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Rangers win home finale to go into final weekend still with AL West title chance
The mood had changed completely for the Texas Rangers by time they got back to the ballpark for their home finale while still trying to get in the playoffs.
Rangers win home finale to go into final weekend still with AL West title chance
The mood had changed completely for the Texas Rangers by time they got back to the ballpark for their home finale while still trying to get in the playoffs.
Friday morning Rangers things
Texas Rangers update for Friday, Sept. 25.
Spence hits first 3 homers of career, helps Astros survive Athletics 7-5
Houston (79-80) remains tied with the Texas Rangers for the AL West lead with three games left in the regular season for both teams.
Spence hits first 3 homers of career, helps Astros survive Athletics 7-5
Houston (79-80) remains tied with the Texas Rangers for the AL West lead with three games left in the regular season for both teams.
Aberdeen lose 500 semi-final tickets after pitch invasion
Aberdeen have their ticket allocation cut for the Premier Sports Cup semi-final against Rangers following a pitch invasion and pyrotechnics display from fans in the previous round.
Veteran carries golf clubs across Iowa to start conversations about mental health
For the retired U.S. Army Ranger, the clubs are a way to connect with fellow veterans along the route.
Rangers finish home slate with 3-1 win over Mets
Texas (79-80) stopped a three-game losing streak and moved a half-game ahead of Houston, which played Thursday night at the Athletics.
Erling Haaland's ridiculous Norway record continues to grow 📈
Erling Haaland is simply a goal-scoring machine when he puts on the Norway kit. The Manchester City striker is no stranger to finding the back of the net at the club level, but when he suits up for hi...
Blue Light Doesn’t Actually Fry Your Eyes. The Real Problem Is Much Stranger.
A dark-room experiment reveals why blue blurs the world, and why darker eyes handle it better.
For young adults, memorable health advice is increasingly coming from strangers online
Emily Pfender, an assistant professor in the department of communications at the University of Delaware, is a researcher on a new study in Health Communication. She explains the focus of the research:
Game 158 Game Day Thread – New York Mets @ Texas Rangers
The Shed’s penultimate game for 2026
AL West Race Comes Down to the Wire!
The American League West is turning into one of baseball’s most dramatic division races, and it could come down to the final game of the regular season. The Houston Astros and Texas Rangers are tied at 78-79 with just five games remaining. Houston currently holds the tiebreaker after winning the season series against Texas, giving…
Rangers Look to Bounce Back in Game Two Against Mets
The Texas Rangers are back in action at Globe Life Field on Wednesday as they take on the New York Mets for the second night.
Wednesday Morning Links
Morning, all! Marcus Semien is in town with the Mets for the first time since being traded last offseason and reminisced about his time with the Rangers. The Rangers have placed Joc Pederson on the IL, retroactive to Saturday, but are hopeful he will be available if they make the playoffs. Pederson also missed time […]
Mets at Rangers, 9/22/26: Manaea vs Gore
Sean Manaea will start as the Mets face old friend Brandon Nimmo and the Rangers
Texas Rangers lineup for September 22, 2026
The final week of the regular season for the Rangers begins tonight
Clinton Nsiala Completes Permanent Rangers Exit With Sharjah Move
Clinton Nsiala has left Rangers for Sharjah on a two-year contract after failing to break into Derek McInnes’ plans at Ibrox this season.
Jung’s Adjustments Paying Off After Return to Rangers Lineup
Josh Jung’s refined pregame preparation fuels a dominant return from the Injured List, restoring a vital power source to the middle of the Texas Rangers lineup.
Minecraft Beat Itself After Nearly Two Billion Simulated Years
Minecraft is no stranger to simulations, but it turns out that under the right conditions, the game can beat itself if given billions of years.
Why Ryan Naderi has been 'unfairly criticised' at Rangers
Ryan Naderi celebrating for Rangers at Celtic Park
Should Rangers Fans be Optimistic?
The Texas Rangers have not been able to reach the playoffs since winning the World Series in 2023. That could change this season.
Tuesday Morning Texas Rangers Update
The latest on the once and future World Series champion Texas Rangers
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
Why are United thriving away from Tannadice?
You could make a case we should have beaten Rangers and Falkirk at Tannadice, but we didn't. The trips to Kilmarnock and St Mirren, though, produced two magnificent performances. Tannadice on match days can be an unforgiving place.
On the final six games of the season
There are six regular season games left for the Texas Rangers, who hold their fate in their hands
Xulon Press announces a new work where theology and science meet, The Dimensional Universe: Quantum Ontology, Dynamics and Patterns of Duality from author Jack K. Mayfield.
Phoenix, AZ, Sept. 21, 2026 (GLOBE NEWSWIRE) -- Xulon Press announces the release of The Dimensional Universe: Quantum Ontology, Dynamics and Pa...
Rangers in Control Of Destiny as Season Enters Final Week
With a successful final week of the season, the Texas Rangers will return to the postseason for the first time since 2023.
Smyth grabs headlines but Saito stars
Final Score's Sam Ashoo praises Queens Park Rangers substitute Koki Saito for his impact in their dramatic 2-2 draw with Preston North End.
Keane presence at Celtic Park defeat played down
Despite many putting two-and-two together following Roy Keane's appearance at Sunday's defeat by Rangers, the former Celtic midfielder and friend of under pressure current boss Martin O'Neill made it abundantly clear on the most recent Stick to Football podcast he would never attend a game with the ulterior motive of replacing a manager. Reacting to Celtic's defeat by Rangers, Roy Keane remarked to Celtic AM that it was the "ups and downs of football".
Jays Win On A Bullpen Day
Jays 7 Rangers 2 Bullpen days seem dependent on how the ‘bulk guy’ does. Someone has to do more than a inning, they aren’t going to run 9 guys out there, doing an inning each. Long men tend to (how to put it politely?) not be the best arms. If they were good, they would […]
More Bad News as Celtic Player Pictured in Protective Boot
There is more bad news for Celtic, following another defeat against the Rangers, as one player was pictured in a protective boot on Sunday.
Game 156 Game Day Thread – Toronto Blue Jays @ Texas Rangers
Keep your fingers crossed for a good groin day for deGrom
Rangers flip narrative as McInnes makes mark
Consecutive Old Firm derby wins show Derek McInnes is starting to make his mark at Rangers after a mortifying start.
Celtic 'passive' & 'in trouble'
Celtic sustained a third defeat in a row after Rangers left Glasgow's east end with a 1-0 win in Sunday's Scottish Premiership match. For Martin O'Neill's side, it followed last Sunday's 3-0 League Cup loss away to Rangers and a midweek Europa League defeat at home to Ferencvaros. Former Celtic captain Scott Brown was on punditry duty for BBC Scotland and shared his thoughts on the game.
Martin O'Neill's post-match reaction on CelticPlayer
It was a disappointing afternoon in the East End of Glasgow for Celtic as Rangers ran out1-0 winners in the Glasgow derby.Ryan Naderi’s first-half goal was enough to separate the sides and give Dere...
Celtic suffer derby defeat at home
Scottish PremiershipSunday, September 20, 2026Celtic Park, GlasgowCELTIC…ORANGERS…1(Naderi 33)Celtic suffered a 1-0 defeat at home to Rangers for their first Premiership loss of the season and bri...
How Toronto Blue Jays' Playoff Chances Stack Up Entering Sunday
After consecutive losses against the Texas Rangers, the Blue Jays have their backs against the wall.
Chris Sutton warns Emmanuel Fernandez after Rangers drama vs Celtic
Emmanuel Fernandez in action for Rangers
Team’s Up – McInnes names unchanged XI to face Celtic
Derek McInnes has named his Rangers side for this afternoon’s Glasgow Derby against Celtic. McInnes has named an unchanged side from last weekend as he visits Celtic Park for the first time since hi...
Celtic to make Martin O'Neill decision after Rangers clash
Martin O'Neill on the sidelines
A win for Celtic ‘changes the game’ says Broony
Former Celtic skipper Scott Brown believes that a win for his old side against bitter rivals The Rangers this afternoon ‘changes the game’ for Martin O’Neill’s side after a tough week…13th S...
Jays Lose Yet Another ‘Must Win Game’
Jays 2 Rangers 6 So another ‘must win’ loss. The ‘good’ news is that there won’t be more must win games this year. José Soriano didn’t have a good day, though his defense didn’t help him out. He gave up a: Soriano went 5 innings, allowing 4 hits, 6 runs, 5 earned, 1 walk with […]
Everything That Must Happen for Rangers to Make the Playoffs
As the Chicago White Sox stumble, the surging Texas Rangers must maintain their winning streak during this high-stakes eight-game final stretch.
This Toronto Blue Jays Offense is Reaching Historic Lows
The Blue Jays lost to the Texas Rangers on Friday night in a critical show down with playoff implications.
Watch the Celtic v Rangers LIVE on CelticPlayer
Celtic are back in league action tomorrow (September 20) as they take on Rangers at Paradise, looking to secure an important three points in the Scottish Premiership.Join us for the match tomorrow wh...
Unease over O'Neill but not facing sack?
Comfortable defeats by Rangers and Ferencvaros have left a growing sense of unease behind the scenes at Celtic over the future of manager Martin O'Neill. Martin O'Neill says "Celtic will be looking, soon enough, for someone to replace me" but insists he retains the hunger to succeed this season.
First inning fiasco dooms Diamondbacks against Yankees
Record: 80-74. Pace: 84-78. Change on 2025: +3. Is it too late to bring Angry Orchard on as an official SnakePit sponsor? In sharp contrast to last Friday night cider-cap, where we blasted the Rangers 9-1, tonight was an exercise in Charles Bukowski-esque cirrhosis. By the time the first inning was over, the sky had […]
Jays Lose To Rangers
Blue Jays 1 Rangers 7 There is an ancient Chinese proverb about how it is hard to win a game if you only score one run. The unfortunate thing is that they beat the horse (by horse, I mean pitching staff) hard in August to get us back in the race. There is only so […]
Rangers Get to Cease, Take Down Blue Jays 7-1
The Texas Rangers used a four-run second inning against Dylan Cease to take down the Toronto Blue Jays 7-1 at Globe Life Field.
Astros Get Blasted by Braves 6-2
And the plot thickens. Braves 6 Astros 2. With the loss and the combination of the Rangers win, things are once again knotted up atop the A.L. West. Peter Lambert was cruising along until the 4th. The Braves strung together three straight hits, the biggest coming off the bat of Michael Harris who took […]
Derek McInnes Drops Major Update Right Before Celtic Face Rangers
Derek McInnes has dropped a major update right before the Rangers face Celtic at Parkhead this weekend.
Pederson Takes Key Step but Rangers Still Await His Return
Joc Pederson is finally gripping a bat after a painful left hand fracture, offering a glimmer of hope for a Texas Rangers lineup chasing a crucial postseason berth.
The landscape of the playoff race for the Rangers
Looking at the final regular season nine games for the Rangers, and the teams they are battling for a playoff spot
Late Collapse Against Red Sox Ends Rangers' Winning Streak
The Texas Rangers squandered a chance at recapturing a winning record by losing 4-3 to the Boston Red Sox on Thursday.
Rangers Prospect Takes Major Step Forward in 2026
Hector Osorio emerged as one of the Texas Rangers’ most intriguing young hitters in 2026.
Celtic fans fear derby 'nightmare' after 'appalling' Euro defeat
Must focus on the weekend, Celtic can't lose three games in a week, twice to the Rangers! Alistair Johnston, Jota and Yang back will be soon, Celtic need to hang in there. A win against Rangers on Sunday and all is forgotten.
Game 153 Game Day Thread – Boston Red Sox @ Texas Rangers
The Rangers need brooms to get back over .500
Rangers reach .500 again and tie for AL West lead with 7-3 victory over Red Sox
Brandon Nimmo hit a tiebreaking double in the seventh inning before Ezequiel Duran added a two-run single, and the surging Texas Rangers beat the Boston Red Sox 7-3 to pull even with Houston atop the AL West.
Rangers’ Top Prospects Headline Strong Arizona Fall League
The Texas Rangers will send three of their top 30 prospects to the Arizona Fall League.
Liverpool to Host Chelsea in League Cup 4th Round
Liverpool FC have drawn their opponents for the fourth round of the Carabao Cup, and it’s fellow Premier League side Chelsea. The two teams are, of course, no strangers to playing each other. The two teams have locked horns in the final of the League Cup twice this decade, in 2022 and 2024. 2022 saw […]
All Roads Did Not Lead to Rome. Scientists Mapped 186,000 Miles of Roman Roads and Found a Problem With the Phrase
The empire’s 300,000-kilometer road network was stranger and less Rome-centered than legend suggests.
Chelsea and Arsenal are watching Brazilian teenager
Arsenal are no strangers to unearthing talent in the Brazilian league, and the Gunners have identified another young player who could shine in European football in the coming years.They have scouts mo...
Politics in plain sight: Social media and surveillance culture
Share your location on Snap Map and the Instagram map. Take a picture of a stranger doing something stupid, then send it to everyone you know. Post your friends, your family, your everyday habits, and special occasions. If it doesn’t end up online, did it really happen? In our ever-more-digital world, constant documentation is almost...
Responsibilities in close social relationships explain differences across cultures
Do you think that a person who reorganizes their life so that their aging parents can live with them would be likely to push another out of the way on the subway? What about greeting strangers with a smile?The answers to these questions are at the heart of a puzzle social psychologists have been debating for 30 years: how to best understand differences between cultures.
Tuesday Morning Texas Rangers Update
The latest on the once and future World Series champion Texas Rangers
Aris still chasing Souttar amid contract dispute
Aris Thessaloniki reportedly still hope to sign John Souttar despite a contract dispute with Rangers as Colby Donovan and Oli McBurnie are tipped for Scotland call-ups.
Will Netflix’s Latest Horror Film Save Its Summer? And Introducing a New Data Source...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) All month, I’ve been polling you, my readers, on how we think the summer’s biggest blockbusters will do when they eventually land on streaming, and I wanted to share the results. First up, how readers think The Odyssey will perform when it comes to Peacock... People are pretty bullish that The Odyssey will smash it for Peacock. I don’t know that it will have as much rewatchability as Wicked did for kids, but we’ll see. It is now Universal’s highest-grossing film of all time. One note: almost half of Christopher Nolan’s films weren’t available for streaming the week The Odyssey came to theaters, including some of his biggest films like Inception, Dunkirk, Tenet, Oppenheimer and Insomnia. If you did want to watch the others, Prime Video had Memento and The Dark Knight trilogy, HBO Max only had The Dark Knight trilogy (even though Warner Bros. produced most of Nolan’s films), Hulu had The Prestige and Interstellar, and Paramount+ had Interstellar. So you needed at least two streaming subscriptions to catch the rest. Warner Bros. whiffed right here. I know they have long term licensing deals, but they should have tried to get as many Nolan films on HBO Max for launch as possible. Here are the results for Spider-Man: Brand New Day: The audience is a bit more mixed on this one, with everyone agreeing Spider-Man will swing to a big opening, but not necessarily elite or best all time. On to this week’s issue. Netflix continues searching for a hit straight-to-streaming summer film and Lioness and Ted Lasso allow me to look at the difference between a “hit” and a ‘hit for them”. All that, plus new YA/teen melodramas on Prime Video and Netflix, the House of the Dragon finale, USA Network claims a big opening, more big NFL ratings, all the flops, bombs and misses, and a whole lot more. But we start with a fun new data announcement. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of August 3rd to August 9th, 2026. You can find a link to my terminology here.) Subscribe A New Data Source: Reelgood’s Data on Content Libraries Here’s a fun new treat for you. Reelgood—an online service and app that lets users track where shows or films are streaming—is providing data every month for the Streaming Ratings Report on the size of each streamer’s catalogue, along with the new shows and films for each streamer. Yay! Previously, I had pulled “new shows on streamers premiering on the first of the month”: While I liked that data cut, it was a big wonky since it didn’t show all of the new shows or movies that came to a streamer each month. Instead, I would have preferred something like this from Reelgood’s annual report: And now we have it! I’m going to feature Reelgood’s data monthly, showing both total catalogue size and new shows and films appearing on the charts. That’s going to make these two cool new charts. First, here’s the size of various streamers’ film catalogues… (By the way, Reelgood offered to make the charts for me, but I like doing that task by hand to understand the data better.) They also provided data back to last year. Here’s the number of films timeline: And here are the new films on each streamer for the month prior to Aug: As I get used to this data, I plan to keep tinkering with how I display it, but I’m excited to feature it monthly. Today, I’m sharing the film charts; next issue, I’m going to feature TV shows by streamer. Now, in full disclosure, Reelgood is a sponsor of this little-newsletter-that-could. But in my constant quest to figure out what streamer various shows and films are on, I was already a Reelgood user before this sponsorship. I go to their website all the time, and their data is very accurate on where shows are (or have been). Plus, I’ve been sharing their weekly top ten lists for years now, pre-sponsorship. For me, this is a great win-win, since I get to amplify a service I love, and I get a cool new data source to play with. Now, normally folks don’t usually mention their sponsors directly, but as I wrote before, as I start featuring ads in my newsletter, I plan to be extremely open about who is sponsoring my writing so you can trust what I write. Television - Two Big Returning Shows Look Set to Take Over The Charts One key question when it comes to judging streaming shows is whether a show is a “hit” or a “hit for them”. To be clear, the former means a show that’s one of the top shows on streaming, no questions asked. The latter means a show is one of the biggest, for a given streamer. That distinction makes a big difference! It’s really good to be one of the biggest shows on a streamer; it’s much better to be the biggest on streaming, despite the size of a streamer. Because, as we’ve seen now, nearly every streamer—while lacking the number of subscribers or usage of Netflix—can make hit TV shows: Paramount released Landman, whose first and second seasons were among the top two TV shows the year they came out. HBO Max’s The Pitt’s second season is the biggest show of the year so far. Love Island USA was the top show in 2025 for Peacock. And, crucially for today’s discussion: Wayyyyyyyyyyyyyyyyyyyyyyyyyy back in 2023, Ted Lasso was actually the top streaming show of the year according to Nielsen! So even Apple TV (formerly +) can make hit shows. It just doesn’t make them that often. And looking at the Nielsen charts this week, we have two prime candidates for this discussion: That’s right: Ted Lasso returned to Apple TV for its fourth season. Did it return in all its expected glory? Sure, though right now it’s still just a “hit for Apple TV”, but we’ll see how long it lasts on the charts. Its ten episodes are coming out weekly. (Smart choice, Apple!) Ted Lasso started out strong, actually making the Nielsen charts the week before new episodes dropped, which is a rare feat. (Shows like Stranger Things or Bridgerton have pulled that off. That’s terrific company to join!) On Nielsen, it opened to 14.4 million hours in its first week, and 16.6 million the week of 10-Aug. Here’s how that compares to previous seasons: Apple put out that this is their biggest TV launch through two days ever, and looking at the chart and Apple TV’s viewership history, I’d believe it. Here’s Apple’s top shows for season two and beyond: Other data tells a (mostly) similar story. Ted Lasso made Samba TV and it has elite IMDb scores, an insane 8.7 on 465K reviews. The only outlier is Luminate, where the latest season only had 7.4 million hours, and no other seasons made the top ten. As you’ll see below, that’s well below some other solid, but not spectacular shows like Sterling Point, Ride or Die or Furious. I’d be surprised if Ted Lasso isn’t bigger than those other shows, but it’s fine for different data sources to occasionally disagree. And while it’s sucky to bring this up, given that Warner Bros. produced this show, I do wonder how the streaming wars may have been different if Ted Lasso landed on HBO Max initially instead of Apple. I don’t think one show can make or break a streamer, but given HBO’s brand, it could have helped bring people to that streamer much earlier in its lifespan. (Though yeah, I don’t love calling out executives for passing on hit shows, since that’s just the nature of the job. Even the absolute best execs will pass on lots of successful shows. The key is not greenlighting the under-performers/misses.) The other show I’m thinking about in the “hit or hit for them” category is Lioness from Paramount+. Like Ted Lasso, its first season missed the charts, but it’s grown its audience since then. Here’s how season three opened: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How Lioness did on streaming... Two new melodramas for Netflix and Prime Video... Whether Netflix’s latest horror film saved its summer... Hulu’s Furious and Prime Video’s Ride or Die continuing their strong runs... The latest high profile showrunner to flop on streaming... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. Next week, we’ve got a double issue—since the week of 17-Aug had very few notable new shows or films—so I’ll look at HBO’s Lanterns, Prime Video’s Reacher, Netflix’s Tires, Outer Banks (which posted up huge numbers four years ago), an Aussie romance, and another baseball event (that didn’t resonate). And a bunch of movies like the latest dramedy from an Adam Sandler daughter, Don’t Say Good Luck, Camp Rock 3 on Disney Channel and Disney+, Michael on Starz, and more. Later this month, we’ve got a ton of shows and films to analyze! Movies will be the big story, featuring a box office bomb (Supergirl on HBO Max) and an “underperformer” (The Mandalorian and Grogu on Disney+) contending with a bunch of star-studded straight-to-streaming films like Netflix’s The Whisper Man (Adam Scott, Michelle Monaghan and De Niro!), Mayday on Apple TV+ (Ryan Reynolds and Kenneth Branagh!), The Runner (Gal Gadot) and The Last Sunrise (Eva Longoria and Maia Reficco) on Prime Video. Plus, a ton of TV shows have sophomore seasons coming out. Will The Gentleman put up big numbers on Netflix or suffer from a sophomore slump? Leanne and Beauty in Black on Netflix seem small, but they both might be bigger than you think. Hulu has a bunch of shows: a new season of The Secret Lives of Mormon Wives (the first after all the controversy last year) and the second season of Chad Powers (from Peyton Manning’s production company and starring Glen Powell). This one flopped last year; can it score a touchdown this year? Same goes for FX’s Adults, which I didn’t track last year; will it hit this year? Peacock’s The Office spinoff, The Paper and Apple TV’s Dark Matter also return for second seasons. And Netflix has more Untold specials featuring Vince Young, Raygun (that horrible breakdancer) and Mr. T. Long term, Paramount+ is rebooting yet another franchise, Clueless, and I’m somewhat bullish on this new show. The talent attached (Alicia Silverstone) and creative Josh Schwartz and Stephanie Savage (of The O.C. and Gossip Girl) also feel solid...if they make it funny like the original.
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