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Whitesides Cosponsors Motion Picture, Television, Entertainment Act
Rep. George Whitesides (CA-27) hzs announced his cosponsorship of the bipartisan, bicameral Motion Picture, Television and Entertainment Revitalization Act
From hidden gems to horror classics: What to watch this Halloween
Craving something scary? We've rounded up 36 horror films and spooky TV shows to watch.
Nana Patekar dead: Indian 'Krantiveer' actor-filmmaker was 75
Nana Patekar, an acclaimed Indian actor and filmmaker, died Thursday at his home in the western state of Goa. He was 75.
Horror Movies, Politics Are Killing Film Festivals: Opinion Column
The film festival circuit is drowning in bloody genre fare and ideological theater. Whatever happened to indie cred?
Pro-ICE Film 'Pawn Shop' Crew Are Angry About Movie's MAGA Politics
A crew member who quit the pro-ICE film 'Pawn Shop' didn’t know its MAGA politics when hired, raising questions about what productions disclose.
Stars of “Carrie”, “Primetime”, “Off Campus”, and more to be “Entertainment Weekly”’s Breaking Big honorees at 2026 SCAD Film Festival
EW partners with the Savannah College of Art and Design annually to celebrate the best in Hollywood.
EW reveals Breaking Big honorees for 2025 SCAD Film Festival
‘Primetime’ star Skyler Gisondo, ‘Off Campus’ actor Jalen Thomas Brooks,’ ‘Carrie’ star Summer H. Howell, and more are EW’s Breaking Big honorees at the 2026 SCAD Film Festival.
IL-CG-LIFE
New 24/364 Film “Dylan Findling” Captures One Family’s Refusal to Let a Rare Disease Define Their Son’s Life
What the Paramount-Warner Bros. merger means for the future of film
Paramount now owns Warner Bros., CNN, and HBO Max. FSU students explain what that means for the movies you see and the jobs they want.
Xbox Announces New XP Entertainment Division to Make Movies, TV, and More
Xbox has announced a new TV, movies, and entertainment division called XP. It will be headed up by Kayleen Walters, a Lucasfilm veteran who moves over from her most recent post at Minecraft maker Mojang, for whom she was president – and also served as an executive producer on last year's A Minecraft Movie.
How scary is 'Carrie'? Critics are divided over Mike Flanagan's new Stephen King series.
The filmmaker behind "Midnight Mass" puts a modern spin on King's classic, but not everyone is convinced it delivers the chills.
Xbox Goes Beyond Games With XP, A New Entertainment Powerhouse
Microsoft has launched XP, a new Xbox division headed by Kayleen Walters that will oversee films, TV shows, consumer products, and theme parks.
Indian actor and filmmaker Nana Patekar dies at 75
Acclaimed Indian actor and filmmaker Nana Patekar has died at his home in Goa. He was 75. The Press Trust of India reports that Patekar died of a suspected cardiac
Bollywood actor Nana Patekar dies at 75
MUMBAI, Oct 8 (Reuters) - Nana Patekar, a veteran Indian actor known for his fiery performances in Bollywood films and theatre, died on Thursday aged 75, local media reported.
Naples Film Festival highlights indie films and new talent
Naples International Film Festival Producer Shannon Franklin grew up in Naples and got her theater degree from the University of Florida, but her area code is all “Hollywood.”
[Q&A] "Actually, It Is Rocket Science," with Tim Durtschi
Tim Durtschi talks Haines, big lines, snowmobiles and the unexpected variables in filming a ski movie that make us question, is it rocket science?
New Hampshire Film Festival announces 2026 lineup
The New Hampshire Film Festival returns to Portsmouth Oct. 15–18 with more than 100 films, Spotlight screenings and an Alicia Silverstone “Clueless” event.
Andrew Scott's AIDS drama 'Elsinore' kicks off London Film Festival
By Hanna Rantala LONDON, Oct 7 (Reuters) - Actor Andrew Scott says the biographical drama "Elsinore", which opened the 2026 London Film Festival on Wednesday, is an ode to living
Award-winning Kashmiri filmmaker Arfat Sheikh detained by US immigration authorities
By Kanishka Singh WASHINGTON, Oct 7 (Reuters) - An award-winning filmmaker whose work has explored conflict in his native Kashmir has been detained by US immigration officials after legally coming
Who Won August and September: Original Films or Franchises?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback... Subscribe Follow-Ups: What Should We Call Mid-Budget Movies Which Aren’t Cinematic Enough for Theaters But Are Too Expensive to Make Money on Streaming? After I asked for feedback on what we should call straight-to-streaming films that are too big to pencil out on streaming but not really big enough to resonate in theaters, I got some great suggestions from you all, including... “Moldilocks” from John Aboud “Little Big Indie” from Travis Frick1 “Midflicks” from Jonathan Funke. “Extra-Medium” from Jona Nwuke. (Read the explanation in the footnote.) Between these and Brandon Katz—who suggested “Bermuda Budget Triangle”, “The Platform Gap” and “The Distribution Deadzone”—we’ve got some excellent suggestions. And they’re better than my suggestion, the “Streaming Budget Dead Zone”, so let’s take a poll! The winning entry becomes the new term. Loading... RIGHT: LIV Golf is Fully Bankrupt…Is Anyone Else Next? A few years ago, I was always a bit perplexed at all the articles I’d read praising LIV Golf and their strategy to disrupt the PGA. LIV Golf, a brand new professional golf league, offered PGA stars ten times what they made on the PGA Tour to join their new league. And folks praised this strategy for its initial “success” in that a lot of big names did indeed leave the PGA. Yeah, of course the players came over. LIV Golf paid them so, so, so much more! But LIV Golf hadn’t discovered a way to increase potential revenue. So think about this in basic business terms… They paid much more in costs… …but had no real way to increase revenue. That’s not a strategy! That’s deficit financing. It won’t work unless you bankrupt the competition (and then turn around and pay those same golfers much, much less). It’s not a sustainable strategy and only lasts as long as the company/person/nation backing it decides they’re cool with losing money. For LIV Golf, that meant Middle East oil wealth, in particular Saudi Arabian money. Clearly, the current Iran War has hurt Middle East finances, so they need to trim their more exorbitant spending. And LIV Golf was part of that trimming. This should be a major warning for others. TGL’s parent company, TMRW Sports, just got a $1 billion valuation, despite TGL’s (the indoor golf league) horrible TV viewership of less than half a million viewers per match. Unrivaled, the women’s basketball league, just secured a $650 valuation, despite its horrible TV viewership and a new rival (Project B) entering the scene next year. To relate this to streaming, Hollywood should ask which streamers may have wealthy patrons funding their losses. (Let’s be clear: Google, Amazon and Apple.) Could those patrons lose their appetite? For Amazon, probably not. But Apple has a new boss, so maybe! WRONG: My Analysis of the Streaming Bubble Was Missing a Week I’m going to be congratulating myself a lot today, but I make mistakes too, like this data goof. When I last compiled the data on the decline in TV shows, I was missing one week at the end of June. If you look at the first image, you can see that one week was mislabelled as “July”. Mainly, this image got updated to show a 27% decline, not 29%: This change doesn’t really impact the overall analysis, but it is two percent better. By the way, through the third quarter, the decline increased and it’s now a 30% decrease since 2022. (I’ll write/visualize this in an upcoming article.) But I want you to trust me and my data. Especially these days, when many people are using LLMs that I know are inserting faulty data into their charts, I want to keep earning my audience’s faith. So that’s the accurate data. RIGHT: IP Remains Very, Very Popular In July, I wrote a giant (and I mean giant) article on Backrooms, Obsession, and the box office, going over what we know, what we don’t know about what works in theaters, looking at YouTubers, IP, the horror genre, comic book movies, and a whole lot more. The month of August really tested a lot of my theses and, being honest, mostly supported my arguments. Let’s start with IP. Looking at 8-Aug (the weekend after Spider-Man: Brand New Day came out) to 18-Sep (the weekend that Resident Evil came out, which I think provides a nice bookend to this time period), there were seven films based on pre-existing IP: Resident Evil (2026) ($126 million) Practical Magic 2 ($65 million) _Insidious: Out of the Furthe_r ($65 million) Coyote Vs. Acme ($59 million) Paw Patrol: The Dino Movie ($53 million) Tony ($15 million) Super Troopers 3 ($7 million) Compare those to the notable original films from the past month—I actually could have included more movies, but here are just thirteen, bringing us to an even twenty films—including.... The End of Oak Street ($54 million) Buddy ($26 million) Mutiny ($15 million) By Any Means ($15 million) The Dog Stars ($14 million) Runner ($14 million) One Night Only ($11 million) Hope ($8 million) Spa Weekend ($7 million) The Uprising ($6 million) Teenage Sex and Death at Camp Miasma ($6 million) Onslaught ($3 million) Eli Roth’s Ice Cream Man ($2.8 million) Here’s that in chart form: Five of the top six films in this time period were all based on IP. I made a big chart of films that grossed over $200 million at the box office before Spider-Man: Brand New Day and The Odyssey hit theaters. Let’s update that chart! By the way, if you want to see how I categorized each film—so another bar chart—here it is: I know that many of my fellow critics/pundits/analysts dislike films based on IP and how Hollywood is making so many of them. And I’m sympathetic to this point of view. As I’ve written many, many times before, you need a balance between existing franchises, new IP, and original films. And Hollywood clearly needs to make more films like Resident Evil (a well-made film from a visionary director) and fewer Practical Magic 2’s (which didn’t get critical or customer buzz). But at some point, critics and pundits need to contend with what audiences are telling them: Movie-goers aren’t showing up to original films. Audiences are speaking with their dollars, telling you they want more IP and franchises. You can try to convince studio heads to make fewer IP-based films and franchises, but the data and numbers aren’t there. Instead, critics need to work harder to convince audiences to show up for original films. Aim your ire/concern at the average person, not studio heads.2 Because they’re just making the films that audiences are telling them to make. WRONG: Original Horror Films Didn’t Break Out I’ll be honest, even though I wrote an article casting some skepticism on the horror genre in July, if you asked me to make a prediction, I would have predicted that, in August, a new, original horror film would have blown up. No, seriously, I just assumed that Obsession and Backrooms presaged a change in audience behavior. But none of the buzzy new original horror films from August—Teenage Sex and Death at Camp Miasma, Onslaught (not an action film in spite of the ads), The End of Oak Street, Eli Roth’s Ice Cream Man, or _Buddy—_broke out. To be clear, exactly one of those films (Buddy) had good “ROI”, but again—I try to be specific in my language—none were “popular” in any broad sense of the word. None of them will be “saving” movies theaters like Backrooms or _Obsession_helped save the summer. The new Insidious film and Resident Evil, both based on IP, were far and away the biggest horror films since July. (We’ll see if this changes in October/Halloween season.) RIGHT: Stay Skeptical about Crowdfunding... I’ve long been skeptical about crowd-investing platforms as one of Hollywood’s saviors, mainly because there’s so much hype/buzz. People need to stay more skeptical about more things, explaining both the potential upside but also the downsides. In particular, the media often hypes crowdfunding at the start and never checks in on the actual results after they’ve come in later. And August gave us our first update! _Ice Cream Man—_directed by Eli Roth—grossed $6 million off of a $5.5 million budget. This is a production of The Horror Section, which was one of the first “crowd investing” studios with 2,400 investors, which means that 2,400 investors probably lost money. They certainly aren’t getting as great of returns as if they had just invested their dollars in the stock market. Hopefully Stiletto (Tagline: “Someone’s Going to Make it Rain Blood!”) does better next month. WRONG: Another Data Goof Here’s another data error. When the first episode of House of the Dragon came out, HBO put out that it had 21.5 million viewers in the first three days, and I read that to mean in the US…but no, it was global. So my US-only datecdotes charts shouldn’t have included it. We never got US-only numbers for the first episode, but for the final episode, HBO put out that it had 11 million US viewers. (And that global dropped to 21 million viewers.) Here’s the updated chart (which I’ve since used in the Streaming Ratings Report): Still, this show is absolutely huge. RIGHT: Superhero Films Remain Very, Very Popular After Supergirl flopped, I read a few takes that “comic book movies are going the way of the Western”. Post-Spider-Man: Brand New Day, that take didn’t age well. To be fair, I have a very nuanced take on the superhero genre right now; it’s down right now, for a lot of reasons. But it’s not “dead”. Maybe _Spider-_Man is just a really popular character? I saw that take, and it’s a fair counter-argument. (But pundits arguing that superhero movies were dead should have mentioned this $1.5 billion counter-argument…) But is it just Spider-Man? The next Avengers film already has $50 million in pre-sales (and I was skeptical that that film would do well) and the Avengers: End Game re-release topped the box office two weekends ago (over three original films). And I wouldn’t bet against Batman or Superman. So maybe it’s just Spider-Man, Batman, Superman and the Avengers. Oh, and Deadpool, of course. And Black Panther. And Wolverine. And probably the X-Men. Plus a well-made Wonder Woman or the Hulk film could break out. But that’s it! It’s just those ten characters/teams. Oh, what’s that? Lanterns is also doing well on HBO? (See previous section…) To be fair, I’m actually pretty sympathetic to the argument that more popular characters—like Spider-Man and Batman—anchor more popular films. In fact, I made that exact argument three years ago when I first wrote about the “Marvel-cession”. In many ways, you can blame The Guardians of the Galaxy for fooling Marvel Studios (and the rest of us) into believing that any character could pop. It turns out, the list of iconic characters is probably smaller than most people think. But it’s probably too early to say that superhero films and comic book movies are dead unless “death” means a slight decline over a longtime. RIGHT: Who Killed Theaters? Old People I get frustrated whenever I see headlines or analysis about how young people are “returning” to theaters. As I’ve detailed(for years), young people have always powered the US box office, despite narratives about “kids these days” and their “phones”. Really, what’s changed post-2020/pandemic is that old people aren’t going to the movies nearly as much. This summer, I saw a movie (from an older director) in a theater near a retirement community, and multiple older people at the theater were talking about how this was their first time seeing a movie in years. I dislike personal anecdotes, so YouGov can fill in the data, best summarized by this headline: “Who killed movie theaters? Not the youths”. According to them, 64% of people aged 18-29 have seen a movie in the last year, but only 30% of 65-and-older. 20% of 18-29 have seen a movie in theaters in the last week and 42% in the last month. Here’s the polling data: Most concerning? Many Americans (17%) think theaters are a worse or much worse experience than watching films at home. Slight WRONG: Hadestown Opens Big A live theater capture of the Broadway musical, Hadestown, made $20 million at the US box office, which begs the question: was I wrong to be skeptical about musicals a few years ago? Yes and no. On the one hand, $20 million is a far cry from being “popular”, so yeah, the genre isn’t that popular overall and Hadestown is one of the more popular musicals from recent years (i.e. the “Taylor Swift Data Fallacy” in action). On the other, I doubt filming this cost all that much, and I don’t think that they spent much on marketing, so this is a good source of ancillary revenue. Smaller Updates WRONG: As I mentioned in a Streaming Ratings Report, I underestimated the budget for Enola Holmes 3. It probably cost more like $50 million, if not more. But... I’m not sure that it really matters? At sub-10 million hours, prices have to come down to make this work. WRONG: Netflix is giving Ink a 27-day in theaters! To quote the kids/YouTubers these days, let’s go! Now I might actually have a chance to see Danny Boyle’s latest in theaters. I’d complained about this in a “Coming Soon” section, but I was heartened to read that Netflix is giving multiple films longer theatrical windows this year. RIGHT: Netflix is sending 4-5 films per year to theaters. Netflix is slowly but surely sending more and more films to theaters, as I cautiously predicted earlier this year. For now, it’s just three big films and a number of awards contenders, but still, this is great news. And they’ll be releasing box office grosses! Just this week, Ted Sarandos confirmed that KPop Demon Hunters 2 will come to theaters (and my guess is it performs in the box office top ten at a minimum). WRONG: Angel has 3 million subscribers! How do I know this? Well, they told Deadline, who reported it. I marked this as “wrong”, since they’ve doubled their subscribers in one year but, you know, they don’t really have a hit film to speak of and they’re still losing money. WRONG: Furious was only renewed for one more season. I accidentally wrote “two more seasons” in my latest “Renewals, Cancellations, Un-Orders and Removals Update”. RIGHT: House of David is ending with its third season. In July, Prime Video renewed House of David for a third season, as I just wrote in my latest “Renewals and Cancellations” report. Well, now it’s ending after that third season. Why? As I’ve been writing, its viewership wasn’t great. I got feedback that this show didn’t cost very much, but it cost enough that its limited viewership didn’t save it. WRONG: Adults was a Hulu original! So I missed Adults when it first came out last year; I saw that it aired on FX and just assumed that it was a linear-first program. Turns out, it aired three episodes on FX, but binge-released the rest of its episodes the next day on Hulu. Huh. So I should have covered it last year! But I just wrote about it. 1 “When I was a kid in the 90s, if you wore a t-shirt to school that wasn’t too big and also wasn’t too small, but somehow didn’t quite fit, we’d say you were wearing an “extra-medium” shirt.” 2 As always, a huge exception is Disney, which barely makes anything original anymore.
Mia Goth files for divorce from Shia LaBeouf
The former couple met while filming Lars von Trier’s “Nymphomaniac.”
Movie Review: Chris Rock's 'Misty Green' with astonishing Rosalind Eleazar nicely skewers Hollywood
Chris Rock is delivering a sharp critique of Los Angeles in his new film “Misty Green.” AP critic Mark Kennedy says the movie, which Rock directs and stars in, offers a noirish take on the high...
Promising Entertainment Stocks To Consider
Spotify Technology, Walt Disney, Verizon Communications, Roblox, Skydance, Autodesk, and SEA are the seven Entertainment stocks to watch today, according to MarketBeat's stock screener tool. Entertainment stocks are shares of publicly traded companies involved in industries such as film, television
Livingston officials allow ‘Pawn Shop’ film to continue in Montana
Livingston officials have voted to allow a controversial film to continue shooting in the southwest Montana town. The decision came after a seven-hour City Commission meeting on Monday, where commissioners
‘Mamma Mia’ stars and exes Amanda Seyfried and Dominic Cooper reunite
‘Mamma Mia’ stars and exes Amanda Seyfried and Dominic Cooper just reunited 18 years after the movie musical came out. The former costars shared a hug at the Hamptons International Film Festival.
Newsom announces latest films awarded California tax credits
Thirty-five films were awarded credits
DEVO Mark Mothersbaugh on 1970s Pop Band Predicting Today’s Politics
The veteran composer discussed his eclectic artistic career combining film and music at the Vancouver Film Festival.
Toby Emmerich Joins FilmNation Entertainment's Infrared As Consultant
Former Warner Bros Motion Picture Chief Toby Emmerich is boarding FilmNation Entertainment's Infrared as a consultant.
'Star Wars: The Mandalorian & Grogu' Returns Atop U.K. Home Entertainment Sales Chart Through Oct. 7
Disney’s Star Wars: The Mandalorian & Grogu strikes back at No. 1 on the Official Film Chart, the weekly U.K. home entertainmetn sales chart through Oct. 7. Last week’s chart-topper, Universal’s Disclosure Day slipped one spot to No. 2, while at No. 3 is Arrow Films’ newcommer A Better Tomorrow Trilogy. The newly restored collection … Continue reading "‘Star Wars: The Mandalorian & Grogu’ Returns Atop U.K. Home Entertainment Sales Chart Through Oct. 7"
Film Festival Will Screen ‘Beyond The Duplex Planet’
The Woods Hole Film Festival’s Dinner & A Movie series continues on Saturday, October 17, with “Beyond The Duplex Planet,” a new feature documentary by Emmy-winning, Grammy-nominated filmmaker Beth Harrington.
In the Shadows Producers to Self-Release British Boxing Biopic
With True Brit having gone into administration, the producers of In the Shadows — about trailblazing boxer Ramla Ali - are self-releasing the film
Ben Affleck talks 'Animals,' living in LA longer than Boston
Affleck talks crafting an "LA story" and the lesson from his high school drama teacher he tapped while filming the new thriller.
Will AI kill the Asian entertainment industry, or reinvent it?
Studios in China are turning to models from ByteDance and Kling to generate 100-minute short dramas for less than $3000.
Tom Cruise digs into uncharted territory in ‘Digger’
Don’t look now, but Tom Cruise’s latest movie, Alejandro G. Iñárritu’s Digger, is not your typical Tom Cruise film. The charming, boyish-looking star of Mission: Impossible fame is shedding his familiar action-superstar image. Wearing a fat suit, cowboy boots and disheveled hair, and at one point carrying a dying cat, Cruise portrays Digger Rockwell, an egocentric, fast-talking octogenarian oil billionaire whose irresponsible drilling…
Skydance now runs two of Hollywood’s legacy film studios. A look at the new company, by the numbers
David Ellison’s Paramount Skydance has completed its $81 billion acquisition of Warner Bros. Discovery, bringing two of Hollywood’s most storied legacy film studios under one mammoth media and entertainment conglomerate named Skydance. Now, Skydance must decide how to make the most out of a trove of entertainment assets, including the HBO Max and Paramount+ video streaming services, a film library that includes “Star Trek,” “Barbie,” “Top Gun,” “Harry Potter,” and “Superman,” and two major news organizations, CNN and CBS News. Here’s a look at the new company, by the numbers.
'Dirty Dancing' is coming to Broadway
Believe it or not, “Dirty Dancing” turns 40 next year. To mark the occasion, a stage musical adaptation of the film is coming to Broadway.
Say Your Prayers: An Exclusive First Look at Scarlett Johansson in The Exorcist: Martyrs
In Mike Flanagan’s new film, she investigates slayings modeled on the gruesome suffering of saints. But the suspect may be truly inhuman.
Pixar exhibit brings movie magic to Frost Science
Buzz Lightyear may have doubts about humans and space travel, but when it comes to bringing Pixar characters to life, filmmakers take technology to infinity and beyond.
Eva Marie Saint dead: 'North by Northwest,' 'On the Waterfront' actor dies
Eva Marie Saint, a graceful actor best known for her Oscar-winning film debut in 'On the Waterfront' and for her turn as a sultry spy in another 1950s film classic 'North by Northwest,' died Tuesday. She was 102.
REP LIEU JOINS REP. FRIEDMAN, LOS ANGELES DELEGATION, AND ENTERTAINMENT UNION IN PUSH FOR NATIONAL FILM TAX CREDIT
GLENDALE, CA – Today, October 6, 2026, Congressman Ted Lieu (D-Los Angeles County) joined U.S. Congresswoman Laura Friedman (D-Los Angeles County), Members of the Los Angeles congressional delegation, and the major unions representing film and television workers at the Alex Theatre in a new push for the Motion Picture, Television, and Entertainment Revitalization Act.
U.S. share of studio TV spending fell from 94% to 64%, unions say
A study commissioned by Hollywood unions finds the U.S. share of major-studio TV spending fell from 94% to 64% as Congress weighs a film tax credit.
Focus Features Takes Global To Ice Cube & Tommy Lee Jones ‘Outside Man’ From Brian Helgeland
EXCLUSIVE: Focus Features has acquired worldwide rights to Oscar-winning filmmaker Brian Helgeland’s Outside Man. Deadline first told you about the Teton Ridge Entertainment production back in April w...
Julia Stiles says it was ‘very wrong’ to play up dance training for ‘Save the Last Dance’ at the time
Julia Stiles said it was ‘very wrong’ of her to play up the dance training she had for ‘Save the Last Dance’ at the time while looking back at a 2000 interview she gave on set of the film.
Michael Douglas recalls conversations with Rob Reiner about having sons with ‘serious drug issues’
In his new memoir, Michael Douglas recalled conversations with Rob Reiner about having sons with ‘serious drug issues.’ Douglas’ son Cameron previously served a seven-year prison sentence for drug possession. Reiner’s son Nick wrote a semi-autobiographical film about his addiction.
Skydance's $80 Billion Debt: Warner Bros., Paramount Owner's Reality
The combined company now has the scale to take on Netflix and Disney, but little room for error as it balances massive spending on film and TV with servicing its crushing financial obligations.
‘The Love Witch’ at 10: How Anna Biller created a film that real witches would want to see
‘The Love Witch’ turns 10 in November 2026, and director Anna Biller sat down with EW to reflect on the feminist, ‘60s-inspired horror film and what audiences may have missed upon its release.
Ava DuVernay Returns With One of Netflix’s Most Political Docs Ever
The Oscar nominee’s new film, ‘14th,’ puts Trump administration policies in a grand and disturbing historical context — while serving as a stark call to action for Hollywood.
Dakota Fanning reveals valuable lesson she learned from working with Kurt Russell
Dakota Fanning reveals the valuable lesson she learned from working with Kurt Russell on the 2005 sports drama film ‘Dreamer.’
Actor, 'restaurant kid' Ming-Na Wen reflects on the Asian American experience in 70 recipes
Ming-Na Wen's acting breakthrough was in the 1993 film adaptation of Amy Tan’s novel “The Joy Luck Club.” | KCBS All News 106.9FM and 740AM
Actor, 'restaurant kid' Ming-Na Wen reflects on the Asian American experience in 70 recipes
Ming-Na Wen's acting breakthrough was in the 1993 film adaptation of Amy Tan’s novel “The Joy Luck Club.” | NewsRadio 1080 KRLD
Films and streaming prices - how the Warner Bros deal could affect you
The deal is expected to alter the entertainment and news industries but could it mean higher prices for consumers?
Tasveer Film Center finding success with movie theater, film festival
Seattle's Tasveer Film Center is finding success after purchasing the building housing the former Ark Lodge Cinemas, and is about to launch the 21st year of its prestigious film festival.
Into the Slaughterverse: How ‘Something Is Killing the Children’ cut into film, TV, and books
Into the Slaughterverse! ‘Something Is Killing the Children’ creator James Tynion IV talks expanding his comics into a horror universe with a film, animated TV show, and prequel novel.
PARAMOUNT COMPLETES ACQUISITION OF WARNER BROS. DISCOVERY, CREATING A NEW GLOBAL ENTERTAINMENT LEADER, SKYDANCE
Skydance Corporation (f/k/a Paramount Skydance Corporation) (NYSE: SKYD) ("Paramount") today announced the completion of its acquisition of Warner Bros. Discovery, Inc. (NASDAQ: WBD) ("WBD"), creating a combined company, named "Skydance." The company brings together two major film studios, two global streaming services, a premier television portfolio including CBS, HBO, and Paramount's and WBD's cable networks, two of the industry's most recognized news networks, CBS News and CNN, and a portfoli
Elon Musk, Sam Altman and the 'deeply frightening' film 'Artificial'
NEW YORK ‒ Elon Musk is getting the Hollywood treatment.
DITP Promotes Thailand's Entertainment Industry on the Global Stage with "Thai Night Busan 2026& ...
BUSAN, SOUTH KOREA - Media OutReach Newswire - 6 October 2026 - The Department of International Trade Promotion (DITP), Ministry of Commerce, has announced its readiness to bring Thai companies in the film and content industry to the Asian Contents & Film Market (ACFM) 2026, a major marketplace
Aziz Ansari's Hypothetical Tour finally comes to L.A.
The multihyphenate has been touring for nearly 20 months, with breaks for his film projects, and his tour is finally making a stop in L.A. at the Dolby Theatre.
Tony Gilroy on leaving the politics of 'Andor' behind for his 9-composer music drama 'Behemoth!'
Tony Gilroy’s “Behemoth!” premiered over the weekend as the centerpiece of the New York Film Festival. Gilroy’s first film since the Star Wars series “Andor” concluded its acclaimed two-season run,
Why I Don’t Think Ride Or Die Should Have Been Cancelled (And What Company Should Save It...)
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) So…I recently came across a Reddit thread, talking about films on streaming, wondering why there are no reliable sources out there for streaming ratings data. Sigh. Honestly, as annoyed as I am that so many still don’t realize that we have streaming ratings, I somewhat get it. Until now, there was such a long delay between when a show or film came to streaming and when we got its viewership data; I understand why people were confused. (But, as you know, this just changed.) Also, even back in the day, how many people knew how well films did on television? Luckily, as a reader, you’re in the know. Okay, on to this week’s issue. I want to take a look at Prime Video cancelling Ride or Die and whether I agree with that decision. Overall, we didn’t have any breakout hits (no TV shows landed over 20 million hours according to Nielsen) but we have a lot of steady performers on the streaming charts. Plus, we’ll look at where $50 million in missing box office dollars went. (Spoiler: straight-to-streaming.) All that, plus new episodes of The Secret Lives of Mormon Wives, Supergirl heads to streaming, a new YA show does well on Netflix, the viewership for the Daily Wire’s $50 million fantasy show, what TV show hit-maker can’t make streaming hits, CD sales, all the flops, bombs and misses, and a whole lot more. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of September 7th to September 13th, 2026. You can find a link to my terminology here.) Subscribe Television - Ride or Die Is a Hit…But It Got Cancelled? What The Data “Says” I hate the phrase “here’s what the data says”, even though sometimes I find myself using it. If data just told us everything, we data folks would be out of a job! Data is often messy, complicated and nuanced. When it comes to strategy, many of the best decisions can’t actually use “data”, since it’s vastly too complicated to model. Anyways, I’ve been singing the praises of Prime Video’s Ride Or Die this summer, a show that did very well for them. And yet…it got cancelled. Now, usually when a show gets cancelled, a bunch of websites say “a hit show got cancelled”... Here’s the thing, though: in this case, they’re right! The data “says” that this show was a hit. Specifically, out of 522 first seasons to make a week on the Nielsen charts since 2020, it’s the 75th biggest. On Amazon, Ride or Die is eighth out of 41 first seasons: That’s top 15th percentile all time, almost exactly, which is my definition of a “hit”! I mean, outside of Reacher, Amazon needed a hit this summer! (Admittedly, Off Campus did well for Amazon in the spring, but Ride or Die performed even better.) So what happened? Why did Amazon cancel one of their rare 2026 bright spots? Well, Deadline reported a reason—which I’ll get to—but I’d break it down into three relevant questions: What is a given streamer’s reasoning? Is that reasoning sound? Could the stated reason not be the real reason? According to Deadline, Amazon felt the show “over-indexed” in middle-aged women. (This was based on leaks from within Amazon.) The logic is this: Amazon already reaches this demographic because of unlimited two-day shipping bundled with Prime, so they don’t really need more shows like this. Now, it’s my job to ask if that’s a good reason, and I’ll be honest, in this case, I don’t think it is. Sure, this show may “over-index” in middle-aged women—I’ll just assume that’s the case here—but I think folks often oversell how important over-indexing actually is. When a show is a “hit”, it isn’t a bit bigger than its rivals; it’s usually multiples bigger. For example, Elle only made the charts for two weeks at 8.3 million hours each. So Ride or Die was 80% bigger in its first two weeks, and likely had a much stronger hold, with its terrific 13 million hours in week three. Ride or Die was nearly three times bigger than Sterling Point through three weeks too. And that means that _Elle, Sterling Point a_nd other Amazon YA shows need to not just over-index a little with younger women (assuming that’s who Amazon prefers over middle-aged women), but massively over-index. Otherwise, more people in that demo (and a bunch more besides) likely watched Ride or Die. (I’ll try to explore this concept more in a future article.) And don’t get me started on how Ride or Die did compared to a certain (very, very popular, possibly the world’s most popular) YouTuber’s reality show…which didn’t make the charts after its first week and likely cost much, much more than Ride or Die. All to say, Amazon-MGM Studios/Prime Video can tell reporters that this show didn’t reach the right audience, but that excuse feels weak to me. So this leads to the third question: could other reasons have come into play? Yes! Renewal or cancellation decisions rarely (I’m tempted to say “never”) boil down to one variable. At its simplest, it’s two things: budget versus viewership. But often factors like critical acclaim, ownership and, yes, personal opinion come into play. In this case, Amazon has a new executive running things, and this show isn’t owned by Amazon-MGM Studios (unlike Elle). And yes, it may not have indexed with the right target viewers, too. Likely all of those factors came into play.1 My guess is ownership ended up mattering most. Amazon doesn’t own Ride or Die. It’s actually produced by another major studio. Fortunately/allegedly, this show is being shopped around. I can think of one brand new CEO who should consider it for one of his two major streamers…especially if he wants to rebuild goodwill in Hollywood. His name is on this list of exec producers of Ride or Die… If David Ellison needs some goodwill—and he does—rescue this female-led show tomorrow and grab some good headlines for a day. The data justifies it. Quick Notes on TV We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How The Secret Lives of Mormon Wives latest season did on Hulu, post-controversy... Whether Supergirl soared on HBO Max... Why the box office is losing money due to the streamers... The viewership for the Daily Wire’s $50 million fantasy show... Updates on The Gentlemen, Lanterns, Outer Banks, King of the Hill and more... What former hit-maker has three streaming flops in a row... Whether The Mandalorian and Grogu popped in week two... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue. Coming Soon! Oh man, we’re almost caught up! We just have two more issues, then the streaming Ratings Report will be coming out just two weeks after a TV show premieres! Next issue, I’ll be looking at the first two weeks of the NFL Thursday night games on streaming, a huge new spinoff, Reacher’s Neagly on Prime Video, and the latest edition of Monster: The Lizzie Borden Story on Netflix, the return of Slow Horses on Apple and MobLand (quietly one of their biggest shows) on Paramount+, and Dancing with the Stars on both ABC and Disney+. Plus I’ll take a look at animation for adults in 2026. The week after, a ton of movies are coming to streaming: Toy Story 5 on Disney+, Backrooms on HBO Max, Jackass: Best and Last on Paramount+ and The Breadwinner on Netflix, plus a Unabomber film on Netflix and a romcom on Prime Video. Woody Harrelson and Matthew McConaughey have a show on Apple, along with a game show inspired by Willy Wonka that everyone seems to hate. Long term, some crazy (but hopefully crazy like a fox) IP news. FX ordered a new Sons of Anarchy show from Charlie Hunnam, but it’s not about the biker gang. No, it features the show’s cast playing themselves in a new “meta-thriller”. Huh. And a lot of the cast is coming back. Next, Ryan Gosling is producing a Flintstones movie about a “grown-up Bamm-Bamm Rubble”. Also, huh. This one is in “early development” so we’ll see what happens. Both projects are based on IP, but also seem to have crazy takes on the IP, which I like.
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Behind the Seams | Wildwood
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‘Interstellar,’ ‘Nope’ headline Great Lakes Science Center’s DOME Movies After Dark fall lineup
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How To Catch Up On The Hellraiser Movies Before 'Revival'
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Sylvester Stallone details ‘physical’ altercation with Richard Gere on ‘The Lords of Flatbush’ set
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A familiar figure, a new voice: Meryl Streep’s Aslan stirs gender debate over Gerwig’s ‘Narnia’
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A familiar figure, a new voice: Meryl Streep's Aslan stirs gender debate over Gerwig's ‘Narnia’
Director Greta Gerwig's film adaptation from "The Chronicles of Narnia" is sparking controversy over casting of Meryl Streep to voice Aslan the divine lion in "Narnia: The Magician’s Nephew." Some...
A familiar figure, a new voice: Meryl Streep's Aslan stirs gender debate over Gerwig's ‘Narnia’
Director Greta Gerwig's film adaptation from "The Chronicles of Narnia" is sparking controversy over casting of Meryl Streep to voice Aslan the divine lion in "Narnia: The Magician’s Nephew." | WBBM Newsradio 780 AM & 105.9 FM
Paul Reubens memorabilia, including Pee-wee Herman props, up for auction
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‘A Statement’ Review: Tom McCarthy’s Talky Climate Crisis Seriocomedy Is Light Entertainment That Hardly Rakes the Muck
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Government Business Review names Whiteside County’s Camarano Economic Development Director of the Year
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Tony Gilroy Says Paramount-Warner Bros. Merger Will ‘Destroy’ a ‘Healthy and Beautiful Business’ in ‘The Name of Venture Capital’: ‘It’s Tragic’
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ENTERTAINMENT: Pianist-composer joins ASO musicians for chamber concert; Monster Jam celebrates 35 years in February
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ENTERTAINMENT: Pianist-composer joins ASO musicians for chamber concert; Monster Jam celebrates 35 years in February
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A real Marine's search for forgiveness became the movie 'Atonement'
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Culture refocuses attention on the Palestinian cause: ‘It has always been central to political struggle’
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Parliamentary government and political competition are the oldest traditions in Russian politics. Where did they come from, and why did they disappear? Writer Mikhail Zygar explains in a new film.
It’s hard to believe today, but Rus’ had a parliament before Britain did and a woman with the political stature of a prime minister five centuries before Margaret Thatcher. The Novgorod Republic was a state in which the prince was a hired manager, major decisions were made by the veche or popular assembly, and political culture resembled that of Western Europe in many ways. In his new film, Mikhail Zygar explains how this system emerged, why it lost out to Moscow, and why Vladimir Putin is so fond of Alexander Nevsky.
'Chronovisor' review: A researcher makes a wild discovery
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TLFF 2026 winners announced
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Amy Goodman Film 'Steal This Story, Please!' Nabbed by Music Box
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Apple Is Reportedly Building A Smart Home Camera That Won't Record Video Footage Of You Or Anyone Else
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New restaurant and museum celebrates shows & movies filmed in NC. What’s inside?
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The funniest man you know is directing the twistiest, darkest movie of the year
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In brief: 'Reacher' spinoff gets a second season and more
We’ve got an official trailer for NBC’s Newlyweds, the new sitcom starring real-life married couple Tim Daly and Téa Leoni. The show, co-created by Jamie Lee Curtis, follows a later-in-life love story between a free-spirited woman and a professor who marry after a quick courtship. It premieres on Oct. 23 …The Reacher spinoff Neagley is getting a second season, just two weeks after the first season debuted on Prime Video. Maria Sten stars as the fan-favorite character Frances Neagley, a private investigator from Chicago and the former protégé of Jack Reacher, in the action series. The original Reacher series, starring Alan Ritchson, was picked up for a sixth season earlier this week … TNCMS.AdManager.render({region: 'fixed-big-ad-top-asset', slot: 1, fold: "above"}); Bradley Cooper is gearing up to star in Paramount’s new G.I. Joe film. He’ll be playing Duke, the leader of the Joes. Danny McBride is on board to direct. Further details on the project have not yet been revealed …Copyright © 2026, ABC Audio. All rights reserved. Thank you for reading kmaland.comAt KMA, we attempt to be accurate in our reporting. If you see a typo or mistake in a story, please contact us by emailing kmaradio@kmaland.com.
Chase Infiniti to star in new horror film 'Portrait of God'
Chase Infiniti headshot (Courtesy of Backstage)