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The Internet Can't Decide if Netflix's #1 Movie Is Hilarious or a Total Miss
The internet can’t seem to agree on Netflix’s newest chart-topping comedy. Find out what viewers are saying about the film everyone is watching here.
Dolphin Entertainment Subsidiaries Powered High-Profile Campaigns at San Diego Comic-Con 2026
The Agency Collective Executed Publicity, Experiential Marketing and Digital Campaigns for Major Film Releases, Television Franchises and Leading Fan-First Consumer Brands MIAMI, FL / ACCESS Newswire / July 28, 2026 / Dolphin Entertainment, Inc. (NASDAQ:DLPN) ...
‘Spider-Man: Brand New Day’ marks the start of something new: ‘It’s a beginning’
‘Spider-Man: Brand New Day’ team describes the new Marvel film as ‘a beginning.’ ‘It’s a brand new...thing,” Tom Holland says.
Black Girl Vitamins Debuts 'The Visit,' A Short Film Exploring How Black Women Go Unheard In Healthcare
During Black Maternal Mental Health Week, Black Girl Vitamins, a Chicago-based wellness brand, released a film that examines how systemic failures in healthcare drive inequities in maternal health and beyond.
Woman Who Inspired Nolan’s ‘Odyssey’ Says She Would Have Been ‘Ashamed’ To Have Written ‘Any Part’ Of It
Classics professor Emily Wilson’s translation inspired Christopher Nolan’s film version of “The Odyssey,” but she is not impressed with it.
UConn Coach Geno Auriemma Joins 'Sportico Sports Business'
Geno Auriemma discusses the dramatic change in sports over the last 40 years, UConn's basketball success, the process of documentary filming and more.
Curiosity Entertainment Enlists Execs Laurie Seidman And John Maatta & Sets Storyteller Media’s Debut Page-To-Screen Slate
EXCLUSIVE: Curiosity Entertainment has named former CBS exec Laurie Seidman as its TV and film chief, as the production house and its publishing subsidiary, Storyteller Media, unveiled a debut page-to...
Curiosity Entertainment Enlists Exec Laurie Seidman And John Maatta
Curiosity Entertainment has named Laurie Seidman as TV and film chief and added John Maatta as chairman, as it unveiled a debut page-to-screen slate.
'Michael' movie to get exclusive streaming, TV debut
"Michael," the film that takes the audience on the rise of the "King of Pop," is making an exclusive streaming debut.
Louisiana native Spencer Williams Jr. paved the way for Black filmmakers. Why was he forgotten?
Who is Spencer Williams Jr.? He's probably best known for his final acting role as Andrew "Hogg" Brown, or simply Andy, in CBS's 1950s era television version of "The Amos 'n' Andy Show."
I quit National Geographic for TikTok. I don't regret it.
Erin McGoff says leaving documentary filmmaking for social media allowed her to reach millions of job seekers directly.
Hollywood's biggest directors are pushing back against AI. Here's why.
Christopher Nolan called AI "a Trojan horse that everybody knows the Greeks are inside." Guillermo del Toro said it could prevent future filmmakers from mastering their craft.
A planetarium for the brain
Neuroscientists should take a cue from astrophysicists and use planetariums to inspire awe, argues Tyler Sloan. His new film takes a first step.
50 Cent and Planet Hollywood Launch $100 Million Entertainment Venture in New York City
Curtis “50 Cent” Jackson is expanding his business empire with a new $100 million partnership that aims to transform Planet Hollywood’s flagship Times Square location into a celebrity-driven entertainment destination. Jackson and Planet Hollywood founder Robert Earl announced the launch of PH Live, a new venue that will combine live music, film premieres, sporting events, […]
Bob on Business: More changes at Sundance Square
Also: Transition time at pawn leader; Tesla lease; tea for 10; Southlake sale; and girls and guys on film.
David Jonsson is new Black Panther, Ryan Gosling joins Marvel as Ghost Rider
Both films are set to release in 2028
David Jonsson is new Black Panther, Ryan Gosling joins Marvel as Ghost Rider
Both films are set to release in 2028
David Jonsson is new Black Panther, Ryan Gosling joins Marvel as Ghost Rider
Both films are set to release in 2028
Universal Responds to 'The Odyssey' Leaks on Social Media
Following the Christopher Nolan-directed film's release on July 17, pirated films have been circulating across X.
Film review: ‘Hadestown’ goes to hell and back on the big screen
“Hadestown: The Musical" is a live stage capture filmed at London’s Lyric Theatre, now playing in movie theaters.
Chris Evans explains how filming ‘Doomsday’ was like making the first ‘Avengers’ in 2011 (exclusive)
‘Avengers: Doomsday’ star Chris Evans sits down with EW for an exclusive Comic-Con interview, where he explains why making the movie gave him the same feels as filming ‘The Avengers’ in 2011.
The star of ‘Reacher’ is actually a comedian masquerading as a Greek god
Alan Ritchson’s latest film, “Motor City,” is an action-packed tale set in 1970s Detroit. But he says Jim Carrey has influenced his acting more than Clint Eastwood.
Ryan Gosling joins Marvel universe as Ghost Rider
Ryan Gosling is joining the Marvel cinematic universe as Ghost Rider, re-teaming with his “Star Wars: Starfighter” director Shawn Levy on a film set for release in 2028. Gosling greeted
'Remake' will wreck you: A filmmaker faces his own family footage
Ross McElwee's documentaries have always been personal. After his son died, he wondered if it was all worth it.
Comedy icon Lynne Marie Stewart's last film was 'The Dink,' and Josh Greenbaum made sure she saw it
From "Pee-wee's Playhouse" to "It's Always Sunny" and now Apple TV's hilarious pickleball comedy.
Andy Burnham and the rise of ‘aura farming’ in politics
Is “aura farming” the new political superpower? There are some days in TV news when you find yourself standing in the middle of a farm, surrounded by baby goats, trying to explain internet slang. Subscribe This was one of those days. There I was, in wellies, trying to unpack aura farming - a Gen Z term for carefully cultivating your image online so that you look effortlessly cool, authentic and charismatic. The trick, apparently, is that it can’t look like you’re trying too hard. Which, I’ll admit, felt slightly ironic as we filmed an entire report on a farm purely because the word farming is in the title. ‘Shaped by algorithms’ Whether you like it or not, politics increasingly feels like it’s being shaped by algorithms as much as manifestos. Take Andy Burnham. Since arriving at Number 10, he’s been impossible to miss online. One minute he’s out for a casual jog with Mo Farah. Next he’s announcing policy alongside TikTok high priestess Bus Aunty. His social media paints a very deliberate picture: less polished Westminster operator, more bloke from the North who just happens to be running the country. It’s not accidental. Burnham’s “King of the North”, New Order-loving persona has become part of a carefully constructed political brand. Authenticity is now something politicians work incredibly hard to make look effortless. But Burnham isn’t inventing this playbook. Like so many of us doomscrolling on an evening, he’s been influenced online. The digital strategy of New York Mayor Zohran Mamdani, pictured above right, has become a case study in viral political communication, and some of the people behind that campaign have recently been advising the Labour Party in Britain. Their message is simple: if you want to reach younger voters, you need to show up where they already spend their time. Embracing content creators And increasingly, that doesn’t mean traditional news interviews (awkward). It means speaking to content creators like Max from The Career Ladder, whose channels reach around 20 million followers worldwide. His interview with Burnham, pictured below, was posted almost immediately after he became Prime Minister. What struck me wasn’t just the audience size, but something Max told me afterwards: many people in the comments said they’d discovered Britain had a new Prime Minister through his interview. Think about that for a moment. Not through rolling news. Not through newspapers. Through a creator they were already following while scrolling. Share That’s a profound shift in how political information reaches people, one that’s been gathering momentum for some time. It also explains why politicians are embracing content creators and spending millions on digital marketing. Of course, this isn’t unique to one party. ‘Personality before policy’ In many ways, the right were quicker off the mark in building their aura online. Donald Trump built much of his political identity on social media. Nigel Farage remains one of Britain’s strongest political performers on TikTok. Politicians across the spectrum now understand that personality often reaches people before policy does. During a six-week UK general election campaign alone, overall digital ad spending routinely tops £11m. Share Channel 4 News Former Number 10 social media adviser Andrew Wong put it well when he told me that “vibes” can help someone get noticed, but they only work if they’re rooted in a genuine personality. Force it, and audiences spot it instantly. The bigger question is whether internet charisma can backfire on you - especially when you’re Prime Minister. Because behind Burnham’s carefully curated videos is a veteran politician with decades of Westminster experience. The spontaneity is produced. While the authenticity may be genuine, it’s managed. That’s not necessarily a criticism. It’s simply the reality of modern political communication. Aura farming alone is not enough to harvest change. But in the age of algorithms, winning attention may be the first battle. Subscribe Share Channel 4 News Leave a comment
Christopher Nolan found this David Lynch movie ‘laborious’ to sit through: ‘I cannot say that I enjoyed the film’
‘The Odyssey’ director Christopher Nolan found this David Lynch cult classic ‘laborious’ to sit through the first time: ‘I cannot say that I enjoyed the film.’
John Cusack makes rare comment about why he pivoted away from film career
The star of “High Fidelity” and “Say Anything” was promoting his new graphic novel that required “no committee.”
John Cusack makes rare comment about why he pivoted away from film career
Actor John Cusack explains why he’s not working as much in Hollywood these days
‘Hadestown: The Musical’, ‘Motor City’, Films By Nicolas Winding Refn, Hirokazu Kore-Eda, More In Indie Rush
The busiest weekend for indie film openings in weeks has a mix of wide and limited releases, narrative features and docs, genre, special engagements and festival fare from Berlin, Cannes and Venice (2...
Diane Raver Named One of NJBIZ's 2026 Leading Women in Business
As New Jersey's film and television industry experiences unprecedented growth, one of the leaders helping shape its future has earned statewide recognition. Diane Raver, executive director of the New Jersey Film Academy at Brookdale Community
Inspiration for film ‘Safety’ is tourney’s special guest
VOLUNTEERS OF AMERICA COLORADO Denver News: Ray McElrathbey, a former Clemson University football player whose story of fighting to keep his brother out of foster care inspired the Disney+ movie “Safety,” will be the special guest when Volunteers of America Colorado hosts its 23rd Legends Golf Tournament. The Sept. 9 event will be held at Sanctuary, 7549 Daniels Park Road, […]
Comic-Con 2026 Panels, Activations, Cosplay & Convention Floor
San Diego Comic-Con's features Hall H panels, exclusive previews, world premieres and cast appearances from film, TV and gaming
Meta Toes the Line on Smart Glasses Harassment With New Instagram Ban
It's now a bannable offense to use Meta's smart glasses to film and post videos of harassing prank videos.
Dove Block seeks submissions for annual Short Film Festival
GENEVA — The Dove Block Project is seeking visionary storytellers to submit work to the third annual Dove Block Project Short Film Festival scheduled for Oct. 11 from noon to
Charli XCX moves beyond ‘Brat’ and nine more things you must hear this week
Britain's Charli XCX starts a new sonic era with "Music, Fashion, Film," leading a new releases week that includes titles from Shania Twain, O.A.R. the Strokes, Cypress Hill, Brantley Gilbert and more, a posthumous set from the Mavericks' Raul Malo and a Tony Award-winning musical's cast album.
‘Seinfeld’ Star Apologizes For Filming ‘Inappropriate’ Sketch With Minor
Jason Alexander apologized after Stodden wrote on Instagram that her body “became part of an adult joke” during their 2012 skit when she was a minor.
Former ‘Bachelor’ producer relearned how to walk after near-fatal brain aneurysm
Former ‘Bachelor’ producer Desiree Duckett relearned how to walk after the near-fatal brain aneurysm she suffered while filming Joan Vassos’ season of ‘The Golden Bachelorette.’
'The Super Mario Galaxy' Movie Returns Atop U.K. Home Entertainment Sales Chart Through July 22
Universal’s The Super Mario Galaxy Movie returned atop of the Official Film Chart, the U.K.’s weekly home entertainment sales chart, through July 22. The former chart topper in June, the animated family adventure held off the transactional debut of A24’s box office sleeper hit Backrooms, which debuted at No. 2. The sci-fi horror, which taps into … Continue reading "‘The Super Mario Galaxy’ Movie Returns Atop U.K. Home Entertainment Sales Chart Through July 22"
Kaylee Hottle, deaf 'Godzilla' actor, killed in car crash at 18
Kaylee Hottle, a deaf actor known for her roles in two “Godzilla” films, has died in a car crash in Maryland. She was 18. The Frederick County Sheriff's Office reports
Kaylee Hottle, deaf 'Godzilla' actor, killed in car crash at 18
Kaylee Hottle, a deaf actor known for her roles in two “Godzilla” films, has died in a car crash in Maryland. She was 18. The Frederick County Sheriff's Office reports
Neill Blomkamp’s new zombie AI ‘film’ is just slop warmed over
AI text-to-video generators still can’t churn out quality films.
Kaylee Hottle, deaf \'Godzilla\' actor, killed in car crash at 18
Kaylee Hottle, a deaf actor known for her roles in two “Godzilla” films, has died in a car crash in Maryland. She was 18. The Frederick County Sheriff's Office reports
Movie Review: Pickleball is the star of the sports comedy ‘The Dink’
It’s a lighthearted watch that balances silliness and heart.
What to stream: ‘The Dink,’ ‘Stuart Fails to Save the Universe’
Charli xcx's new album and a pickleball movie starring Jake Johnson are some of the new television, films, music and games headed to a device near you.
Sight & Sound\'s productions will stream on Prime Video through Wonder Project
There will soon be yet another way to watch Sight & Sound's films and filmed productions from the comfort of your own home.
Jen Landon recalls cow kicking ‘Yellowstone’ costar in the face
‘Yellowstone’ stars Jen Landon and Ian Bohen recall him being kicked in the face by a cow while filming the TV drama.
UFC Freedom 250 Fails to Knock Out The Ratings
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) If UFC fans wanted one image to say, “Hey, Paramount+ is crushing it with their UFC rights deal,” I could provide that image. Here it is: (Reminder: this is my creation of the Nielsen Top 30, since Nielsen doesn’t combine the lists or include sports. I take all three lists and combine them. Some streaming TV shows probably have higher ratings than many of the films on this list.) Look at that! UFC Freedom 250 is number one! It topped the Nielsen “Top 30” list for shows and films that made the top ten the week of 15-June. So if you’re a UFC fan or supporter of Paramount+, that’s the good news for you this week. This program topped the ratings charts for one week. Everything else is bad news, or at least a huge caveat to that story, which I’ll explain today in the first part of this week’s Streaming Ratings Report—for the weeks of 8-June and 15-June—which is a double issue since I’ve been writing on a bunch of topics recently. UFC Freedom 250 is one of the biggest streaming events of the year, and super relevant to Paramount+’s strategy, so it merited its own article. Let’s dive in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of June 8th to June 21st 2026. You can find a link to my terminology here.) Subscribe Check Out My Interview on UFC 250 at MMA Draw After you read this article, if you want even more thoughts on UFC and Paramount-Skydance/Paramount+, I did a written interview with MMA Draw. They asked me to answer some questions about UFC Freedom 250, and I was happy to chat with them. Find it here: [ The MMA Draw Newsletter Did Paramount really overpay for the UFC? What the data tells us so far If you know the history of American television, you also know that combat sports is often a leading indicator of the future… Read more a day ago · 10 likes · 1 comment · Nate Wilcox and Zach Arnold ](https://www.themmadraw.com/p/did-paramount-really-overpay-for?utm_source=substack&utm_campaign=post_embed&utm_medium=web) I never thought I’d need a combat sports newsletter in my life, but the good folks at MMA Draw publish an excellent one on UFC, MMA, pro wrestling, boxing and more, analyzing both the sports themselves and the politics, economics and antitrust issues that impact them. Check the article and their newsletter out! Paramount+ Has Its Best Sporting Event of All Time…But Was It Worth It? Before we look at the UFC Freedom 250 data in particular, let’s talk about what we can’t say. Namely, let’s start with the lack of comparisons. First off, I’d love to put a chart out comparing this fight to past UFC fights on Paramount+…but we don’t have the data. This is the first time we’ve gotten Nielsen data about a Paramount+ UFC fight. As far as I can tell, Paramount provided data for the first fight, but it was a proprietary datecdote (saying it had “an average minute audience” of 5 million “views”) and then, for two fights, we got the linear viewership numbers when they aired on CBS, but no streaming data. Everything else was crickets. We also can’t compare this fight to other fights/combat sports on streaming, in particular the MMA and boxing, because Netflix also didn’t use Nielsen to track those events, opting for TVision and VideoAmp, respectively. (This isn’t Paramount’s fault, but does still suck.) We also can’t compare to UFC’s fights that used to be on ESPN+, since we don’t have any data for that, plus Disney+ didn’t have marquee fights. The comparisons would not be apples-to-apples. Can we compare to past Pay-Per-View fights? Absolutely not. The comparisons would absolutely NOT be apples-to-apples. That didn’t stop Paramount+, though, who bragged that their UFC events have reached drastically more people than past PPV fights. Duh. Sorry, but I gotta make this point again. A basic tenet of economics is that the cheaper something becomes, the more people consume or buy it. That’s Econ 101. (Sometimes pundits call things “Econ 101” that are actually like Econ 210 or even PhD-level economics, but no, this is really like first or second class basic economics.) Yet I still see one analytics firm consistently say that more people watch films on streaming than PVOD proves streaming which means that the streaming window is more valuable than the PVOD window. No, it’s not! Same thing here. Pay-Per-View events back in the day could be really, really, really expensive! So whole groups of people pitched in to buy them. That increased the perceived value of, say, the Mike Tyson fight. Or a UFC numbered event. So yes, the fact that Paramount+ makes numbered UFC fights essentially “free” if you’re already a Paramount+ member means consumption will go up. Obviously. Same for Netflix and their boxing matches. They’re talking about fights that used to cost consumers, in some cases, $50 in 1996…which is over $100 in today’s dollars. Over 1.6 million people paid that to watch the Tyson-Holyfield fight! Again, streaming is essentially “free”. Or $10 to $20, depending on what streamer we’re talking about and what tier you’re on. No wonder more people are “watching”. (Plus, Nielsen’s out-of-home viewing also helps these numbers.) UFC Freedom 250 Did Well…But I Have A Lot of Worries So what can we compare the fights to? Well, the good news is Nielsen put out that the fight averaged 7.0 million viewers for UFC Freedom 250, which is a solid number for a fight. We also know the length, at roughly 4 and a half hours. (I saw different run times, but this seems to be the consensus considering it started at 8 pm, had a delay and then finished after midnight on the East Coast. If you assume a shorter run time, then yes, the total hours viewed would go down.) That means I have the two numbers needed to add this to my Nielsen database. And then…I can compare this viewership to the NFL: And, uh, not great. But also within striking distance, mainly because the runtime for this event was so long. I’d also add that this event had viewership equal to a regular season NFL game on streaming, but if anything, it was more comparable to an NFL playoff or Super Bowl-esque event. And you can compare viewership to the top football games on broadcast, cable and streaming, and it’s not impressive at all: We can also compare it to other sports that week, including the NBA Finals and start of the World Cup: Again, not great. The NBA generated roughly four times as many average viewers each game for its NBA Finals. The World Cup has similarly big numbers. Also, that’s just a tiny fraction of the 25 most watched sporting events each week. The NBA, NHL and FIFA World Cup had many, many more games racking up hours. We could also compare this to other streaming programs to get an idea of “is this a good investment?” and here is how it ranks compared to other top Paramount+ programs: The worry here? Well, unlike scripted programming, which has rewatchability, older fights/sporting events have very little library value. Very, very few people are rewatching these fights, especially years from now. Paramount has also released datecdotes bragging about their subscriber numbers. Earlier this year, they claimed that the first UFC fight on Paramount+ brought in 1 million subscribers. Then, in their quarterly earnings report, they only ended up with 700K subs. Not great! They claimed they dropped lower-value international subscribers, but that’s why I tend to discount subscriber additions when they’re leaked to the press.1 I expect we may see a bump again for UFC Freedom 250, but I’d caution using subscriber growth so soon after these events to judge the success, since new subs with high churn (see Peacock) aren’t great either. Also, analysts often want to attribute all subscriber growth to their favorite/pet show, and that just doesn’t make sense. The biggest caveat for UFC Freedom 250 and Paramount’s very first UFC marquee event is that these could be high watermarks for the sport. UFC Freedom 250 had an incredible amount of earned media coverage compared to most UFC fights. I mean, it had wall-to-wall national news coverage in the lead up to the event. (The first fight also had a lot of promotion from Paramount since it was first.) Other fights could reach this bar—say the Conor McGregor return to the Octagon—but they’ll be fewer and far between. Was This Deal Worth It? All to ask: is this Paramount deal worth it? In this case, I think the UFC Freedom 250 numbers are more distracting than helpful. This fight did well and compares well to other top sporting events. But we know that the first marquee event was at least a third smaller, if Paramount’s own data is to be believed. And it’s likely the other fights are much, much, much smaller. And then you get to the paycheck that Paramount-Skydance paid. FIFA’s World Cup cost about the same for Fox, but clearly generated multiples more total viewership. (Though it’s only every four years.) The NBA is much more expensive, but until the playoffs, they likely didn’t pay for itself. Even still, Disney, NBCUniversal and Amazon Prime Video likely overpaid. So, in that context, the NBA may be an overpay that makes the UFC look not so bad. But two overpays don’t make an underpay, to paraphrase the old cliché about wrongs and rights. And looking at UFC Freedom 250 as the likely ceiling of MMA on Paramount+, Paramount-Skydance likely paid too much. Share 1 I would love regular reports on subscriber additions by programs, but as is, it’s mostly leaked or rumored in haphazard ways.
Introducing: Breitling Top Time B01 Chronograph 41 Tribute To Aston Martin DB5
Breitling leans into the shapely Top Time chronograph's cushion case in a tribute to the mighty Aston Martin DB5 (and a nod to its Bond-film links, too).
What does 'The Odyssey' translator Emily Wilson think of Christopher Nolan's film?
If someone knows the text, it's Emily Wilson.
Media and entertainment commissioner talks new vertical video film festival
Watch the full interview here.
‘The Odyssey’ cast go behind the sacking of Troy
‘The Odyssey’ cast go behind the sacking of Troy, filming inside the wooden horse, and the moment that surprised Matt Damon.
AMC Entertainment Attracts More Than 4.3 Million Moviegoers Worldwide as THE ODYSSEY Delivers the Biggest Opening Weekend for an R-rated Film Across AMC’s U.S. Circuit Since 2024
AMC Entertainment Holdings, Inc. (NYSE: AMC), the largest theatrical exhibitor in the United States and the world, today announced that more than 4.3 million...
AMC Entertainment Attracts More Than 4.3 Million Moviegoers Worldwide as THE ODYSSEY Delivers the Biggest Opening Weekend for an R-rated Film Across AMC’s U.S. Circuit Since 2024
LEAWOOD, Kan., July 20, 2026--AMC Entertainment Holdings, Inc. (NYSE: AMC), the largest theatrical exhibitor in the United States and the world, today announced that more than 4.3 million moviegoers attended AMC Theatres in the United States and ODEON Cinemas internationally from Thursday through Sunday, led by the opening of Christopher Nolan’s THE ODYSSEY.
Commentary: Hollywood's guaranteed paydays for stars are bad bets now
Rather than making a summer splash, Disney’s live-action "Moana" remake floundered at the box office. Opening with $43 million domestically against a $250 million production budget, the film is already
Commentary: Hollywood's guaranteed paydays for stars are bad bets now
Rather than making a summer splash, Disney’s live-action "Moana" remake floundered at the box office. Opening with $43 million domestically against a $250 million production budget, the film is already
‘Shrimad Bhagavatam’ Anchors Sagar Pictures Entertainment’s Global Push, Indian Studio Confirms (EXCLUSIVE)
Sagar Pictures Entertainment (SPE) has confirmed the launch of a global studio business, moving beyond film and television production into an intellectual property-led growth strategy spanning gaming,...
AMC Entertainment Attracts More Than 4.3 Million Moviegoers Worldwide as THE ODYSSEY Delivers the Biggest Opening Weekend for an R-rated Film Across AMC’s U.S. Circuit Since 2024
Six U.S. AMC locations operated around the clock throughout the weekend, running THE ODYSSEY showtimes for more than 85 consecutive hours to…...
The Most Successful Movie Of The Year Is Dominating Peacock
The Odyssey, Spider-Man, The Avengers, no one can dethrone this film from the top of the mountain and now it's on Peacock.
Not Greek to them. Scholars question Christopher Nolan\'s \'The Odyssey\'
Greek translator Emily Wilson finds the release of Christopher Nolan's film “The Odyssey” both gratifying and unsatisfying. Her 2017 translation of Homer's epic has surged in popularity. Nolan even cited
Tom Cruise and Half of Hollywood Lit Up the 2026 World Cup Final
The movie star, who is promoting the heck out of his new film “Digger,” put his stamp on Sunday’s World Cup final, and was joined by half of Hollywood.
Kodak EC35 is a dirt-cheap point-and-shoot film camera
The film photography renaissance continues and gets more affordable.
Christopher Nolan's 'Odyssey' debut breaks major box office record
Is Christopher Nolan the most reliable director working today? With his latest film, the Oscar winner has pulled off a feat that few filmmakers can.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
1994 Classic, Originally a Box Office Flop, Ranked the 'Best Movie of All Time'
Among film fans, no topic is more hotly debated than the subject of what the greatest movie ever made is. While there will never be an official answer to such a subjective topic, a massive fan vote ha...
Star Trek: Why Do The USS Voyager's Nacelles Fold?
Nacelles, the tube-shaped engines on a Starfleet vessel, don't typically fold, but the USS Voyager is an exception. Here's why that ship is different.
How Adam Sandler Apparently Wants To Help Travis Kelce's Acting Career
So are we getting Kelce in a Grown Ups film?
Where Was ‘The Odyssey’ Filmed? All About the Surprising Destinations Featured in Christopher Nolan’s Movie
Christopher Nolan’s ‘The Odyssey’ was shot across five European countries. Here’s everything to know about where ‘The Odyssey’ movie was filmed.
Column: My favorite films of 2026, so far
In general, the highest-quality movies are usually reserved for the end of the year as we head towards awards season. But there are movies releasing every week of the year,
First look at Priyanka Chopra Jonas in ‘RRR’ director SS Rajamouli’s ‘Varanasi’ (exclusive)
See an exclusive first look at Priyanka Chopra Jonas’ character, Mandakini, in the new film from ‘RRR’ director SS Rajamouli.
In new documentary, Mario Cuomo is a stark contrast to today's Catholic politicians
In the forthcoming documentary "Mario," which recently debuted at the Tribeca Film Festival, the Catholic faith of former New York Gov. Mario Cuomo takes center stage.
The Odyssey Fans Say The Movie Needs An Epilepsy Warning
Christopher Nolan’s latest film has one segment that fans are warning new viewers about
Ron Howard describes ‘intense’ filming experience on John Wayne’s last movie
Howard and Wayne starred in the 1976 movie “The Shootist” together along with Lauren Bacall and James Stewart.
Every Christopher Nolan movie ranked, including ‘The Odyssey’
Nolan’s 13 films changed the ambitions of the blockbuster. Here’s how "The Odyssey" and all the rest stack up.
Matt Damon gets caught not knowing his ‘Odyssey’ costar Zendaya’s last name
Zendaya and Matt Damon both star in ‘The Odyssey,’ but he struggled to summon her last name while promoting the new film: ‘Uhhhh…’
Urban Renaissance Entertainment Announces Marcus Nel-Jamal Hamm's Expanded Role on Merry F-ing Christmas and New Creative Partnership with Tiffany Toney
Filmmakers Tiffany Toney and Marcus Nel-Jamal Hamm join forces on Merry F-ing Christmas.LOS ANGELES, July 16, 2026 (GLOBE NEWSWIRE) -- Urban Ren...
What to Stream: 'Heartstopper Forever,' 'Lucky' and Steve Lacy
A new album from Steve Lacy and the conclusion of the “Heartstopper” series are some of the new television, films, music and games headed to a device near you.
Tom Holland says he took 'The Odyssey' role because of Zendaya
Tom Holland said the film's production initially overlapped with the next "Spider-Man" movie.
Andy Serkis defends all-white ‘Lord of the Rings’ ensemble, says casting wasn’t ‘politically correct’
Andy Serkis says he didn’t take a ‘politically correct just-casting-for-the sake-of-casting-and-ticking-boxes’ approach to all-white ensemble of his upcoming ‘Lord of the Rings’ film, ‘The Hunt for Gollum.’
The States Try to Topple WarnerMount…Thus Begins the Local Antitrust Era
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) Well, it looks like it’s time for another strategy column. Can I finally avoid writing about M&A? No, it seems I cannot. Admittedly, I’m a week early with this column, since I usually put it out every other week. But this news couldn’t wait. This will make three “Most Important Stories” in a row with a merger or acquisition as its centerpiece. First, Roku-Fox (an acquisition), then Comcast-NBCUniversal (a divestment!), and now the State AGs and the WGA’s lawsuits against Paramount’s pursuit of Warner Bros. Discovery (antitrust). M&A is usually the “most important” topic any given week, simply because a giant company merging or breaking up (or preventing those outcomes) can have the biggest impact on the streaming board. If you think about these companies as players in a game, changing the number of players is one of the biggest changes you can make. I shouldn’t really complain, either, since this lawsuit is very good news for customers and suppliers (econ speak for talent, workers and indie studios in Hollywood). So let me answer some questions about this potential trial, along with (shudder) making some heavily caveated predictions. I’ll also look at whether Hollywood must consolidate, whether or not the states can win, trouble at X-Box, Netflix’s YouTube binge, and more. Plus, I have five images that visualize this merger and the harm, including three brand new data looks you’ve never seen before. Subscribe Most Important Story of the Week - Can The States and the WGA Stop Hollywood’s Consolidation (Crisis)? If every other newsletter and news outlet is writing about the same story, I try to avoid writing about it as well, but I can’t ignore a story this consequential. The story of the last year was the fate of Warner Bros. Discovery, and this development potentially extends that saga into 2027. As I tried to figure out my angle, I realized, like my last column, I’m again faced with a series of questions. These questions, though, are much more forward-looking. Will the states win? Will the WGA win? If so, what happens to Warner Bros. Discovery? Either way, will this chill the market for future mergers? So you know what that means: predictions. About the future, no less, the hardest thing to predict.1 Just remember: nothing here comes with a guarantee. And the more confident someone is in their predictions, the less you should trust them. This situation is incredibly fluid, nuanced, uncertain and tenuous. So let’s try to explain what may happen. Question: Why File this Lawsuit? I’ll admit, a few months back, I was fairly pessimistic about the fate of this lawsuit. Rumors had started bubbling up that the state Attorneys General (in particular California) wanted to settle with either some minor divestments (usually CNN) or behavioral remedies. And that tracked for me: the states usually settle lawsuits, like the recent John Deere right-to-repair suit. Yet, they plan to fight this. (As they did the LiveNation-Ticketmaster monopolization trial and the Nexstar-Tegna merger.) Honestly, that also makes a ton of sense. Frankly, this move is just good politics for these State AGs. Most are still running for higher and higher office in blue states—some folks have emphasized that only Democratic AGs joined this suit, but given the Ellison/Trump ties, and fears of retribution, that tracks—and a high profile case like this will help them move up the electoral ladder, especially since Paramount and its leadership (the Ellisons, father and heir) have sided with the other side of the political aisle. That makes them unsympathetic to Democratic voters and Hollywood workers in particular. Why did this lawsuit happen? In addition to the very real concerns about industry consolidation, this is why. That said, I don’t think we would have seen this lawsuit for Netflix and Warner Bros., simply because they’re more sympathetic and aligned with Democrats. But those consolidation concerns are real. The “town”—meaning Hollywood and such—really is seeing the damage of mergers on this industry. That’s why the WGA also filed its own lawsuit in defense of workers as well. (Wildcard: What about Europe? Will they try to stop the deal, too? There have been some rumors out of the UK they may try to fight the deal, and UK enforcers just stopped a Getty Images-Shutterstock tie up, so there is precedence. This argument could go either way, though. On one hand, the EU doesn’t need to step in, cause they states are handling it. On the other hand, this could make the EU’s case easier. Just imagine if both sides coordinated. I’ll simply say, “We’ll see!”) Question: Will The State AGs or the WGA Win? Can the state AGs play David to Paramount-Skydance’s Goliath here? That’s really the whole thing, isn’t it? If you know this result, you could make a lot of money. When things are uncertain, it’s tempting to shrug and say, “Eh” meaning it’s a 50/50 proposition. I wouldn’t, though. When in doubt, you should expect that the merging parties succeed. AT&T did successfully buy Warner Bros., after all, and Disney bought Fox without any challenges. Many judges are extremely sympathetic to mergers, and I’d bet the state AGs get a judge who will allow the merger. (Even Obama-appointed judges often allow mergers.) As I understand it, we’ll see two main attacks. First, theatrical films. The AGs are arguing that, when it comes to share of box office and the number of both “wide releases” and blockbuster (or “tentpole”) films, the merging parties will have over 27% market share. Now, the Supreme Court once ruled from on high that any merger that exceeds 30% is presumptively illegal, but that’s guidance, not an ironclad bar. Still, the states will have to argue that this is close to having too much power, and with that power, this will likely further worsen the theater/studio splits in particular. Indeed, as Matthew Stoller pointed out, “just five studios are responsible for 95% of all blockbusters; if this merger goes through, then Paramount and Disney will control 60% of that.” So yes, movie studios will be very concentrated after this merger. Want me to visualize some of that? Well, here’s the share of films that grossed over $200 million at the domestic box office since 2022. (Note: this isn’t all films released in over 3,000 screens, but it is a good look at market power.) First, here are the 43 films by studio: Notice all the blue (Disney), orange (Universal), and purple (Warner Bros)? Yeah, those studios are powerful, and this combines Paramount with one of them. Here’s the look by studio and share of the films that grossed over $200 million: Now, if you look at that and also think, “Huh, should we break up Disney?” I’m with you. I’ve seen some folks poo-poo this idea that this is a real category, but it is! For an upcoming article, I’ve been pulling data on the share of top 100 films at the box office as a share of total box office, and it’s massive. Here’s the chart: (This analysis looks at The-Number’s top 100 films and total domestic box office each year.) To be clear, tentpoles make up 80.7% of the box office each year, so I do think it’s a genuine market. (To be clear, films grossing over $50 million make up 80% of the domestic box office, and films grossing over $100 million make up 64.1%.) I mean, the top 100 films at the box office make up 95% of each year’s grosses. Worse, the combined studios will likely cut output to flex that market power. Everyone can just look at what happened to Disney and Fox to see the precedent. (With fewer films, the remaining theaters have to give more for those few films that remain.) Here’s an image I’ve used a lot, the share of wide-release films from Disney and Fox over time: The AGs will also argue that this consolidation will also impact the cable industry. In this case, the consolidation is actually worse, but that environment is…complicated. Paramount will argue that the cable industry is shrinking. That said, predictions that cable will “go to zero” also don’t look very well supported by the data, as the declines are shrinking, meaning “cable” or “vMVPDs” will likely stabilize at some point. Can the state Attorneys General win on those two main arguments? I honestly don’t know. Again, I’d bet no, since history in general supports that, but it depends on the judge/jury and how they interpret the arguments. Notably, Paramount won’t face accusations about monopoly power in other areas, like streaming, news, sports rights, or vertical integration. I tend to disagree with leaving out sports rights, but I also see the appeal for a simpler case. The states also aren’t really pushing novel theories about labor harm either, which should help. (By the way, Sean McNulty at The Ankler wrote a great run through of potential options, and Capitol Forum also wrote a great paper on theatrical consolidation. Both these pieces predated the lawsuit. Matthew Stoller is also out with his analysis of the pros and cons of the case too.) In some ways, the WGA’s case is even stronger. Quoting Sean McNulty’s summary: “The WGA is citing WARNAMOUNT as crossing a 30% market share in multiple sectors, a number that the Supreme Court has precedent for deeming “presumptively anticompetitive” in a market. According to the WGA numbers, WARNAMOUNT would have represented: - 35% of film writing jobs between 2021 and 2024 - 36% of TV writing projects between 2022 and 2025 - 38% of overall deals between 2021 and 2024” Notably, antitrust enforcers did win recently in the Penguin-Simon & Schuster merger by focusing on labor impact, so don’t count this thinking out. (Wildcard: Will the states try to get a jury trial? Most likely no, they’ll let a judge handle it. If I’m them, though, I’d try to put this in front of a jury. Juries tend to understand monopoly power in a more realistic way than judges faced with legions of economists.) Question: What if They Win? What if They Lose?
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