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Netflix Closes 'Unhinged' Video Game Studio Night School, Moonloot
Netflix is shutting down two studios, including the developer behind horror game, "Unhinged," which released less than two months ago.
BREAKING: Netflix to shut down two more game studios
Netflix is sticking with video games but once again reducing the number of studios it owns making games. The streaming giant is closing Los Angeles-based Night School studio, which it acquired in 2021 and plans to close Helsinki-based Moonloot, which was founded in 2022. Just six weeks ago, Night School had released Unhinged, a novel 30-minute first-person horror game, streamable on TVs to Netflix users. The game was hailed by Netflix co-CEO Greg Peters in a call with investors. Six weeks later, Night School is closing. Prior to its Netflix tenure, Night School had developed the award-winning supernatural thriller Oxenfree. A second Oxenfree game followed after the purchase, as well as a mobile game designed to tie in to an episode of the Netflix show Black Mirror. Netflix attributed the studio closures to a prioritization around kids gaming, party games, story-driven fare and games with mainstream hooks, such as a recently released FIFA game. “We see an opportunity to be more focused in our execution, so we are making organizational changes to the business to match those priorities,” a Netflix spokesperson told Game File. Netflix is also cutting jobs from its internal games team. A rep declined to say how many jobs were being lost by these cutbacks. “We are incredibly grateful to the talented colleagues we’re saying goodbye to today. We thank them for all their contributions to Netflix, and wish them the best,” the rep said. Netflix started releasing video games, initially on mobile as a free bonus to subscribers, in 2021. By 2023, Mike Verdu, then the head of Netflix’s game operations, was telling me that the company was committed to growing carefully, as it offered more games and built up internal game studios. At the time, it hadn’t made any gaming job cuts. Since then, Netflix has altered its approach. In 2024, it shut down Team Blue, a start-up studio led by ex-Call of Duty and Halo developers that was exploring making a high-end first-person game for the service. Last October, Netflix shut down another studio, Boss Fight, shortly after Peters praised the team’s Squid Game game to investors. (One of Boss Fight’s main developers now works on the Netflix FIFA game for outside studio Delphi.) And in December, Netflix sold cozy game studio Spry Fox back to its founders. Amid all of this, Netflix has shifted from emphasizing mobile games to offering games through TVs and PCs, via streamed connections, with phones used as controllers. That’s how Night School’s Unhinged worked, along with games such as Boggle and Party Crashers that have collectively helped the Netflix game controller app chart well on mobile app stores. The studio cuts leave Netflix with a central gaming team that works with external developers, and a dedicated first party studio in, Helsinki-based Next Games, which produced many of the company’s couch-centric party games. The move away from having a roster of internal game studios aligns with Netflix’s own approach to shows and movies, which are largely produced externally. The company owns few TV/film production studios of its own. The gaming industry overall is seeing large holders of multiple studios cut back, with Sony, Ubisoft, Embracer, Microsoft and other giants closing or selling off studios. Cuts in California-based studios, where costs often run relatively high, have been particularly acute. Netflix has faced skepticism about its gaming plans for years. The moves today are likely to fuel them, and the company has few upcoming projects to counter the narrative. Among the few hinted, acclaimed independent studio Don’t Nod said last year it was working on a game tied to a major Netflix franchise.
Top Horror Movies Streaming This Week
August is getting down to business with the top horror movies streaming this week. New films on the list include the streaming premiere of The Last House on Netflix, which came with the spectacle of a...
Immortality creator Sam Barlow's new video-scouring game is sci-fi horror Precognition, a collab with filmmaker Brandon Cronenberg, in which you see and change the future
Her Story and Immortality creator Sam Barlow is back with a new video-scouring game, and this time it's a sci-fi horror.
Precognition, A New Horror From Sam Barlow And Brandon Cronenberg, Is Confirmed For Switch 2
"We’ve pushed ourselves even harder"
HELLDIVERS 2 Joins the PlayStation Plus Game Catalog
HELLDIVERS 2 joins the PlayStation Plus Game Catalog, alongside the new Warhammer 40,000: Castellan’s Creed Legendary Warbond and the launch of “Devoid of Liberty,” a new horror-themed narrative arc.
Huge Helldivers 2 Patch Adds New Illuminate Enemies, a New Biome 'Full of Fresh Horrors,' a Level Cap Increase and Much More
Helldivers 2 developer Arrowhead has released a major update for the game, adding new Illuminate enemies, a new biome, and raising the level cap. Check out the 7.0.0 patch notes.
Saber's newest game trailer takes a shot at Gearbox's CEO, if you look closely
The first hint that something might be up with the recent debut trailer for Saber Interactive’s Rideshare Stimulator is an unusual choice of words—aside from that second one in the game’s title. “Don’t take your passengers too seriously,” the trailer’s narrator says, as he describes this upcoming game. It a car game about the gig work of driving eccentric people to their destinations, a riff on Crazy Taxi. And then, he says: “When I think I’ve met the randiest of passengers, someone even stranger gets in.” “Randiest”? That suggests “randy,” which usually means having strong sexual desire. Yet none of the oddball backseat occupants featured in the trailer seem particularly lustful. One is an old man who considers his grandson a failure, another shares the theory that birds might control traffic lights, another says he’s banned from an aquarium. A little later, there’s a license plate, shown 63 seconds into the trailer, on the front of an SUV: USB DRV It’s a Texas plate. The symbol between those letters is a cog wheel. If you know, you know. That’s a reference to Texas-based Borderlands game development studio Gearbox Software (their logo features a cog wheel). More specifically, it’s a reference to Gearbox’s CEO Randy Pitchford, who in 2018 found himself explaining the nature of video he’d saved on a USB drive that was found at a Medieval Times restaurant before being returned to the studio: “It was ‘barely legal’ porn. This girl’s handle was ‘Only 18.’” The “girl” in the video had committed a solo sex act that Pitchford, an avid practitioner of magic, found remarkable. “I realized, this is not a sex worker…This is a fucking magician.” Back then, the USB drive was central to competing lawsuits against Gearbox by the studio’s former lawyer and by Gearbox against him. A settlement in late 2019 “exonerated” Pitchford, per the Hollywood Reporter. The USB story has resurfaced at times, now in a trailer from a company that not long ago was corporate brethren with Gearbox. Saber vs. Gearbox The head of Saber told Game File that the reference is payback. “The dig is because Randy took shots at Embracer in Borderlands 4,” Saber CEO Matt Karch told me when I asked him about the license plate. “Without Embracer, Randy is performing magic tricks at birthday parties for a living.” Having interviewed Karch during a cross-country flight in late 2024, I can confirm that Karch was unimpressed with Pitchford during their time both working in the Embracer group. I’d approached him not out of surprise that there was animosity but that it was manifesting publicly now. Gearbox was founded in 1999, worked on a port of Halo early on, and developed hit series such as the loot-based sci-fi shooter Borderlands before it was purchased by The Embracer Group in early 2021 for $363 million (with a possible earn-out of over $1 billion, if certain targets were hit by 2027). Saber was founded in 2001, worked on a remaster of Halo early on, had a big hit with zombie shooter World War Z and was purchased by Embracer in early 2020 for $150 million, with a potential earn-out of up to $375 million. For a few years, the Embracer group was a voracious acquirer of game studios. Then, as investment dried up, it choked. In March 2024, Embracer sold Saber to an investment company controlled by Saber CEO Matt Karch, and it sold Gearbox in an all-stock deal to long-time Borderlands publisher Take Two Interactive. Other studios were shut down. Hundreds of developers were laid off. Gearbox didn’t say much about their Embracer experience, nothing too direct, at least. In the summer 2024, Pitchford told reporter and occasional Game File contributor Nicole Carpenter that Borderlands 4’s story was in some way thematically connected to Gearbox’s experience at Embracer: “There’s this cultural and emotional shift in me, personally, and at the studio. What does it mean to trade some autonomy for organization?” When Borderlands 4 came out, there was something stranger: the matter of “Embracer’s Bluff,” a location in the game featuring an AI-powered toilet and a large trash dump, according to a detailed Kotaku account of the place. Gearbox never commented on it; Take Two never got back to me about it when I asked them last year. By contrast, since Saber exited Embracer, Karch has been one of Embracer’s biggest defenders, casting their management as well-meaning and supportive despite the layoffs and studio closures that resulted from their excessive expansion. Like others, Saber’s Karch saw Embracer’s as a shot. With Rideshare Stimulator’s trailer, he’s returned fire. “It’s amazing to me how fast people forget those who went above and beyond for them,” Karch told Game File. A rep for Gearbox did not comment by press time. Game File is a reader-supported publication. Your backing makes my reporting—including any coverage of trailer-based beefs—possible. Good news! I’m currently running Game File’s first big sale of 2026. You can get a one-year subscription for 23% off. Click here to take advantage of the limited-time offer. And thank you for your support! Item 2: In brief… 🚫 Wal-Mart has laid off the staff of Restart, a games media outlet launched in 2024, Aftermath reports. 🟥 A GTA VI preview is on the way, at last, via an “extended look” that will premiere, unusually, on Netflix at 3pm ET on August 27, then officially go live elsewhere six hours later. Last week, Game File noted that Take Two label Rockstar Games is overdue for showing off GTA VI, based on the timing of the initial hands-off previews of GTA V and Red Dead Redemption 2. During a call with investors, Take Two CEO Strauss Zelnick said pre-orders for GTA VI were “unprecedented and astonishing,” but added the company can’t predict how many of those pre-orders represent bonus sales vs. sales that otherwise would have been made at launch. During the same call, Zelnick was noticeably bullish on the future of playing games over streaming cloud connections (predicting wider adoption in three or so years). He sounded unbothered by Sony’s plans to stop making discs for new games (he said the business is 90% digital already and predicted that there could still be limited edition physical editions of games “in the same way there’s still vinyl in the recorded music business.”) 👀 Take Two wrote off $43 million in their spring quarter after deciding “not to proceed with further development of an unannounced title in its pipeline from a third-party developer.” 🤔 Some rare age-demographics from a big publisher: Capcom recently told investors that “users in their 20s account for approximately half of the users of both Pragamata and Resident Evil Requiem.” Item 3: The week ahead Tuesday, August 11 Game releases: The Elder Scrolls IV: Oblivion Remastered (Switch 2; already out for PC, PS5, Xbox) continues the Bethesda strategy of putting Elder Scrolls games on everything; Royalty Free-For-All is a Smash Bros.-style fighting game featuring public domain characters such as Mother Goose brawling with Oliver Twist in a stage based on the original Little Shop of Horrors movie. Wednesday, August 12 Game release: Pro Jank Footy (PC, console) is an arcade-style Australian Rules Football game with increasingly ridiculous rules, the more you play (I enjoyed the Steam demo) Thursday, August 13 Game release: Super Mario Sunshine (Switch 2, originally released in 2002 on the GameCube) is released for Switch 2’s Nintendo Switch Online service. This game is the black sheep of 3D Mario games. It’s the successor to the breakthrough Super Mario 64 and the rare Mario game built around a single (vacation resort) theme. Mario’s got a water-spraying backpack, a Yoshi pal and a lot of blue coins to collect.
Theme Park Controversy Proves Obsession Broke Everyone’s Brains
A controversial Halloween Horror Nights decision has fans debating whether a horror victim should be turned into a terrifying scare actor.
Man confronts Matthew Lillard during horror convention Q&A: ‘Lost me as a fan’
‘Scream’ actor Matthew Lillard was confronted by a former fan at a horror convention over an alleged past interaction: ‘Lost me as a fan,’ the man told the star.
Ryan Murphy addresses Ariana Grande’s ‘American Horror Story’ exit
Ryan Murphy is addressing Ariana Grande’s ‘American Horror Story’ exit days after the musician announced she would be ‘taking a step back’ from public life after her Eternal Sunshine Tour wraps.
The best recent science fiction, fantasy and horror
The Salt Kingby Natasha Pulley; A Trade of Blood by Robert Jackson Bennett; Netherwood by Jake Arnott; Fawn by CN Vair
The Bull Case For Sphere Entertainment (SPHR) Could Change Following Mixed Q2 Results And Aggressive Expansion Plans
Sphere Entertainment Co. has reported past second-quarter 2026 results showing sales of US$313.64 million versus US$282.68 million a year earlier, alongside a shift from net income of US$151.82 million to a net loss of US$38.79 million. Despite reporting a loss, the company highlighted growing Sphere-driven revenue, venue expansion plans in Abu Dhabi and National Harbor, and a broader content slate including future Wizard of Oz and Rocky Horror Picture Show experiences. We will now examine...
Google adds AI to satellite images, raising fears of deepfakes in the sky
Journalists, human rights advocates and open source analysts recoiled in horror at the move: "The opportunities for abuse and disinfo are literally boundless," said one.
'Tormented Souls': ZQ, Prime Universe & Longevity Acquire Film Rights
'Tormented Souls': ZQ Entertainment, Prime Universe & Longevity Pictures Acquire Film & TV Rights To Horror Video Game
'The Odyssey' meets 'Shark Week' in Amazon's 'The Devil's Mouth'
'The Odyssey' meets 'Shark Week' in Amazon Prime Video's 'The Devil's Mouth': the ultimate travel horror tale.
The best science books to read this summer, according to Scientific American editors
From ecohorror to science-inspired poetry, discover the books Scientific American staffers are recommending this summer
When is 'Mother Mary' streaming? How to watch the A24 horror at home.
Stream one of our favorite movies of 2026 (so far) at home.
Local book clubs provide page-turning entertainment for readers of all ages
Toledo Lucas County Public Library offers a variety of clubs: from fiction, to horror and everything in between.
Ancient lore meets small-town politics: Why fans are flocking to 'Widow’s Bay'
UC Berkeley Professor Abigail De Kosnik explains why the new horror-comedy’s mix of genre play, dark humor and original storytelling has resonated so widely.
Top Horror Movies Streaming This Week
Fans paid tribute to one of horror's greatest actors in thetop horror movies on streaming this week. Sam Neill, the universally beloved actor who starred in several classic scary movies, passed away l...
Halloween Horror Nights drops new scare zone inspired by 'Fortnitemares'
It will debut this fall at Universal Orlando Resort, beginning Aug. 28, and at Universal Studios Hollywood on Sept. 3.
'The Super Mario Galaxy' Movie Returns Atop U.K. Home Entertainment Sales Chart Through July 22
Universal’s The Super Mario Galaxy Movie returned atop of the Official Film Chart, the U.K.’s weekly home entertainment sales chart, through July 22. The former chart topper in June, the animated family adventure held off the transactional debut of A24’s box office sleeper hit Backrooms, which debuted at No. 2. The sci-fi horror, which taps into … Continue reading "‘The Super Mario Galaxy’ Movie Returns Atop U.K. Home Entertainment Sales Chart Through July 22"
‘Clayface’ close-up: Tom Rhys Harries delves into DC’s R-rated body horror
Meet ‘Clayface’ star Tom Rhys Harries — the actor behind Matt Hagen, the character destined to become the Batman baddie in DC’s first horror movie.
Is 'Backrooms' streaming? How to watch the A24 horror at home.
Enter the liminal space from your couch starting July 14.
Sam Neill, ‘Jurassic Park’ and ‘Possession’ star, dies at 78
Sam Neill, the legendary New Zealand actor who starred in the ‘Jurassic Park’ films as well as horror classics like ‘Possession,’ died on Monday at 78, his family announced on social media.
Something is wrong with Buddy.
Our first few looks at the upcoming feature film debut from Casper Kelly, the deranged human behind Too Many Cooks, played it completely straight. But with the first official teaser, it’s clear that Kelly is taking the “horror” part of “horror comedy” seriously. [Media: https://youtu.be/0mil0YgOtu8]
Ariana Grande drops out of “American Horror Story” season 13 due to scheduling conflicts
The “Scream Queens” alum was announced as part of the cast in October 2025.
The best recent science fiction, fantasy and horror
Sublimation by Isabel J Kim; Last Day of a Prior Life by Andrés Barba; Dead But Dreaming of Electric Sheep by Paul Tremblay; The Carrier by Ruth Newton; Time to Burn by Ellery Lloyd
Disney reveals 'Percy Jackson,' 'American Horror Story' and Hulu experiences for San Diego Comic-Con
See what's in store at Disney's San Diego Comic-Con activations, including immersive experiences, major panels and more.
Disney reveals 'Percy Jackson,' 'American Horror Story' and Hulu experiences for San Diego Comic-Con
See what's in store at Disney's San Diego Comic-Con activations, including immersive experiences, major panels and more.
Bonnie Tyler’s ‘Total Eclipse of the Heart’: The 5 greatest movie moments
Tyler’s iconic power ballad has elevated scenes in comedies, dramas, and even horror movies.
Disney Entertainment Television Sets Comic-Con 2026 Panels, Activities
Disney Entertainment Television will have 'Percy Jackson,' 'American Horror Story' and Animayhem activations with returning shows at panels.
The Best Science Fiction and Fantasy Books of 2026 (So Far)
You'll find fantasy horror blends, samurai space opera, romantic retellings, and more in the best science fiction and fantasy of 2026 so far.
The 10 best movies of 2026 (so far)
From the horror and thrills of 'Obsession' and 'Send Help' to an animated blockbuster and a space adventure, see which movies we think are the 10 best of 2026...so far. Even a 'king' makes our list.
The 10 best movies of 2026 (so far)
From the horror and thrills of "Obsession" and "Send Help" to an animated blockbuster and a space adventure.
Millie Bobby Brown gets 'secondhand ick' from 'Enola Holmes 3' costar Louis Partridge’s audition horror story
'So embarrassing!' Millie Bobby Brown gets 'secondhand ick' after hearing her 'Enola Holmes 3' costar Louis Partridge's audition horror story during a game of 'Lie vs. Lie' with 'Entertainment Weekly.'
The best new science-fiction novels published in July 2026
Sci-fi fans can enjoy a new Red Dwarf novel – the first for 30 years – this month, as well as sci-fi horror from Paul Tremblay and a journey to Planet Happy with Riley August
'American Horror Story' reveals 'Love Story' heartthrob's blond transformation
'American Horror Story' reveals 'Love Story' heartthrob Paul Anthony Kelly's blond transformation for season 13.
"We're talking about at least half a decade of horror": former Exodus lead explains why he wasn't keen on doing a Baldur's Gate 4 despite Hasbro offering the chance
After Larian opted against a Baldur's Gate 4, Hasbro asked Archetype Entertainment head James Ohlen if he fancied a crack at it and he wasn't keen.
Resident Evil Veronica Finally Gives Claire Redfield Her Due – the Horror Series’ Most Ignored Character Deserves the Spotlight
Despite being in plenty of spin-offs and crossovers, Claire Redfield is in barely any of the mainline Resident Evil games. After a long time away, RE Veronica is finally set to give Claire her due.
At Universal Horror Unleashed in Las Vegas, fear is always in season
Your nightmare awaits at the AREA15 year-round attraction.
Hideo Kojima Shares New Screenshot Of Upcoming Horror Game OD And...Hey, That Looks Like PT!
Playable Teaser? More like....uh...Passageway...Terrifying!
Kojima Says Only Xbox And Phil Spencer Understood OD, His New Horror Game
Apparently, former Xbox boss Phil Spencer got OD while other video game CEOs didn't
Kojima Says OD Will Push Horror’s Limits, as Todd Howard Gives TES VI Update and Praises Arkane’s Blade
Kojima says OD will push horror’s limits, while Todd Howard gives a The Elder Scrolls VI update and says Arkane is doing great on Blade.
Hideo Kojima Says Upcoming Xbox Horror Game OD Has a Special System for People Who Are Too Scared to Keep Playing
Hideo Kojima has teased his upcoming Xbox horror game, OD, revealing it includes a special system designed for people who are too scared to keep playing.
Report: Details for "Project Sundown," Skeleton Key & WOTC's Cancelled Horror Game
We uncover exclusive details on Skeleton Key and WOTC's cancelled horror game 'Project Sundown', with a look at what’s next for the studio.
'Leviticus' finds hope in the horrors of gay conversion therapy
Spoiler alert! We're discussing major details about the ending of “Leviticus” (in theaters now). Stop reading if you haven’t seen the film and don’t want to know.
Sphere Entertainment (SPHR) Stock Could Be 2% Undervalued After Immersive Content Momentum
Sphere Entertainment (SPHR) is back in focus after highlighting strong momentum in its immersive shows, including The Wizard of Oz at Sphere, and announcing a new Rocky Horror Picture Show experience, along with plans for additional global venues. See our latest analysis for Sphere Entertainment. That momentum is clearly reflected in Sphere Entertainment’s recent trading, with a 1-month share price return of 16.26% and a year to date share price return of 66.84%. The 1-year total shareholder...
Google's AI Overviews Is Telling Users That SCP Horror Fiction Entities Are Real
Google's AI Overviews are presenting sci-fi and horror phenomena from the famously fake SCP Foundation fan-fiction universe as real.
‘The Rocky Horror Picture Show’ Coming to Las Vegas’ Sphere
Sphere Entertainment will "enhance" the 1975 cult classic for the massive venue.
Sphere takes on 'Rocky Horror' experience after 'Wizard of Oz' smash
"The Rocky Horror Picture Show" is coming to the Sphere in Las Vegas in 2027. Get ready to do the time-warp again like you've never done it.
Commentary: ‘Scary Movie’ cements Hollywood’s spoof comedy renaissance
When "Scream 7" arrived in theaters in February, the Ghostface turning heads wasn’t from the horror hit itself but from "Scary Movie." The trailer for the long-running parody series’ sixth
“Disclosure Day ”lands out-of-this-world opening weekend with $93 million at global box office
While Steven Spielberg's extraterrestrial drama invades the world, 24-year-old Curry Barker's low-budget horror "Obsession" achieves a rare domestic feat.
'Disclosure Day' lands out-of-this-world opening weekend with $93 million at global box office
Steven Spielberg's alien oddity 'Disclosure Day' conquered the world this weekend with a $93 million gross, while the ultra low-budget horror 'Obsession' continues to surge in its fifth weekend in theaters.
One of the Best New Shows of the Year Was Just Renewed for Season Two
Apple TV+ has already renewed a fan-favorite comedy-horror series after just one season. Here’s what to know about the renewal and what's being teased for season two.
The best recent science fiction, fantasy and horror
Not With a Bang by Temi Oh; Tillinghast by Clare Cavenagh; Atomic Coffin by Benedict Anning; The Unicorn Hunters by Katherine Arden; Bad Things Happen Here by Mark Morris
A Beloved TWIN PEAKS Star Joins Netflix’s Live-Action SCOOBY-DOO Series
Now that they’ve found their beloved Great Dane, Netflix’s live-action Scooby-Doo series is rounding out its cast — including one face that should be very familiar to horror lovers. The streamer revea...
Alien: Isolation 2 is Poised to Deliver Another Bold Chapter in Survival Horror
We played the Alien: Isolation 2 prologue at Summer Game Fest: Play Days and lived to talk about it with the creative geniuses at Creative Assembly.
'Star Trek' Goes To the Scary Frontier in Next Major Video Game
Prepare to boldy go into horror and psychological thrills with Bloober Team's 'Star Trek: Shadow Frontier.'
Ro Laren Returns In ‘Star Trek: Shadow Frontier’ Horror Game Featuring Michelle Forbes
Watch the announcement trailer.
Wayans brothers“ ”break down “Scary Movie”'s wild post-credits parodies of these 2 horror hits
Please welcome "Short Hand" and "Brosferatu" to the canon of horror spoofs.
Screwworm Flies Add to Cattle Ranchers’ Woes
Some Texans fear “the nightmares and the horrors” of a potential screwworm outbreak. Elsewhere, not enough grass to feed cattle sends them to market earlier.
‘Backrooms’ Projected To Drop 67% In Business At Weekend 2 Box Office
The reboot of the Wayans Bros.’ horror spoof "Scary Movie" is scaring away "Backrooms" after one week at the top of the domestic box office.
Multiplayer horror game SAW: Genesis announced for PC
Publisher Bloober Team and developers Broken Mirror Games and Anshar Studios have announced SAW: Genesis, a three-versus-one multiplayer horror game. It will launch first in Early Access for PC via…
Alien: Isolation 2 announced for PS5, Xbox Series, Switch 2, and PC
Publisher SEGA and developer Creative Assembly have officially announced horror first-person shooter sequel Alien: Isolation 2 for PlayStation 5, Xbox Series, Switch 2, and PC (Steam). A release da…
After 'Backrooms' and 'Obsession,' these YouTubers could hit Hollywood
A pair of YouTuber-helmed horror films scored big at the box office, and others could follow as Hollywood turns to creators.
'Teenage Sex and Death at Camp Miasma' review: Laughing in the face of 'elevated horror'
Hannah Einbinder and Gillian Anderson star in this queer, hilarious slasher from "I Saw the TV Glow" maker Jane Schoenbrun.
Silent Hill: Townfall launches September 24 on PS5
More on the horror’s narrative driven puzzles, characters, and PS5 features as pre-orders go live.
10 Shows and Movies Like 'Backrooms' You Should Watch Next
'Backrooms' had the biggest opening for an original horror movie ever. If you're into liminal hellscapes, here are 10 more movies exploring existential terror.
AMC Stock Pops as Blockbuster Sequels and Horror Hits Drive Big Attendance Numbers
AMC Entertainment stock soars after the movie theater operator announced 25.5 million people attended the theater last month, the strongest May attendance since before the Covid-19 pandemic.
Horror hits 'Backrooms' and 'Obsession' Beat Star Wars at box office
Low-budget horror films "Backrooms" and "Obsession" are leading the box office, showing the power of internet native culture on the big screen.
Low-budget horror films from YouTubers conquer the box office
"Backrooms," a film based on 20-year-old Kane Parsons’s popular YouTube series of the same name, debuted to $81.4 million at the U.S. and Canada box office this weekend, setting a
YouTuber box office boom: ‘Backrooms’ and ‘Obsession’ draw Gen Z to theaters
An indie horror with internet origins has beaten the legacy franchise Star Wars at the box office this weekend.
YouTuber box office boom: ‘Backrooms’ and ‘Obsession’ draw Gen Z to theaters
An indie horror with internet origins has beaten the legacy franchise Star Wars at the box office this weekend.
YouTuber box office boom: ‘Backrooms’ and ‘Obsession’ draw Gen Z to theaters
An indie horror with internet origins has beaten the legacy franchise Star Wars at the box office this weekend.
From Backrooms to Paul McCartney: your complete entertainment guide to the week ahead
A horror film takes on the internet craze for user-generated paranormal tales, and Macca returns with his most affecting songs in years
Backrooms is at the forefront of horror’s YouTube wave
Filmmakers like Kane Parsons are getting their start on YouTube, before moving to bigger productions.
FOX Entertainment Studios, Access Entertainment sign on to Avi Nesher’s 'Our Lives'
Inspired by true events, Nesher’s film is an emotionally gripping story about the enduring strength of the human spirit and the transformative power of love in the face of the horror of October 7.
Marathon Developer Bungie Drops Season 2 Cinematic With Big Horror Vibes
Marathon developer Bungie has dropped a sneak peek at what's to come when Marathon's second season launches next month.
System Shock 2: 25th Anniversary Remaster gets new Nintendo Switch 2 version
Atari and Nightdive Studios have announced that, starting today, a new Nintendo Switch 2 version of System Shock 2: 25th Anniversary Remaster will be available. The game previously landed on the original Nintendo Switch. The survival horror game features high-resolution models, bonus materials, and cross-play capabilities. Here’s some information about the title: System Shock® 2: 25th Anniversary Remaster by Nightdive...
One of horror's most iconic characters is finally coming to Dead by Daylight just in time for its tenth anniversary
Friday the 13th's Jason Voorhees is finally joining the ranks of Dead by Daylight.
Jason Voorhees Is Coming to ‘Dead by Daylight’! [Trailer]
The wish for the addition of Jason Voorhees to Behaviour Interactive’s asymmetrical horror hit Dead by Daylight is finally being granted. With Dead by Daylight celebrating its 10-year anniversary this year, what better way to celebrate than to finally land the big guy himself?! Jason’s impending arrival in The Fog was revealed as part of […]
10 beloved comedies that would be horror movies if they were realistic
From 50 First Dates to The Parent Trap, movie fans discuss the rom-coms and family favorites that would be terrifying if they actually happened in real life.
New movies to watch this weekend: See 'Star Wars: The Mandalorian and Grogu' in theaters, rent 'Wasteman,' stream 'Kill Bill: The Whole Bloody Affair'
The latest "Star Wars" film disappoints, "The Super Mario Galaxy Movie" hits home screens and horror fans can look to "Passenger" or "Lee Cronin's The Mummy."
Chris Fleming's Cameo On 'Widow's Bay' Is The Best TV Moment Of 2026
A Knight of the Seven Kingdoms had the Trial of Seven. The Pitt had Robby and Baby Jane Doe. Widow’s Bay has a shaman.We are now five episodes into the first season of the Apple TV+ horror/comedy seri...
Suda51 and Swery's Hotel Barcelona coming to Nintendo Switch 2, Switch
Hotel Barcelona is making the jump to Nintendo Switch 2 and Switch, Eden Industries and White Owls revealed today. Launch timing will be shared soon. Hotel Barcelona is a 2.5D action horror roguelite coming from Suda51 and Swery. When it hits Nintendo platforms, the game will come with the base game, the Under New Management overhaul, the Late Check-Out DLC,...
Chartbook 449: Voldemort on Threadneedle street. The Bank of England and the "haunted house" of English politics.
Imagine the scene: In some Harry Potter version of 21st-century London, a group of deathless UK Treasury officials gathered from across the last century huddle over warm pints and glasses of Chardonnay. Around the table there are officials from the 1920s, the 1930s, the 1970s, 2022 and today. Inevitably, in May 2026, the subject of conversation is the disintegration of the current Labour government. Despite its huge majority in parliament, it has been reduced to tatters by catastrophic local election result. These exposed the fact that rather than having a government with a clear popular majority, the UK is like most other modern societies divided into 5 segments each of which commands between 26 and 16 percent of the vote. Perhaps unsurprisingly, the leadership at Nos 10 and 11 Downing Street - where the Prime Minister and the Chancellor (Treasury Secretary) work - seem paralyzed. They are caught between mounting discontent over unfairness and the cost of living, and tough fiscal strictures that push them into making unpopular spending decisions. In the London pub, the Treasury officials from across the ages, can barely hide their satisfaction at the latest display of democratic politics caught in the vice-grip of financial logic. “Remember the mur d’argent and the banker’s ramp?” “Just like yesterday!” There are smirks around the table. Then the representative of 2026 pipes up: “One thing you have to say about the current lot (referring to the latest hapless Labour government), you don’t have to teach them about the bond market!” There is a murmur of ascent from the Treasury Mandarins. The trauma of the fiscal crisis of September-October 2022 sits deep. Back then, in the final stages of Tory decay, a ‘mini budget’ that challenged fiscal orthodoxy led to a brief but fierce panic in one of the oldest government bond markets in the world (aka gilt market). Now all you have to do is to mention the “bond market” to hush debate. [ Paul Mason@paulmasonnews In the name of public service, and as ex-economics editor of BBC Newsnight, I offer to do a zoom call, tonight, with any Labour MP who wants to understand why bond markets do not "fall into line" with governments. 1/ 3:57 PM · May 12, 2026 · 466K Views 224 Replies · 674 Reposts · 3.93K Likes ](https://x.com/paulmasonnews/status/2054229532404519082?s=20) “And the funny thing is”, the young man in the huddle continues, “they don’t even want to talk about … ”. There is a sudden hush. Significant looks are exchanged around the table. About? One of the senior figures puts down his glass with a decisive “clink”. He-Who-Must-Not-Be-Named has entered their thoughts. Meanwhile, a few miles away in a grubby pub in Bloomsbury, two conspirators from the camp of Critical Macrofinance huddle over cans of low-alcohol IPA. They look at each other and blurt out loud: “The Bank!” “Everyone in the bloody Labour party is talking about the bond market. But why aren’t they even mentioning … the Bank of England!?” “Why is no one talking about Voldemort?” In Paul Mason’s blogpost, after much chest-thumping about basic fiscal logic, the basic point about the Bank of England is buried in the fine print at #3 in his list of suggestions as to what a radical Labour government might actually be able to do! [ Conflict & Democracy Down with the bond market! Down with gravity! It may seem unfair to focus on Labour MP Paula Barker for her off-the-cuff assertion that the bond market would have to “fall in line” with Andy Burnham, should he replace Keir Starmer as prime minister. But Burnham himself told the New Statesman that Labour had to “get beyond this thing of being in hock to the bond markets… Read more 2 days ago · 100 likes · 3 comments · Paul Mason ](https://htsf.substack.com/p/down-with-the-bond-market-down-with?utm_source=substack&utm_campaign=post_embed&utm_medium=web) Back in Bloomsbury they shake their heads and ask: “Didn’t we learn anything from the Eurozone crisis?” Meanwhile, as if summoned to the conversation by some higher force, the “pink pages” announce: “The days of ultra-cheap government borrowing have come to an end” and Martin “Whizzard” Wolf publishes the graph of the season Look at the UK in 2026, perilously positioned on the upper edge of the pack. No wonder no one in London needs any lessons about the “bond market”. But, look again. Imagine how they feel in Rome. What is London’s nightmare in 2026? The nightmare is that you end up like Italy in the early 2010s during the Eurozone crisis. Once comfortably situated in the middle of the pack, watching with horror as your ten-year yields explode to 7 percent and “spreads” become a national nightmare. One of the largest economies in Europe, a founding member of the euro, stigmatized. But the message of the Italian experience is ambiguous. After all, the stigma didn’t last. In 2026, Italy borrows at rates lower not only than the UK but the US. The US, which, as everyone knows, enjoys the “exorbitant privilege” of being the issuer of reserve, safe asets. What kind of magic is this? How did Italy, in the space of fifteen years, go from being good, to bad and back again? Which brings us back to our dissident friends in their Bloombury boozer and their memories of the Eurozone crisis. Italy never was Britain - with its ongoing fiscal deficits. Without interest payments, on primary balance, from 2000 to 2020 Italy ran a tight fiscal ship. Even in 2008 it barely went into deficit and when it was being put on the rack in the early 20210s its primary surplus matched that of austere Germany. So, what happened? How did it end up stigmatized? Of course Italian politics didn’t help. Berlusconi was at the helm and he had legal issues. But amongst friends in the Bloomsbury pub, Berlusconi is a sideshow, the name we whisper to each other is “Trichet”. From 2004 to 2011 the ECB was headed by Jean-Claude Trichet, ex of the French Treasury, more German than the Germans. After 2009 as the news of the Greek fiscal disaster broke, the European bond markets wento into panic mode and Trichet began a brutal game of cat and mouse. Between 2009 and 2011, Trichet intervened in the bond market to help, only when he thought he had compliance with austerity. When he thought they were uncooperative, he withdrew. In the summer of 2011, he even made direct suggestions to his Italian counterparts in Rome, as to how Italy should be governed. It was this cat and mouse game that drove the bond markets crazy and exposed Italy to a violent squeeze. When Mario Draghi took over the ECB at the end of 2011 and declared “whatever it takes”, the pressure on Italy, gradually eased. It is that starring role that has made Draghi into the towering figure in European politics that he remains today. So now you see why voices in London hush when it comes to the Bank of England. “The bond market” isn’t an irresistible objective force like the weather or an avalanche. It can appear like that. But that depends on the way it is being handled, or not handled by the central bank. Which is why the silence about the Bank of England in London right now is so significant. If you think this all sounds a bit fishy, coming from a left-liberal Keynesian like myself, well, let me introduce you to Robin Brooks, who, to put it mildly, plays on a different quidditch team to me. Here, from the position of a fiscal hawk is Robin’s celebratory account of the Bank of England’s role since 2022; In October 2022, at the height of the bond market blow-up in the UK, something incredible happened. Governor Andrew Bailey told British pension funds the Bank of England would end its support program for the country’s fragile gilt market, drawing a line under how much help the central bank was willing to give to exposed pension funds and - implicitly - the government. By the end of that week, Kwasi Kwarteng - the finance minister - had resigned. Prime Minister Liz Truss would soon follow. This episode is so incredible because it contrasts with what happened in the Euro zone earlier that year. Bond markets in Spain and Italy were under pressure amid high inflation and rising interest rates. In the middle of this, Mario Draghi - Italy’s Prime Minister - resigned, compounding pressure on bond markets of high-debt countries on the Euro periphery. Unlike the Bank of England, the ECB caved. It bought Italian and Spanish government bonds in an effort to cap yields and introduced a new tool that signaled to markets it might do such caps more frequently going forward. Faced with pressure on bond markets, the ECB capitulated to political pressure from high-debt countries like Italy and Spain. The Bank of England stood its ground and toppled the Truss government. This kind of thing has long-lasting consequences. It means markets price a higher probability of yield caps in the Euro zone, which keeps Italian and Spanish yields artificially low, while markets feel free to push up UK yields without fear of central bank intervention. As I flagged in yesterday’s post, this means you really can’t compare UK yields to those of other high-debt countries. The UK looks worse, but only because its central bank isn’t interfering with markets. There’s more to this than just that 2022 episode. The Bank of England has also been much more aggressive in its quantitative tightening (QT) than other central banks. If one motivation for quantitative easing (QE) is to lower bond yields - especially longer-dated ones - then it stands to reason QT pushes yields up. The left chart above shows a four-quarter moving average of UK government debt issuance (black line) in percent of GDP and which sectors absorb this issuance, including the Bank of England (blue bars). The right chart above compares the Bank of England’s accumulation or run-off of government bonds (blue line) with that of other central banks, where this blue line is the same as the blue bars in the left chart. The Bank of England was quicker and more aggressive than other central banks in downsizing its bond holdings, so UK yields will have risen more than elsewhere also for this reason, not just because of Governor Andrew Bailey’s remarks in October 2022. Back in October 2025, after a conversation in New York with friends in British politics, my sense of dysphoria was such that I raised the issue of the Bank of England openly in the FT Since 2008, the UK has slid into a deep economic and political predicament. Growth has stagnated to a degree far worse even than in the 1970s. The Tory leadership’s wager on the Brexit referendum spectacularly backfired, leaving the UK isolated from Europe and at the mercy of its special relationship with the US, many of whose political class regard the UK as a basket case. After years of austerity, the Labour party lurched to the left and then back to the centre. The Tory party has been eclipsed by the populist nationalism of Reform. Any British government should be worrying first and foremost about how to restart growth. Instead, Keir Starmer is beset by shades of the gilt market panic triggered by the Liz Truss government in 2022. The debt level is higher than in recent years, but there is no cause for panic. UK debt is at far from critical levels and of long duration. Whether you want to “take back control” or launch progressive economic policy, a democracy dogged by fear of bond market vigilantes is unhealthy. In a country that is a monetary sovereign, this climate points to one thing: a disconnect between the government and the central bank. Since 1997, the independence of the Bank of England has become a sacred cow. But independence is what you make of it. And in the wake of the gilt market crisis of September 2022, relations between the Bank of England and the UK government need a reset. In normal times, there is no doubt that an inflation-targeting independent central bank can serve a country well. But since 2008, the UK and other advanced economies have not had the luxury of such simple problems. To their credit, central bankers around the world have not stood on orthodoxy. After 2008, the US Federal Reserve rescued the global banking system and, through quantitative easing, it stabilised the Treasury market in the face of huge deficits. In Europe, things were trickier. Both the Bank of England under Mervyn King and Jean-Claude Trichet’s European Central Bank played cat and mouse with national governments. This was a high stakes wager that between 2010 and 2012 escalated bond market tension and triggered a disastrous turn to austerity. Shaken by the impact of those shocks, their successors, Mark Carney and Mario Draghi adopted a more protective stance (assuming you were not the government of Greece). Recall that Draghi’s legendary slogan, “Whatever it takes”, was uttered to face down the City of London’s bond vigilantes. In 2015, Draghi launched QE — financial repression by another name. In 2016, Carney used the authority of the Bank of England to stabilise markets following the vote for Brexit, an exemplary demonstration of how central banks can underpin democratic choice, even when those choices are wrong headed. All these were independent central bankers steeped in the best practice of the 1990s, who recognised that historic crises demanded radical action. It was the price surge of 2021-2023 that poisoned the atmosphere. Though the shock came mainly from the supply side, central banks ended up in the dock. Nowhere more so than in the UK. The Bank of England reacted with aggressive normalisation. Faced with a cost of living crisis, the governor called for workers to accept real wage cuts. In early 2022, as gas prices were at record levels and Russia’s army was poised to invade Ukraine, the Bank adopted a stringent programme of quantitative tightening, elevating interest rates. When the Truss government got itself in trouble, the Bank took almost a week to come to the rescue. Rather than enacting a charade of normality, it is time to recognise that in 2025 the UK faces a period of historic transition. To meet this challenge, what is needed is a new concordat with the Bank. This should not ignore inflationary pressures or the long-run trajectory of debt, but should affirm the priority of reviving investment-led growth. One could follow Donald Trump in demanding interest rate cuts. The Bank could shadow the ECB in its commitment to capping Eurozone yields. But the top priority should be to lay the ghost of September 2022. The Bank’s slowing of QT last month was a concession. An immediate and complete end would send the right signal. Such a concordat will not by itself restore sanity to politics, solve the housing problem or rebuild the NHS. But it would help to lift the fear of bond market crisis, which is paralysing the effort by democratic politicians to answer the fundamental questions facing the nation. Now, that call for a new concordat between government and Bank of Englands seems more urgent than ever. The problem is that in October 2025, Starmer still had some authority. Today the government is in tatters. And when you are the “under the harrow” - to echo a phrase of Montagu Norman’s from the 1920s - it is the worst possible time to consider institutional change. To make general arguments at a time of crisis can only seem like special pleading rather than a general argument for long-term change. The same, unfortunately, is also true for the other basic institutional reform that Britain urgently needs i.e. the abolition of the out-dated first past the post electoral system and its replacement by a moderated form of proportional representation. And thirdly - whilst we are saying the quiet parts out loud - Britain needs to reopen the question of EU membership. What the local election results of 2026 show is that this remains a key issue. And what they also show is that there is a clear majority that would favor a return. Until these basic features of Britain’s political economy are addressed the country will carry on its politics as though in a haunted house, governed by governments that lack actual majorities, conjuring up false constraints whilst ignoring the real ones. This one is for DG and MI. I love writing the newsletter. If you enjoy it too and fancy buying me a coffee once a month, you know what to do. Click below! Subscribe
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