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Secuoya Studios Taps Carla Gómez to Lead Latin American Development as Regional Expansion Accelerates (EXCLUSIVE)
Spain’s Secuoya Studios has tapped Carla Gómez as head of development and executive producer for Latin America, strengthening its creative and production operations in the region. Bringing more than t...
John Oliver Takes Swipe at David Ellison and His ‘Business Daddy’ Larry Ellison on ‘Last Week Tonight’
When we last saw John Oliver behind the desk of “Last Week Tonight,” he was mocking Trump for sacrificing a number of members of his senior staff on a decoy plane amidst his peculiar catering truck es...
John Oliver Takes Swipe at David Ellison and His ‘Business Daddy’ Larry Ellison on ‘Last Week Tonight’
The HBO host cracked jokes at the expense of his probably future bosses on the Sept. 20 episode of “Last Week Tonight.”
Charlize Theron on ‘The Odyssey’ Becoming Universal’s Highest-Grossing Movie and Raising Millions to Fight Femicide in Africa With CTAOP
Last week, Christopher Nolan’s “The Odyssey” became Universal Pictures’ highest-grossing film of all time, grossing $1.68 billion and counting. “I feel like I got a great invitation to the best party ...
Kate Beckinsale Posts Cryptic Messages on Social Media, Sparking Concern from Fans
“Serendipity” actor Kate Beckinsale posted cryptic messages to her personal social media account early Sunday morning, leaving fans concerned. Beckinsale posted a black screen with “bye” written acros...
Box Office: ‘Resident Evil’ Breaks Franchise Records With $60 Million Opening Weekend
“Weapons” director Zach Cregger has electrified the box office again, this time with his take on “Resident Evil.” His reboot of the ’90s zombie video game has collected $60 million in its opening week...
‘Backrooms’ Surpasses $400 Million at Global Box Office
“Backrooms” has hit $400 million at the global box office, a remarkable benchmark for the low-budget indie sensation. After nearly four months on the big screen, “Backrooms” has generated $197.5 milli...
‘Sweet Magnolias’ Creator Reacts to Netflix Cancellation: ‘I Hope Serenity Will Always Have a Place in Your Heart’
Following the news that “Sweet Magnolias” has been canceled at Netflix, creator and showrunner Sheryl J. Anderson is looking back on the romantic drama’s 5 Season run. “Living in Serenity for five sea...
Laying Science: Exploring density with liquids
In Mr. Bullock’s eighth-grade science class, students recently put their analytical skills to work through a hands- on density laboratory experiment. Using a variety of common liquids, including oil, rubbing
Aiken expo offers buffet of information on health-related services and products
AIKEN — The 1300 block of Pine Log Road East had a variety of vendors and other business representatives gathered Sept. 18 for the Aiken Standard Health and Life Expo, with Aiken Senior Life Services ...
Brooke County Fair provides a variety of entertainment
WELLSBURG — Whether you want to check out some animals or other agricultural attractions, sample a variety of fair cuisine, ride some rides or check out some professional wrestling, the Brooke County Fair has something for just about everyone. The annual fair kicked off Friday at Brooke Hills Park and will continue through Sunday. The […]
Undergraduates Learn Ways AI Can Help Produce Happier Livestock
A joint workshop has given undergraduates from a variety of disciplines a hands-on look at the ways precision livestock farming and artificial intelligence can create better living conditions for hogs.
Top Takeaways From Variety Entertainment and Technology Summit 2026
Industry professionals discussed AI, fandom, the creator economy and more at the 2026 Variety Entertainment & Technology Summit presented by EY.
Bill Hader on AI, Cat in the Hat and Jonestown HBO Series
Bill Hader offered his thoughts about why young people hate AI and why voice acting is exhausting at Variety's Entertainment & Technology Summit.
Apple Music in iOS 27: Five new features just added for iPhone
Apple Music adds a variety of improvements in iOS 27, with five new features including landscape support, design updates, and more.
Best of Des Moines: 2026 Winners
As we do each year, we asked our readers to cast votes for what Des Moines has to offer in a variety of business-related categories. These people and organizations make up an ecosystem in our region that supports the local economy and the community at large. Here’s how it worked: You voted. We checked the…
Fulton Fall Festival to offer variety of attractions, entertainment
FULTON — The Fulton Fall Festival, presented by the Richard S. Shineman Foundation, will bring a full day of family fun Sept. 26.The free event will be held from 10 a.m. until 4 p.m. throughout the Fulton War Memorial complex. × This page requires Javascript. Javascript is required for you to be able to read premium content. Please enable it in your browser settings. kAmxE H:== :?4=F56 3@F?46 9@FD6D AC@G:565 3J t!xr tG6?ED !2CEJ #6?E2=[ EC242? u@F?52E:@?[ 7246 A2:?E:?8 3J uF=E@? w:89 $49@@= pCED[ 32==@@? 2?:>2=D 3J $E2CCJ $Ajv p?:>2=D[ 2?5 |28:4 |2EE 3J E96 ~DH68@ r@F?EJ *@FE9 qFC62F]k^Am#placement_726068_0_i{width:100%;margin:0 auto;}var rnd = window.rnd || Math.floor(Math.random()*10e6);var pid726068 = window.pid726068 || rnd;var plc726068 = window.plc726068 || 0;var abkw = window.abkw || '';var absrc = 'https://ads.empowerlocal.co/adserve/;ID=181918;size=0x0;setID=726068;type=js;sw='+screen.width+';sh='+screen.height+';spr='+window.devicePixelRatio+';kw='+abkw+';pid='+pid726068+';place='+(plc726068++)+';rnd='+rnd+';click=CLICK_MACRO_PLACEHOLDER';var _absrc = absrc.split("type=js"); absrc = _absrc[0] + 'type=js;referrer=' + encodeURIComponent(document.location.href) + _absrc[1];document.write('');kAmp=D@[ |C] $@?87=@H6C[ A6C7@C>2?46D 3J q6==6 #@J2=6 s2?46 p4256>J 2?5 ~77 qC@25H2J s2?46 r6?E6C[ 2 56>@?DEC2E:@? 3J |2DE6C !CJ@C’D %266C:42[ J2C5 82>6D[ E6>A@C2CJ E2EE@@D[ 2?5 >@C6]k^AmkAm%96C6 H:== 36 5@K6?D @7 G6?5@CD[ =@ED @7 7@@5[ 2?5 =:G6 >FD:4 2?5 6?E6CE2:?>6?E E9C@F89@FE E96 52J]k^Am googletag.cmd.push(function() { googletag.display('yup-rectangle-one'); });
Best of Des Moines 2026: Learn about this year’s winners
As we do each year, we asked our readers to cast votes for what Des Moines has to offer in a variety of business-related categories. These people and organizations make up an ecosystem in our region that supports the local economy and the community at large. Here’s how it worked: You voted. We checked the…
Nick Kroll Delivers Heartfelt Appeal for Productions to Shoot in L.A.: 'It Will Bring Life Back' to the City
Nick Kroll said upcoming Netflix comedy series "A Hundred Percent," which he co-created and stars in, is a "love letter" to Los Angeles -- and he expressed hope that a "thriving" production community can vitalize the city.
Execs Battle Misconceptions, Figure Out AI’s Place in the Industry
Several entertainment and tech personalities discussed AI during Variety's “Entertainment and Media in the Age of AI” panel on Thursday.
How Creators, TikTok, Spotify and Pinterest Fuel Fandom
The era of AI and social media has blown open the marketing playbook for entertainment, as detailed at Variety's Entertainment and Technology Summit.
James Wan on YouTube Filmmakers: 'You Don't Need to Be in the System'
The phenomenon of Youtube breakout stars-turned feature filmmakers is nothing new for director, writer and producer James Wan.
Disney Sets New Streaming Chief Adam Smith, Joe Earley Shifts to TV Franchise
Disney is switching up its streaming leadership team, which currently consists of co-presidents of direct-to-consumer Adam Smith and Joe Earley.
BNI Flag City chapter connects local business professionals
Business Networking International (BNI) brings local business professionals together to build connections and pass along referrals. In Findlay, the Flag City chapter has 37 businesses represented across a variety of industries.
Empowering Content Libraries with AI is the New Future for Communal Fan Experiences, Execs Reveal: ‘You Have Companies Sitting on Crown Jewels’
Artificial intelligence has already made its mark on the screen. For some of the entertainment industry’s players, AI’s next playground is the real world. Such was the focus on Thursday morning at the...
Media Execs Talk Trends at Variety Entertainment & Technology Summit
A panel of execs from Hulu and ABC, NBCU, WBTV, Blumhouse and Crunchyroll kicked off the Variety Entertainment & Technology Summit presented by EY.
Media Execs Talk Trends at Variety Entertainment & Technology Summit
A panel of execs from Hulu and ABC, NBCU, WBTV, Blumhouse and Crunchyroll kicked off the Variety Entertainment & Technology Summit presented by EY.
A haunted corn maze in Mississippi and 'Harvest Hues' in Texas: Here are 6 Southern fall events
Discover a variety of fall activities, from pumpkin patches to haunted corn mazes.
Physint: Bill Skarsgard to Star in Hideo Kojima Xbox Game
Bill Skarsgård will star as the lead in Hideo Kojima's upcoming video game "Physint" from publishing partner Xbox.
SPC, FilmNation Flocked the NY Film & Entertainment Soccer Tournament
Filmmakers and executives flocked the NY Film and Entertainment Soccer Tournament which raised $15,000 for charities.
Scottdale lines up entertainment, activities for annual fall festival
Scottdale will host its 52nd annual fall festival Friday through Sunday. The three-day celebration will feature a variety of handmade crafts, local and ethnic foods, a parade, live entertainment and a children’s area. It is held at the gazebo on the corner of Pittsburgh and Spring streets. Festival hours are
Paul Walter Hauser Explains Pin He Wore to Resident Evil Premiere
Paul Walter Hauser explains the pin that her wore Tuesday night while walking the red carpet at the "Resident Evil" premiere in Los Angeles.
AI Race, Sticky Content, Fan Communities: Variety's Ent & Tech Summit
The AI race, the search for sticky content and fan communities are on the agenda at Variety's Entertainment and Technology Summit on Sept. 17 in L.A.
What Does the Science of Climate Change Really Look Like?
Editor’s Note: This is the second in a three-part series on how the Right should think about environmental and climate policy. Read Chris Barnard on Reclaiming Environmental Policy from the Left. More than a decade ago, the world’s governments negotiated and signed the Paris Climate Agreement, committing to hold global warming well below 2 degrees Celsius. In the following years, climate had immense cultural power. Greta Thunberg emerged. Fortune 500 companies established net-zero plans. The U.S. got the Inflation Reduction Act. Then the pendulum swung back. President Donald Trump returned to the Oval Office, speaking of green energy as a “scam” and carbon footprints as a “hoax” and on all matters of international policy emphasizing bilateral engagement and power over globalism and cooperation. The technology companies that had been at the forefront of net-zero pledges and green leadership discovered the importance of all-of-the-above power to their visions for artificial intelligence and began quietly postponing or removing their targets. On the left side of the political spectrum, rising concerns about inflation and cost pushed climate lower down in the stated priorities of voters and stump speeches of politicians. The moment is ripe for a reset on the politics of climate change and for conservatives especially to chart a course that acknowledges and addresses the real challenges in plausible ways. So what should we think about climate change as we enter a post-peak climate era? If it is neither an apocalypse nor a hoax, what will hold up as a durable view of climate change? And how does it project onto the concerns and priorities of the right-of-center’s emerging coalition? New to Commonplace_? Subscribe below to get the magazine in your inbox._ Subscribe A Solid Foundation As the politics and economics of climate careened over the past ten years, the physics carried on regardless. In 2015, the year the Paris Climate Agreement was adopted, the world emitted 41.2 gigatonnes of carbon dioxide. By 2025, emissions had risen only 2.4%, to 42.2 gigatonnes, because falling emissions from land use offset increasing emissions from fossil fuels. But slow growth in annual emissions is not rapid decline, let alone net-zero, so carbon dioxide kept accumulating in the atmosphere, going from 399 to 426 parts per million. Global temperature kept rising too, from about 1.1 degrees Celsius above the 1850–1900 average in 2015, to 1.4 degrees above it in 2025. None of this should surprise anyone. Even most prominent skeptics, like the authors of the 2025 report commissioned by the Trump administration’s Department of Energy, accept the basic physics. Carbon dioxide added to the atmosphere at industrial volumes accumulates and traps heat that would otherwise escape to space. That heat warms the upper ocean and increases temperatures at the surface. Increased ocean heat and melting of land ice cause sea levels to rise. Changes in the climate become noticeable to us as subtle shifts in temperature and precipitation, seasons arriving early or late, changes in the surrounding ecosystem, and weather extremes. The much more meaningful debate is not about whether these things are happening, but about what it all means for human societies. (While it is a proxy measure of overall risk, no one experiences global surface temperature.) This debate invokes at least three interesting questions: how much today’s warming is showing up in regional climate trends, how much more warming we should anticipate, and how extreme weather events can be understood in the context of climate change. Recent scientific advances give us new insights into each of these, but there is still much to learn. This is the context in which the next generation of conservative leaders will be the first to deal with significant climate change as a fact, not a forecast. It will be with them for their entire careers. Our evolving scientific picture of climate change will come from weather and climate records stretching further into the past, new kinds of observations in the present, better modeling tools for the future, and simply more time to observe the emergence of climate signals and their tangible effects on ecosystems and communities in the United States and around the world. The policy landscape will be shaped by not only the impacts of changes in the climate, but also by the ways in which societies respond and by the emergence of new technologies for both altering the trajectory of emissions and adapting to new climate realities. Global climate records now show the fingerprints of warming in different phenomena around much of the world. The IPCC, in its most recent assessment report, documents warming trends over all land regions, even as natural variability adds substantial variance to local trends. And the highest temperature extremes have become more intense and frequent, almost everywhere, since the 1950s. Scientists are highly confident that these changes are attributable to human influence. But confidence in detecting trends and attributing them to human influence degrades across heavy precipitation events; drought trends are heterogeneous and not attributable to human activity with great confidence. For hurricanes, tornadoes, and other severe storms there is even less confidence in trends or their relationship to climate change. In general, a fair summary of the evidence is that for well-observed phenomena, like surface temperature or heavy rainfall, with a clear relationship to warming, our multidecadal observations are consistent with human influence overcoming natural variability over long time periods and extremes increasing. For regions that are sampled more sparsely, or phenomena with a higher noise-to-signal ratio, we will need to observe them longer to understand the magnitude of the climate signal or improve dynamical understanding using models and observations together. But for Climate For those who can’t wait, we also have new techniques that attempt to understand the role climate change has in influencing particular extreme events. When the climate is changing and disaster strikes, it is natural to ask whether that disaster was somehow “caused” by climate change. For scientists and policymakers acting in good faith, answering that question helps develop a more accurate picture of the problem, how it may be getting worse, and what preparations we should be making to respond to it. It may, at some point, give some weight to how liability is assigned by courts or adaptation funding is distributed by society. But how we ask this question is extremely important. It is easy to get the analysis wrong by discounting the role that meteorology plays. As meteorologist Theodore Shepherd explained in a clear 2016 review of climate attribution methods, “if a weather or climate event is truly extreme in the present climate, then perforce it requires unusual meteorological conditions, which means that climate change is at most a contributing factor.” Share Scientists have two ways to probe climate as a contributing factor, both of which have entered media coverage of extreme weather events. One asks a probabilistic question: How much more likely is a particular event (e.g., a temperature record over a particular area) amid global warming? The answer involves using historical records and computer simulations to estimate the likelihood of such an event in both a changed and a preindustrial climate. The findings are less about the specific event, and more about events of that nature. The other question is: How has the changed climate affected the specific event in question? Here, scientists try to understand what a similar event would have looked like in the preindustrial climate. This is sometimes called the storyline approach, where the story is the specific meteorological details of the event. These methods offer ways to test the intuition of scientists about real weather extremes. In late June and early July of 2021, a persistent high-pressure ridge, or heat dome, set up over the Pacific Northwest and an extraordinary heat wave affected the area from Oregon to British Columbia. For six days, it shattered temperature records across the region and hundreds died from heat-related causes, in an area where such high, and persistently high, temperatures were well outside of experience and many live without air conditioning. Scientists have studied its connection to climate change using multiple approaches. This specific event was created by a rare combination of meteorological factors, a strong high-pressure ridge created the conditions for extreme heat, which occurred on top of higher average temperatures in the region from global warming. Probabilistic analyses showed that climate change increased the likelihood of such an event by at least 8-fold to more than 100-fold. One standout example found that such an event had effectively zero probability of occurring in the preindustrial climate. The enormous range in these assessments reflects how hard it is to estimate probabilities of events at the tail of the historical record. Estimates of the effect on the temperature of the event are more clustered. A recent review paper documents how multiple methodologies have found a positive influence, roughly 1-2 degrees Celsius of an anomaly that exceeded 15 degrees, of climate change on the temperature magnitude of the event. Multiple studies have investigated and found some positive influence of climate change in other extreme events. Attribution studies found climate likely increased the heavy rainfall that accompanied Hurricane Helene in North Carolina and surrounding regions in 2024. The extensive fires that struck Los Angeles in 2025 illustrate how the causal chain can become messy, though. Studies do detect a positive influence of climate on the event’s likelihood, but while climate change likely contributed to underlying aridity, it would not have played a role in the heavy winds or land practices that preceded disaster. These event attribution studies will become more common for extreme, or damaging, weather events. They can be produced quickly, and often are reported before peer review. As the Pacific Northwest heatwave example shows, when multiple methods converge on a positive attribution, the finding should probably carry some weight even if you have to be careful about accepting the results from a single study. I expect that as climate change proceeds and the climate thus departs further from a preindustrial counterfactual, the influence will become more detectable across a variety of extreme events and more easily identified. This will be used to cast blame, but can also be used to inform how communities and society adapt to ongoing change. We May Still Be Surprised One positive development, insofar as less climate change is better, has been that our central estimates for future climate change should probably be revised downward. Mostly, that is because the high-end warmings that scientists regularly analyzed about ten to 20 years ago, driven by high emissions throughout the twenty-first century, now appear to be somewhere between unlikely and impossible. At one time, the upper end of mainstream climate projections extended well into 4 to 6 degrees Celsius of warming by the end of this century, which, models suggest, would have wrought enormous real-world damage. Current energy and policy trends now point toward 2.5 or 3 degrees. Damages and risks are commonly modeled as increasing steeply with more warming, so this is already a better-than-previously-expected outcome for the climate (which is independent of the physical response to emissions). But we should maintain a wide range for plausible outcomes and prepare for the possibility of being surprised. Emissions trajectories are subject to deep uncertainty, the physical climate response is still developing, and whatever change occurs in the climate will then be mediated through unpredictable economic, social, and political institutions. Over the past decade, the pace of warming surprised some keen observers and appeared to accelerate, though not yet outside the range of expectation provided by climate models. The reasons for that apparent acceleration are being actively studied (as was the apparent pause in warming from 1998 to 2012), but no single driver has emerged. Some blame it on the El Niño, variability which would have no bearing on climate. Some think it is a result of factories in East Asia and global shipping fleets cutting aerosol emissions, which in the strongest version of the argument would indicate higher climate sensitivity to carbon-dioxide emissions. Others are more measured, not yet ready to draw solid conclusions as to whether climate projections require revision. We will have to see. Long-Term Thinking Climate change asks us to think over long time scales. But the pace of human-driven warming is compressing a large global change into a century. Changing weather patterns and extreme events are already causing adjustment costs and damages and will do more. Adaptation will help, but it is not free. For some communities, these costs will erode livelihoods and well-being, and may force migration. Are we prepared for large-scale managed retreats in the United States? Thankfully, American wealth, geographical diversity, and moderate climates may leave us better prepared than many around the world. But wealthy countries can still suffer serious disruption from narrowly concentrated costs, even if they appear entirely manageable in aggregate. Readers of Commonplace are familiar with the challenges of rapidly adapting to economic forces. The displacement that came from the China Shock is barely perceptible in aggregate GDP and employment data, but it affected millions of people and those people were far less mobile than economic models tended to assume. Deindustrialization rippled through the nation with enormous effects for not only our economic vitality, but also our national security. The forces surrounding climate change may not be so different; the world gets richer and must accept some diffuse costs. Those may be modest overall, but cause all manner of unpredictable effects with which policymakers must cope. In the case of the China Shock, our faith in a growing pie served us poorly. We’ll need to do better on climate. Leave a comment
Creator and Actor Juanpa Zurita Signs With WME
Juanpa Zurita, the multihyphenate Mexican actor, producer and content creator with a huge internet following, has signed for representation with WME. WME will work alongside Zurita’s longtime manageme...
‘It sits at the meeting point of science and the humanities’: should you study psychology?
Psychology has become one of the most popular courses at university. That’s no surprise as the insights it gives to our behaviour can help in a huge variety of careers
Variety TV critic Alison Herman weighs in on the 2026 Emmys
"Widow's Bay" swept the comedy categories
Baptist Health Paducah earns high-performance ratings by US News & World Report
U.S. News & World Report recently recognized Baptist Health Paducah as a high performing hospital across a variety of categories.
'Practical Magic 2' Casts a Spell Over U.K., Ireland Box Office
'Practical Magic 2' cast a winning spell over the U.K. and Ireland box office, claiming the top spot with an opening weekend of $3.7 million.
‘The Late Show with Stephen Colbert’ wins Emmy for variety series
LOS ANGELES — CBS’ “The Late Show with Stephen Colbert,” which ended its 11-year run in May, has won the Emmy in the newly merged variety series category. Colbert and
'The Late Show With Stephen Colbert' wins Emmy for variety series
'The Late Show With Stephen Colbert,' which ended its 11-year run in May, has won the Emmy in the newly merged variety series category.
Will Netflix’s Latest Horror Film Save Its Summer? And Introducing a New Data Source...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) All month, I’ve been polling you, my readers, on how we think the summer’s biggest blockbusters will do when they eventually land on streaming, and I wanted to share the results. First up, how readers think The Odyssey will perform when it comes to Peacock... People are pretty bullish that The Odyssey will smash it for Peacock. I don’t know that it will have as much rewatchability as Wicked did for kids, but we’ll see. It is now Universal’s highest-grossing film of all time. One note: almost half of Christopher Nolan’s films weren’t available for streaming the week The Odyssey came to theaters, including some of his biggest films like Inception, Dunkirk, Tenet, Oppenheimer and Insomnia. If you did want to watch the others, Prime Video had Memento and The Dark Knight trilogy, HBO Max only had The Dark Knight trilogy (even though Warner Bros. produced most of Nolan’s films), Hulu had The Prestige and Interstellar, and Paramount+ had Interstellar. So you needed at least two streaming subscriptions to catch the rest. Warner Bros. whiffed right here. I know they have long term licensing deals, but they should have tried to get as many Nolan films on HBO Max for launch as possible. Here are the results for Spider-Man: Brand New Day: The audience is a bit more mixed on this one, with everyone agreeing Spider-Man will swing to a big opening, but not necessarily elite or best all time. On to this week’s issue. Netflix continues searching for a hit straight-to-streaming summer film and Lioness and Ted Lasso allow me to look at the difference between a “hit” and a ‘hit for them”. All that, plus new YA/teen melodramas on Prime Video and Netflix, the House of the Dragon finale, USA Network claims a big opening, more big NFL ratings, all the flops, bombs and misses, and a whole lot more. But we start with a fun new data announcement. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of August 3rd to August 9th, 2026. You can find a link to my terminology here.) Subscribe A New Data Source: Reelgood’s Data on Content Libraries Here’s a fun new treat for you. Reelgood—an online service and app that lets users track where shows or films are streaming—is providing data every month for the Streaming Ratings Report on the size of each streamer’s catalogue, along with the new shows and films for each streamer. Yay! Previously, I had pulled “new shows on streamers premiering on the first of the month”: While I liked that data cut, it was a big wonky since it didn’t show all of the new shows or movies that came to a streamer each month. Instead, I would have preferred something like this from Reelgood’s annual report: And now we have it! I’m going to feature Reelgood’s data monthly, showing both total catalogue size and new shows and films appearing on the charts. That’s going to make these two cool new charts. First, here’s the size of various streamers’ film catalogues… (By the way, Reelgood offered to make the charts for me, but I like doing that task by hand to understand the data better.) They also provided data back to last year. Here’s the number of films timeline: And here are the new films on each streamer for the month prior to Aug: As I get used to this data, I plan to keep tinkering with how I display it, but I’m excited to feature it monthly. Today, I’m sharing the film charts; next issue, I’m going to feature TV shows by streamer. Now, in full disclosure, Reelgood is a sponsor of this little-newsletter-that-could. But in my constant quest to figure out what streamer various shows and films are on, I was already a Reelgood user before this sponsorship. I go to their website all the time, and their data is very accurate on where shows are (or have been). Plus, I’ve been sharing their weekly top ten lists for years now, pre-sponsorship. For me, this is a great win-win, since I get to amplify a service I love, and I get a cool new data source to play with. Now, normally folks don’t usually mention their sponsors directly, but as I wrote before, as I start featuring ads in my newsletter, I plan to be extremely open about who is sponsoring my writing so you can trust what I write. Television - Two Big Returning Shows Look Set to Take Over The Charts One key question when it comes to judging streaming shows is whether a show is a “hit” or a “hit for them”. To be clear, the former means a show that’s one of the top shows on streaming, no questions asked. The latter means a show is one of the biggest, for a given streamer. That distinction makes a big difference! It’s really good to be one of the biggest shows on a streamer; it’s much better to be the biggest on streaming, despite the size of a streamer. Because, as we’ve seen now, nearly every streamer—while lacking the number of subscribers or usage of Netflix—can make hit TV shows: Paramount released Landman, whose first and second seasons were among the top two TV shows the year they came out. HBO Max’s The Pitt’s second season is the biggest show of the year so far. Love Island USA was the top show in 2025 for Peacock. And, crucially for today’s discussion: Wayyyyyyyyyyyyyyyyyyyyyyyyyy back in 2023, Ted Lasso was actually the top streaming show of the year according to Nielsen! So even Apple TV (formerly +) can make hit shows. It just doesn’t make them that often. And looking at the Nielsen charts this week, we have two prime candidates for this discussion: That’s right: Ted Lasso returned to Apple TV for its fourth season. Did it return in all its expected glory? Sure, though right now it’s still just a “hit for Apple TV”, but we’ll see how long it lasts on the charts. Its ten episodes are coming out weekly. (Smart choice, Apple!) Ted Lasso started out strong, actually making the Nielsen charts the week before new episodes dropped, which is a rare feat. (Shows like Stranger Things or Bridgerton have pulled that off. That’s terrific company to join!) On Nielsen, it opened to 14.4 million hours in its first week, and 16.6 million the week of 10-Aug. Here’s how that compares to previous seasons: Apple put out that this is their biggest TV launch through two days ever, and looking at the chart and Apple TV’s viewership history, I’d believe it. Here’s Apple’s top shows for season two and beyond: Other data tells a (mostly) similar story. Ted Lasso made Samba TV and it has elite IMDb scores, an insane 8.7 on 465K reviews. The only outlier is Luminate, where the latest season only had 7.4 million hours, and no other seasons made the top ten. As you’ll see below, that’s well below some other solid, but not spectacular shows like Sterling Point, Ride or Die or Furious. I’d be surprised if Ted Lasso isn’t bigger than those other shows, but it’s fine for different data sources to occasionally disagree. And while it’s sucky to bring this up, given that Warner Bros. produced this show, I do wonder how the streaming wars may have been different if Ted Lasso landed on HBO Max initially instead of Apple. I don’t think one show can make or break a streamer, but given HBO’s brand, it could have helped bring people to that streamer much earlier in its lifespan. (Though yeah, I don’t love calling out executives for passing on hit shows, since that’s just the nature of the job. Even the absolute best execs will pass on lots of successful shows. The key is not greenlighting the under-performers/misses.) The other show I’m thinking about in the “hit or hit for them” category is Lioness from Paramount+. Like Ted Lasso, its first season missed the charts, but it’s grown its audience since then. Here’s how season three opened: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How Lioness did on streaming... Two new melodramas for Netflix and Prime Video... Whether Netflix’s latest horror film saved its summer... Hulu’s Furious and Prime Video’s Ride or Die continuing their strong runs... The latest high profile showrunner to flop on streaming... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. Next week, we’ve got a double issue—since the week of 17-Aug had very few notable new shows or films—so I’ll look at HBO’s Lanterns, Prime Video’s Reacher, Netflix’s Tires, Outer Banks (which posted up huge numbers four years ago), an Aussie romance, and another baseball event (that didn’t resonate). And a bunch of movies like the latest dramedy from an Adam Sandler daughter, Don’t Say Good Luck, Camp Rock 3 on Disney Channel and Disney+, Michael on Starz, and more. Later this month, we’ve got a ton of shows and films to analyze! Movies will be the big story, featuring a box office bomb (Supergirl on HBO Max) and an “underperformer” (The Mandalorian and Grogu on Disney+) contending with a bunch of star-studded straight-to-streaming films like Netflix’s The Whisper Man (Adam Scott, Michelle Monaghan and De Niro!), Mayday on Apple TV+ (Ryan Reynolds and Kenneth Branagh!), The Runner (Gal Gadot) and The Last Sunrise (Eva Longoria and Maia Reficco) on Prime Video. Plus, a ton of TV shows have sophomore seasons coming out. Will The Gentleman put up big numbers on Netflix or suffer from a sophomore slump? Leanne and Beauty in Black on Netflix seem small, but they both might be bigger than you think. Hulu has a bunch of shows: a new season of The Secret Lives of Mormon Wives (the first after all the controversy last year) and the second season of Chad Powers (from Peyton Manning’s production company and starring Glen Powell). This one flopped last year; can it score a touchdown this year? Same goes for FX’s Adults, which I didn’t track last year; will it hit this year? Peacock’s The Office spinoff, The Paper and Apple TV’s Dark Matter also return for second seasons. And Netflix has more Untold specials featuring Vince Young, Raygun (that horrible breakdancer) and Mr. T. Long term, Paramount+ is rebooting yet another franchise, Clueless, and I’m somewhat bullish on this new show. The talent attached (Alicia Silverstone) and creative Josh Schwartz and Stephanie Savage (of The O.C. and Gossip Girl) also feel solid...if they make it funny like the original.
The Allen County-Scottsville Crime Task Force offering school and business talks on variety of topics
The Allen County-Scottsville Crime Task Force is working to build relationships with the community and offer school and business talks.
Research for Space Manufacturing, Crew Health Begins Week Aboard Station
Lead-free soldering, space science hardware, and human research were the main science focus aboard the International Space Station on Monday. The Expedition 75 crew members also programmed automated Earth photography gear and serviced a variety of life support hardware aboard the orbital outpost.
EverWonder Names Lizzy Roberti EVP, Brand Partnerships
EverWonder Names Lizzy Roberti EVP, Brand Partnerships, Business Development
2026 Emmy Winners: The Complete List
From drama and comedy to limited series and variety, here’s all the nominees and every winner from the 78th Primetime Emmy Awards.
Travel the world, while staying in Lancaster County, at these 9 multicultural festivals
Lancaster County has long welcomed people representing a wide variety of world cultures.
The Connecticut National Medical Association Society Hosts Black Doctors Day at UConn Health
Leading Black doctors met students and educated them on a variety of medical specialties.
Why Outstanding Variety Series could have multiple Emmy winners
A big change earlier this year could result in a trophy for all five nominees.
Football season kicks off as Las Vegas business embraces “sports town” identity
The growing variety of sporting events in the Las Vegas Valley is driving increased tourism and revenue for local businesses and the convention authority.
Willy Chavarria on Don Julio and the Fashion-Entertainment Crossover
Willy Chavarria talks about Don Julio's new Dia de Los Muertos campaign as creative director and expanding his brand beyond fashion.
Willy Chavarria on His Don Julio Creative Director Role, the Fashion-Entertainment Crossover and Expanding His Brand ‘Into a Full Creative Studio’
“Fashion and entertainment have been overlapping for so long, it only makes sense that we start to interconnect and join each other’s worlds,” Willy Chavarria tells Variety. The Mexican American desig...
Here's When iOS 27 Rolls Out in Every Time Zone
Apple is about to release iOS 27, which will finally deliver more advanced Siri AI capabilities as well as a variety of other refinements, improvements, and new features to iPhones. It's Apple's biggest software update of the year, and Apple announced at Wednesday's iPhone event that it will be releasing iOS 27 sometime tomorrow – Monday, September 14.
World of Warcraft Forever Sets Release Date for November
Blizzard will launch "World of Warcraft Forever," a game set during the first year of the original 2004 "WoW," Nov. 4.
Diablo 5 to Release in 2029 From Blizzard
"Diablo 5" is in development at Xbox's Blizzard Entertainment. The game is targeting a 2029 release date.
StarCraft 3 Set for 2030 Release
A new open-world shooter "StarCraft" game is set to debut in 2030 from Blizzard Entertainment.
StarCraft 3 Set for 2030 Release
A new open-world shooter "StarCraft" game is set to debut in 2030 from Blizzard Entertainment.
Diablo TV Series in the Works at Netflix
Netflix is developing an animated TV series based on Blizzard Entertainment's "Diablo" video game franchise.
Diablo TV Series in the Works at Netflix
Netflix is developing an animated TV series based on Blizzard Entertainment's "Diablo" video game franchise.
Overlapping IP reshapes entertainment and may expand audiences
Overlapping projects are reshaping entertainment and may expand audiences rather than cannibalize them.
North Country Sports Scoreboard: Saturday, September 12, 2026
A variety of high school and college athletic competitions took place across the North Country on Friday.
Notre Dame is ready for Rice's offensive variety
Notre Dame's defense has spent time learning to be ready for Rice's use of the option and shotgun on offense.
Friends of Acadia’s Auction for Health & Hope
View this email in your browser Hello Friend, We are excited to announce our Auction for Health & Hope, hosted as part of our 25th anniversary celebrations. All proceeds will directly support Healthy Acadia’s vital community programs and resources. Mark your calendars to join us September 14-19. Bidding opens at 5 A.M. on Monday, September 14th and closes at 5 P.M. on Saturday, September 19th. This auction highlights the arts and experiences across our region and features themes of health & hope. We have received an abundance of donations from local artists and community members - thank you! All funds raised will support Healthy Acadia’s wide array of health programs and resources, helping to make health happen! We have a variety of items to bid on, including: a handcrafted bowl sculpted by Maria Chamber; a bird lover’s birding basket and membership; a $100 gift card to Union River Lobster Pot; Robert E. Goodier prints; a Cadillac Mountain painting by Roberta Sprague; a winter tulip CSA from Eden Street Flowers and so much more! View this email in your browser There is so much more to check out, and every winning bid helps those in our communities who need health supports the most. It is a win-win! For early viewing of the auction, please visit: **bit.ly/auctionforhealthandhope**If you have any questions, please email: **development@healthyacadia.org.**The auction will culminate on September 19th at our 25th Year Anniversary Celebration at TunkJoy Bakery in Steuben, where we’ll announce the winners live! We would love to see you there. If you haven’t RSVP’d yet, please click here. We are grateful for everyone’s support so far, and we are looking forward to celebrating our auction winners! With Gratitude,The Healthy Acadia Team Don’t want to bid, but want to donate? Click here. Subscribe Share Leave a comment
Annual POLS-a-palooza connects students with political science opportunities
DeKALB – The political science department hosted their annual POLS-a-palooza event from 2 p.m. to 4 p.m. Wednesday outside Cole Hall. Students explored a variety of political science-related programs, organizations and career opportunities. The organizations tabling included the Pre-Law Honors Society, the Political Science Student Advisory Committee and Kappa Alpha Pi, a pre-law and government...
Best T-Mobile Samsung Fold Deal September 2026: Get Free Z Fold8 Phone
For a limited time, T-Mobile will cover the cost of the Samsung Galaxy Z Fold8 with a trade-in on a qualifying line. Get the foldable phone deal here.
EDM Star Deadmau5 Signs with Independent Artist Group
Deadmau5, the EDM star who has become an event and lifestyle powerhouse, has signed with Independent Artist Group for representation.
EDM and Business Dynamo Deadmau5 Signs With Independent Artist Group (EXCLUSIVE)
Canadian electronic musician Deadmau5 has signed with Independent Artist Group for representation in all areas across music, film, television, digital content, gaming and technology and intellectual p...
'Shrimad Bhagavatam Part I' Unveiled by India's Sagar Pictures
India's Sagar Pictures Entertainment unveils 'Shrimad Bhagavatam Part I: Vishnurata,' due in theaters in 2027.
Hideo Kojima's Physint Game Moves to Xbox From PlayStation
Xbox is expanding its partnership with video game industry legend Hideo Kojima.
Chernin Entertainment Expands Film Team
Chernin Entertainment's robust film vertical has made three promotions and a new hire.
Meet The Hyangle, the San Diego art gallery dedicated to mental health
Artist Stephen Williams focuses his abstract paintings on mental health and wellness topics, and he opens his gallery to a variety of organizations and events that support San Diegans’ well-being. Written by Kate Morrissey, Edited by Lauren J. Mapp Author’s Note: This story includes mention of suicide. If
Thunder Road Films and Lit Entertainment Group Launch TR/AK, Media Company Focusing on Original Stories and Creators
Thunder Road Films founder Basil Iwanyk and partner Erica Lee have partnered with Lit Entertainment Group founder Adam Kolbrenner to launch a new media company, TR/AK. The company will focus on creato...
Thunder Road Films and Lit Entertainment Group Launch TR/AK Media
Thunder Road Films and Lit Entertainment Group launch TR/AK media company
Sony Pictures Entertainment CEO on Success of 'Spider-Man: Brand New Day'
Sony Pictures Entertainment CEO Ravi Ahuja said the box-office success of 'Spider-Man: Brand New Day' stems from the movie's emotional resonance with audiences that's unlike other recent superhero movies.
Guess Whose Back!? Dbacks 5, Royals 3. F/11
On Tuesday the Dbacks were able to get to a season high 10 games over .500 as they beat the Kansas City Royals in 11 innings. The story of the game was Corbin Burnes’ return to the team, but the guys that stole the show at the end were of an unlikely variety as there […]
Taylor Swift Promoter Tells Judge Live Nationr Could Kill His Business
Louis Messina, tour promoter for Taylor Swift's Eras Tour as well as Ed Sheeran and other top acts, told a judge Live Nation has harmed his business.
Mo'Nique Signs With Innovative
Mo'Nique has signed with Innovative Artists Entertainment for representation in all areas, Variety has learned.
Penélope Cruz, Javier Bardem on Speaking Out on Politics at Venice
Penélope Cruz and Javier Bardem discussed their willingness to speak out about politics at a Venice Film Festival press conference for 'Bunker.'
Vote for Goal of the Matchday
By Dylan ButlerMust-see golazos! | Vote for your Goal of the MatchdayVariety is the spice of life, and that proverb rings true in Matchday 24's AT&T Goal of the Matchday nominees.Vote here for your fa...
Festival Chiefs Urge Political Protection at Lumiere Summit
Festival chiefs from Cannes, Toronto, Berlinale and Séries Mania debate political pressure and audiences at the Lumiere Summit.
Sony's Tom Rothman on 'Spider-Man: Brand New Day' Blockbuster Success, Being Outbid for 'Obsession' and More
Sony's Tom Rothman took a victory lap with the studio's boffo success of 'Spider-Man: Brand New Day,' speaking at the Lumiere Summit in France.
Local Groups Win $1M Each in State Health Grants
Greater Haverhill and Essex County will share in $17.9 million in a variety of state grants—including about $1 million each to the Merrimack Valley Project and Latino Support Network—aimed at improving health and helping residents live healthier lives. Officials said grants are targeted to support local issues including access to healthy food and housing, behavioral
Wim Wenders Clarifies Stance on Filmmakers and Politics After Berlin
Wim Wenders has clarified his much-discussed statement about filmmakers' role in politics at Berlin Film Festival earlier this year.
What's brewing: Rockwell teens operate new coffee business
ROCKWELL — Coffee is served. That and a wide variety of other treats can be found at Sweet Sippers Caffeine Club, a new coffee business in Rockwell operated by siblings, […]
ARTSwego series returns with variety across 2026-2027 season
OSWEGO — SUNY Oswego’s ARTSwego Performing Arts Series will bring the campus and community another robust lineup of performances exploring various themes in history, culture, music, dance and the environment.The season opens Sept. 17 at 7 p.m. in Tyler Hall’s Waterman Theatre with “Magdalen.” This one-woman play written by Erin Layton is inspired by the true stories of women and girls who labored in Ireland’s Magdalen Laundries during the mid-20th century. × This page requires Javascript. Javascript is required for you to be able to read premium content. Please enable it in your browser settings. kAm~? }@G] d 2E f A]>][ (2E6C>2? %962EC6 H:== H6=4@>6 z:?8D #6EFC?[ 2 s2==2D\32D65 7@FC\A:646 G@42= 8C@FA AC2:D65 7@C :ED 5J?2>:4 2 42AA6==2 A6C7@C>2?46D[ 3=6?5:?8 C9JE9> 2?5 3=F6D[ ;2KK[ 8@DA6= 2?5 A@A H:E9 EC25:E:@?2= G@42= 7@F?52E:@?D] %96 ~DH68@ w:89 $49@@= r92>36C $:?86CD H:== @A6? E96 A6C7@C>2?46] p5>:DD:@? 7@C 2== z\`a DEF56?ED :D 7C66 E92? E96 #:492C5 p] $9:?6>2? u@F?52E:@?]k^Am#placement_726068_0_i{width:100%;margin:0 auto;}var rnd = window.rnd || Math.floor(Math.random()*10e6);var pid726068 = window.pid726068 || rnd;var plc726068 = window.plc726068 || 0;var abkw = window.abkw || '';var absrc = 'https://ads.empowerlocal.co/adserve/;ID=181918;size=0x0;setID=726068;type=js;sw='+screen.width+';sh='+screen.height+';spr='+window.devicePixelRatio+';kw='+abkw+';pid='+pid726068+';place='+(plc726068++)+';rnd='+rnd+';click=CLICK_MACRO_PLACEHOLDER';var _absrc = absrc.split("type=js"); absrc = _absrc[0] + 'type=js;referrer=' + encodeURIComponent(document.location.href) + _absrc[1];document.write('');kAm%96 D6C:6D 4@?E:?F6D u63] ad 2E f A]>][ :? (2E6C>2? %962EC6 H:E9 y@5J $A6C=:?8^%:>6 {2AD6 s2?46] %96 }6H *@CA2?J FD6D 49@C6@8C2A9J[ >65:2 2?5 4C@DD\5:D4:A=:?2CJ D2? 3@5J 2?5 E96 6?G:C@?>6?E] qJ 4@>3:?:?8 52?46 H:E9 E@A:4D @7 6?G:C@?>6?E2= D4:6?46[ G:DF2= 2CE[ >FD:4 2?5 >65:2[ E96 4@>A2?J 6I2>:?6D DFDE2:?23:=:EJ[ 4=:>2E6 ;FDE:46 2?5 E96 4@??64E:@? 36EH66? A6@A=6 2?5 E96 ?2EFC2= H@C=5]k^AmkAmp#%$H68@ 4=@D6D :ED D62D@? H:E9 {:>:?2= q=F6[ 2 AC@;64E:@? 2?:>2E:@? 3J {@D p?86=6D\32D65 EC2?D5:D4:A=:?2CJ 2CE:DE xD236= q62G6CD[ 7C@> pAC:= a E9C@F89 pAC:= b_[ a_af]k^AmkAm%96 D:E6\DA64:7:4 H@C< H:== 36 AC@;64E65 @?E@ 2 H2E6CD4C66? 7=@2E:?8 @? v=:>>6C8=2DD {28@@? 7C@> fib_\`_ A]>] 52:=J] q62G6CD H:== 4@?5F4E C6D62C49 2E ~DH68@ E9:D 72== E@ 56G6=@A E96 2?:>2E:@?[ H9:49 H:== 5C2H :?DA:C2E:@?D 7C@> E96 F?:G6CD:EJ’D F?:BF6 =2:?2= q=F6 :D AC6D6?E65 :? A2CE?6CD9:A H:E9 E96 4@?4FCC6?E “w*s#~$i p (@C=5 w6=5 3J (2E6C” 6I9:3:E:@? :? %J=6C pCE v2==6CJ[ H9:49 H2D 4@\4FC2E65 3J q62G6CD 2?5 82==6CJ 5:C64E@C s2G2?2 #@36566] %96 {:>:?2= q=F6 AC@;64E:@?[ w*s#~$ 6I9:3:E:@?[ 2?5 C6=2E65 82==6CJ AC@8C2>>:?8 2C6 7C66 2?5 @A6? E@ E96 AF3=:4]k^AmkAmp5>:DD:@? E@ 2== @E96C p#%$H68@ 6G6?ED :D 7C66 7@C $&}* ~DH68@ DEF56?ED]k^AmkAmu@C @E96CD[ E:4AFD r6?E6C 3@I @77:46 @C @?=:?6 2E k2 9C67lQ9EEAi^^E:42E:@?[ G:D:E k2 9C67lQ9EEAi^^@DH68@]65F^2CEDH68@Qm@DH68@]65F^2CEDH68@k^2m]k^Am googletag.cmd.push(function() { googletag.display('ad-2978731'); });
Health care, potholes, rats: D.C.’s presumptive mayor gets an earful from her city
Lewis George’s self-styled “listening tour,” with events planned in each of D.C.’s eight wards, echoes a familiar variety of political stagecraft.
Health care, potholes, rats: D.C.’s presumptive mayor gets an earful from her city
Lewis George’s self-styled “listening tour,” with events planned in each of D.C.’s eight wards, echoes a familiar variety of political stagecraft.
Venice Immersive celebrates 10 years of XR
Venice Immersive celebrates 10 years of XR as sector evolves and grows.
Venice Immersive Celebrates 10 Years of XR Evolution and the Growth of Location-Based Entertainment
Ten editions in, Venice Immersive has plenty to celebrate — just don’t expect the new-media showcase to spend much time looking back. “We’re not planning any retrospectives,” Venice Immersive counselo...
15 discouraging hours with Onimusha: Way of the Sword, and 10 brilliant ones with He Who Watches
In the last few weeks, while playing some video games that I might review, I emailed two cries for help. I sent the first to a rep for Capcom, confessing that the company’s samurai game Onimusha Way of the Sword (out today for PC and console) was crushing me. “Feels like I’m playing ‘hard’ mode, not ‘normal,’” I wrote. “And I don’t want to have to knock it down to “story”. I’m exploring, trying to level my gear, but these two-phase boss fights with no mid-fight checkpoints are brutal.” I wagered I was only about halfway through the game, if that. I wasn’t sure I could keep up with the steepening difficulty curve. Was I missing something? Then, on Monday, I took some photos of some puzzles that were baffling me in the mind-bending He Who Watches (out now on PC), wrote out lengthy descriptions of how I’d been trying to solve them and asked Bobby Vanden, the game’s solo developer, for a nudge in the right direction. I told Vanden I’d spent hours on these puzzles. “I’m stuck in triplicate,” I told him. Could he tell me if the solutions I was attempting were even on the right track? I didn’t mention that the puzzles—coupled with major time pressures from other work—were stressing me out so much that playing the game was giving me headaches. This double dose of panic was unusual. I’m used to managing a workload full of reporting and reviewing, used to a crowded schedule and the need to stay calm amid the bustle. But I was stressed about these games. No one was forcing me to review them, nor even play them. I’d simply found them interesting enough to start, hoped they’d be interesting enough to write about and I’d sunk hours into them assuming I’d made the right call. Suddenly, however, I felt trapped. I was emailing for a way out. Above: This guy took me about an hour to beat. The feedback I got from Capcom confirmed my fears. They didn’t say it, but I will: Onimusha Way of the Sword is not for me. It’s a brutally hard game in need of a normal difficulty level. It’s a game that spikes so severely during its abundant boss fights—yet offers such flawed ways to improve when outside of them—that it feels like a bait-and-switch. In the new Onimusha, you play as famed samurai Musashi Miyamoto, aided by a magical soul-absorbing gauntlet that is possessed by a lady who offers advice. (Way of the Sword is a continuation of Capcom’s long-dormant Onimusha series, but that set-up had me wondering if the company was cribbing from their ill-fated Bionic Commando reboot; read about “wife-arm” when you get a chance). Way of the Sword is partially set in 17th century Kyoto, an explorable city where Miyamoto can fight demons, help civilians and eventually rescue ghostly dogs. The city evolves over time, with new mini adventures and obtainable loot on offer, all feeding into systems that promise to upgrade your gear and sword-fighting skills. Upgrades, however, are so incremental as to be imperceptible, causing the exploration of Kyoto to feel like inconsequential busywork. From that hub, players can go on linear missions into forests and old temples, where they will encounter many of the game’s tough bosses. Combat in Way of the Sword is akin to many modern melee games. Players are asked to mix attacks with dodges and parries. They’re encouraged to deplete an enemy’s stamina bar in order to do greater damage to its health bar. The old Onimusha games’ signature move was the issen, a counter-attack so sudden it’s all but pre-emptive. You strike just as they begin to strike toward you, beating them to the cut. By definition, the issen is a high risk move, leaving you wide open to pain. It feels risky in the game, especially against bosses, who can maul you in just a few blows. A game might train you to perform an issen well by offering a variety of lesser enemies who are not as tough as the boss but get close. Or it might offer a toehold against bosses by saving or checkpointing the player’s progress when a boss’ first health bar has been destroyed and before the second health bar appears. It might offer the less skilled player a chance to over-level their character, should the player simply commit to playing through its optional sidequests. Way of the Sword does none of this. Fighting its trivially easy grunt enemies and then its ferociously adept bosses is like playing a game of chess where I’ve got a rook, while the opposing side is all pawns and five queens. Bosses simply don’t checkpoint. You may be able to clear a boss’ first phase without taking much damage. Good for you. Do it again, every time you fail the second phase. As for the the central Kyoto hub, I kept pace with all of its added side activities and never felt like I was overpowered. Bosses could still easily buckle me. The new Onimusha, I concluded, is just too discouraging to keep playing. The advice I got from Capcom had been well-intentioned. They reminded me of the game’s various systems. They alerted me to an optional assist that flashes recommended button inputs (basically: counter this move; dodge that move). It was a little helpful. So was dropping down to “story mode,” which I tried last night. Story mode turns on those button prompts by default. It makes countering and dodging way too easy, nearly automatic. I don’t consider myself a master of action games like these, but I’ve cleared the likes of God of War, Stellar Blade, Star Wars Jedi and others of sub-Sekiro difficulty and had a fun time doing so. Not here. Not yet. Unless they patch Onimusha: Way of the Sword and add a middle difficulty or just checkpoint the damn bosses when they’re between health bars, my streak of loving Capcom games released in 2026 will likely end at two. It’s a shame, because I was having a good time finding those ghostly dogs. And then there’s He Who Watches, a phenomenal first person puzzle game with Portal vibes, except instead of a portal gun you’ve got a magical bow that shoots one arrow that can activate switches or be used to drag blocks. The twist is an actual twist: you can also walk on walls and the ceiling, reorienting gravity as you do, thereby placing blocks onto those other surfaces. Walking on walls and ceilings to solve problems is really the best thing. Would that I could in reality. He Who Watches consists of locked-room challenges, each brief enough to only require about a minute to actually solving, though it will take five, 10, eventually 30 minutes to figure out said solutions. They are not obvious! It’s a game of layered mechanics and shocking solutions. For example, see if you can follow this: You can drag a block to a wall. Then you can walk on the wall, which now feels like the floor, and drag that block across the wall. Later, back on the floor, you might realize you can look up. The block is still on the wall, stuck to it. You can shoot your magic arrow to its underside. Doing so creates a tether, so that you can yank the block off the wall and carry it, as if it were a balloon, into the spot where you need it to be to solve the puzzle. Here, watch Vanden explain some of the game’s basics in this launch trailer: As with any great puzzle game, the solutions to He Who Watches’ puzzles elicit relief and amazement. Oh my god, that worked! I didn’t even think that could be possible! Learning to solve the game’s puzzles feels like learning magic. But, oh, does the game get hard. Its Steam reviews, mostly glowing, are full of players remarking how quickly He Who Watches made them sweat. Wrote one: “loving this one already although my brain is hurting!” Wrote another: “As you get further in the game it feels like you need an IQ level of at least 120+.” Vanden has shown some mercy. Each locked room puzzle includes an optional junior version of the puzzle, meant to teach you. Difficulty nevertheless ramps severely. By the time I was emailing Vanden for help, I was struggling to even clear one of the hint puzzles. When I messaged him, my stress was exacerbated by strange things I’d found in the game’s various hubs: suspicious passageways, odd blocks and some intriguing locked doors. These were hints of secrets, I realized, yet I sensed I needed to play further into the game to understand them. I was stuck, but I wanted to see the rest. Vanden offered to give me the exact solutions, to solve those three puzzles for me, but first he gave four nudges. Three were for the specific puzzles, but his best hint was for all and ultimately proved to be a terrific life lesson: go back a bit, he suggested. Do the puzzles right before those. They were teaching you something. Focus on what their lesson was. Don’t rush, in other words. Recognize what you’ve accomplished. Build off of that. I did so. I absorbed the lessons. I saw those three tough puzzles in a new light. I solved one the night after he wrote back, another the morning after. I left a third for another time. I didn’t need it and I wanted to plunge deeper into the game, closer to the moment when I was sure I could start unlocking those secret doors. My head stopped hurting, too. He Who Watches feels special. It’s got more challenges, and I’m undeterred. It’s also nice that its puzzles don’t have a surprise second health bar. Game File is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe Item 2: In brief… 🎮 Ilari Kuittinen, co-founder of Helsinki-based Housemarque (Super Stardust HD, Resogun, Returnal) has stepped down from his studio, after a 31-year run, saying he’s “ taking a rare and well-deserved breather.” Sony purchased Housemarque in 2021, and the studio released its newest game, Saros, earlier this year. Trend-watch: Sony-owned Insomniac saw its founder Ted Price retire in early 2025, after a 30-year run. Sony-owned Sucker Punch saw its co-founder Brian Fleming step down in late 2025, after a 28-year run. 👀 Savvy Games Group chief Brian Ward is stepping down from the Saudi-government-backed games conglomerate, Bloomberg reports. No word on a long-term successor yet, nor if this augurs any closer integration between Savvy and Electronic Arts. EA was purchased by a consortium led by Saudi’s sovereign wealth fund, in early August. 💿 Square Enix has denied a Japanese media report that the company was planning to go private. In very different Square Enix news, the company revealed that the physical version of Final Fantasy VII: Revelation, the April 2027 finale of its radical remakes of FFVII, will include just one disc in its case, requiring a download for the rest. The first two FFVII remakes in the trilogy shipped on two discs apiece. While Square hasn’t commented on the reason why, a feature here in Game File last month broke down the processes and costs for physical games. The expense of a second disc comes out of the game publisher’s cut of each copy. Square could be saving in excess of a dollar a copy with this move. 🟥 Grand Theft Auto IV’s 26-minute ’‘extended look” gameplay showcase that premiered on Netflix last week—and was exclusive to the platform for six hours—drew 31.1 million views in its first four days, the streamer announced. (Netflix calculates views as total viewed hours divided by runtime; excludes replays). Compared to YouTube: The version that later premiered on Rockstar Games’ YouTube channel is sitting at 22.6 million views after seven days (YouTube’s more liberal counting system tallies anyone who viewed even just the first few second.) Compared to other Netflix mega-events: Last year, Stranger Things season 5’s first four episodes, which debuted together, drew a record 59.6 million views in their first few days on Netflix. For more of a live event type of comparison, in 2024, the Jake Paul vs. Mike Tyson boxing match drew 65 million concurrent streams as it happened; Netflix didn’t release live numbers for the GTA premiere. ☁️ Microsoft is changing the way it charges for cloud gaming, from an all-you-can-play offer for Xbox Game Pass subscribers, to caps for the subscription’s tiers (15 hours per month at the Ultimate tier), with the option to buy more hours in bulk beyond that. The company also said it will sell batches of cloud gaming time to non-Game Pass subscribers, details TBA. Microsoft does not release figures for cloud game usage, but said its changes would impact 4% of Game Pass subscribers. That implies a small portion of its subscribers exceed the 15-hour monthly mark. Cloud gaming offers the promise of playing games without the need for console or PC hardware, as the graphics, sound and controls are all transmitted via a streaming connection. Microsoft notes that its cloud gaming service can be used for a range of things, including Xbox One players using it to play newer-gen Xbox Series games via streaming; and people playing games via streaming, sans any console, “in markets where consoles are less available or affordable.” (That latter use case could even be relevant in Xbox’s home market soon, as console prices keep rising.) Take Two Interactive chairman Strauss Zelnick recently told investors he expects game-streaming tech, which has been only lightly adopted by gamers for over a decade, to be widely used within three years. 🇺🇸 The Trump administration has published multiple agenda-driven web video games to the White House’s website. One called Build The Wall partially clones Tetris as it asks players to build a wall to stop a “zombie border siege.” While actual Tetris involves clearing lines and basically not building a wall, the Trump-backed game omits the line-clearing aspect (and omits the fun as well). On Instagram, Tetris’ official license holders reacted by stating: “At Tetris we believe in the power of connection and bringing people together, not dividing them. To our fans everywhere: we love you, we see you, and we’re grateful to have you in our community. P.S. The Tetris Company was not involved in the creation of ‘Build the Wall.’ P.P.S.: We take copyright infringement very seriously.” Item 3: The week ahead: Tuesday, September 8 Game releases: Mewgenics (consoles; already out on PC) is an engrossing tactical combat game (with cats). It is getting its console port right after the release of a Star Wars tactics game and ahead of the late September launch of a Fire Emblem–a bumper crop for the genre. Wanderburg (PC) is an auto-shooting game like Vampire Survivors, but you’re a castle on wheels Event: Nintendo airs a 30-minute Nintendo Direct (10am ET) focused on The Legend of Zelda’s 40th Anniversary. A full unveiling of the upcoming remake of The Legend of Zelda Ocarina of Time is expected. Will they also show footage from next year’s live action movie? Tease the next big 3D Zelda? Add Link to Mario Kart World? Shadow-drop a new Tingle game? Wednesday, September 9 Event: Nintendo again! On this day, they’re planning to air a 45-minute Nintendo Direct (10am ET) focused on games heading to Switch 2 this winter. Followed by about an hour of gameplay demoed by the company’s Treehouse team. The September Nintendo Directs are always some of the year’s biggest. The 2025 edition included announcements of several major 2026 Switch/Switch 2 games: Pokémon Pokopia, Mario Tennis Fever, Yoshi and the Mysterious Book, Fire Emblem Fortune’s Weave. Plus the return of the Virtual Boy. Friday, September 11 Game release: EA Sports NHL 27 (PlayStation, Xbox) is a hockey game. There are so few that an indie studio that had been making wacky sci-fi first-person shooters just announced that, hey, we’re going to fill a void and make a hockey game for PC.
Maria Bartiromo vs. Fox News: Pivot Between Politics, Wall Street Hurt
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Maria Bartiromo's ongoing pivot between politics and coverage of Wall Street likely hurt her standing at Fox News
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Maria Bartiromo Out at Fox News, Fox Business
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