhoeven
The Oscar winner recounts an on-set confrontation the two had over Sharon Stone in his new memoir.
'Dawson’s Creek' creator Kevin Williamson says star James Van Der Beek ‘started out as a brat’
Salsa classes seek to spread Hispanic culture, boost campus life
The free weekly dance classes are at 1 p.m. Thursday in the Science and Engineering Innovation and Research Building.
New webinar series aims to boost western Mass. business
Western Massachusetts nonprofit organization Living Local 413 has launched “The Local Hour,” a new weekly online gathering designed to foster open conversations among the region’s business co…
Fantasy football IDP free-agent report: Week 5
This is our weekly Waiver Wire feature depicting the best individual defensive players to target on waivers in fantasy.