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Zairoo Entertainment Positions Pan-African Steampunk Fantasy TTRPG as a Major Entertainment IP
The first tabletop RPG rooted in Pan-African mythology and steampunk fantasy sets its sights on anime, film, television, comics, and beyondLos Angeles, CA, Aug. 19, 2026 (GLOBE NEWSWIRE) -- Zairoo Entertainment today announced a major push to establish Zairoo — the first Pan-African steampunk fantasy tabletop roleplaying game — as a full-scale entertainment IP with the cultural reach and creative foundation to expand across anime, film, television, books, and comics. Having already surpassed $10
‘The Office’ star Jenna Fischer exposes the grueling reality that forced her off TV
Jenna Fischer reveals why she left television series acting after 70-hour weeks and how the "Office Ladies" podcast gave her time for school drop-offs.
The Sidemen & NFTS Team To Train New Unscripted Producers In UK
Sidemen Entertainment has teamed with the National Film and Television School to find the next generation of unscripted producers in the UK.
Screenwriter Todd Bartels on bringing Anthony Bourdain to life in ‘Tony’
The Seattle-area writer's script for "Tony," which opens this week, homes in on a critical part of the late chef, writer and television host's story.
Bill Rasmussen, sports TV visionary and founder of ESPN, dies at 93
Bill Rasmussen, whose vision and ambition fueled the 1979 launch of ESPN as the world's first 24-hour television network, died Tuesday. He was 93.
Bill Rasmussen, sports TV visionary and founder of ESPN, dies at 93
Bill Rasmussen, whose vision and ambition fueled the 1979 launch of ESPN as the world's first 24-hour television network, died Tuesday. He was 93.
Bill Rasmussen, sports TV visionary and founder of ESPN, dies at 93
Bill Rasmussen, whose vision and ambition fueled the 1979 launch of ESPN as the world's first 24-hour television network, died Tuesday. He was 93.
BIG EAST Releases 2026 Fall Olympic Sports Championship and National Television Schedule
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Fox Sports will broadcast 35 women's volleyball matches, including 8 on Fox
As women's college volleyball continues to see an increase in popularity on television, Fox Sports announced Monday that it will air 35 matches, including eight on Fox, this season.
Pluto TV Bows 'Double Feature Fridays' Weekly Movie Promotion With 'Entertainment Tonight'
Pluto TV is rolling out a weekly classic movie promotion, “Double Feature Fridays,” with “Entertainment Tonight” beginning Aug 21. The free ad-supported streaming television (Fast) platform will pair a studio classic with a new indie title, streaming 8 p.m. Eastern Time. Each pairing is connected by shared talent, genre, or theme, and introduced through original … Continue reading "Pluto TV Bows ‘Double Feature Fridays’ Weekly Movie Promotion With ‘Entertainment Tonight’"
Hayden Panettiere, who starred in ‘Heroes’ and ‘Nashville,’ dies at 36
Hayden Panettiere has died at age 36. The actor starred in television series including “Heroes” and “Nashville.” Police in Greenville, South Carolina, say Panettiere was found unresponsive at an apartment
Beyond the Buzz: How AI Is Rebuilding the Entertainment Industry
Walk the halls of any major media conference and you’ll find one topic that dominates the conversation. Artificial intelligence. It surfaces in discussions about content discovery, advertising, programming, localization, customer engagement, metadata, audience measurement, marketing and production. Regardless of whether the conversation begins with FAST channels, subscription streaming, connected television or advertising technology, it almost … Continue reading "Beyond the Buzz: How AI Is Rebuilding the Entertainment Industry"
Hayden Panettiere, who starred in ‘Heroes,’ dies at 36
She starred in television series including “Heroes” and “Nashville.”
Hayden Panettiere, who starred in the television series ‘Heroes’ and ‘Nashville,’ dies at 36
Hayden Panettiere has died at age 36 | WBBM Newsradio 780 AM & 105.9 FM
Hayden Panettiere, who starred in the television series ‘Heroes’ and ‘Nashville,’ dies at 36
Hayden Panettiere has died at age 36
Dorian TV Awards 2026 Winners Include ‘Heated Rivalry’, ‘Hacks’ Final Season & More
The Gay and Lesbian Entertainment Critics Association (GALECA) has voted on another year of the best in LGBTQ television. On Saturday, GALECA announced the winners of the LGBTQ journalist organization...
Destination D23 2026: Movies news from Disney
Follow live updates from the D23 Disney Entertainment Showcase, with news from Marvel, Star Wars, Pixar, Disney television and more.
Indian tribunal allows Zee Entertainment to proceed with warrants issue; shares rise
An Indian appeals tribunal granted Zee Entertainment partial relief from a securities market ban on Friday, allowing the television broadcaster to proceed with a fundraise through an issue of warrants.
Lighthouse Guild Celebrates Blind Changemakers in Entertainment, Content Creation at Lincoln Center Event
NEW YORK—Lighthouse Guild, a New York-based nonprofit that empowers people who are blind or have vision loss to live independent lives, in partnership with Spectrum, the communications services company, held its 4th annual celebration that focused on the state of content and entertainment creators who are blind, according to an announcement from the organization. Titled Access in Focus: Blind Perspectives on Entertainment, the event brought together blind professionals and accessibility advocates for a timely conversation about inclusion across film, television, theater, music, social media and beyond, the nonprofit said.
Rangers Sports Network Broadcasts Delivered to BZZR Now Available on Roku Devices
Arlington, Texas — The Texas Rangers, along with Rangers Sports Network presented by Progressive (RSN) and its direct-to-consumer distributor BZZR (pronounced ‘buzzer’), today announced that the BZZR television app is now available for download on Roku devices. Tonight’s telecast of the Rangers game against the Los Angeles Angels at Angel
'Don't Say Good Luck' review: Sunny Sandler and Melanie Lynskey shine
In a landscape littered with teenage dysfunction, Netflix's 'Don't Say Good Luck' is a moving argument for aspirational television.
Starbreeze Entertainment & VICE Studios Partners with Curtis “50 Cent” Jackson and G-Unit Film & Television for PAYDAY
Starbreeze Entertainment together with VICE Studios (Gangs of London) have partnered with Curtis “50 Cent” Jackson and his G-Unit Film & Television, to executive produce an adaptation of Starbreeze’s iconic, long-running video game franchise PAYDAY® for global audiences. , , , , “G-Unit Film & TV has built cinematic crime stories that connect with audiences around the world. Teaming up with Starbreeze and VICE Studios and bringing the world of PAYDAY to the screen gives us the chance to build...
Wrapbook Launches New Entertainment Production Finance Series: WRAPPED
Wrapbook, the AI platform with an all-in-one solution for production finance, today announced the launch of WRAPPED, a short-form original video series exploring the business and financial mechanics behind film, television, and digital production. The inaugural episode explores the legacy and the future of federal film production incentives, diving deep to explain the recently expired and often misunderstood tax provision, Section 181.
Digital Twin in Entertainment Market to Reach USD 2,533.2 Million by 2032, Growing at 31.4% CAGR, Says MarketsandMarkets™
Delray Beach, FL, Aug. 11, 2026 (GLOBE NEWSWIRE) -- The global Digital Twin in Entertainment Market is projected to grow from USD 492.4 million in 2026 to USD 2,533.2 million by 2032, at a CAGR of 31.4%, according to a new report by MarketsandMarkets™. Growth is being driven by increasing adoption of virtual production technologies, rising investments in immersive entertainment experiences, and expanding deployment of AI-powered digital twin platforms across film, television, gaming, live events
Sinclair Launches Pittsburgh Sports Tonight Live Weeknight Sports Show Premieres August 31 Across Pittsburgh, Johnstown/Altoona and Wheeling/Steubenville
PITTSBURGH, Pa. — August 11, 2026 — Sinclair today announced the launch of Pittsburgh Sports Tonight, a new live, locally produced sports program premiering Monday, August 31. Airing weeknights from 7:00–7:30 p.m. ET, the 30-minute program will deliver comprehensive regional sports coverage across Sinclair's three-station television network serving Western Pennsylvania, Eastern Ohio, and Northern West...
Lionsgate: Filmed Entertainment Backlog Jumps 21% To $1.5 Billion As Library Revenue Approaches $1 Billion
Lionsgate Studios' filmed entertainment backlog increased 21% year-over-year to $1.5 billion during its fiscal first quarter of 2027, while trailing 12-month library revenue reached $987 million as the company’s existing film and television catalog becomes an increasingly important source of recurring cash flow.
Neil Leibman exits Texas Rangers chairman role to pursue new business opportunities
ARLINGTON, Texas (AP) — Neil Leibman stepped down Monday from his role with the Texas Rangers as chairman of the company that oversees local television broadcasts of games, and the MLB team’s sports and entertainment group. The Rangers said Leibman, part of the ownership group that bought the team in 2010, left his position with the club to focus on…
Neil Leibman exits Texas Rangers chairman role to pursue new business opportunities
Neil Leibman has stepped down from his role with the Texas Rangers as chairman of the company that oversees local television broadcasts of games, and the MLB team’s sports and entertainment group.
Watch Disney Entertainment Television's Multiplatform Commemoration of the 25th Anniversary of September 11, 2001
Disney Entertainment Television unveils powerful multiplatform commemoration of the 25th anniversary of September 11, 2001.
50 Cent to executive produce 'Payday' TV series
50 Cent is cashing in on Payday.The rapper/producer has boarded the TV adaptation of the popular first-person shooter video game series. He’ll executive produce under his G-Unit Film & Television prod...
Flo Anthony, pioneering Black entertainment journalist and television personality, dies at 74
From Page Six to television and radio, Anthony built a decades-long career covering some of entertainment’s biggest names.
Korea’s market volatility becomes TV entertainment
Amid the highs and lows of South Korea’s stock market, a new television trend is taking shape — entertainment programs built around the emotional rollercoaster
Is watching too much TV bad for your brain? Possibly
Watching a lot of television was linked to smaller brain volume in areas important for language and thinking, new study finds. Here’s what that means.
Democrats in Iowa’s competitive 1st, 3rd Districts release first campaign ads of 2026
Iowa Democrats running in two of the country’s most competitive U.S. House districts have released their first television campaign ads of the 2026 general election cycle.
No Sushi's New Website Puts Entertainment at the Heart of Advertising
Little Black Book, Filmmaker-first post house introduces an editorial roster built around Emmy-winning film and television talent
Star Trek's 5 Most Iconic Sci-Fi Gadgets, Ranked
Star Trek is regarded as a cornerstone of modern science-fiction television, and these five gadgets have become just as iconic as a result.
A Muny dream comes true for 13‑year‑old Myles Lacey
Thirteen‑year‑old Myles Lacey has sung in stadiums, on television and at events across the region. But stepping onto The Muny stage this week as part of the youth ensemble for Ain’t Too Proud: The Life and Times of The Temptations was different. For the first time, he wasn’t there to sing. He was there to […]
Sony Pictures Entertainment Sees Revenue Drop 13% In Latest Quarter; Big Gains In Music
Crunchyroll continues to grow paid subscriber numbers, but lower revenues from motion pictures was due to the studio only releasing one theatrical film in North America in the period. SPE’s TV unit saw Q1 revenue reach $571 million, down 32% from $841 million in the same period a year earlier.
Veteran Entertainment Execs Launch Warrior Prods, Set Initial Slate
Veteran entertainment executives Michelle Mendelovitz & Cory Bennett Lewis have launched Warrior Productions, a film & television production company.
Adam Thielen impresses in surprise ESPN debut following recent cuts
Television, much like football, is a next-man-up scenario. One person’s departure creates an empty space, and someone always steps up to fill it. Former NFL wide receiver Adam Thielen is making the most of his opportunity this week. Last week, ESPN laid off (or fired?) Ryan Clark, which opened up a seat on the NFL…
Dolphin Entertainment Subsidiaries Powered High-Profile Campaigns at San Diego Comic-Con 2026
The Agency Collective Executed Publicity, Experiential Marketing and Digital Campaigns for Major Film Releases, Television Franchises and Leading Fan-First Consumer Brands MIAMI, FL / ACCESS Newswire / July 28, 2026 / Dolphin Entertainment, Inc. (NASDAQ:DLPN) ...
Incoming Apple CEO aims to build on movie and TV progress
By Rollo Ross LOS ANGELES, July 27 (Reuters) - Apple's incoming CEO, hardware chief John Ternus, said he was committed to building on the company's momentum in the entertainment business when he takes the helm of the iPhone maker in September. The tec...
Louisiana native Spencer Williams Jr. paved the way for Black filmmakers. Why was he forgotten?
Who is Spencer Williams Jr.? He's probably best known for his final acting role as Andrew "Hogg" Brown, or simply Andy, in CBS's 1950s era television version of "The Amos 'n' Andy Show."
CBS affiliate changes impact NFL fans in multiple markets
NFL fans in several U.S. television markets will have to turn to a different channel to watch their games, as CBS and Nexstar announced major changes to the network affiliations of several local stations. The changes will affect fans in Albuquerque, New Mexico; Jackson, Mississippi; Bismarck, North Dakota; Birmingham, Alabama; Greenville, South Carolina; and Rapid…
Diane Raver Named One of NJBIZ's 2026 Leading Women in Business
As New Jersey's film and television industry experiences unprecedented growth, one of the leaders helping shape its future has earned statewide recognition. Diane Raver, executive director of the New Jersey Film Academy at Brookdale Community
Rice materials science triumphs with pair of Telly Awards
Rice is a double winner in the 47th annual Telly Awards, which honor excellence in video and television. The university won a silver Telly in the Education and Discovery category for a social media series titled “Discovering Materials Science and Engineering: Engineering Solutions for a Changing World,” which followed freshmen as they were introduced to how materials shape the world in a materials science and nanoengineering course of the same name. Additionally, Rice won a bronze Telly in the Educational Institution category for a nonbroadcast campaign titled “RAMI Undergraduate Research Fellows at Rice University,” which showcases cutting-edge undergraduate research.
HOLLYWOOD WALK OF FAME CLASS OF 2027 ANNOUNCED BY WALK OF FAMERS MING-NA WEN AND SHEILA E.
A new group of entertainment professionals in the categories of Motion Pictures, Television, Live Theatre/Live Performance, Radio, Recording and Sports Entertainment have been selected to receive stars on the Hollywood Walk of Fame by the Walk of Fame Selection Committee of the Hollywood Chamber of Commerce.
HOLLYWOOD WALK OF FAME CLASS OF 2027 TO BE ANNOUNCED BY WALK OF FAMERS MING-NA WEN AND SHEILA E. AND HOLLYWOOD CHAMBER OF COMMERCE PRESIDENT & CEO RON FRIERSON DURING LIVE PRESS CONFERENCE AT FUNKO HOLLYWOOD
A new group of 32 entertainment professionals in the categories of Motion Pictures, Television, Live Theatre/Live Performance, Radio, Recording, and Sports Entertainment have been selected to receive stars on the Hollywood Walk of Fame.
Dixon Q. Dern Dead: Desilu, CAA Lawyer Was 97
He also worked for the animation studio UPA, CBS and United Artists Television, and his clients included Bob Hope, Jackie Gleason and The Jackson 5.
World Cup Final Averaged More Than 61 Million Viewers
The final posted the largest U.S. television audience since the Super Bowl.
Hurricanes To Launch Own Sports Network
Local television network to serve as the home of Hurricanes hockey
Canes TV? Hurricanes to launch own sports network for 2026-27 season
The Hurricanes, who won the Stanley Cup in June, were among the professional sports franchises left without a television partner when Main Street Sports Group ceased operations at the end of the 2025-26 season.
What to stream: ‘The Dink,’ ‘Stuart Fails to Save the Universe’
Charli xcx's new album and a pickleball movie starring Jake Johnson are some of the new television, films, music and games headed to a device near you.
UFC Freedom 250 Fails to Knock Out The Ratings
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) If UFC fans wanted one image to say, “Hey, Paramount+ is crushing it with their UFC rights deal,” I could provide that image. Here it is: (Reminder: this is my creation of the Nielsen Top 30, since Nielsen doesn’t combine the lists or include sports. I take all three lists and combine them. Some streaming TV shows probably have higher ratings than many of the films on this list.) Look at that! UFC Freedom 250 is number one! It topped the Nielsen “Top 30” list for shows and films that made the top ten the week of 15-June. So if you’re a UFC fan or supporter of Paramount+, that’s the good news for you this week. This program topped the ratings charts for one week. Everything else is bad news, or at least a huge caveat to that story, which I’ll explain today in the first part of this week’s Streaming Ratings Report—for the weeks of 8-June and 15-June—which is a double issue since I’ve been writing on a bunch of topics recently. UFC Freedom 250 is one of the biggest streaming events of the year, and super relevant to Paramount+’s strategy, so it merited its own article. Let’s dive in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of June 8th to June 21st 2026. You can find a link to my terminology here.) Subscribe Check Out My Interview on UFC 250 at MMA Draw After you read this article, if you want even more thoughts on UFC and Paramount-Skydance/Paramount+, I did a written interview with MMA Draw. They asked me to answer some questions about UFC Freedom 250, and I was happy to chat with them. Find it here: [ The MMA Draw Newsletter Did Paramount really overpay for the UFC? What the data tells us so far If you know the history of American television, you also know that combat sports is often a leading indicator of the future… Read more a day ago · 10 likes · 1 comment · Nate Wilcox and Zach Arnold ](https://www.themmadraw.com/p/did-paramount-really-overpay-for?utm_source=substack&utm_campaign=post_embed&utm_medium=web) I never thought I’d need a combat sports newsletter in my life, but the good folks at MMA Draw publish an excellent one on UFC, MMA, pro wrestling, boxing and more, analyzing both the sports themselves and the politics, economics and antitrust issues that impact them. Check the article and their newsletter out! Paramount+ Has Its Best Sporting Event of All Time…But Was It Worth It? Before we look at the UFC Freedom 250 data in particular, let’s talk about what we can’t say. Namely, let’s start with the lack of comparisons. First off, I’d love to put a chart out comparing this fight to past UFC fights on Paramount+…but we don’t have the data. This is the first time we’ve gotten Nielsen data about a Paramount+ UFC fight. As far as I can tell, Paramount provided data for the first fight, but it was a proprietary datecdote (saying it had “an average minute audience” of 5 million “views”) and then, for two fights, we got the linear viewership numbers when they aired on CBS, but no streaming data. Everything else was crickets. We also can’t compare this fight to other fights/combat sports on streaming, in particular the MMA and boxing, because Netflix also didn’t use Nielsen to track those events, opting for TVision and VideoAmp, respectively. (This isn’t Paramount’s fault, but does still suck.) We also can’t compare to UFC’s fights that used to be on ESPN+, since we don’t have any data for that, plus Disney+ didn’t have marquee fights. The comparisons would not be apples-to-apples. Can we compare to past Pay-Per-View fights? Absolutely not. The comparisons would absolutely NOT be apples-to-apples. That didn’t stop Paramount+, though, who bragged that their UFC events have reached drastically more people than past PPV fights. Duh. Sorry, but I gotta make this point again. A basic tenet of economics is that the cheaper something becomes, the more people consume or buy it. That’s Econ 101. (Sometimes pundits call things “Econ 101” that are actually like Econ 210 or even PhD-level economics, but no, this is really like first or second class basic economics.) Yet I still see one analytics firm consistently say that more people watch films on streaming than PVOD proves streaming which means that the streaming window is more valuable than the PVOD window. No, it’s not! Same thing here. Pay-Per-View events back in the day could be really, really, really expensive! So whole groups of people pitched in to buy them. That increased the perceived value of, say, the Mike Tyson fight. Or a UFC numbered event. So yes, the fact that Paramount+ makes numbered UFC fights essentially “free” if you’re already a Paramount+ member means consumption will go up. Obviously. Same for Netflix and their boxing matches. They’re talking about fights that used to cost consumers, in some cases, $50 in 1996…which is over $100 in today’s dollars. Over 1.6 million people paid that to watch the Tyson-Holyfield fight! Again, streaming is essentially “free”. Or $10 to $20, depending on what streamer we’re talking about and what tier you’re on. No wonder more people are “watching”. (Plus, Nielsen’s out-of-home viewing also helps these numbers.) UFC Freedom 250 Did Well…But I Have A Lot of Worries So what can we compare the fights to? Well, the good news is Nielsen put out that the fight averaged 7.0 million viewers for UFC Freedom 250, which is a solid number for a fight. We also know the length, at roughly 4 and a half hours. (I saw different run times, but this seems to be the consensus considering it started at 8 pm, had a delay and then finished after midnight on the East Coast. If you assume a shorter run time, then yes, the total hours viewed would go down.) That means I have the two numbers needed to add this to my Nielsen database. And then…I can compare this viewership to the NFL: And, uh, not great. But also within striking distance, mainly because the runtime for this event was so long. I’d also add that this event had viewership equal to a regular season NFL game on streaming, but if anything, it was more comparable to an NFL playoff or Super Bowl-esque event. And you can compare viewership to the top football games on broadcast, cable and streaming, and it’s not impressive at all: We can also compare it to other sports that week, including the NBA Finals and start of the World Cup: Again, not great. The NBA generated roughly four times as many average viewers each game for its NBA Finals. The World Cup has similarly big numbers. Also, that’s just a tiny fraction of the 25 most watched sporting events each week. The NBA, NHL and FIFA World Cup had many, many more games racking up hours. We could also compare this to other streaming programs to get an idea of “is this a good investment?” and here is how it ranks compared to other top Paramount+ programs: The worry here? Well, unlike scripted programming, which has rewatchability, older fights/sporting events have very little library value. Very, very few people are rewatching these fights, especially years from now. Paramount has also released datecdotes bragging about their subscriber numbers. Earlier this year, they claimed that the first UFC fight on Paramount+ brought in 1 million subscribers. Then, in their quarterly earnings report, they only ended up with 700K subs. Not great! They claimed they dropped lower-value international subscribers, but that’s why I tend to discount subscriber additions when they’re leaked to the press.1 I expect we may see a bump again for UFC Freedom 250, but I’d caution using subscriber growth so soon after these events to judge the success, since new subs with high churn (see Peacock) aren’t great either. Also, analysts often want to attribute all subscriber growth to their favorite/pet show, and that just doesn’t make sense. The biggest caveat for UFC Freedom 250 and Paramount’s very first UFC marquee event is that these could be high watermarks for the sport. UFC Freedom 250 had an incredible amount of earned media coverage compared to most UFC fights. I mean, it had wall-to-wall national news coverage in the lead up to the event. (The first fight also had a lot of promotion from Paramount since it was first.) Other fights could reach this bar—say the Conor McGregor return to the Octagon—but they’ll be fewer and far between. Was This Deal Worth It? All to ask: is this Paramount deal worth it? In this case, I think the UFC Freedom 250 numbers are more distracting than helpful. This fight did well and compares well to other top sporting events. But we know that the first marquee event was at least a third smaller, if Paramount’s own data is to be believed. And it’s likely the other fights are much, much, much smaller. And then you get to the paycheck that Paramount-Skydance paid. FIFA’s World Cup cost about the same for Fox, but clearly generated multiples more total viewership. (Though it’s only every four years.) The NBA is much more expensive, but until the playoffs, they likely didn’t pay for itself. Even still, Disney, NBCUniversal and Amazon Prime Video likely overpaid. So, in that context, the NBA may be an overpay that makes the UFC look not so bad. But two overpays don’t make an underpay, to paraphrase the old cliché about wrongs and rights. And looking at UFC Freedom 250 as the likely ceiling of MMA on Paramount+, Paramount-Skydance likely paid too much. Share 1 I would love regular reports on subscriber additions by programs, but as is, it’s mostly leaked or rumored in haphazard ways.
‘Shrimad Bhagavatam’ Anchors Sagar Pictures Entertainment’s Global Push, Indian Studio Confirms (EXCLUSIVE)
Sagar Pictures Entertainment (SPE) has confirmed the launch of a global studio business, moving beyond film and television production into an intellectual property-led growth strategy spanning gaming,...
NFL Legend Reveals What Kyler Murray Would Finally Give Vikings
Minnesota Vikings legend Cris Carter is buying stock in quarterback Kyler Murray for one specific reason. He spoke highly of the quarterback in a recent television appearance earlier this week.Murray was one of the crown jewel moves of the offseason for the Vikings. At the very least, he will bring experience to the quarterback position. […] The post NFL Legend Reveals What Kyler Murray Would Finally Give Vikings appeared first on HEAVY.
Entertainment Guilds Blast Emmy Category Changes
The Directors Guild of America, SAG-AFTRA and the Writers Guild of America Friday criticized a Television Academy decision to remove five Emmy Award categories from the prime-time broadcast. The criticism came a day after the Television Academy’s Board of Governors approved moving five award categories from the Sept. 14 prime-time telecast on NBC to ceremonies […]
Emmy Awards Just Cut Five Major Categories Out of 2026 Broadcast, Reason Revealed
The Television Academy is making several changes to the 2026 Emmy Awards. This time, they are moving five major categories out of the main broadcast. The change is part of an effort to make the show s...
What to Stream: 'Heartstopper Forever,' 'Lucky' and Steve Lacy
A new album from Steve Lacy and the conclusion of the “Heartstopper” series are some of the new television, films, music and games headed to a device near you.
Horvath Convenes Entertainment Union Coalition to Advance Solutions for Hollywood
Supervisor Horvath met with leaders of the Entertainment Union Coalition to discuss the urgent challenges facing Los Angeles' film and television industry and identify strategies to keep production, jobs, and investment in the region.
Daytime Emmys Announce 2026 Nominations (FULL LIST)
The National Academy of Television Arts & Sciences has unveiled the nominations list for the 2026 Daytime Emmys.
The Quintessential Trump-era Politician
In 2020, I wrote an article about collaboration and collaborators. The title was History Will Judge the Complicit, and it started with the story of two famous East Germans, Markus Wolf and Wolfgang Leonhard, who both landed in East Berlin just after the end of the war. Although they came from very similar backgrounds, the former stuck with the regime, eventually becoming its spy boss; the latter, horrified by the brutal reality of Soviet-style communism, escaped. By way of juxtaposition, I also wrote about Lyndsey Graham and Mitt Romney. These two men also made very different decisions when confronted by Donald Trump’s assault on the ideals that they had both grown up believing: A glance at their biographies would not have led many to predict what happened next. On paper, Graham would have seemed, in 2016, like the man with deeper ties to the military, to the rule of law, and to an old-fashioned idea of American patriotism and American responsibility in the world. Romney, by contrast, with his shifts between the center and the right, with his multiple careers in business and politics, would have seemed less deeply attached to those same old-fashioned patriotic ideals. Most of us register soldiers as loyal patriots, and management consultants as self-interested. We assume people from small towns in South Carolina are more likely to resist political pressure than people who have lived in many places. Intuitively, we think that loyalty to a particular place implies loyalty to a set of values. But in this case the clichés were wrong. It was Graham who made excuses for Trump’s abuse of power. It was Graham—a JAG Corps lawyer—who downplayed the evidence that the president had attempted to manipulate foreign courts and blackmail a foreign leader into launching a phony investigation into a political rival. It was Graham who abandoned his own stated support for bipartisanship and instead pushed for a hyperpartisan Senate Judiciary Committee investigation into former Vice President Joe Biden’s son. It was Graham who played golf with Trump, who made excuses for him on television, who supported the president even as he slowly destroyed the American alliances—with Europeans, with the Kurds—that Graham had defended all his life. By contrast, it was Romney who, in February, became the only Republican senator to break ranks with his colleagues, voting to impeach the president. “Corrupting an election to keep oneself in office,” he said, is “perhaps the most abusive and destructive violation of one’s oath of office that I can imagine.” In the wake of Graham’s unexpected death on Saturday, I wrote about him again. He was, in many ways, the quintessential politician of Trump’s Washington, a man who shifted 180 degrees. Graham had been a fervent American patriot, proud reserve officer and military lawyer; he became one of the most important defenders of a president who believes soldiers are “suckers and losers” and shows no respect for law of any kind. As his politics changed, his language grew coarser and his behavior grew worse: He urged Israel to “level the place” in Gaza, and insulted the Danish prime minister in Munich, prompting a colleague, Senator Elissa Slotkin, to issue an apology. Here’s an excerpt from the article, which you can read in The Atlantic (gift link here) Like his close friend John McCain, Graham believed that America should stand at the center of a broad democratic alliance. The few times I met him were in that context, at the Munich Security Conference or at other European-American gatherings, which he once attended with great regularity. He also took seriously the practice of American democracy at home. In a 2014 conversation with The Atlantic, he described himself as a pragmatic politician who eschewed populist slogans. “I know Washington is broken, but what’s broken about it is everybody yelling and nobody trying to fix it,” he said. “I’m trying.” When Donald Trump first appeared in U.S. politics, Graham recognized him immediately for what he was: the spokesman for an alien ideology, one radically different from the idealistic patriotism that Graham had practiced and preached since childhood. Trump privately mocked the military that Graham loved as nothing but “suckers and losers.” He put falsehoods, cynicism, and personal greed at the center of his politics, while expressing disdain for transparency, accountability, and democracy itself. In 2015, Graham described Trump as a “race-baiting, xenophobic, religious bigot” who should “go to hell.” Also as a “nutjob.” When Trump won, Graham understood, as did so many others, that he would have to make some important choices. For a while, he went silent. In the spring of 2016, I saw him at one of those conferences in Europe. He seemed too depressed to speak. But then, like many other Republicans—and, more important, like many other people who have lived under political occupation or experienced radical regime change—he made the decision to abandon his previous ideals, to bury the patriotism that was once so important to him, and to become, instead, a loud, opportunistic collaborator. As I wrote in 2020, it’s very hard to look in to anyone’s heart and to understand their motivations from the outside. But it does seem that Graham had a deep need to be relevant, to be in the game, to be a player, at any cost. And that, rather than any particular achievement, is what he will be remembered for. Continuing to monitor conflicts of interest, ostentatious emoluments, outright corruption and policy changes that will facilitate outright corruption. (Read my original article, Kleptocracy Inc and check out the SNF Agora Institute chart) June 27 Trump diverted funds from more than 900 projects nationwide—including safety upgrades at national parks—to finance beautification projects around Washington, including $700,000 used to fix a White House walkway. June 28 After a years-long Department of Justice investigation into Abbott Laboratories over its management of a baby formula facility where potentially deadly bacteria turned up enough evidence to criminally charge the firm, top department officials instead opted for a financial penalty—illustrating the department’s move away from strict corporate enforcement under the Trump administration. June 29 Defense Secretary Pete Hegseth stacked the Defense Policy Board—which is charged with providing independent national security recommendations to the Office of the Secretary of Defense—with Trump allies, including tech billionaire Marc Andreessen, who has invested in defense contractors like OpenAI and SpaceX, after purging the panel last year. Trump purchased between $1 million and $5 million worth of stock in Axon—which makes about 90% of US tasers—two weeks before ICE solicited bids for a $220 million taser contract. The White House unveiled limited-edition US passports for America’s 250th birthday, featuring a portrait of Trump overlaid on the Declaration of Independence. June 30 Trump made around $1.2 billion from his various crypto companies last year, including more than $500 million from World Liberty Financial and $600 million from sales of his meme coin. Trump is considering issuing 250 pardons to commemorate America’s 250th birthday. These are expected to be largely doled out through the Office of the Pardon Attorney’s informal network of intermediaries. White-collar defense attorneys say they can typically win pardons for clients for $2 million. Last year, Trump administration officials awarded a no-bid contract worth up to $500 million to Clark Construction for the White House ballroom—negotiations in which the president was directly involved. July 1 The Amazon MGM Studios documentary about Melania Trump earned the First Lady more than $10 million. Trump made hundreds of individual stock purchases worth as much as $12.8 million the day before his announcement pausing “Liberation Day” tariffs for 90 days sent the S&P 500 soaring nearly 10%—one of the largest single-day gains ever. Mar-a-Lago and Trump National Doral saw record surges in revenue during Trump’s first year in office, earning $77.5 million and $121.9 million respectively, compared to average annual revenues of $25 million and $75 million during Trump’s first term. Entities across the Persian Gulf paid more than $300 million to Trump’s businesses last year, including $263 million from the sale of half his stake in World Liberty Financial to a firm backed by Sheikh Tahnoon bin Zayed Al Nahyan, a top UAE royal and brother of the country’s president. Kash Patel failed to properly disclose his stock purchase of a Department of Justice contractor, MicroStrategy, worth up to $250,000 last year, despite laws requiring disclosure within 45 days of the trade. July 2 Trump has been directing administration officials to steer more government contracts—so far worth more than $2.4 billion—to Jeff Bezos’s Blue Origin aerospace firm, after Amazon gave $1 million to Trump’s inaugural fund, donated to the White House ballroom project, and reached a $40 million deal to license a Melania Trump documentary. Alongside the billions he made from cryptocurrency last year, Trump earned millions of dollars from real estate licensing fees, including $21 million from organizations in the UAE and $9.2 million in Saudi Arabia, along with smaller sums from merchandise sales, including $4.7 million from Trump Watches and $35,920 from 45 Guitar, a guitar brand endorsed by the president. House Democrats accused consultants tied to the Trump administration of financial fraud, alleging they gave prospective donors to America250—the bipartisan committee created by Congress to celebrate the nation’s semiquincentennial—the banking and routing numbers for Freedom 250, the White House’s fund for events like the UFC cage fight. Democrats also allege that Freedom 250’s CEO traveled to the World Economic Forum in Davos to solicit donations from foreign government officials and business leaders. The Trump administration’s proposed rollback of gun regulations would lift the prohibition on mailing handguns to individuals, a significant win for GrabAGun—the direct-to-consumer firearm retailer on whose board Donald Trump Jr. sits and in which he holds a 1.1% ownership stake. GrabAGun currently must rely on a middleman to transfer firearms to customers. Trump’s financial disclosure revealed that he made more than 21,000 securities trades during his first year back in office, growing his investment account to at least $858 million across stakes in around 1,600 companies, compared to the 13 total trades Joe Biden made during his entire presidency. July 4 Nearly 1 million people who bought the president’s meme coin—Trump Coin—collectively lost $3.8 billion on the token, while he walked away with $636 million. July 6 Shares of Dell closed up 4.4% after Trump recommended people buy the firm’s computers during a speech announcing the launch of Trump investment accounts for children, boosting the more than $1 million worth of shares the president owns in the company. July 9 Federal Reserve Chair Kevin Warsh named crypto investor and Trump ally Marc Andreessen to a task force aimed at modernizing the Federal Reserve, including rethinking its approach to inflation—a key factor keeping interest rates elevated. Palm Beach International Airport has officially changed its name to Trump International Airport—a move that will require Florida to pay royalties to the president’s family for licensing his name. I was there a few months ago, during a trip to Barcelona. The sculptures were a revelation, I’d never seen so many together before. Each one has its own personality. Enjoy the good weather, if you are lucky enough to have it. History Will Judge the Complicit The Quintessential Politician Autocracy Inc Open Letters, from Anne Applebaum is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe
Cavs Coach Gives Promising Update On Signing LeBron James
The LeBron James free agency chase has fans wondering where his next destination will be, but the Cleveland Cavaliers have a lot of reasons to be confident. Head coach Kenny Atkinson did a talking spot on television during one of the Summer League games and answered questions about the Cavaliers offseason. James obviously came up […] The post Cavs Coach Gives Promising Update On Signing LeBron James appeared first on HEAVY.
‘Daredevil’ star Wai Ching Ho dies at 82
The film and television veteran was also known for her roles in “Hustlers,” “Iron Fist,” “Turning Red,” and “Awkwafina Is Nora from Queens.”
Milwaukee Bucks returning to full-season over-the-air television
It’s a new era for the Milwaukee Bucks, on and off the court. The NBA franchise announced Friday it will return to full-season over-the-air television for the first time in 31 years, with games airing locally on MY24 and statewide affiliates in partnership with Rincon Broadcasting Group. It’s a homecoming of sorts, as MY24 was…
Legendary Television City may be be sold in further blow to Hollywood
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Disney Entertainment Television Sets Comic-Con 2026 Panels, Activities
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Arkansas, Michigan State Headline 2026 CBS Sports Thanksgiving Classic
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O2 Strengthens Its TV Entertainment Offering with the Addition of Disney+
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Montel Williams says there are ‘a lot of misconceptions’ about his ex Kamala Harris
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Halon Entertainment completes management buyout
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Platner will prioritize public health, which Collins helped to dismantle
A new television ad (paid for by “America First International Assistance”) portrays Sen. Susan Collins as protecting Maine from the Ebola virus by funding millions in scientific research. While the ad may have historical truth concerning her record (the footage appears to be several years old), Sen. Collins is a member of the Republican Senate […]
Upgrade Your Home Entertainment Experience and Save Big 45+ Fourth of July TV Deals
Shop unmissable Independence Day deals from big-name brands including Sony, LG and Samsung, with options starting at just $150.
Meet the Fort Worth Star-Telegram’s new entertainment reporter, Brayden Garcia
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Cost-Free Entertainment Platforms Propel Growth in the Ad-Supported Streaming TV Sector
The FAST market is driven by increasing consumer adoption of cost-free streaming, expanding ad-supported content, and enhanced personal advertising technologies. This growth is further accelerated by smart TV integration, diverse content offerings, and rising digital video libraries, notably in Asia-Pacific. Free Advertisement (Ad)-Supported Streaming Television (TV) (FAST) Market Free Advertisement (Ad)-Supported Streaming Television (TV) (FAST) Market Dublin, July 02, 2026 (GLOBE NEWSWIRE) --
Victoria Aveyard’s ‘Tempest’ In The Works As TV Series
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The film and TV actors who have held public office
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Netflix and Superheroes Are Having a Rough Stretch on Streaming....
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) I have a quick prediction before we start today’s article: You might see this data in future news articles. Not my specific charts or analysis, but the core trend I’ve been monitoring—Netflix is having a lackluster Q2—will become inescapable. Often, folks want to know “What does the data say?” Well, that’s what it says. I haven’t seen this analysis hit the trades really yet, but I have a feeling some other outlets are going to start making this case soon. Remember, you read it here first. You probably have read about the problems facing superhero films at the box office this weekend. Well, this week, I explore whether superheroes are dying on TV as well! And the data says: definitely maybe! We have a lot to cover in today’s Streaming Ratings Report, which covers the two weeks of 18-May and 25-May. Today, I’m just looking at TV, like Netflix’s disappointing Q2, superhero shows underwhelming, a few TV shows dropping off the charts, The Pitt finally ending its epic run on the viewership charts (and whether “view counts” change its status as one of the biggest shows of all time), all the flops, bombs and misses, and a whole lot more. Tomorrow, I’ve got a great rundown of the film side of things. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, Showlabs, TV Time trend data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of May 18th to May 31st, 2026. You can find a link to my terminology here.) Subscribe Television - Netflix’s Q2 Slump Continues Having analyzed streaming ratings for going on half a decade, I have learned to trust my gut, but I’m always relieved when I can find actual data to back it up. For example, after a string of very popular shows like Stranger Things, Bridgerton, The Lincoln Lawyer and The Night Agent came out, week after week, in January and February, my gut wondered if Netflix had enough new and returning TV shows to sustain them throughout the year. Since then, Netflix’s post-March slate of shows has not impressed me. This week seemed to feature a potential new hit, but then, like a classic Duffer Bros. TV show, there was a twist. I speak of The Boroughs, Netflix’s latest (and last) Duffer Bros. produced show. The pitch is “Stranger Things with older actors”. And it topped the Nielsen charts: With just two weeks of viewership, The Boroughs would have been a top 25 debut show last year: But here’s the twist: Netflix has already cancelled The Boroughs! What happened? Likely a few things. First, the show didn’t do as well globally as it did in the US. As What’s on Netflix showed, it lagged behind several other shows that got cancelled. Second, its completion rate was likely low; after an initial burst of interest, it quickly dropped off on the Samba TV and Luminate charts. Third, the Duffer Bros. left Netflix for Paramount, and that may have factored into Netflix’s decision here. (Though I tend to believe that if a show is doing well, Netflix would have kept greenlighting seasons.) Still, just because I can explain why Netflix may have cancelled this show doesn’t mean I’m justifying it. In particular, as I’ve noted before, Netflix is losing a lot of their bigger shows as they reach their natural ends, and they need to replace those shows. This show had the hallmarks of a big new genre show, and it’s their biggest hit of the last few months (in the US at least), but now it’s done. Netflix’s other show this week—The Four Seasons, the second season of the “hit” show from last year—definitely disappointed. Its sophomore season had about half the viewership of the first, only 12.7 million hours. It also only had a two week run on Samba TV, and its numbers were all down on Luminate too. In other words, even with two successes, the Q2 slump for Netflix looks real: I could add to the list of disappointments: Both Lord of the Files and Man on Fire had short runs on the Nielsen charts. Running Point’s sophomore season also opened to about half its viewership, similar to The Four Seasons. A Good Girl’s Guide to Murder’s second season—see below—didn’t even make any of the three viewership charts I track, unlike the first season. Netflix is absolutely having a dismal second three months of 2026. If this Nielsen data is any indication, and I think it is, I think this will show up in Netflix’s engagement report, and maybe even their financial outcomes. And the rest of June doesn’t look much better. We have two hit shows coming back—Sweet Magnolias, one of their quietest big shows, and Avatar: The Last Airbender, a big hit for them in 2024—but the other big swings are limited series crime thrillers i.e. no future season potential. Like I said above, sometimes when I uncover a juicy nugget like this, other outlets end up writing very similar articles mimicking the data without credit. We’ll see if that happens this time! Share Television - The State of Superhero Shows on Streaming When I first heard the pitch for Spider-Noir—a Sony TV show on Prime Video that binge-released eight episodes first on MGM+ then on Prime Video two days later—I had my doubts. It’s a live-action Spider-Man show set in the 1930s, starring Nicholas Cage, based on a cameo of a character in Spider-Man: Into the Spider-Verse. No, seriously, that’s the pitch. That could either go terrifically well or horribly wrong. Great because, Spider-Man. He’s the biggest superhero we have. I’ve seen tracking numbers that put the new _Spider-Man: Brand New Da_y as the blockbuster of the year and initial pre-sales back that up. And yet this Spider-Noir pitch feels very esoteric. (Also, the eight-episode binge release feels very “Amazon copying Netflix” again.) So what’s the data say? And what does this say about the future of superhero shows?
America @ 250: Alex Wysocki asks, ‘Are short-term political gains worth giving up the big picture?’
Alex Wysocki is a television producer, filmmaker, husband and father of three. He and his wife Abigail moved to Champaign during the COVID-19 pandemic and are raising their family here.
Popular 9-season sitcom losing its streaming home at end of the summer
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Octavia Spencer's Orit Entertainment Names New Heads Of Film & TV
Octavia Spencer's Orit Entertainment has made two key executive hires, naming Kathryn Tyus-Adair as Head of Film and Adam Wagner as Head of Television
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