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Broncos Depth Chart Reveals Surprise Twist at Wide Receiver
The 1st unofficial Denver Broncos depth chart revealed Marvin Mims Jr. as the 3rd starting WR before the preseason opener. The post Broncos Depth Chart Reveals Surprise Twist at Wide Receiver appeared first on HEAVY.
49ers Called ‘Top Landing Spot’ for Benched 1st-Round QB
Bleacher Report's Alex Kay called the San Francisco 49ers the "Top Landing Spot" for benched Vikings quarterback J.J. McCarthy. The post 49ers Called ‘Top Landing Spot’ for Benched 1st-Round QB appeared first on HEAVY.
49ers Called ‘Top Landing Spot’ for Benched 1st-Round QB
Bleacher Report's Alex Kay called the San Francisco 49ers the "Top Landing Spot" for benched Vikings quarterback J.J. McCarthy. The post 49ers Called ‘Top Landing Spot’ for Benched 1st-Round QB appeared first on HEAVY.
Republican survives primary on Tim Walz's old congressional turf as Dems eye seat flip
Brad Finstad faced challengers Gregory Goetzman and Oliver Morlan in the Minnesota 1st Congressional District Republican primary on Tuesday.
Zoom Annotation Flaws Could Let a Meeting Participant Hijack Another Attendee's Client
Zoom Annotation Flaws Could Let a Meeting Participant Hijack Another Attendee's Client | Read more hacking news on The Hacker News cybersecurity news website and learn how to protect against cyberattacks and software vulnerabilities.
MIT Energy Initiative Director awarded Jürgen Warnatz Gold Medal for contributions in combustion science
MIT Energy Initiative Director William H. Green was awarded the prestigious Jürgen Warnatz Gold Medal at the 41st International Symposium on Combustion in Kyoto, Japan, on July 30. The Warnatz Medal is one of the highest awards of the Combustion Institute and is presented biennially to one scientist in recognition of exceptional scientific contributions having… Read more
Connecticut Democrats weigh generational change as US. Rep. John Larson, 78, faces primary fight
Connecticut Democrats face a choice between U.S. Rep. John Larson and younger challengers for the 1st Congressional District
Battlefield 6 Player Successfully Refunds Game After 470 Hours of Game Time Due to Game Modes Being Removed by Devs
One Battlefield 6 player managed to successfully issue a refund for the game, and this is despite pouring in 470 hours of playtime.
Saber's newest game trailer takes a shot at Gearbox's CEO, if you look closely
The first hint that something might be up with the recent debut trailer for Saber Interactive’s Rideshare Stimulator is an unusual choice of words—aside from that second one in the game’s title. “Don’t take your passengers too seriously,” the trailer’s narrator says, as he describes this upcoming game. It a car game about the gig work of driving eccentric people to their destinations, a riff on Crazy Taxi. And then, he says: “When I think I’ve met the randiest of passengers, someone even stranger gets in.” “Randiest”? That suggests “randy,” which usually means having strong sexual desire. Yet none of the oddball backseat occupants featured in the trailer seem particularly lustful. One is an old man who considers his grandson a failure, another shares the theory that birds might control traffic lights, another says he’s banned from an aquarium. A little later, there’s a license plate, shown 63 seconds into the trailer, on the front of an SUV: USB DRV It’s a Texas plate. The symbol between those letters is a cog wheel. If you know, you know. That’s a reference to Texas-based Borderlands game development studio Gearbox Software (their logo features a cog wheel). More specifically, it’s a reference to Gearbox’s CEO Randy Pitchford, who in 2018 found himself explaining the nature of video he’d saved on a USB drive that was found at a Medieval Times restaurant before being returned to the studio: “It was ‘barely legal’ porn. This girl’s handle was ‘Only 18.’” The “girl” in the video had committed a solo sex act that Pitchford, an avid practitioner of magic, found remarkable. “I realized, this is not a sex worker…This is a fucking magician.” Back then, the USB drive was central to competing lawsuits against Gearbox by the studio’s former lawyer and by Gearbox against him. A settlement in late 2019 “exonerated” Pitchford, per the Hollywood Reporter. The USB story has resurfaced at times, now in a trailer from a company that not long ago was corporate brethren with Gearbox. Saber vs. Gearbox The head of Saber told Game File that the reference is payback. “The dig is because Randy took shots at Embracer in Borderlands 4,” Saber CEO Matt Karch told me when I asked him about the license plate. “Without Embracer, Randy is performing magic tricks at birthday parties for a living.” Having interviewed Karch during a cross-country flight in late 2024, I can confirm that Karch was unimpressed with Pitchford during their time both working in the Embracer group. I’d approached him not out of surprise that there was animosity but that it was manifesting publicly now. Gearbox was founded in 1999, worked on a port of Halo early on, and developed hit series such as the loot-based sci-fi shooter Borderlands before it was purchased by The Embracer Group in early 2021 for $363 million (with a possible earn-out of over $1 billion, if certain targets were hit by 2027). Saber was founded in 2001, worked on a remaster of Halo early on, had a big hit with zombie shooter World War Z and was purchased by Embracer in early 2020 for $150 million, with a potential earn-out of up to $375 million. For a few years, the Embracer group was a voracious acquirer of game studios. Then, as investment dried up, it choked. In March 2024, Embracer sold Saber to an investment company controlled by Saber CEO Matt Karch, and it sold Gearbox in an all-stock deal to long-time Borderlands publisher Take Two Interactive. Other studios were shut down. Hundreds of developers were laid off. Gearbox didn’t say much about their Embracer experience, nothing too direct, at least. In the summer 2024, Pitchford told reporter and occasional Game File contributor Nicole Carpenter that Borderlands 4’s story was in some way thematically connected to Gearbox’s experience at Embracer: “There’s this cultural and emotional shift in me, personally, and at the studio. What does it mean to trade some autonomy for organization?” When Borderlands 4 came out, there was something stranger: the matter of “Embracer’s Bluff,” a location in the game featuring an AI-powered toilet and a large trash dump, according to a detailed Kotaku account of the place. Gearbox never commented on it; Take Two never got back to me about it when I asked them last year. By contrast, since Saber exited Embracer, Karch has been one of Embracer’s biggest defenders, casting their management as well-meaning and supportive despite the layoffs and studio closures that resulted from their excessive expansion. Like others, Saber’s Karch saw Embracer’s as a shot. With Rideshare Stimulator’s trailer, he’s returned fire. “It’s amazing to me how fast people forget those who went above and beyond for them,” Karch told Game File. A rep for Gearbox did not comment by press time. Game File is a reader-supported publication. Your backing makes my reporting—including any coverage of trailer-based beefs—possible. Good news! I’m currently running Game File’s first big sale of 2026. You can get a one-year subscription for 23% off. Click here to take advantage of the limited-time offer. And thank you for your support! Item 2: In brief… 🚫 Wal-Mart has laid off the staff of Restart, a games media outlet launched in 2024, Aftermath reports. 🟥 A GTA VI preview is on the way, at last, via an “extended look” that will premiere, unusually, on Netflix at 3pm ET on August 27, then officially go live elsewhere six hours later. Last week, Game File noted that Take Two label Rockstar Games is overdue for showing off GTA VI, based on the timing of the initial hands-off previews of GTA V and Red Dead Redemption 2. During a call with investors, Take Two CEO Strauss Zelnick said pre-orders for GTA VI were “unprecedented and astonishing,” but added the company can’t predict how many of those pre-orders represent bonus sales vs. sales that otherwise would have been made at launch. During the same call, Zelnick was noticeably bullish on the future of playing games over streaming cloud connections (predicting wider adoption in three or so years). He sounded unbothered by Sony’s plans to stop making discs for new games (he said the business is 90% digital already and predicted that there could still be limited edition physical editions of games “in the same way there’s still vinyl in the recorded music business.”) 👀 Take Two wrote off $43 million in their spring quarter after deciding “not to proceed with further development of an unannounced title in its pipeline from a third-party developer.” 🤔 Some rare age-demographics from a big publisher: Capcom recently told investors that “users in their 20s account for approximately half of the users of both Pragamata and Resident Evil Requiem.” Item 3: The week ahead Tuesday, August 11 Game releases: The Elder Scrolls IV: Oblivion Remastered (Switch 2; already out for PC, PS5, Xbox) continues the Bethesda strategy of putting Elder Scrolls games on everything; Royalty Free-For-All is a Smash Bros.-style fighting game featuring public domain characters such as Mother Goose brawling with Oliver Twist in a stage based on the original Little Shop of Horrors movie. Wednesday, August 12 Game release: Pro Jank Footy (PC, console) is an arcade-style Australian Rules Football game with increasingly ridiculous rules, the more you play (I enjoyed the Steam demo) Thursday, August 13 Game release: Super Mario Sunshine (Switch 2, originally released in 2002 on the GameCube) is released for Switch 2’s Nintendo Switch Online service. This game is the black sheep of 3D Mario games. It’s the successor to the breakthrough Super Mario 64 and the rare Mario game built around a single (vacation resort) theme. Mario’s got a water-spraying backpack, a Yoshi pal and a lot of blue coins to collect.
Rep. Ed Case defeats progressive primary challenger in Hawaii's 1st District
State Sen. Jarrett Keohokalole had criticized Rep. Ed Case's votes to send military aid to Israel and for a previous version of the SAVE America Act.
The Atlanta Braves Have a Raisel Iglesias Problem
The Atlanta Braves have a problem regrading closer Raisel Iglesias' performance since July 1st.
171st Annual Old Settlers Festival Brings Heritage, Entertainment and Family Fun to Delphi
The 171st Annual Old Settlers Festival continues Saturday, August 8, in downtown Delphi with a full day of family activities, entertainment, and historic traditions. Presented by Delphi Main Street, the longtime community celebration invites families and visitors to enjoy Saturday’s festivities fro
Democrats in Iowa’s competitive 1st, 3rd Districts release first campaign ads of 2026
Iowa Democrats running in two of the country’s most competitive U.S. House districts have released their first television campaign ads of the 2026 general election cycle.
21st Plymouth Alive Kielbasa Festival entertainment, kielbasa judges, vendors
Here are the lists for entertainment, kielbasa judges and vendors at the 22nd Plymouth Alive Kielbasa Festival:
Businesses say they're being forced to move as Atlanta's 1st Equinox comes to Buckhead Village
Equinox is set to open its doors in Atlanta, but dozens of businesses say they are being forced to move to make room with little warning.
FDA approves 1st flu shot using same technology as COVID vaccines
Previously, the COVID-19 immunizations made by Pfizer and Moderna were the only mRNA vaccines on the market.
A Seemingly Rock Bottomless Glass
Just when you think it can’t get any worse…A comically pathetic 8th inning turns a possible actual win into just another disheveled loss and the “free fall” stats keep mounting. It’s hard to believe that on June 19th the A’s were 38-38, winning percentage that would earn them a spot 1.5 games out of 1st […]
WA lawyers seek to hand Trump admin 21st loss in voter-roll lawsuits
Attorneys for the Justice Department and WA Secretary of State Steve Hobbs clashed at a court hearing over a federal lawsuit demanding state voter data.
GIGABYTE Reportedly Hikes GPU Pricing by Up to 40% in Japan
GIGABYTE is reportedly implementing a round of GPU price hikes ranging from 20% to 40%, depending on the model. According to Japanese hardware distributor CFD-BIZ, these price increases have been officially in effect since August 1st. While the specific GPU models affected by this pricing...
Live Nation Entertainment, Inc. $LYV Shares Purchased by Quantinno Capital Management LP
Quantinno Capital Management LP raised its stake in shares of Live Nation Entertainment, Inc. (NYSE:LYV - Free Report) by 12.1% in the 1st quarter, according to the company in its most recent filing with the Securities & Exchange Commission. The fund owned 114,421 shares of the company's stock
Microsoft Raises Xbox Prices by Up to 43% in Europe and UK
Microsoft is significantly increasing the prices of its Xbox gaming consoles starting August 1st across the United States, Europe, and the United Kingdom. We were aware that the pricing strategy for the United States market involves an increase of up to $150, depending on the SKU. However, it...
Maryland reports 1st human case of West Nile virus this year
The Maryland Department of Health has confirmed the first human case of West Nile virus for the state this year.
Photo story: Science Saturday Connects Families with Nature Through Hands-On Learning
The Savannah River Ecology Laboratory (SREL) at the University of Georgia welcomed families, students, and nature enthusiasts to a successful Science Saturday on August 1st, 2026 at the Riverview Park Activities Center in North Augusta. Held from 10 a.m. to 1 p.m., the free community event brought together visitors of all ages for an fun […]
Jay Feely: Politics should be sacrificial
Former NFL placekicker Jay Feely, who won the GOP primary for Arizona's 1st Congressional District, breaks down what he'd do if elected on 'My View with Lara Trump.'
Musikfest Photos: Saturday, August 1st, 2026
Did we see you or your friends at Musikfest 2026 in Bethlehem, Pa.? Check out our daily photo galleries from the largest free music festival in the nation!
Report: Amazon’s 'God of War' Season 2 to Cast Older Versions of Atreus and Thrud
While the search for a new Kratos is underway for Amazon's God of War adaptation, Season 2 casting calls confirm new actors for a time jump.
49ers News: Welcome back, Deebo Samuel!
Your daily San Francisco 49ers news for Friday, July 31st, 2026
Anez Cooper’s development is a test for the Jets
Through the summer, we will be counting down the Jets roster player by player. We continue the series by discussing Anez Cooper. Name: Anez Cooper Number: 72 Year With Jets: 1st Projected Role: Developmental guard His 2025: Cooper started at right guard in all 16 games for the national runner up Miami Hurricanes and earned Second Team All-ACC honors. The […]
Tennessee Titan Award 19 Small Businesses Across Tennessee the 1st & Goal Small Business Assistance Grant
The Tennessee Titans are proud to award 19 small businesses across Tennessee the 1st & Goal Small Business Assistance Grant
"Storm Emeralda" Secret Rares Revealed!
The secret rares from Storm Emeralda are now being posted to social media by fans! The set releases this Friday, July 31st. The main set list was revealed
Cowboys’ 1st-Round Pick Called NFL’s ‘Most Impactful’ Offseason Move
ESPN's Matt Bowen called the Cowboys selecting Ohio State safety Caleb Downs at No. 11 overall the NFL's 'Most Impactful' Offseason Move. The post Cowboys’ 1st-Round Pick Called NFL’s ‘Most Impactful’ Offseason Move appeared first on HEAVY.
BALLS on the moon: China set to launch Africa's 1st lunar science mission in 2029
"If this is successful, it will ignite the reality of space on the African continent."
BALLS on the moon: China set to launch Africa's 1st lunar science mission in 2029
"If this is successful, it will ignite the reality of space on the African continent."
SummitTX Capital L.P. Takes $5.82 Million Position in Live Nation Entertainment, Inc. $LYV
SummitTX Capital L.P. bought a new stake in shares of Live Nation Entertainment, Inc. (NYSE:LYV - Free Report) during the 1st quarter, according to the company in its most recent 13F filing with the SEC. The fund bought 38,148 shares of the company's stock, valued at approximately $5,818,000. Sever
Sei Investments Co. Boosts Stock Position in Caesars Entertainment, Inc. $CZR
Sei Investments Co. increased its holdings in Caesars Entertainment, Inc. (NASDAQ:CZR - Free Report) by 9.4% during the 1st quarter, according to its most recent Form 13F filing with the Securities and Exchange Commission (SEC). The fund owned 1,141,411 shares of the company's stock after purchasin
Hsbc Holdings PLC Sells 567,987 Shares of Caesars Entertainment, Inc. $CZR
Hsbc Holdings PLC decreased its holdings in shares of Caesars Entertainment, Inc. (NASDAQ:CZR - Free Report) by 90.9% in the 1st quarter, according to its most recent disclosure with the Securities and Exchange Commission. The fund owned 56,555 shares of the company's stock after selling 567,987 sh
Tencent Music Entertainment Group Sponsored ADR $TME Shares Sold by Swiss National Bank
Swiss National Bank trimmed its holdings in Tencent Music Entertainment Group Sponsored ADR (NYSE:TME - Free Report) by 11.6% in the 1st quarter, according to its most recent disclosure with the SEC. The firm owned 1,108,430 shares of the company's stock after selling 145,200 shares during the peri
Breakfast chain from the South opens 1st Pa. location in this Poconos downtown
The company saw Eggs Up Grill as filling a need in the breakfast and lunch market with its daytime-only hours and focus on hospitality.
Growlithe and Groudon Illustration Rares from "Storm Emeralda"! -...
Illustration rare versions of Growlithe and Groudon have just been revealed from Storm Emeralda! The set will release in Japan on July 31st as their sixth
Surprise candidate Shimon Blau cleared to face off against Melat Kiros in November
Unaffiliated congressional candidate Shimon Blau, a Denver doctor, has qualified by petition for the general election in Colorado’s 1st District, where Democrat Melat Kiros defeated 15-term U.S. Rep. Diana DeGette in last month’s primary, the Colorado Secretary of State’s Office said Friday. Blau, a newcomer to politics, submitted just shy of 2,000 valid signatures on […]
Unaffiliated candidate Shimon Blau will face Melat Kiros in congressional race
Unaffiliated congressional candidate Shimon Blau, a Denver doctor, has qualified by petition for the general election in Colorado’s 1st District, where Democrat Melat Kiros defeated 15-term U.S. Rep. Diana DeGette in last month’s primary, the Colorado Secretary of State’s Office said Friday. Blau, a newcomer to politics, submitted just shy of 2,000 valid signatures on […]
Paramount agrees to months-long delay of Warner Bros. merger
The concession comes as Paramount Skydance was already facing the prospect of a lengthy moratorium. The latest delay could extend into next summer.
"Storm Emeralda" All 76 Main Set Cards Revealed!
All 76 cards from Storm Emeralda have been officially revealed! The set stars Mega Rayquaza ex and will release in Japan on July 31st as their sixth Mega
Turnover of Senate-confirmed officials in Trump’s second term outpaces all 21st century administrations
More Senate-confirmed officials have left President Donald Trump’s second administration in its first 18 months than they have during the same period in other 21st century administrations, according to a nonpartisan organization’s review of the turnover published Wednesday.
Broward Health hosts 1st Bump, Baby and Beyond Fair to help expectant parents
Broward Health is working to make preparing for a baby a little less intimidating by connecting expectant families with resources, doctors and information before delivery day.
49ers News: It’s “best shape of their lives” season
Your daily San Francisco 49ers news for Tuesday, July 21st, 2026
UFC Freedom 250 Fails to Knock Out The Ratings
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) If UFC fans wanted one image to say, “Hey, Paramount+ is crushing it with their UFC rights deal,” I could provide that image. Here it is: (Reminder: this is my creation of the Nielsen Top 30, since Nielsen doesn’t combine the lists or include sports. I take all three lists and combine them. Some streaming TV shows probably have higher ratings than many of the films on this list.) Look at that! UFC Freedom 250 is number one! It topped the Nielsen “Top 30” list for shows and films that made the top ten the week of 15-June. So if you’re a UFC fan or supporter of Paramount+, that’s the good news for you this week. This program topped the ratings charts for one week. Everything else is bad news, or at least a huge caveat to that story, which I’ll explain today in the first part of this week’s Streaming Ratings Report—for the weeks of 8-June and 15-June—which is a double issue since I’ve been writing on a bunch of topics recently. UFC Freedom 250 is one of the biggest streaming events of the year, and super relevant to Paramount+’s strategy, so it merited its own article. Let’s dive in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of June 8th to June 21st 2026. You can find a link to my terminology here.) Subscribe Check Out My Interview on UFC 250 at MMA Draw After you read this article, if you want even more thoughts on UFC and Paramount-Skydance/Paramount+, I did a written interview with MMA Draw. They asked me to answer some questions about UFC Freedom 250, and I was happy to chat with them. Find it here: [ The MMA Draw Newsletter Did Paramount really overpay for the UFC? What the data tells us so far If you know the history of American television, you also know that combat sports is often a leading indicator of the future… Read more a day ago · 10 likes · 1 comment · Nate Wilcox and Zach Arnold ](https://www.themmadraw.com/p/did-paramount-really-overpay-for?utm_source=substack&utm_campaign=post_embed&utm_medium=web) I never thought I’d need a combat sports newsletter in my life, but the good folks at MMA Draw publish an excellent one on UFC, MMA, pro wrestling, boxing and more, analyzing both the sports themselves and the politics, economics and antitrust issues that impact them. Check the article and their newsletter out! Paramount+ Has Its Best Sporting Event of All Time…But Was It Worth It? Before we look at the UFC Freedom 250 data in particular, let’s talk about what we can’t say. Namely, let’s start with the lack of comparisons. First off, I’d love to put a chart out comparing this fight to past UFC fights on Paramount+…but we don’t have the data. This is the first time we’ve gotten Nielsen data about a Paramount+ UFC fight. As far as I can tell, Paramount provided data for the first fight, but it was a proprietary datecdote (saying it had “an average minute audience” of 5 million “views”) and then, for two fights, we got the linear viewership numbers when they aired on CBS, but no streaming data. Everything else was crickets. We also can’t compare this fight to other fights/combat sports on streaming, in particular the MMA and boxing, because Netflix also didn’t use Nielsen to track those events, opting for TVision and VideoAmp, respectively. (This isn’t Paramount’s fault, but does still suck.) We also can’t compare to UFC’s fights that used to be on ESPN+, since we don’t have any data for that, plus Disney+ didn’t have marquee fights. The comparisons would not be apples-to-apples. Can we compare to past Pay-Per-View fights? Absolutely not. The comparisons would absolutely NOT be apples-to-apples. That didn’t stop Paramount+, though, who bragged that their UFC events have reached drastically more people than past PPV fights. Duh. Sorry, but I gotta make this point again. A basic tenet of economics is that the cheaper something becomes, the more people consume or buy it. That’s Econ 101. (Sometimes pundits call things “Econ 101” that are actually like Econ 210 or even PhD-level economics, but no, this is really like first or second class basic economics.) Yet I still see one analytics firm consistently say that more people watch films on streaming than PVOD proves streaming which means that the streaming window is more valuable than the PVOD window. No, it’s not! Same thing here. Pay-Per-View events back in the day could be really, really, really expensive! So whole groups of people pitched in to buy them. That increased the perceived value of, say, the Mike Tyson fight. Or a UFC numbered event. So yes, the fact that Paramount+ makes numbered UFC fights essentially “free” if you’re already a Paramount+ member means consumption will go up. Obviously. Same for Netflix and their boxing matches. They’re talking about fights that used to cost consumers, in some cases, $50 in 1996…which is over $100 in today’s dollars. Over 1.6 million people paid that to watch the Tyson-Holyfield fight! Again, streaming is essentially “free”. Or $10 to $20, depending on what streamer we’re talking about and what tier you’re on. No wonder more people are “watching”. (Plus, Nielsen’s out-of-home viewing also helps these numbers.) UFC Freedom 250 Did Well…But I Have A Lot of Worries So what can we compare the fights to? Well, the good news is Nielsen put out that the fight averaged 7.0 million viewers for UFC Freedom 250, which is a solid number for a fight. We also know the length, at roughly 4 and a half hours. (I saw different run times, but this seems to be the consensus considering it started at 8 pm, had a delay and then finished after midnight on the East Coast. If you assume a shorter run time, then yes, the total hours viewed would go down.) That means I have the two numbers needed to add this to my Nielsen database. And then…I can compare this viewership to the NFL: And, uh, not great. But also within striking distance, mainly because the runtime for this event was so long. I’d also add that this event had viewership equal to a regular season NFL game on streaming, but if anything, it was more comparable to an NFL playoff or Super Bowl-esque event. And you can compare viewership to the top football games on broadcast, cable and streaming, and it’s not impressive at all: We can also compare it to other sports that week, including the NBA Finals and start of the World Cup: Again, not great. The NBA generated roughly four times as many average viewers each game for its NBA Finals. The World Cup has similarly big numbers. Also, that’s just a tiny fraction of the 25 most watched sporting events each week. The NBA, NHL and FIFA World Cup had many, many more games racking up hours. We could also compare this to other streaming programs to get an idea of “is this a good investment?” and here is how it ranks compared to other top Paramount+ programs: The worry here? Well, unlike scripted programming, which has rewatchability, older fights/sporting events have very little library value. Very, very few people are rewatching these fights, especially years from now. Paramount has also released datecdotes bragging about their subscriber numbers. Earlier this year, they claimed that the first UFC fight on Paramount+ brought in 1 million subscribers. Then, in their quarterly earnings report, they only ended up with 700K subs. Not great! They claimed they dropped lower-value international subscribers, but that’s why I tend to discount subscriber additions when they’re leaked to the press.1 I expect we may see a bump again for UFC Freedom 250, but I’d caution using subscriber growth so soon after these events to judge the success, since new subs with high churn (see Peacock) aren’t great either. Also, analysts often want to attribute all subscriber growth to their favorite/pet show, and that just doesn’t make sense. The biggest caveat for UFC Freedom 250 and Paramount’s very first UFC marquee event is that these could be high watermarks for the sport. UFC Freedom 250 had an incredible amount of earned media coverage compared to most UFC fights. I mean, it had wall-to-wall national news coverage in the lead up to the event. (The first fight also had a lot of promotion from Paramount since it was first.) Other fights could reach this bar—say the Conor McGregor return to the Octagon—but they’ll be fewer and far between. Was This Deal Worth It? All to ask: is this Paramount deal worth it? In this case, I think the UFC Freedom 250 numbers are more distracting than helpful. This fight did well and compares well to other top sporting events. But we know that the first marquee event was at least a third smaller, if Paramount’s own data is to be believed. And it’s likely the other fights are much, much, much smaller. And then you get to the paycheck that Paramount-Skydance paid. FIFA’s World Cup cost about the same for Fox, but clearly generated multiples more total viewership. (Though it’s only every four years.) The NBA is much more expensive, but until the playoffs, they likely didn’t pay for itself. Even still, Disney, NBCUniversal and Amazon Prime Video likely overpaid. So, in that context, the NBA may be an overpay that makes the UFC look not so bad. But two overpays don’t make an underpay, to paraphrase the old cliché about wrongs and rights. And looking at UFC Freedom 250 as the likely ceiling of MMA on Paramount+, Paramount-Skydance likely paid too much. Share 1 I would love regular reports on subscriber additions by programs, but as is, it’s mostly leaked or rumored in haphazard ways.
Give Call of Duty: Modern Warfare 4 a Go in Its PS5 Beta Next Month
Full open beta runs 28th Aug - 1st Sep
National Republicans put Rep. Greg Landsman on new 'target list'
The National Republican Congressional Committee has added Ohio's 1st District to its \
Cantillon Capital Management LLC Cuts Stock Position in Tencent Music Entertainment Group Sponsored ADR $TME
Cantillon Capital Management LLC cut its stake in shares of Tencent Music Entertainment Group Sponsored ADR (NYSE:TME - Free Report) by 28.5% in the 1st quarter, according to the company in its most recent disclosure with the Securities and Exchange Commission (SEC). The firm owned 13,382,595 share
Tencent Music Entertainment Group Sponsored ADR $TME Stock Holdings Increased by Allspring Global Investments Holdings LLC
Allspring Global Investments Holdings LLC boosted its holdings in shares of Tencent Music Entertainment Group Sponsored ADR (NYSE:TME - Free Report) by 21.3% in the 1st quarter, according to the company in its most recent disclosure with the Securities and Exchange Commission (SEC). The fund owned
Hospital opens ‘1st of its kind’ new interventional radiology suite
The University of Wisconsin expects to double the number of IR procedures performed annually at American Family Children’s Hospital.
Pirate Problems: Buccaneers 1st Divisional Matchup is a big One
After surrendering the NFC South crown to Carolina, Todd Bowles and the Buccaneers head to Charlotte seeking revenge and job security against a revamped, high-spending Panthers defense.
Five reasons why the World Cup final was so dull
Spain dominated the final but required extra time to find a winner, while Argentina waited until the 121st minute to create a big chance
Assassin's Creed Black Flag Resynced Director Asks Fans to Please Play the Game When GTA Comes Out; Confirms Updates to Add New Game+ and New Features
AC Black Flag Resynced's director pleasds fans to still play game when GTA 6 is released, confirms New Game+ and other features to be added.
The Politics of Kurdish-Palestinian Solidarity
The Kurdish and Palestinian movements were forged in a common anti-colonial tradition. Their different political trajectories now reveal two competing models of liberation in the 21st century.
Experience sights, sounds of Oregon Asian Celebration in Eugene
The Oregon Asian Celebration was held July 18 in Alton Baker Park, marking its 41st year. See performances and activities from the event.
Bill Belichick's 1st college team struggled at UNC. He's hoping for more success
“Last year when we started, we were literally starting from scratch," the Super Bowl-winning coach said. “We're above that now for sure.”
Rabid bat found in Seattle near the University of Washington
A rabid bat was found in Seattle on July 15, 2026, on the sidewalk on University Way Northeast, between NE 41st and NE 42nd streets. This is near Parrington Lawn, on the University of Washington campus, and is a busy area with many businesses. Anyone who might have had physical contact with this bat (even if not bitten) could be at risk and should seek medical evaluation immediately or call Public Health at 206-296-4774 to determine if rabies preventative treatment is necessary.
Costa Layman Health Fair continues to thrive with its services
Sponsored by the College of Nursing, Augusta University colleges, departments, and community organization joined together to provide the 21st day of wellness to the workers of Costa Farms.
Giants Trade Pitch Deals Disappointing Former 1st-Round Pick
Bleacher Report's Moe Moton predicts the New York Giants will trade cornerback and former 1st-round pick Deonte Banks. The post Giants Trade Pitch Deals Disappointing Former 1st-Round Pick appeared first on HEAVY.
2026 MLB All-Star Game: AL posts 3-hit shutout, beats NL behind big 1st inning and Miguel Vargas' HR
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47 revelatory hours with Assassin’s Creed Black Flag Resynced
To review this month’s supposed remake of 2013’s Assassin’s Creed IV: Black Flag, I must first correct the record. Assassin’s Creed Black Flag Resynced isn’t a game about pirates (and assassins) in the 18th century Caribbean. Sure, sure, that’s what the trailers would have you believe. They’ve go their clips of Edward Kenway swinging his swords and steering his pirate ship into cannon-blasting combat against British frigates. Is Resynced truly a pirate game? Of the 47 hours I spent playing Resynced over the past few weeks, I will admit I spent maybe 44 (?) of them collecting plunder with Blackbeard, drinking rum with Anne Bonny and debating the pros and cons of the lawless pirate-run settlement Nassau with Benjamin Hornigold. I may in fact have spent dozens of hours sailing to remote islands, reading treasure maps, opening messages left in bottles, sinking the odd Man o’ War with a well-timed broadside, collecting sea shanties for my crew, befriending a pet monkey, and hunting whales. I am nevertheless neither so Gullible nor so Narrow-Minded as to call the magnificent Resynced a “pirate remake.” Oh no. Forget any reviews of Assassin’s Creed Black Flag Resynced you may have read. Forget what you yourself may have played, if you’ve spent any time with the game since its launch. What Assassin’s Creed Black Flag Resynced is really about I’m here to give you the scoop (spoilers for Resynced’s Animus menu lore, which many players are probably not going to see): Assassin’s Creed Black Flag Resynced, the new game whose development was led by Ubisoft Singapore, is set in the year 2096. It’s about a societal split, about revolution, about an old Assassin’s Creed adventure repurposed in the series’ distant future as propaganda or samizdat. It’s about the overheated future of 2096, essentially conquered by the series’ well-established nefarious Templar-run company Abstergo. (In this future, Abstergo is, among other things, remaking a 2013 pirate movie called Devils of the Caribbean, but this time in VR. The VR version will be backed by a marketing plan that involves AI influencers, a 10,000-avatar “metaverse premiere event” and that manufacturing of memes aimed at “50 million VR nodes.” See what I mean about Abstergo being evil?) Resynced is about a late 21st-century population mollified by the widespread use of Abstergo’s Animus devices which let people experience the lives of historical figures culled from “genetic memories.” It’s about an insurgent faction of Assassins. And it’s about a plan to wake the population into revolutionary fervor by showing them the memories of 18th century pirate Edward Kenway, who—as depicted in the original Black Flag and again in Resynced—gradually comes to an understanding about the Assassins of his day and their centuries old fight for freedom. Resynced is also about an AI developed within the late 21st-century Animus, called Ego. It has found a way to alter genetic memories, to create and show Animus users false ones. The game is about Ego’s efforts to tell the people experiencing Edward Kenway’s memories that Kenway was wrong, that fighting against order is folly, that we should crave a world where “compliance is rewarded with power.” Who are we in this game? We’re an unnamed Animus user in 2096 who experiences Kenway’s journey virtually. At four moments during Kenway’s exploits in the Caribbean our virtual jaunt can be interrupted for 10-15 minutes, as we explore Animus “rifts” where Ego explicitly tries to tell us how wrong Kenway was. None of this is what 2013’s Assassin’s Creed IV: Black Flag was about, of course. That was a different game, even if you also spent dozens of hours pirating as Kenway in that game, across missions and a map that’s been faithfully reintroduced and rebuilt for Resynced. The 2013 Black Flag was about you playing as an unnamed researcher newly hired in 2013 by Abstergo Entertainment, the video game development wing of the Templars’ evil-corp. In that game, you were assigned to use the Animus to dive into the genetic memories of Desmond Miles, a man who died in Assassin’s Creed III and who was descended from a long line of Assassins (and at least one Templar) whose adventures were featured across the prior AC games. In 2013’s Black Flag, your mission was to plumb the Edward Kenway experience for material that Abstergo could use in productions such as the motion picture Devils of the Caribbean, though the Templars had some ulterior motives for the assignment. Resynced is therefore not a remake of 2013’s Black Flag. It’s a sequel. It is a new game about a new exploration of Edward Kenway’s pirate/assassin journey, set 83 years after the framing sequences of the original game. Resynced provides a new narrative framework that, thanks to the concept of an AI that wants to alter historical memories, arrives with creative justification to tweak a now-classic 13-year old game. That makes Resynced, already a hot seller, a tantalizing hint of where Ubisoft could go with a line of Assassin’s Creed remakes. They could remake the first game, the Ezio games, even the recent ones set in ancient Egypt and Greece. And for each, they could not just modernize the graphics and controls but expand and alter their sequences of events to use them as reference points for a conflict set in the late 21st century, as rival factions try to weaponize historical memories. Game File is a reader-supported publication. To receive new posts and support my work, even when that work consists of ravings about Assassin’s Creed’s modern day plot, please consider becoming a free or paid subscriber. Subscribe A story most players will probably miss If you didn’t know any of this, I’m not surprised. If you played the game and still didn’t catch it, I’m not a bit shocked. If Ubisoft has no plans to do more of this, I won’t fall down. Almost all of what I’ve described is optional and missable in Black Flag Resynced. I nearly missed it myself, as I planned for a breezy playthrough of an old Assassin’s Creed favorite. Instead, I found myself in a 40+ hour hunt for the “real” story, buried deeper in Resynced than any gold-filled chest. The story of 2096 is Resynced’s meta-story, told in two remote pockets of the game: 1) four optional playable “rifts” that players may find as they proceed through Resynced’s pirate fantasy , 2) in dozens of text files tucked three menus deep in the game’s barely-interactive Animus hub. Assassin’s Creed games have almost always had a meta-story about people in the 21st century (usually matching the game’s release year) and their connections to the main history portions you play. Those meta-stories have always been squeezed into the margins, though seldom as severely and as, uh, graphiaclly simple, as in recent games. Back in 2013, the modern-day exploits of you as an Abstergo Entertainment employee were prominent. They were portrayed via first-person portions that occasionally interrupted the third-person Kenway experience and could be explored for hours, complete with their own missions, side quests and puzzles. Resynced’s 2096 story—of Assassin “Watchers” vs. Abstergo/Tempar goons, of rogue AIs, of panicking scientists, of a woman wondering why her Animus-addicted husband is muttering about Mary Read (“What does he mean by Assassins?”), of a fight for the population’s hearts and minds via varying interpretations of Edward Kenway’s life choices—is mostly told through unlockable text files. The files are interesting. Offered via diary entries, intercepted chats and news reports, they present varied perspectives of a world in crisis. One set works as a narrative puzzle as it reveals the Rashomonic interpretations of a massacre, or was that a successful Assassin hit? Another favorite reveals the rising bitterness of a person who, through Edward Kenway’s journey, now shakes at the ignored evil around him. One surmises that Ubisoft is averse to putting the Assassin’s Creed’s meta-story in the way of more marketable pirate playgrounds and ninja/samurai epics. Instead, we get a better-than-nothing text-in-menus approach introduced in 2025’s Assassin’s Creed Shadows. In Shadows, players unlocked the meta-story text files largely via time-gated missions that called on the user to kill X number of enemy type Y, clear three enemy castles, re-win a three-phase fighting tournament, and other grinds. Time restrictions on accessing these missions and unlocking the files meant it could take players months to access the full story in-game. But even in the most hardcore Assassin’s Creed hangouts, the fanbase instead seemed to throw up their hands rather than grind to keep up. In Resynced, Ubisoft has shown some mercy, diminishing the amount of new text files that are tied to timed grinds. Now, most of the text-based 2096 lore are associated with “data file” collectibles that players can find in the world. That includes a batch of written entries that explain a historical link between the feudal Japan era in Shadows and the piracy adventures in Black Flag. Players who explore a lot will find dozens of data files, though the game does not appear to offer any in-game tracker for finding each one. You just need to keep looking for them. As of this writing, I have most of them, but not all. I can’t find any full guide for them online. And even Ubisoft’s optional $5 microtransaction that reveals lots of items in-game does not appear to reveal the locations of the text files (at least the official description omits them from its collectibles list). That’s not a huge bother, because tracking the data files down compelled me to re-explore the waves and islands of Black Flag. That was a thoroughly pleasant task to do for the first time in a dozen years. I expect many players, though, will be content to wait for the files to be reproduced in an online AC wiki somewhere, the easier to read on a web page. It may not seem enticing to play a video game in order to gradually unlock pages of text to read. Why not, you may ask, just read a book, where they put the pages in order? For one, they’ve not tucked this latest installment of Assassin’s Creed’s meta saga in a book. I also enjoy the unordered delivery, the dawning comprehension of a story about 2096’s desperate people and questionable tech, which I glimpsed first at its middle, then the end, then the front, then other moments in between1. I am also enamored with the idea of the Assassin’s Creed games I’ve previously played, including Black Flag, being repurposed for an information war. The ideas in Resynced’s meta-story, which builds off characters and ideas in Shadows’ chunks of text, are strong. The potential of where they could go with it is exciting. As for the pirate stuff? Looks great, controls pretty well, is fun to play and oh so speedy in terms of how much of a good time you can have with each sit-down. It never gets old to chase a new shanty page across a rooftop, bombard a fort with upgraded mortars or use a diving bell to explore sunken wrecks (hats off to the team at Ubisoft Barcelona that worked on the underwater portions in Resynced; that team is now facing layoffs, such is the misery of modern gaming and oft-troubled Ubisoft). New pirate missions in Resynced involving new ally characters are brief, dramatic and add more to Edward’s story, even if the gameplay perks they provide barely enhance the gameplay. A new denouement for high-class pirate Stede Bonnet is affecting; a new hunt for Blackbeard’s treasure is a welcome extra moment. A new epilogue to hunt down a pirate killer, on the other hand, over-complicates Kenway’s character. The ending credits remain my favorite of any game I’ve ever played. Black Flag provides great source material. The revisit is well-made and a great sign of what could be. It is offered in a different wrapper that hints at an opportunity for more interesting remakes to come, should Ubisoft choose to pursue such treasures—and as we brace to resist or comply with an Abstergo future. 1 The messages that Edward Kenway finds in bottles tell another out-of-order story, one about a man reckoning with the strange memories and voices he’s heard in his head since he was a boy. That tale was also in the 2013 game and develops into one of Black Flag’s most compelling character arcs. In Resynced, it has lost its climax, because the bottle story previously paid off in the halls of the first-person Abstergo Entertainment, which is exclusive to the older game. An altered resolution, written by the 2013 game’s lead writer is fine, doesn’t invalidate the 2013 version, but makes for an inferior final note.
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Most points by a 1st overall pick in their summer …
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Netflix and Superheroes Are Having a Rough Stretch on Streaming....
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) I have a quick prediction before we start today’s article: You might see this data in future news articles. Not my specific charts or analysis, but the core trend I’ve been monitoring—Netflix is having a lackluster Q2—will become inescapable. Often, folks want to know “What does the data say?” Well, that’s what it says. I haven’t seen this analysis hit the trades really yet, but I have a feeling some other outlets are going to start making this case soon. Remember, you read it here first. You probably have read about the problems facing superhero films at the box office this weekend. Well, this week, I explore whether superheroes are dying on TV as well! And the data says: definitely maybe! We have a lot to cover in today’s Streaming Ratings Report, which covers the two weeks of 18-May and 25-May. Today, I’m just looking at TV, like Netflix’s disappointing Q2, superhero shows underwhelming, a few TV shows dropping off the charts, The Pitt finally ending its epic run on the viewership charts (and whether “view counts” change its status as one of the biggest shows of all time), all the flops, bombs and misses, and a whole lot more. Tomorrow, I’ve got a great rundown of the film side of things. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, Showlabs, TV Time trend data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of May 18th to May 31st, 2026. You can find a link to my terminology here.) Subscribe Television - Netflix’s Q2 Slump Continues Having analyzed streaming ratings for going on half a decade, I have learned to trust my gut, but I’m always relieved when I can find actual data to back it up. For example, after a string of very popular shows like Stranger Things, Bridgerton, The Lincoln Lawyer and The Night Agent came out, week after week, in January and February, my gut wondered if Netflix had enough new and returning TV shows to sustain them throughout the year. Since then, Netflix’s post-March slate of shows has not impressed me. This week seemed to feature a potential new hit, but then, like a classic Duffer Bros. TV show, there was a twist. I speak of The Boroughs, Netflix’s latest (and last) Duffer Bros. produced show. The pitch is “Stranger Things with older actors”. And it topped the Nielsen charts: With just two weeks of viewership, The Boroughs would have been a top 25 debut show last year: But here’s the twist: Netflix has already cancelled The Boroughs! What happened? Likely a few things. First, the show didn’t do as well globally as it did in the US. As What’s on Netflix showed, it lagged behind several other shows that got cancelled. Second, its completion rate was likely low; after an initial burst of interest, it quickly dropped off on the Samba TV and Luminate charts. Third, the Duffer Bros. left Netflix for Paramount, and that may have factored into Netflix’s decision here. (Though I tend to believe that if a show is doing well, Netflix would have kept greenlighting seasons.) Still, just because I can explain why Netflix may have cancelled this show doesn’t mean I’m justifying it. In particular, as I’ve noted before, Netflix is losing a lot of their bigger shows as they reach their natural ends, and they need to replace those shows. This show had the hallmarks of a big new genre show, and it’s their biggest hit of the last few months (in the US at least), but now it’s done. Netflix’s other show this week—The Four Seasons, the second season of the “hit” show from last year—definitely disappointed. Its sophomore season had about half the viewership of the first, only 12.7 million hours. It also only had a two week run on Samba TV, and its numbers were all down on Luminate too. In other words, even with two successes, the Q2 slump for Netflix looks real: I could add to the list of disappointments: Both Lord of the Files and Man on Fire had short runs on the Nielsen charts. Running Point’s sophomore season also opened to about half its viewership, similar to The Four Seasons. A Good Girl’s Guide to Murder’s second season—see below—didn’t even make any of the three viewership charts I track, unlike the first season. Netflix is absolutely having a dismal second three months of 2026. If this Nielsen data is any indication, and I think it is, I think this will show up in Netflix’s engagement report, and maybe even their financial outcomes. And the rest of June doesn’t look much better. We have two hit shows coming back—Sweet Magnolias, one of their quietest big shows, and Avatar: The Last Airbender, a big hit for them in 2024—but the other big swings are limited series crime thrillers i.e. no future season potential. Like I said above, sometimes when I uncover a juicy nugget like this, other outlets end up writing very similar articles mimicking the data without credit. We’ll see if that happens this time! Share Television - The State of Superhero Shows on Streaming When I first heard the pitch for Spider-Noir—a Sony TV show on Prime Video that binge-released eight episodes first on MGM+ then on Prime Video two days later—I had my doubts. It’s a live-action Spider-Man show set in the 1930s, starring Nicholas Cage, based on a cameo of a character in Spider-Man: Into the Spider-Verse. No, seriously, that’s the pitch. That could either go terrifically well or horribly wrong. Great because, Spider-Man. He’s the biggest superhero we have. I’ve seen tracking numbers that put the new _Spider-Man: Brand New Da_y as the blockbuster of the year and initial pre-sales back that up. And yet this Spider-Noir pitch feels very esoteric. (Also, the eight-episode binge release feels very “Amazon copying Netflix” again.) So what’s the data say? And what does this say about the future of superhero shows?