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Ten years of access to scientists: Astronomy on Tap returns to PYGMALION
When I think about space, the universe, and its vastness, I feel deep existential dread. We are but tiny blips. I have a lot of questions, and there isn’t an ask-an-astronomer hotline I can call, ...
Jameis Winston pins Giants' passing woes on early-down failures
New York Giants QB Jameis Winston feels the team's passing woes on Monday night were the result of early-down failures.
Bruce Hornsby talks hits, new album ahead of Iowa City show
Piano virtuoso Bruce Hornsby reflects on his hits, new album “Indigo Park,” and a freewheeling career ahead of his Sept. 30 concert with the Noisemakers at Hancher Auditorium in Iowa City.
Perkiomen's Patrese Feamster has "unfinished" business after committing to UMass
By Matt Allibone (@Bad2theAllibone) Patrese Feamster could have felt elated. He could have felt relieved. He had just accomplished a lifelong goal, after all. Instead, Feamster had a different feeling after committing to UMass earlier this month. The feeling is unfinished,” Feamster s
Position grades from the Patriots’ win over the Steelers
Our film review of each position group after the Patriots’ 20-3 win over the Steelers.
COVID vaccines for uninsured Tennessee kids in limbo amid federal delays
The federal government hasn't said if it will continue to provide COVID-19 vaccines to low-income kids through a free immunization program,
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
A Supreme Court order could upend the price of political ads on TV. Here’s how.
During one week in early September, Sen. Susan Collins (R‑Maine), one of her joint fundraising committees and a super PAC backing her campaign each bought airtime on a Portland TV station during “Wheel of Fortune.” For each 30-second spot, both Collins’ campaign and her JFC paid $2,200. The super PAC paid $10,000 – more than […]
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Rams bounce back as Giants reel from Dart injury
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Staff Takeaways: Fulham 1-1 Manchester United
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Big Discoveries Start Small: Enroll for 2027–2028 at Brooklyn Preschool of Science (sponsored) | Brooklyn Bridge Parents - News, Events and Family Services
Little hands. Big questions. A lifelong love of learning. At Brooklyn Preschool of Science, children’s natural curiosity starts an extraordinary early childhood experience. We are welcoming families for the 2027–2028 school year, and we invite you to tour our school and discover a place where your child can feel loved, build confidence, make friends, and find joy
Testudo Times Reacts Survey
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Whether you like it or not, celebrities have an impact on politics
The global groundswell of support for Macklemore’s pro-Palestinian advocacy serves to remind us that maybe celebrity activism really is that deep after all, writes Cheek’s Varsha Yajman. Subscribe In the last week, publications, podcasts, and influencers that have either rarely or never spoken about Israel’s genocide in Palestine have flooded my social feed. And it was all because singer Ed Sheeran and his team dropped Macklemore as his opener for saying “Free Palestine” on stage. Millions raised, millions speaking up in support of Palestine - all of this confirming my view that, whether I like it or not, celebrities do have an impact on political outcomes. And this is interesting when much of the time celebrity activism can induce an eye roll - I love to see Charli XCX pointing out a Palestinian flag in the crowd, but it’s hardly the bold symbol of allyship that some fans would make it out to be. But there’s a line between healthy scepticism and outright dismissal - and I’d argue that the latter lets the rich and powerful off far too easily. For instance, actress Jennifer Lawrence, once outspoken about her political views, last year told The Times she no longer believes celebrities have a role to play: “Celebrities do not make a difference whatsoever on who people vote for. So then what am I doing? I’m just sharing my opinion on something that’s going to add fuel to a fire that’s ripping the country apart.” While it’s a narrative she might find comfort in, it simply is not true. Grassroots movements often garner worldwide attention when celebrities and other high-profile spokespeople bring a mainstream platform to their causes. And this frustrates me. We have had three years of a live-streamed genocide. Macklemore himself has been calling for a Free Palestine long before he booked the Sheeran concert. Yet it’s the high-profile fallout of the last week that finally seems to have made saying “Free Palestine” socially acceptable in the mainstream. It feels like the collective mood has shifted, where calling out censorship is now the obvious response - not just the business of ‘radical’ activists. To recap, Sheeran’s decision followed an ultimatum from billionaire Robert Kraft, owner of Gillette Stadium, one of the venues Sheeran was scheduled to perform at: either drop Macklemore as your opener after only two of the eight scheduled shows, or you do not play at any stadiums. Sheeran’s disappointing decision to stand on the side of billionaire-led censorship has ultimately seen a surge in support for Free Palestine. It began when all his openers and his backing band pulled out of Sheeran’s tour, in solidarity with Macklemore and with the Palestinian cause. It was met with an uproar of support from those who had never or barely touched politics before: influencers lip-syncing to Macklemore’s music, singers like Jack Antonoff singing “Free Palestine,” and publications and podcasts standing with Macklemore. And finally, we saw material support: Macklemore donated $1 million in profits from his two nights opening for Sheeran’s tour to several Palestinian aid groups and called for Sheeran and Kraft to match it, which they have since promised to do. We’ve also seen children’s entertainer Ms Rachel follow suit with a $1 million donation to Palestinian aid, and publication PopBase has donated $10,000. Anera, a humanitarian aid group working in Palestine, Lebanon, and Jordan, said donations since Macklemore’s announcement were more than triple this month’s daily average. The group’s Instagram page has also gained 8,000 followers. Macklemore far from the first celebrity to speak and participate in politics in the Western World. In 1924, singer Al Jolson supported Republican candidate Warren G. Harding for president, and decades later, celebrities such as Harry Belafonte, Lena Horne, and Aretha Franklin voiced their public support for the Civil Rights movement. More recently, in the lead-up to the 2024 US election, ‘The Daily Show with Trevor Noah partnered with the organisation Power the Polls to recruit poll workers to address shortages- a problem disproportionately affecting voters of colour. The campaign saw 170,000 new sign-ups - 35,000 of which came directly through the TV show’s link - resulting in the recruitment of 713,000 total poll workers that year, an almost three-fold increase on the organisation’s goal. Alongside recruiting workers, celebrities in the US (where voting in elections is not compulsory) have made a huge difference by calling for people to register to vote. Taylor Swift’s endorsement of Kamala Harris in 2024 saw over 400,000 visitors on the voter registration site within 24 hours of her Instagram post. In 2023, Swift had urged her fans to register, resulting in 35,000 new voter registrations. Similarly, Ariana Grande promoted voter registration in 2019 by setting up booths at concerts on the American leg of her tour, resulting in over 33,000 voters registering. And the same thing is happening closer to home. This year, musician Jack River successfully called for government action to ensure creatives in Australia do not have their work scraped by generative AI companies. Celebrity as the mediator between the punter and the politician Celebrity activism isn’t just a feel-good news story - research tells us it actually makes a difference. By directing attention to issues affecting the average person, like voting inaccessibility or a lack of action on a genocide, researchers Alfred Archer and Amanda Cawston state that “celebrities can play a useful bridging role between political elites and the people they represent”. Alternatively, in a world where talking about politics is “not cool,” or where people lack exposure or knowledge to engage with politics, celebrities can act as an educational resource or an entry point into the political world - when they speak up about an issue, their audience gets exposed to it. Olivia Rodrigo’s Daisy Chain Fields festival is a perfect example. Rodrigo partnered with twelve organisations focused on women’s issues, such as reproductive rights. These organisations had stalls at the festival for people to meet them and were also featured heavily on social media, giving their issues global attention and raising $20 million for the organisations. We have also seen celebrities at award shows such as the Emmys wearing F*CK ICE pins, referring to the U.S. Immigration and Customs Enforcement’s treatment and detainment of people - generally people of colour. When celebrities speak up about political issues in public forums, they put the issue at the forefront of mainstream media, rally their supporters, and make it clear that, however much they disagree, the government cannot simply ignore it. Our over-reliance on celebrities versus our politicians As much as I love seeing my favourite celebrity use their platform for a good cause, there is an important question to ask: not whether celebrity activism is good or bad, but whether we should have to rely on celebrities. And the answer would, in an ideal world, be no. In an ideal world, or merely a just world, action on Palestine would’ve happened decades ago, climate change would be taken seriously, and most importantly, people would understand their democratic rights. However, that is not our reality. Only around 28 per cent of Australian Year 10 students reach proficiency in civics and citizenship. In the US, almost two-thirds of people under 30 say high school civics education didn’t prepare them to understand voting deadlines, how to research candidates, or how to vote by mail. When civics education is weak, our trust in these institutions and our understanding of change-making processes also decline. This is where celebrity steps in and becomes our main source of reliance. As Mary R. Connelly notes in _The Tartan, “_Celebrities will always be involved in campaigns in one form or another, but their presence is not what causes people to vote blindly. The lack of political engagement and literacy is what allows celebrities to wield their influence on the political sphere so impactfully.” About the author Varsha Yajman is the Digital Content Producer at Cheek Media. She is a youth advocate and lawyer with a background in climate litigation and is passionate about looking at the intersection between race, climate justice, and mental health. Thanks for reading Cheek Media Co. ! This post is public so feel free to share it. Share
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If you really hate it when music and film stars do politics, here’s the answer: give us politics that works
The problem is not famous people speaking out, as they always have. It is the feeling that leaders have failed, obliging celebrities to fill the vacuum, says Guardian columnist Nesrine Malik
Med Center Health 10K runners pounded the pavement Saturday
The Med Center Health 10K Classic, in its 47th year, was run Saturday , Sept. 19, 2026, at the Bowling Green Ballpark. The event featured a 10K wheelchair race, 10K race, 5K race and the Children’s Classic Run. Titus Winders won the men’s overall title with Corbin Harris coming in second and Wayne Blas third. Purity Sanga won the women’s overall title with Daisy Jepkosgei second and Rachel Tinius third. Matthew Porterfield won the wheelchair race with Matt Davis coming in second. Aerelle Jones won with 10K female wheelchair race. The top three male 5K winners were, in order, Lucas Page, Jay Beckner and Logan Rose. The top three female 5K winners were, in order, Sarah-Emily Woodward, Anna Cline and Autumn Tandy. (Joe Imel/Daily News)
Packers’ Matt LaFleur Under Fire Despite Snapping Losing Streak
CBS Sports' Garrett Podell argued Green Bay Packers head coach Matt LaFleur should be feeling the heat after an ugly 1-1 start to the regular season. The post Packers’ Matt LaFleur Under Fire Despite Snapping Losing Streak appeared first on HEAVY.
Lili Reinhart On The Love Hypothesis Book To Screen Changes: "You Can't Put Every Single Thing In"
The Love Hypothesis movie makes changes from Ali Hazelwood's book. Lili Reinhart breaks down what made the cut, what didn't, and if she feels pressure.
New England Patriots Starter Suffers Major Injury in Week 2
The New England Patriots were able to shake off their rough Week 1 performance with a dominant 20-3 victory over the Pittsburgh Steelers. While the team was able to look better this week, they have an injury to an important player on the offensive side of the ball. Let’s take a closer look at who […] The post New England Patriots Starter Suffers Major Injury in Week 2 appeared first on Gridiron Heroics.
Could a subscription model for health care cure our broken system?
What if, for $100 a month – less than many of us pay for cell service – you could go to the doctor anytime you feel sick?
Paved in frustration: Kings Highway businesses cite challenges of bridge reconstruction
A large-scale transportation project has some businesses in Nash and Texarkana feeling like they are on a rocky road.
Alec Pierce ruled out for remainder of SNF
Indianapolis Colts wide receiver Alec Pierce left the Week 2 game against the Kansas City Chiefs in the first half due to a left heel injury
90 Day Fiancé's Tell-All Made Me More Worried For Catie And Josh Than I Already Was
I can't act like I feel good about these two.
Alec Pierce injury update as Colts WR exits against Chiefs
The Colts lost top wide receiver Alec Pierce to a heel injury against the Chiefs. Here are the latest updates.
Steelers 2nd-Year Starter Calls for Changes After Patriots Loss
Pittsburgh Steelers left tackle Troy Fautanu called for offensive changes after losing to the New England Patriots on Sunday. The post Steelers 2nd-Year Starter Calls for Changes After Patriots Loss appeared first on HEAVY.
Charlize Theron on ‘The Odyssey’ Becoming Universal’s Highest-Grossing Movie and Raising Millions to Fight Femicide in Africa With CTAOP
Last week, Christopher Nolan’s “The Odyssey” became Universal Pictures’ highest-grossing film of all time, grossing $1.68 billion and counting. “I feel like I got a great invitation to the best party ...
Anomaly Craft Brewing no anomaly in Williamsport brewery scene
Williamsport, Pa. — After the first few weeks open for business in Williamsport, Anomaly Craft Brewing owner Nicholas Oliver says staff there already feels like part of the community.
Patriots defense finds the right formula in win over Steelers
The Patriots held their opponent to just three points in Week 2.
Patriots quietly make NFL history in blowout win over Steelers
New England became the first original AFL franchise to reach a remarkable win total.
Steelers offense not good enough: ‘That starts with me’
Pittsburgh Steelers head coach Mike McCarthy put the blame on himself for Sunday’s 20-3 loss to the New England Patriots.
Aaron Rodgers Makes Eye-Opening Admission After Patriots’ Defensive Clinic
Aaron Rodgers offered a blunt assessment after New England’s defense dismantled the Steelers at Gillette Stadium.
Studs and duds from Patriots' 20-3 win over Steelers
Who were the studs and duds from the Patriots' Week 2 win over the Steelers?
Mike McCarthy takes blame as Steelers offense sputters again
Mike McCarthy took responsibility after the Pittsburgh Steelers’ 20-3 loss to the New England Patriots. Here’s what he said about the offense, the lack of touchdowns and the adjustments Pittsburgh plans to make moving forward.
Nate Scheelhaase reflects on his debut as Rams’ offensive coordinator
The Rams didn’t play the way they hoped, but Nate Scheelhaase says the communication was just what the staff wanted.
Steelers HC makes shocking admission after blowout loss
After the Steelers blowout loss to the Patriots, Mike McCarthy admitted he wasn't shocked by how bad the offense was.
Steelers stock report after embarrassing loss to Patriots
Steelers stock report after Week 2 loss.
Steelers Struggle in Blowout Loss to Patriots in Week 2
The Pittsburgh Steelers had a rough loss in Week 2 to the New England Patriots.
Instant analysis from Patriots’ 20-3 win over Steelers
Observations from the 2026 home opener at Gillette Stadium.
Mike McCarthy takes blame for Steelers’ offensive struggles vs. Patriots
The Steelers’ new head coach and play caller was especially tough on himself following a big loss to the Patriots.
Williams injured as Bears shut down by Vikings
Caleb Williams suffered an injury as the free-scoring Chicago Bears were brought back to earth with a 9-3 defeat to the Minnesota Vikings on Sunday.In other early NFL action on Sunday, the New England Patriots bounced back from their opening loss with a clinical 20-3 defeat of the Pittsburgh Steelers at Gillette Stadium in Foxborough.
Scientists Digitize One of the World’s Rarest Animals Before It Disappears
Researchers have turned a fragile vaquita skeleton into freely accessible 3D models, preserving detailed anatomy as the porpoise nears extinction. Only an estimated handful of vaquitas (Phocoena sinus) remain in the shallow waters of Mexico’s northern Gulf of California, the only place this small porpoise lives. With the species nearing extinction, researchers have created a
Dakota Johnson hopes to start a family after career kept her 'gone for 20 years'
Dakota Johnson reveals she feels "a soul that wants to come through" as she opens up about hoping for motherhood before her "Verity" premiere.
Steelers offense gets dominated in 20-3 loss to Patriots
Steelers get stomped by Patriots, fall to 1-1.
Frank Mrvan talks steel industry, possible Chicago Bears move
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GOP Rep. Salazar says she spoke with Trump and he is ‘very receptive’ to her warning about Hispanic voters
GOP Rep. Maria Elvira Salazar Sunday said that President Donald Trump was “very receptive” to her warning that Hispanic voters feel “betrayed” by his immigration agenda ahead of the midterm elections.
Watch: Patriots RB TreVeyon Henderson torches Steelers on TD run
Patriots running back TreVeyon Henderson exploded for a 39-yard touchdown in Sunday's game against the Steelers.
Dre’Mont Jones exits Patriots vs. Steelers with shoulder injury
Jones was in serious pain.
Scientists Claim That Three Minutes With a "Donkey or Small Horse" Can Save Teenagers From Depression
Life got you feeling down? A donkey could be the solution to lifting your spirits, according to new research.
Patroits vs Steelers: Why is AJ Brown not playing today?
A.J. Brown will miss the New England Patriots’ Week 2 matchup after suffering a high-ankle sprain in his debut.
7 Sports Cars That Are More Practical Than The Mazda MX-5 Miata
The Mazda MX-5 Miata, for all its capability isn't always the most practical choice for interior space. However, these seven options retain the sports car feel.